Conceptual Color Photography
CONCEPTUAL STYLE
In 1967, artist Sol LeWitt wrote that in “Conceptual art the idea or concept is the most important aspect of the work.” He was giving a name to an art movement that had emerged in the 1960s in which artists were less focused on their medium being something traditionally “artistic” and instead engaged in using any object, movement, form, action or place to express an idea.
LeWitt’s work was featured alongside an assemblage of notes, drawings and outlines by other artists in “Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art,” a groundbreaking show at New York City’s School of Visual Arts curated by Mel Bochner, another leading exponent of Conceptualism. Building on radical 20th-century statements, like Fountain (1917) by French artist Marcel Duchamp, Conceptual artists around Europe and North and South America were not interested in the commercial art scene and rather directly challenged its systems and values.
Stretching into the 1970s, this movement has also been called Post-Object art and Dematerialized art. Conceptual art reflected a larger era of social and political upheaval. Pieces associated with the style range from Roelof Louw’s Soul City (Pyramid of Oranges) (1967) — a work of installation art that sees fresh oranges stacked into a pyramid from which visitors are allowed to take one orange away — to On Kawara’s “Today” series, which saw the Japanese artist carefully painting a date in white acrylic on canvases consisting of a single color from 1966 to his death in 2014. Artists such as Ed Ruscha, who created the Twentysix Gasoline Stations book — a collection of photos of gas stations that is widely said to be the first modern artists’ book — made photography a major platform for Conceptual art, as did Bruce Nauman, who burned one of Ruscha's books and then photographed it for his own.
Conceptual art’s legacy of questioning artistic authorship, ownership and how to work with complex ideas of space and time had a significant influence on the decades of culture that followed, and it continues to inform art today.
The collection of Conceptual photography, paintings and sculptures on 1stDibs includes artworks by John Baldessari, Jenny Holzer, Lawrence Weiner, Joseph Kosuth and others.
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Style: Conceptual
YES - large format photograph of conceptual motivational message sign at night
By Frank Schott
Located in San Francisco, CA
large scale original photograph from a series of conceptual motivational messages on iconic Americana signs in landscape of the American West
YES by Frank Schott
48 x 67 inches (122 x 171cm)
signed edition of 7
29 x 40 inches (74 x 102cm)
signed edition of 25
archival quality fine art pigment print
limited art edition published by Edition EKTAlux
artist signed + numbered certificate of authenticity
_______________
Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence.
Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels.
Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Ed Rusha...
Category
21st Century and Contemporary Conceptual Color Photography
Materials
Giclée
YES - large format photograph of conceptual motivational sign at night
By Frank Schott
Located in San Francisco, CA
large scale original photograph from a series of conceptual motivational messages on classic Americana billboard signs in iconic landscape of the American West
YES by Frank Schott
...
Category
21st Century and Contemporary Conceptual Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Back in 10 - large format photograph of conceptual message sign in landscape
By Frank Schott
Located in San Francisco, CA
large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West
BACK I...
Category
21st Century and Contemporary Conceptual Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
By the Sea Ltd Ed 1/25
By Phil Marco
Located in New York, NY
Ltd Ed 1/25. Face mounted Plexi. Aluminum Braced. Archival Print. Female form at the seashore, made to appear part fish.
ABOUT THE ARTIST
Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.”
“I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.”
Martin Scorsese.
Phil’s work is represented in MOMA, The Museum of the Moving Image,
and The George Eastman Museum of Photography.
His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...
Category
2010s Conceptual Color Photography
Materials
Giclée
Crushed Oil Can Ltd Ed 3/20
By Phil Marco
Located in New York, NY
Aluminum mounted giclee archival print. Ltd Ed 3/20. Sits about an inch off the wall.
ABOUT THE ARTIST
Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.”
“I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.”
Martin Scorsese.
Phil’s work is represented in MOMA, The Museum of the Moving Image,
and The George Eastman Museum of Photography.
His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...
Category
2010s Conceptual Color Photography
Materials
Giclée
Birth of Flight
By Phil Marco
Located in New York, NY
Aluminum mounted giclee archival print. Sits about an inch off the wall.
ABOUT THE ARTIST
Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.”
“I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.”
Martin Scorsese.
Phil’s work is represented in MOMA, The Museum of the Moving Image,
and The George Eastman Museum of Photography.
His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...
Category
2010s Conceptual Color Photography
Materials
Archival Ink, Giclée
Marshall - large format photograph of iconic cherry red Cadillac automobile
By Frank Schott
Located in San Francisco, CA
large scale photograph of iconic American vintage car with crimson red sheetmetal paint and custom logo tag
Marshall by Frank Schott
25 x 40 inches (64 x 102cm)
signed edition of ...
Category
21st Century and Contemporary Conceptual Color Photography
Materials
Archival Paper, Photographic Paper, Archival Pigment
MAYBE - large format photograph of conceptual motivational billboard at night
By Frank Schott
Located in San Francisco, CA
large scale photograph of a billboard signage against ultramarine blue night sky, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards ...
Category
21st Century and Contemporary Conceptual Color Photography
Materials
Photographic Paper, Giclée, Archival Paper, Archival Pigment
HOPE ( framed ) - 4 individual conceptual photographs spelling motivational word
Located in San Francisco, CA
large scale conceptual environmental still life photographs playing with viewer's perspective creating individual letters from found objects spelling the word HOPE
H-O-P-E by Christian Stoll
Incredible details in this body of work: focusing in on this epic photograph work, you will find yourself lost in the artwork's details. Reminiscent of the appropriation artwork of Vik Muniz, Christian Stoll arranges everyday objects to spell letters of the alphabet.
Only at close inspection does the viewer realize he/she is looking at an actual photograph, created in camera rather than with digital manipulation.
_________________________
Artwork can be installed vertically, horizontally, square or across multiple walls
4 individual photographs
individual artwork size
24 x 24 inches (61 x 61cm)
horizontal artwork composition
24 x 96 inches (61 x 244cm)
vertical artwork...
Category
21st Century and Contemporary Conceptual Color Photography
Materials
Archival Paper, Photographic Paper, Archival Pigment, Plexiglass, Archiv...
Hasengrab II, 1982, Color print, photograph, conceptual
By Joseph Beuys
Located in Milano, IT
Joseph Beuys, Hasengrab II, 1982, Color print on paper, 15 x 10.5 cm (paper), 27 x 22 x 3.5 cm (Frame), signed on front, Staeck Edition, Heidelberg.
Bibliography:
J. Schelmann: S. ...
Category
1980s Conceptual Color Photography
Materials
Postcard, Color
Body full of salt and pink water, lagoon, pop art, surreal photography.
Located in Carballo, ES
The photograph measures 50 x 50 cm. It is printed on matte Hahnehmühle paper.
The dimension of time for María Moldes (Pontevedra, 1974) is used as a weapon of resistance against wha...
Category
21st Century and Contemporary Conceptual Color Photography
Materials
Photographic Paper
Floor full of pink salt, yellow sponge, surreal shadows, coquette pop art.
Located in Carballo, ES
The photograph measures 40 x 60 cm. It is printed on matte Hahnehmühle paper.
The dimension of time for María Moldes (Pontevedra, 1974) is used as a weapon of resistance against wha...
Category
21st Century and Contemporary Conceptual Color Photography
Materials
Photographic Paper
Child bathing in the pink sea, imagination, creativity, pop art.
Located in Carballo, ES
The photograph measures 40 x 40 cm. It is printed on matte Hahnehmühle paper.
The dimension of time for María Moldes (Pontevedra, 1974) is used as a weapon of resistance against wha...
