Michael Berman

Perdido, Cross Grid, 2015

2015

Niki Boon. Her backyard, Summer, 2016. Archival pigment ink print. Edition of 9. Signed, dated, editioned and titled on print label verso. (New Zealand photographer).

Alfred Stieglitz. Lower Manhattan, New York City, 1910 (printed 1911), vintage photogravure from Camera Work 36.

Kurt Markus, Dunes, Namibia, Africa, 2002. gelatin silver print Signed print recto.

Kurt Markus, ZX Ranch, Paisley, Oregon, 1981. gelatin silver print Signed print recto.

Colin Jones. Railway Lines, Gateshead, Newcastle Upon Tyne, North East England 1963. Gelatin silver print. Signed by artist print verso. 16 x 20" paper size. Colin Jones (1936-2021...

Kurt Markus, Tim McGinnis, 25 Ranch Battle Mountain, Nevada, 1986. gelatin silver print Signed print recto.

This black and white fine art print features a dramatic shot of a winter stroll, in Frijsenborg forest, Jutland, Denmark. This photo was shot by travel photographer Dorte Verner’s, w...

Crowd for Crosby, Stills, and Nash Tickets Taken outside the Fillmore East, May 1970, NYC Limited edition print Numbered and signed by photographer.

Neil Young driving home to Broken Arrow Ranch, Northern California Limited edition of 35 prints. Numbered on recto Hand signed on verso by photographer. Graham Nash's Notes: ...

La Chasse au Cerf, Normandie, France, September 1975 Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Certificate of Origin Signed a...

Marie Navarre remembering the way, 2021 archival digital print on Surface Gampi, Rives BFK 25.5" x 25" unframed 28.75" x 27.75" framed Edition of 5 Marie Navarre’s deep interest in poetry, especially the Japanese form of Haiku, has had a profound influence on her work. She conjures dreamlike images that appear to be from just outside the realm of human observation, like the fragments of a distant memory. She prints her mysterious and timeless images of flocks of birds, grey sky and shimmering endless horizons unmoored from specific times and places, then hand stitches over a background of Gampi paper—a soft, silky Japanese paper that has a satin-like sheen. These enigmatic photographic constructions document the implications of a moment rather than its actuality. The artist understands that her relationship to photography is complex: “I have this trouble of being a photographer but wanting to make the photographs into something else. I still think like a photographer even though in some ways I’m sabotaging the way that photography works. I still begin my artmaking process by making pictures. I don’t know how to begin without the photograph.” At play is the tension of a fixed medium documenting a world in movement. Navarre has a BA, MA and MFA from Arizona State University. Her work is collected nationally and she has received a number of awards including a Capp Street Project Residency Grant in San Francisco for her collaboration with Jim Campbell...

`Shadow Within` Norway/USA 2010-2013 70 cm x 110 cm. (28 in. x 43 in.) Edition 6 + 2 a.p. 100 cm x 150 cm. Edition 3 + 1 a.p. Archival ink cotton paper (archival pigment print)...