Category
21st Century and Contemporary Conceptual Color Photography
Materials
Photographic Paper
Palazzo Zenobio I
Located in Los Angeles, CA
signed and numbered on label, verso
Reinhard Görner, with his large format photographs orchestrates the monumentality of historical architecture, gardens, and masterpieces.
An act...
Category
21st Century and Contemporary Conceptual Color Photography
Materials
Archival Pigment
Deseo Insular X. Self Portrait. Limited Edition Color Nude Photograph
By Jose Sierra
Located in Miami Beach, FL
Deseo Insular X
Archival Pigment Print
Semi-Matte
Sheet size: 40 in. H x 24.62 in. W
Edition of 1/ 10 + 2AP
Unframed
2016
Other sizes are available.
All Prices are quoted as "initi...
Category
2010s Conceptual Color Photography
Materials
Color, Photographic Paper, Archival Pigment
FREE FROM ALL PERSISTANT PASSION _ 4
By Zhou Hongbin
Located in East Patchogue, NY
Size : 44 x 44 in. Limited Edition of 12, with a Certificate of Authenticity numbered and signed by the Artist.
Also available in 39 x 78 ' and 31.5 x 47 "
-> Print only (Archival ...
Category
2010s Conceptual Color Photography
Materials
Plexiglass, Photographic Paper, Archival Pigment, Digital Pigment
FREE FROM ALL PERSISTANT PASSION _ 13
By Zhou Hongbin
Located in East Patchogue, NY
Size : 44 x 44 in. Limited Edition of 10, with a Certificate of Authenticity numbered and signed by the Artist.
Also available in 36 x36 ' and 24 x24 "
-> Print only (Archival pigm...
Category
2010s Conceptual Color Photography
Materials
Archival Pigment, Plexiglass, Digital Pigment, Photographic Paper
FREE FROM ALL PERSISTANT PASSION _ 7
By Zhou Hongbin
Located in East Patchogue, NY
Size : 44 x 44 in. Limited Edition of 10, with a Certificate of Authenticity numbered and signed by the Artist.
Also available in 36 x36 ' and 24 x24 "
-> Print only (Archival pigm...
Category
2010s Conceptual Color Photography
Materials
Plexiglass, Photographic Paper, Archival Pigment, Digital Pigment
FREE FROM ALL PERSISTANT PASSION _ 8
By Zhou Hongbin
Located in East Patchogue, NY
Size : 44 x 44 in. Limited Edition of 10, with a Certificate of Authenticity numbered and signed by the Artist.
Also available in 36 x36 ' and 24 x24 "
-> Print only (Archival pigm...
Category
2010s Conceptual Color Photography
Materials
Plexiglass, Photographic Paper, Archival Pigment, Digital Pigment
Shadows on Paper, Nr 4 - Contemporary Abstract Blue Monochrome Photography
Located in Vienna, AT
Ulrike Königshofer
Shadows on Paper, Nr 4 - Contemporary Abstract Blue Monochrome Photography
Signed print, not framed
100 x 70 cm
Edition 2/3+1 AP
In her works, the artist Ulrike ...
Category
21st Century and Contemporary Conceptual Color Photography
Materials
C Print
Self Portrait #9 From La Piedra Sustituta II Series. Limited edition color photo
By Jose Sierra
Located in Miami Beach, FL
#9, 2020 by Jose Sierra
From "La Piedra Sustituta II" Series
Archival Pigment Print on Hahnemühle paper
Image size: 40 in. H x 25.6 in. W
Edition of 10 + 1AP
Unframed
Additional si...
Category
2010s Conceptual Color Photography
Materials
Color, Archival Pigment
Biblioteca Classense, Ravenna
Located in Los Angeles, CA
Biblioteca Classense
Ravenna, Italy
2022
62.5 x 50 inches
ed. of 10
$6,000
75 x 60 inches
ed. of 7
$9,000
87 x 70 inches
ed. of 5
$11,000
signed and numbered on label, verso
The...
Category
2010s Conceptual Color Photography
Materials
C Print, Lambda
Biblioteca Classense, Ravenna
Located in Los Angeles, CA
Biblioteca Classense
Ravenna, Italy
2022
62.5 x 50 inches
ed. of 10
$6,000
75 x 60 inches
ed. of 7
$9,000
87 x 70 inches
ed. of 5
$11,000
signed and numbered on label, verso
The...
Category
2010s Conceptual Color Photography
Materials
C Print, Lambda
Birds, Cibachrome Photograph Print, Signed Conceptual Art
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print)
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird.
Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA)
Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine.
Select Museums:
Museum of Contemporary Art, Taipei;
the National Portrait Gallery of the Smithsonian Institution;
the National Museum, Gdansk;
Museum voor Schone Kunsten, Ghent.
Select Collections:
Cincinnati Art Museum;
Deutsche Bank;
the Museum of Modern Art, Houston;
the Neuberger Museum of Art;
the Virginia Museum of Fine Art;
the World Bank;
the Yale University Art Gallery.
Select Commissions
the World Bank,
Memorial Sloan-Kettering Cancer Center
the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer)
Select Grants and Awards:
Fulbright Fellowship (2011),
Pollock-Krasner Foundation grant (2006–07),
New York Foundation for the Arts Artists’ Fellowship in Painting (1994).
MacDowell Colony (1995, 1992, 1986)
Yaddo (1997).
For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...
Category
1990s Conceptual Color Photography
Materials
C Print
Lift Off, Amsterdam, Photo Mosaic Collage Aerial Photograph, Female Aviator
By Vera Simons
Located in Surfside, FL
This one is in pink and turquoise depicts a clock over an aerial landscape of Amsterdam with a bicycle and is titled Lift Off Amsterdam.
SIMONS, Vera (1920 - 2012)
Vera Habrecht Simo...
Category
1970s Conceptual Color Photography
Materials
Laid Paper, Photographic Paper
Birds, Cibachrome Photograph Print, NFS Sample Conceptual Taxidermy Art
Located in Surfside, FL
This is a proof print. Stamped with the Muse X stamp and marked NFS.
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). M...
Category
1990s Conceptual Color Photography
Materials
C Print
Birds, Cibachrome Photograph Print, Signed Conceptual Art
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print)
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird.
Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA)
Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine.
Select Museums:
Museum of Contemporary Art, Taipei;
the National Portrait Gallery of the Smithsonian Institution;
the National Museum, Gdansk;
Museum voor Schone Kunsten, Ghent.
Select Collections:
Cincinnati Art Museum;
Deutsche Bank;
the Museum of Modern Art, Houston;
the Neuberger Museum of Art;
the Virginia Museum of Fine Art;
the World Bank;
the Yale University Art Gallery.
Select Commissions
the World Bank,
Memorial Sloan-Kettering Cancer Center
the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer)
Select Grants and Awards:
Fulbright Fellowship (2011),
Pollock-Krasner Foundation grant (2006–07),
New York Foundation for the Arts Artists’ Fellowship in Painting (1994).
MacDowell Colony (1995, 1992, 1986)
Yaddo (1997).
For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...
Category
1990s Conceptual Color Photography
Materials
C Print
Birds, Cibachrome Photograph Print, NFS Sample Conceptual Taxidermy Art
Located in Surfside, FL
This is a proof print. Stamped with the Muse X stamp and marked NFS.
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). M...
Category
1990s Conceptual Color Photography
Materials
C Print
Birds, Cibachrome Photograph Print, Signed Conceptual Art
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print)
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sh...
Category
1990s Conceptual Color Photography
Materials
C Print
Sign Of The Time - large scale photograph of conceptual motivational billboard
By Frank Schott
Located in San Francisco, CA
Large format photograph of a billboard signage in California desert landscape, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards cap...
Category
21st Century and Contemporary Conceptual Color Photography
Materials
Archival Paper, Photographic Paper, Giclée, Archival Pigment
Birds, Cibachrome Photograph Print, Signed Conceptual Art
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print)
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird.
Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA)
Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine.
Select Museums:
Museum of Contemporary Art, Taipei;
the National Portrait Gallery of the Smithsonian Institution;
the National Museum, Gdansk;
Museum voor Schone Kunsten, Ghent.
Select Collections:
Cincinnati Art Museum;
Deutsche Bank;
the Museum of Modern Art, Houston;
the Neuberger Museum of Art;
the Virginia Museum of Fine Art;
the World Bank;
the Yale University Art Gallery.
Select Commissions
the World Bank,
Memorial Sloan-Kettering Cancer Center
the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer)
Select Grants and Awards:
Fulbright Fellowship (2011),
Pollock-Krasner Foundation grant (2006–07),
New York Foundation for the Arts Artists’ Fellowship in Painting (1994).
MacDowell Colony (1995, 1992, 1986)
Yaddo (1997).
For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...
Category
1990s Conceptual Color Photography
Materials
C Print
Birds, Cibachrome Photograph Print, Signed Conceptual Art
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print)
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (she...
Category
1990s Conceptual Color Photography
Materials
C Print
Shadows on Paper, Nr 2 - Contemporary Abstract Blue Monochrome Photography
Located in Vienna, AT
Ulrike Königshofer
Shadows on Paper, Nr 2 - Contemporary Abstract Blue Monochrome Photography
100 x 70 cm
Edition 2/3+1 AP
Signed photo print, not framed
In her works, the artist...
Category
21st Century and Contemporary Conceptual Color Photography
Materials
C Print
Shadows on Paper, Nr 1 - Contemporary Abstract Blue Monochrome Photography
Located in Vienna, AT
Ulrike Königshofer
Shadows on Paper, Nr 1 - Contemporary Abstract Blue Monochrome Photography
Signed Print, not framed
100 x 70 cm
Edition 2/3+1 AP
In her works, the artist Ulrike ...
Category
21st Century and Contemporary Conceptual Color Photography
Materials
C Print
Shadows on Paper, Nr 2 - Contemporary Abstract Blue Monochrome Photography
Located in Vienna, AT
Ulrike Königshofer
Shadows on Paper, Nr 2 - Contemporary Abstract Blue Monochrome Photography
100 x 70 cm
Edition 2/3+1 AP
Signed photo print, not framed
In her works, the artist...
Category
21st Century and Contemporary Conceptual Color Photography
Materials
C Print
Sci Fi Close Encounters with Orange New York City
Located in Miami, FL
Conceptual Photographer Mitchell Funk created a Sci-Fi image 2 years before the iconic Close Encounters of a Third Kind was released in 1977. Funk's work is really two images combine...
Category
1970s Conceptual Color Photography
Materials
Archival Pigment, Archival Paper, Archival Ink
Faces, Vintage Color Photograph Digital Photo Collage Print Asian American
By Emily Cheng
Located in Surfside, FL
This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cubist, fractured way, with a woman (or man) holding a photograph over his/her face. It is a proof print and is not signed or numbered.
Emily Cheng (born in New York City, in 1953) is an American artist of Chinese ancestry. She is best known for large scale painting with a center focus often employing expansive circular images radiantly colored, radially composed.
Cheng received her BFA in 1975 from the Rhode Island School of Design and attended the New York Studio School. Cheng has exhibited widely in the US and in Asia. In 2011, Cheng created Charting Sacred Territories, an exhibition exploring world religions which opened in the Museum of Contemporary Art Taipei (MOCA) , Taiwan (2011) and traveled to Hanart TZ Gallery in (2015),
Shenzhen Art Museum, Shenzhen, China, (2015) and in Europe at the Palais Liechtenstein Feldkirch, Austria (2019).
Cheng has had numerous solo shows in the US and in Asia and is represented by Hanart TZ Gallery in Hong Kong. In 2007, Timezone 8 published a monograph of Emily Cheng titled, Chasing Clouds, a decade of studies, with essays by Kevin Powers and Johnson Chang. Emily Cheng has lived and worked in New York City since 1977 and teaches Asian Art History at the School of Visual Arts. Influenced by a wide array of eastern and western artists including Van Gogh, Gauguin, Manet and Giacometti as well as de Kooning, early Philip Guston and Jackson Pollock. Nicolas Carone and Leland Bell were both among her teachers as well as Elaine de Kooning.
Selected solo exhibitions
Ille Arts, Amagansett, New York,
Shenzhen Art Museum, Shenzhen, China, (2015)
Hanart T.Z. Gallery, Hong Kong,
Zane Bennett Contemporary, Santa Fe, New Mexico, (2013)
Museum of Contemporary Art (MOCA) Taipei , Taiwan (2011)
Louis Vuitton Maison, Kowloon, Hong Kong, (2010)
Ayala Museum Makati, Philippines, (2006)
Plum Blossom Gallery, New York, NY, (2004)
Schmidt/Dean Gallery, Philadelphia, PA
Byron Cohen Gallery, Kansas City, MO (2001)
Metropolitan Museum of Manila , Philippines (1997)
John Post Lee Gallery, New York, NY, Projects Room (1997)
Contemporary Arts Center , Cincinnati, Ohio, 1994
David Beitzel Gallery, New York, NY, (1992)
Lang & O'Hara Gallery, New York, NY,
The Bronx Museum of the Arts , Bronx, NY, (1989)
White Columns , New York, NY, (1985)
Selected group exhibitions
Art Basel Hong Kong , (Hanart Gallery) , Hong Kong, 2017
China Institute, New York, NY, 2014
Beijing Art Fair, Beijing, China, 2013
Museum of Chinese in America New York, NY, 2010
Kidspace, MASS MoCA , Williamstown, MA, 2010, 2005
Museum of Contemporary Art , Shanghai, China, 2009
Guangzhou Triennial, Guangdong, China, 2009
Museum of Art, Guangzhou, China, 2008
Contrast Gallery, Shanghai and Beijing, China, 2008
University of South Florida Contemporary Art Museum , Tampa, Florida, 2006
Hong Kong Arts Centre , Hong Kong, 2004
American Academy of Art , New York, New York, 2004
Longmarch Project, Beijing, China, 2002
Sotheby’s , New York, NY, 2001
Newhouse Center, Snug Harbor Cultural Center, Staten Island, NY, 2000
Katonah Museum of Art , Katonah, NY, 2000
National Academy and Museum, NY, 2000
Municipal Museum of Gyor, Hungary, 1999
New Museum of Contemporary Art , New York, NY, 1998
De Cordova Museum and the Computer Museum , Boston, MA, 1994
International Graphic Biennial, Muveszeti Museum, Hungary, 1995
Yerba Buena Center for the Arts , San Francisco, CA, 1994
Drawing Center, NY; traveled to Corcoran, Washington D.C., Santa Monica Museum of Art, Santa Monica CA; The Contemporary Art Museum St. Louis, St. Louis MO; American Center, Paris, France,
Cone Editions Gallery, New York 1990
Anina Nosei Gallery, New York, 1988
Greenville County Museum of Art , South Carolina, 1988
North Carolina Museum of Art ,
Hallwalls , Buffalo, NY, 1988
Grace Borgenicht Gallery , New York, 1986
Tibor de Nagy, New York, 1985
Asian American...
Category
1990s Conceptual Color Photography
Materials
Photographic Paper, C Print
Faces, Vintage Color Photograph Digital Photo Collage Print Asian American
By Emily Cheng
Located in Surfside, FL
This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cubist, fractured way, with a woman (or man) holding a photograph over his/her face. It is a proof print and is not signed or numbered.
Emily Cheng (born in New York City, in 1953) is an American artist of Chinese ancestry. She is best known for large scale painting with a center focus often employing expansive circular images radiantly colored, radially composed.
Cheng received her BFA in 1975 from the Rhode Island School of Design and attended the New York Studio School. Cheng has exhibited widely in the US and in Asia. In 2011, Cheng created Charting Sacred Territories, an exhibition exploring world religions which opened in the Museum of Contemporary Art Taipei (MOCA) , Taiwan (2011) and traveled to Hanart TZ Gallery in (2015),
Shenzhen Art Museum, Shenzhen, China, (2015) and in Europe at the Palais Liechtenstein Feldkirch, Austria (2019).
Cheng has had numerous solo shows in the US and in Asia and is represented by Hanart TZ Gallery in Hong Kong. In 2007, Timezone 8 published a monograph of Emily Cheng titled, Chasing Clouds, a decade of studies, with essays by Kevin Powers and Johnson Chang. Emily Cheng has lived and worked in New York City since 1977 and teaches Asian Art History at the School of Visual Arts. Influenced by a wide array of eastern and western artists including Van Gogh, Gauguin, Manet and Giacometti as well as de Kooning, early Philip Guston and Jackson Pollock. Nicolas Carone and Leland Bell were both among her teachers as well as Elaine de Kooning.
Selected solo exhibitions
Ille Arts, Amagansett, New York,
Shenzhen Art Museum, Shenzhen, China, (2015)
Hanart T.Z. Gallery, Hong Kong,
Zane Bennett Contemporary, Santa Fe, New Mexico, (2013)
Museum of Contemporary Art (MOCA) Taipei , Taiwan (2011)
Louis Vuitton Maison, Kowloon, Hong Kong, (2010)
Ayala Museum Makati, Philippines, (2006)
Plum Blossom Gallery, New York, NY, (2004)
Schmidt/Dean Gallery, Philadelphia, PA
Byron Cohen Gallery, Kansas City, MO (2001)
Metropolitan Museum of Manila , Philippines (1997)
John Post Lee Gallery, New York, NY, Projects Room (1997)
Contemporary Arts Center , Cincinnati, Ohio, 1994
David Beitzel Gallery, New York, NY, (1992)
Lang & O'Hara Gallery, New York, NY,
The Bronx Museum of the Arts , Bronx, NY, (1989)
White Columns , New York, NY, (1985)
Selected group exhibitions
Art Basel Hong Kong , (Hanart Gallery) , Hong Kong, 2017
China Institute, New York, NY, 2014
Beijing Art Fair, Beijing, China, 2013
Museum of Chinese in America New York, NY, 2010
Kidspace, MASS MoCA , Williamstown, MA, 2010, 2005
Museum of Contemporary Art , Shanghai, China, 2009
Guangzhou Triennial, Guangdong, China, 2009
Museum of Art, Guangzhou, China, 2008
Contrast Gallery, Shanghai and Beijing, China, 2008
University of South Florida Contemporary Art Museum , Tampa, Florida, 2006
Hong Kong Arts Centre , Hong Kong, 2004
American Academy of Art , New York, New York, 2004
Longmarch Project, Beijing, China, 2002
Sotheby’s , New York, NY, 2001
Newhouse Center, Snug Harbor Cultural Center, Staten Island, NY, 2000
Katonah Museum of Art , Katonah, NY, 2000
National Academy and Museum, NY, 2000
Municipal Museum of Gyor, Hungary, 1999
New Museum of Contemporary Art , New York, NY, 1998
De Cordova Museum and the Computer Museum , Boston, MA, 1994
International Graphic Biennial, Muveszeti Museum, Hungary, 1995
Yerba Buena Center for the Arts , San Francisco, CA, 1994
Drawing Center, NY; traveled to Corcoran, Washington D.C., Santa Monica Museum of Art, Santa Monica CA; The Contemporary Art Museum St. Louis, St. Louis MO; American Center, Paris, France,
Cone Editions Gallery, New York 1990
Anina Nosei Gallery, New York, 1988
Greenville County Museum of Art , South Carolina, 1988
North Carolina Museum of Art ,
Hallwalls , Buffalo, NY, 1988
Grace Borgenicht Gallery , New York, 1986
Tibor de Nagy, New York, 1985
Asian American...
Category
1990s Conceptual Color Photography
Materials
Photographic Paper, C Print
Faces, Vintage Color Photograph Digital Photo Collage Print Asian American
By Emily Cheng
Located in Surfside, FL
This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cubist, fractured way, with a woman (or man) holding a photograph over his/her face. It is a proof print and is not signed or numbered.
Emily Cheng (born in New York City, in 1953) is an American artist of Chinese ancestry. She is best known for large scale painting with a center focus often employing expansive circular images radiantly colored, radially composed.
Cheng received her BFA in 1975 from the Rhode Island School of Design and attended the New York Studio School. Cheng has exhibited widely in the US and in Asia. In 2011, Cheng created Charting Sacred Territories, an exhibition exploring world religions which opened in the Museum of Contemporary Art Taipei (MOCA) , Taiwan (2011) and traveled to Hanart TZ Gallery in (2015),
Shenzhen Art Museum, Shenzhen, China, (2015) and in Europe at the Palais Liechtenstein Feldkirch, Austria (2019).
Cheng has had numerous solo shows in the US and in Asia and is represented by Hanart TZ Gallery in Hong Kong. In 2007, Timezone 8 published a monograph of Emily Cheng titled, Chasing Clouds, a decade of studies, with essays by Kevin Powers and Johnson Chang. Emily Cheng has lived and worked in New York City since 1977 and teaches Asian Art History at the School of Visual Arts. Influenced by a wide array of eastern and western artists including Van Gogh, Gauguin, Manet and Giacometti as well as de Kooning, early Philip Guston and Jackson Pollock. Nicolas Carone and Leland Bell were both among her teachers as well as Elaine de Kooning.
Selected solo exhibitions
Ille Arts, Amagansett, New York,
Shenzhen Art Museum, Shenzhen, China, (2015)
Hanart T.Z. Gallery, Hong Kong,
Zane Bennett Contemporary, Santa Fe, New Mexico, (2013)
Museum of Contemporary Art (MOCA) Taipei , Taiwan (2011)
Louis Vuitton Maison, Kowloon, Hong Kong, (2010)
Ayala Museum Makati, Philippines, (2006)
Plum Blossom Gallery, New York, NY, (2004)
Schmidt/Dean Gallery, Philadelphia, PA
Byron Cohen Gallery, Kansas City, MO (2001)
Metropolitan Museum of Manila , Philippines (1997)
John Post Lee Gallery, New York, NY, Projects Room (1997)
Contemporary Arts Center , Cincinnati, Ohio, 1994
David Beitzel Gallery, New York, NY, (1992)
Lang & O'Hara Gallery, New York, NY,
The Bronx Museum of the Arts , Bronx, NY, (1989)
White Columns , New York, NY, (1985)
Selected group exhibitions
Art Basel Hong Kong , (Hanart Gallery) , Hong Kong, 2017
China Institute, New York, NY, 2014
Beijing Art Fair, Beijing, China, 2013
Museum of Chinese in America New York, NY, 2010
Kidspace, MASS MoCA , Williamstown, MA, 2010, 2005
Museum of Contemporary Art , Shanghai, China, 2009
Guangzhou Triennial, Guangdong, China, 2009
Museum of Art, Guangzhou, China, 2008
Contrast Gallery, Shanghai and Beijing, China, 2008
University of South Florida Contemporary Art Museum , Tampa, Florida, 2006
Hong Kong Arts Centre , Hong Kong, 2004
American Academy of Art , New York, New York, 2004
Longmarch Project, Beijing, China, 2002
Sotheby’s , New York, NY, 2001
Newhouse Center, Snug Harbor Cultural Center, Staten Island, NY, 2000
Katonah Museum of Art , Katonah, NY, 2000
National Academy and Museum, NY, 2000
Municipal Museum of Gyor, Hungary, 1999
New Museum of Contemporary Art , New York, NY, 1998
De Cordova Museum and the Computer Museum , Boston, MA, 1994
International Graphic Biennial, Muveszeti Museum, Hungary, 1995
Yerba Buena Center for the Arts , San Francisco, CA, 1994
Drawing Center, NY; traveled to Corcoran, Washington D.C., Santa Monica Museum of Art, Santa Monica CA; The Contemporary Art Museum St. Louis, St. Louis MO; American Center, Paris, France,
Cone Editions Gallery, New York 1990
Anina Nosei Gallery, New York, 1988
Greenville County Museum of Art , South Carolina, 1988
North Carolina Museum of Art ,
Hallwalls , Buffalo, NY, 1988
Grace Borgenicht Gallery , New York, 1986
Tibor de Nagy, New York, 1985
Asian American...
Category
1990s Conceptual Color Photography
Materials
Photographic Paper, C Print
Faces, Vintage Color Photograph Digital Photo Collage Print Asian American
By Emily Cheng
Located in Surfside, FL
This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cubist, fractured way, with a woman (or man) holding a photograph over his/her face. It is a proof print and is not signed or numbered.
Emily Cheng (born in New York City, in 1953) is an American artist of Chinese ancestry. She is best known for large scale painting with a center focus often employing expansive circular images radiantly colored, radially composed.
Cheng received her BFA in 1975 from the Rhode Island School of Design and attended the New York Studio School. Cheng has exhibited widely in the US and in Asia. In 2011, Cheng created Charting Sacred Territories, an exhibition exploring world religions which opened in the Museum of Contemporary Art Taipei (MOCA) , Taiwan (2011) and traveled to Hanart TZ Gallery in (2015),
Shenzhen Art Museum, Shenzhen, China, (2015) and in Europe at the Palais Liechtenstein Feldkirch, Austria (2019).
Cheng has had numerous solo shows in the US and in Asia and is represented by Hanart TZ Gallery in Hong Kong. In 2007, Timezone 8 published a monograph of Emily Cheng titled, Chasing Clouds, a decade of studies, with essays by Kevin Powers and Johnson Chang. Emily Cheng has lived and worked in New York City since 1977 and teaches Asian Art History at the School of Visual Arts. Influenced by a wide array of eastern and western artists including Van Gogh, Gauguin, Manet and Giacometti as well as de Kooning, early Philip Guston and Jackson Pollock. Nicolas Carone and Leland Bell were both among her teachers as well as Elaine de Kooning.
Selected solo exhibitions
Ille Arts, Amagansett, New York,
Shenzhen Art Museum, Shenzhen, China, (2015)
Hanart T.Z. Gallery, Hong Kong,
Zane Bennett Contemporary, Santa Fe, New Mexico, (2013)
Museum of Contemporary Art (MOCA) Taipei , Taiwan (2011)
Louis Vuitton Maison, Kowloon, Hong Kong, (2010)
Ayala Museum Makati, Philippines, (2006)
Plum Blossom Gallery, New York, NY, (2004)
Schmidt/Dean Gallery, Philadelphia, PA
Byron Cohen Gallery, Kansas City, MO (2001)
Metropolitan Museum of Manila , Philippines (1997)
John Post Lee Gallery, New York, NY, Projects Room (1997)
Contemporary Arts Center , Cincinnati, Ohio, 1994
David Beitzel Gallery, New York, NY, (1992)
Lang & O'Hara Gallery, New York, NY,
The Bronx Museum of the Arts , Bronx, NY, (1989)
White Columns , New York, NY, (1985)
Selected group exhibitions
Art Basel Hong Kong , (Hanart Gallery) , Hong Kong, 2017
China Institute, New York, NY, 2014
Beijing Art Fair, Beijing, China, 2013
Museum of Chinese in America New York, NY, 2010
Kidspace, MASS MoCA , Williamstown, MA, 2010, 2005
Museum of Contemporary Art , Shanghai, China, 2009
Guangzhou Triennial, Guangdong, China, 2009
Museum of Art, Guangzhou, China, 2008
Contrast Gallery, Shanghai and Beijing, China, 2008
University of South Florida Contemporary Art Museum , Tampa, Florida, 2006
Hong Kong Arts Centre , Hong Kong, 2004
American Academy of Art , New York, New York, 2004
Longmarch Project, Beijing, China, 2002
Sotheby’s , New York, NY, 2001
Newhouse Center, Snug Harbor Cultural Center, Staten Island, NY, 2000
Katonah Museum of Art , Katonah, NY, 2000
National Academy and Museum, NY, 2000
Municipal Museum of Gyor, Hungary, 1999
New Museum of Contemporary Art , New York, NY, 1998
De Cordova Museum and the Computer Museum , Boston, MA, 1994
International Graphic Biennial, Muveszeti Museum, Hungary, 1995
Yerba Buena Center for the Arts , San Francisco, CA, 1994
Drawing Center, NY; traveled to Corcoran, Washington D.C., Santa Monica Museum of Art, Santa Monica CA; The Contemporary Art Museum St. Louis, St. Louis MO; American Center, Paris, France,
Cone Editions Gallery, New York 1990
Anina Nosei Gallery, New York, 1988
Greenville County Museum of Art , South Carolina, 1988
North Carolina Museum of Art ,
Hallwalls , Buffalo, NY, 1988
Grace Borgenicht Gallery , New York, 1986
Tibor de Nagy, New York, 1985
Asian American...
Category
1990s Conceptual Color Photography
Materials
Photographic Paper, C Print
Offline, The Dream Art Project
Located in New York, NY
The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall.
In "Offline," a thought-provoking photograph by Anne Valverde, we are presented with a tranquil coastal scene at twilight. The neon text 'off line' glows softly amidst the wild grasses at the forefront, suggesting a deliberate disconnection from the digital world and an immersion into natural serenity.
The horizon blends sea and sky in a gradient of blues, symbolizing the vastness and depth of the world beyond our screens. The pristine environment, with its calm waters and untouched sands, encourages viewers to consider the peacefulness that comes with being 'offline' and reconnecting with the environment around us.
The placement of the phrase 'off line' within the serene landscape invites the viewer to reflect on the concept of presence and the importance of disconnecting from the constant flow of information and connectivity that defines modern life. It's a gentle nudge to step back, to breathe in the fresh air, and to take in the moment without the distraction of technology.
"Offline" is not just a visual experience; it is a statement on the balance we seek between the digital and natural worlds. It's a call to occasionally break away from the tether of our devices and to indulge in the beauty that exists when we do. This image captures that fleeting moment of dusk when the world slows down, and we can find solace in the simple and profound beauty of nature.
Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT
Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography.
Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words.
Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world.
Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...
Category
2010s Conceptual Color Photography
Materials
Acrylic Polymer, Archival Pigment, Photographic Film, Neon Light, Archiv...
Faces, Vintage Color Photograph Digital Photo Collage Print Asian American
By Emily Cheng
Located in Surfside, FL
This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cubist, fractured way, with a woman (or man) holding a photograph over his/her face. It is a proof print and is not signed or numbered.
Emily Cheng (born in New York City, in 1953) is an American artist of Chinese ancestry. She is best known for large scale painting with a center focus often employing expansive circular images radiantly colored, radially composed.
Cheng received her BFA in 1975 from the Rhode Island School of Design and attended the New York Studio School. Cheng has exhibited widely in the US and in Asia. In 2011, Cheng created Charting Sacred Territories, an exhibition exploring world religions which opened in the Museum of Contemporary Art Taipei (MOCA) , Taiwan (2011) and traveled to Hanart TZ Gallery in (2015),
Shenzhen Art Museum, Shenzhen, China, (2015) and in Europe at the Palais Liechtenstein Feldkirch, Austria (2019).
Cheng has had numerous solo shows in the US and in Asia and is represented by Hanart TZ Gallery in Hong Kong. In 2007, Timezone 8 published a monograph of Emily Cheng titled, Chasing Clouds, a decade of studies, with essays by Kevin Powers and Johnson Chang. Emily Cheng has lived and worked in New York City since 1977 and teaches Asian Art History at the School of Visual Arts. Influenced by a wide array of eastern and western artists including Van Gogh, Gauguin, Manet and Giacometti as well as de Kooning, early Philip Guston and Jackson Pollock. Nicolas Carone and Leland Bell were both among her teachers as well as Elaine de Kooning.
Selected solo exhibitions
Ille Arts, Amagansett, New York,
Shenzhen Art Museum, Shenzhen, China, (2015)
Hanart T.Z. Gallery, Hong Kong,
Zane Bennett Contemporary, Santa Fe, New Mexico, (2013)
Museum of Contemporary Art (MOCA) Taipei , Taiwan (2011)
Louis Vuitton Maison, Kowloon, Hong Kong, (2010)
Ayala Museum Makati, Philippines, (2006)
Plum Blossom Gallery, New York, NY, (2004)
Schmidt/Dean Gallery, Philadelphia, PA
Byron Cohen Gallery, Kansas City, MO (2001)
Metropolitan Museum of Manila , Philippines (1997)
John Post Lee Gallery, New York, NY, Projects Room (1997)
Contemporary Arts Center , Cincinnati, Ohio, 1994
David Beitzel Gallery, New York, NY, (1992)
Lang & O'Hara Gallery, New York, NY,
The Bronx Museum of the Arts , Bronx, NY, (1989)
White Columns , New York, NY, (1985)
Selected group exhibitions
Art Basel Hong Kong , (Hanart Gallery) , Hong Kong, 2017
China Institute, New York, NY, 2014
Beijing Art Fair, Beijing, China, 2013
Museum of Chinese in America New York, NY, 2010
Kidspace, MASS MoCA , Williamstown, MA, 2010, 2005
Museum of Contemporary Art , Shanghai, China, 2009
Guangzhou Triennial, Guangdong, China, 2009
Museum of Art, Guangzhou, China, 2008
Contrast Gallery, Shanghai and Beijing, China, 2008
University of South Florida Contemporary Art Museum , Tampa, Florida, 2006
Hong Kong Arts Centre , Hong Kong, 2004
American Academy of Art , New York, New York, 2004
Longmarch Project, Beijing, China, 2002
Sotheby’s , New York, NY, 2001
Newhouse Center, Snug Harbor Cultural Center, Staten Island, NY, 2000
Katonah Museum of Art , Katonah, NY, 2000
National Academy and Museum, NY, 2000
Municipal Museum of Gyor, Hungary, 1999
New Museum of Contemporary Art , New York, NY, 1998
De Cordova Museum and the Computer Museum , Boston, MA, 1994
International Graphic Biennial, Muveszeti Museum, Hungary, 1995
Yerba Buena Center for the Arts , San Francisco, CA, 1994
Drawing Center, NY; traveled to Corcoran, Washington D.C., Santa Monica Museum of Art, Santa Monica CA; The Contemporary Art Museum St. Louis, St. Louis MO; American Center, Paris, France,
Cone Editions Gallery, New York 1990
Anina Nosei Gallery, New York, 1988
Greenville County Museum of Art , South Carolina, 1988
North Carolina Museum of Art ,
Hallwalls , Buffalo, NY, 1988
Grace Borgenicht Gallery , New York, 1986
Tibor de Nagy, New York, 1985
Asian American...
Category
1990s Conceptual Color Photography
Materials
Photographic Paper, C Print
Faces, Vintage Color Photograph Digital Photo Collage Print Asian American
By Emily Cheng
Located in Surfside, FL
This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cub...
Category
1990s Conceptual Color Photography
Materials
Photographic Paper, C Print
Amour is Pink, The Dream Art Project
Located in New York, NY
The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall.
"Amour is Pink," a tranquil photograph by Anne Valverde, features the serene expanse of a beach at dusk, with the word 'amour'—French for love—spelled out in an understated neon script along the wet sand. The image is steeped in a quiet poignancy, where the vastness of the ocean meets the warmth of the sky, wrapping the scene in a gentle embrace.
The sky is a canvas of soft pastels, where the blush of pink clouds hints at the sun's recent departure below the horizon. This celestial spectacle is mirrored by the ocean's surface, creating a symmetry that is both calming and introspective. The neon text 'amour' adds a layer of romanticism to the scene, its reflection on the wet sand doubling its presence, as if to emphasize the strength and depth of the sentiment it represents.
Valverde's choice to place the text in such a setting invites contemplation on the nature of love itself—vast, enduring, and reflective of our own feelings. The beach, with its smooth sand and receding tide, suggests a place where emotions can be openly expressed and contemplated, while the encroaching night speaks to the intimacy and quietude that love often craves.
"Amour is Pink" is a visual ode to the heart's landscape, where love is as expansive as the sea and as beautifully nuanced as the evening sky. It's a reminder that love, in its many forms, is a fundamental and beautiful part of the human experience, always worthy of reflection and appreciation.
Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT
Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography.
Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words.
Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world.
Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...
Category
2010s Conceptual Color Photography
Materials
Acrylic Polymer, Archival Pigment, Photographic Film, Neon Light, Archiv...
Faces, Vintage Color Photograph Digital Photo Collage Print Asian American
By Emily Cheng
Located in Surfside, FL
This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cub...
Category
1990s Conceptual Color Photography
Materials
Photographic Paper, C Print
Faces, Vintage Color Photograph Digital Photo Collage Print Asian American
By Emily Cheng
Located in Surfside, FL
This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cub...
Category
1990s Conceptual Color Photography
Materials
Photographic Paper, C Print
Faces, Vintage Color Photograph Digital Photo Collage Print Asian American
By Emily Cheng
Located in Surfside, FL
This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cubist, fractured way, with a woman (or man) holding a photograph over his/her face. It is a proof print and is not signed or numbered.
Emily Cheng (born in New York City, in 1953) is an American artist of Chinese ancestry. She is best known for large scale painting with a center focus often employing expansive circular images radiantly colored, radially composed.
Cheng received her BFA in 1975 from the Rhode Island School of Design and attended the New York Studio School. Cheng has exhibited widely in the US and in Asia. In 2011, Cheng created Charting Sacred Territories, an exhibition exploring world religions which opened in the Museum of Contemporary Art Taipei (MOCA) , Taiwan (2011) and traveled to Hanart TZ Gallery in (2015),
Shenzhen Art Museum, Shenzhen, China, (2015) and in Europe at the Palais Liechtenstein Feldkirch, Austria (2019).
Cheng has had numerous solo shows in the US and in Asia and is represented by Hanart TZ Gallery in Hong Kong. In 2007, Timezone 8 published a monograph of Emily Cheng titled, Chasing Clouds, a decade of studies, with essays by Kevin Powers and Johnson Chang. Emily Cheng has lived and worked in New York City since 1977 and teaches Asian Art History at the School of Visual Arts. Influenced by a wide array of eastern and western artists including Van Gogh, Gauguin, Manet and Giacometti as well as de Kooning, early Philip Guston and Jackson Pollock. Nicolas Carone and Leland Bell were both among her teachers as well as Elaine de Kooning.
Selected solo exhibitions
Ille Arts, Amagansett, New York,
Shenzhen Art Museum, Shenzhen, China, (2015)
Hanart T.Z. Gallery, Hong Kong,
Zane Bennett Contemporary, Santa Fe, New Mexico, (2013)
Museum of Contemporary Art (MOCA) Taipei , Taiwan (2011)
Louis Vuitton Maison, Kowloon, Hong Kong, (2010)
Ayala Museum Makati, Philippines, (2006)
Plum Blossom Gallery, New York, NY, (2004)
Schmidt/Dean Gallery, Philadelphia, PA
Byron Cohen Gallery, Kansas City, MO (2001)
Metropolitan Museum of Manila , Philippines (1997)
John Post Lee Gallery, New York, NY, Projects Room (1997)
Contemporary Arts Center , Cincinnati, Ohio, 1994
David Beitzel Gallery, New York, NY, (1992)
Lang & O'Hara Gallery, New York, NY,
The Bronx Museum of the Arts , Bronx, NY, (1989)
White Columns , New York, NY, (1985)
Selected group exhibitions
Art Basel Hong Kong , (Hanart Gallery) , Hong Kong, 2017
China Institute, New York, NY, 2014
Beijing Art Fair, Beijing, China, 2013
Museum of Chinese in America New York, NY, 2010
Kidspace, MASS MoCA , Williamstown, MA, 2010, 2005
Museum of Contemporary Art , Shanghai, China, 2009
Guangzhou Triennial, Guangdong, China, 2009
Museum of Art, Guangzhou, China, 2008
Contrast Gallery, Shanghai and Beijing, China, 2008
University of South Florida Contemporary Art Museum , Tampa, Florida, 2006
Hong Kong Arts Centre , Hong Kong, 2004
American Academy of Art , New York, New York, 2004
Longmarch Project, Beijing, China, 2002
Sotheby’s , New York, NY, 2001
Newhouse Center, Snug Harbor Cultural Center, Staten Island, NY, 2000
Katonah Museum of Art , Katonah, NY, 2000
National Academy and Museum, NY, 2000
Municipal Museum of Gyor, Hungary, 1999
New Museum of Contemporary Art , New York, NY, 1998
De Cordova Museum and the Computer Museum , Boston, MA, 1994
International Graphic Biennial, Muveszeti Museum, Hungary, 1995
Yerba Buena Center for the Arts , San Francisco, CA, 1994
Drawing Center, NY; traveled to Corcoran, Washington D.C., Santa Monica Museum of Art, Santa Monica CA; The Contemporary Art Museum St. Louis, St. Louis MO; American Center, Paris, France,
Cone Editions Gallery, New York 1990
Anina Nosei Gallery, New York, 1988
Greenville County Museum of Art , South Carolina, 1988
North Carolina Museum of Art ,
Hallwalls , Buffalo, NY, 1988
Grace Borgenicht Gallery , New York, 1986
Tibor de Nagy, New York, 1985
Asian American...
Category
1990s Conceptual Color Photography
Materials
Photographic Paper, C Print
No Wifi, The Dream Art Project
Located in New York, NY
The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall.
This photograph by Anne Valverde, titled "No WiFi," is a profound commentary on the modern condition, where the absence of digital connectivity is a statement in itself. The image portrays a serene twilight scene by the water, with the sky painted in soft hues of pink, purple, and blue, reflecting onto the calm surface below. The contrast of colors between the sky and the water creates a tranquil and reflective mood.
The neon text "no wi fi" glows with an ironic warmth in the foreground, a stark reminder of the digital tether that often binds us. Its presence in this natural setting is a powerful juxtaposition, suggesting a disconnection from the digital world and an invitation to reconnect with the natural one. The reflection of the text on the water's surface emphasizes the theme of disconnect, mirroring the sentiment of severing the constant need for digital engagement.
This peaceful landscape, with its wide-open spaces, is an oasis away from the constant buzz of notifications and the glare of screens. It offers a moment of reprieve, a chance to breathe deeply and experience the environment with all senses unmediated by technology. The beauty of the scene is undisturbed, inviting viewers to contemplate the rare moments where we can be truly offline and present in the moment.
Valverde's "No WiFi" can be seen as an ode to the increasingly scarce luxury of unplugging, a gentle nudge to embrace the world beyond our devices. It reflects a growing desire for spaces and experiences that are not dictated by the presence of a wireless signal, highlighting the innate human need to sometimes just be in a place—physically, mentally, and emotionally. The photograph is a quiet celebration of these increasingly precious sanctuaries of silence and peace in our hyper-connected era.
Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT
Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography.
Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words.
Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world.
Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...
Category
2010s Conceptual Color Photography
Materials
Acrylic Polymer, Archival Pigment, Photographic Film, Neon Light, Archiv...
Snow Dream Pink, The Dream Art Project
Located in New York, NY
The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall.
In "Snow Dream Pink," Anne Valverde intertwines the serenity of a winter landscape with the subtle vibrancy of neon art. The work captures a moment of stillness as dusk drapes the snowy scene in a blush of pink, while the word 'dream,' spelled out in neon, casts a warm glow across the cold ground.
Valverde's signature use of neon text as an integrated element of her compositions is evident as she delicately places the installation within the natural environment. The glowing letters stand in gentle contrast to the twilight hues, a beacon that seems both a part of the landscape and a distinct echo of human presence and creativity.
With the snow-capped mountains and frosted trees as a backdrop, the neon sign does more than illuminate; it inspires. It serves as a call to pause, reflect, and embrace the possibilities that dreams represent, even amidst the quiet slumber of winter.
"Snow Dream Pink" is a visual symphony of contrasts — the warmth of the neon light against the cool snow, the soft sky against the crisp outlines of the forest. It's a testament to Valverde's skill in creating spaces where light, colour, and text invite the viewer to a place of introspection and wonder.
Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT
Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography.
Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words.
Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world.
Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...
Category
2010s Conceptual Color Photography
Materials
Photographic Film, Archival Pigment, Acrylic Polymer, Neon Light, Archiv...
Israel - Gaza Border
By Shai Kremer
Located in New York, NY
Images from the series Infected Landscape are at several MUSEUMS COLLECTIONS:
Metropolitan Museum of Art. New York, NY
SF MoMA - San Francisco Museum of Modern Art. San Francisco, CA...
Category
Early 2000s Conceptual Color Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Endless Desert Stone, The Dream Art Project
Located in New York, NY
The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall.
Anne Valverde's photograph "Endless" captures the essence of an infinite desert landscape, stretching far beyond the bounds of the frame. The scene is one of stark, natural beauty, dominated by the sweeping dunes and scattered stones that pepper the sand. The neon text 'endless' is inscribed onto the barren desert floor, resonating with the boundless view.
The composition of this image is striking in its simplicity and scale, with the gradation of light hinting at the vast expanse of space and time encapsulated within the desert's embrace. The text itself, a human-made construct, contrasts with the timeless and untouched environment, yet it seems to belong there, highlighting the desert's relentless continuum.
The photograph, with its subdued tones and soft light, evokes a sense of solitude and introspection. It encourages the viewer to ponder on the concept of eternity and our place within it. The desert is a metaphor for the endless possibilities and the enduring passage of time, a place where one can lose themselves in the horizon that stretches into infinity.
"Endless" is not just a visual representation of a desert; it is a reflection on the vastness of nature and the human spirit. Valverde's work prompts a contemplative state, a meditation on the unending cycle of life, and the awe-inspiring scale of the natural world. It is an invitation to explore the depths of our own thoughts and the ceaseless nature of our existence.
Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT
Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography.
Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words.
Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world.
Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...
Category
2010s Conceptual Color Photography
Materials
Photographic Film, Archival Pigment, Acrylic Polymer, Neon Light, Archiv...
Dream Deck, The Dream Art Project
Located in New York, NY
The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall.
In "Dream Deck," Anne Valverde presents a twilight meditation where the art of photography meets the tangible touch of installation. Valverde personally selects and places neon text, a radiant declaration of 'dreams,' onto a tranquil lakeside pier. This glowing script becomes the focal point, blurring the line between the environment and the message it carries.
With an artist’s eye for the profound symbiosis between word and world, Valverde chooses the placement and font of the neon text to complement the natural serenity of the dusk-lit waters. The radiant blue of the evening sky mingles with the reflective surface of the lake, creating a seamless blend of color and calm, while the neon installation offers a striking visual contrast — a bridge between the viewer’s reality and the infinite potential of the dream world.
The artistry of "Dream Deck" lies in its invitation to pause and ponder, prompted by the glowing invitation to dream, suspended just above the water’s surface. Valverde’s photograph is a carefully orchestrated composition that speaks to the dreamer within, suggesting that within the stillness of nature’s embrace, there is space to dream out loud.
This piece is more than a snapshot of a place; it is a deliberate performance of light and typography, a narrative captured in a single, still moment that encourages the viewer to engage with the fluid boundaries of dreams.
Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT
Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography.
Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words.
Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world.
Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...
Category
2010s Conceptual Color Photography
Materials
Digital Pigment, Archival Pigment, Digital, Photographic Film, Acrylic P...
You are Here, The Dream Art Project
Located in New York, NY
The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall.
The photograph titled "You Are Here" by Anne Valverde exhibits a minimalistic seascape where the vastness of the sea meets the expansive sky. The crisp horizon line divides the image into two broad swaths of muted color, imparting a sense of calm and infinity. The foreground is a textured white that looks almost like a continuation of the sea's surface, adding depth and grounding the photograph in a tangible reality.
Against this serene backdrop, the phrase "You Are Here" is superimposed in a style reminiscent of neon signage. The contrast of the modern, human-made font with the natural setting plays on the idea of place and presence. It serves both as a marker of physical location and a philosophical statement about being present in the moment, offering a dual commentary on geography and consciousness.
The artwork’s essence lies in its call for contemplation. In a world often dominated by haste and distraction, Valverde’s work is a gentle prompt to acknowledge and savor the present. The text acts as an anchor, pulling the viewer back from wherever their mind might wander, back to the 'here' that is not just a point in space, but a moment in time.
The composition and the inclusion of the text work together to evoke a reflection on solitude and connectivity. In the absence of any human figures or traces of civilization other than the text, the image suggests isolation, yet the words imply a connection to the viewer. It is this paradox that enriches the photograph, encouraging a deeper engagement with the layers of meaning behind the simplicity of the captured scene.
Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT
Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography.
Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words.
Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world.
Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...
Category
2010s Conceptual Color Photography
Materials
Acrylic Polymer, Archival Pigment, Photographic Film, Neon Light, Archiv...
Birdy Dream, The Dream Art Project
Located in New York, NY
The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall.
"Birdy Dream," a photograph by Anne Valverde, captures the ethereal beauty of a mist-enshrouded forest, with the word 'dream' crafted in neon lights, seamlessly integrated into the landscape. Valverde's artistry is evident in her ability to blend the artificial glow of neon with the organic forms of nature, creating a harmonious tableau that whispers of the unseen and the imagined.
The forest scene is alive with varying textures of foliage, dominated by the large fronds of ferns that fan out across the frame. The mist rolls through the trees like a gentle tide, blurring lines and softening the world to a palette of muted greens and grays. In this dreamscape, the neon 'dream' is both a literal and figurative illumination—a call to the magic that lies in the heart of the wild.
The neon text, positioned amongst the forest floor, is like a secret waiting to be discovered, a reminder that even in the dense and tangled growth, there is space for dreams to take root and flourish. The soft light from the sign pierces the fog, symbolizing clarity and hope amidst uncertainty.
Valverde's "Birdy Dream" is a tribute to the quiet strength of nature and the power of dreams to persist in even the most unlikely places. It's a visual poem that invites contemplation, asking the observer to consider the myriad of dreams that live hidden beneath the canopy, in the soul of the forest, and within us all.
Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT
Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography.
Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words.
Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world.
Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...
Category
2010s Conceptual Color Photography
Materials
Acrylic Polymer, Archival Pigment, Photographic Film, Neon Light, Archiv...
Birdy Dream, The Dream Art Project
Located in New York, NY
The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall.
"Birdy Dream," a photograph by Anne Valverde, captures the ethereal beauty of a mist-enshrouded forest, with the word 'dream' crafted in neon lights, seamlessly integrated into the landscape. Valverde's artistry is evident in her ability to blend the artificial glow of neon with the organic forms of nature, creating a harmonious tableau that whispers of the unseen and the imagined.
The forest scene is alive with varying textures of foliage, dominated by the large fronds of ferns that fan out across the frame. The mist rolls through the trees like a gentle tide, blurring lines and softening the world to a palette of muted greens and grays. In this dreamscape, the neon 'dream' is both a literal and figurative illumination—a call to the magic that lies in the heart of the wild.
The neon text, positioned amongst the forest floor, is like a secret waiting to be discovered, a reminder that even in the dense and tangled growth, there is space for dreams to take root and flourish. The soft light from the sign pierces the fog, symbolizing clarity and hope amidst uncertainty.
Valverde's "Birdy Dream" is a tribute to the quiet strength of nature and the power of dreams to persist in even the most unlikely places. It's a visual poem that invites contemplation, asking the observer to consider the myriad of dreams that live hidden beneath the canopy, in the soul of the forest, and within us all.
Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT
Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography.
Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words.
Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world.
Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...
Category
2010s Conceptual Color Photography
Materials
Digital Pigment, Photographic Film, Archival Pigment, Pigment, Digital, ...
Urban Warfare Training Center, Panorama, Tze’elim
By Shai Kremer
Located in New York, NY
This Image is at the collection of The Metropolitan Museum of Art. New York, NY.
The Urban Warfare Training Center is a mock city located in Israel...
Category
Early 2000s Conceptual Color Photography
Materials
Archival Paper, Archival Pigment, Archival Ink
Shooting Defense Wall, Gilo Neighborhood, Jerusalem, 2004 (Version 2)
By Shai Kremer
Located in New York, NY
Images from the series Infected Landscape are at several MUSEUMS COLLECTIONS:
Metropolitan Museum of Art. New York, NY
SF MoMA - San Francisco Museum of Modern Art. San Francisco, CA...
Category
Early 2000s Conceptual Color Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
The Beef Sisters - May - Unique Polaroid - Contemporary, Youth, Photograph
Located in Morongo Valley, CA
The Beef Sisters
A Polaroid-based art series
by Kris 'Curtiz' De Meester
May - 2023
Original Polaroid, mixed media.
10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area).
Signed in fr...
Category
2010s Conceptual Color Photography
Materials
Polaroid
Conceptual color photography for sale on 1stDibs.
Find a wide variety of authentic Conceptual color photography available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add color photography created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, red, pink and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Reinhard Görner, Jose Sierra, xulong zhang, and Gianfranco Pezzot. Frequently made by artists working with Paper, and C Print and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Conceptual color photography, so small editions measuring 3 inches across are also available. Prices for color photography made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $193 and tops out at $31,500, while the average work sells for $2,752.