Guido ArgentiniPetra in a Leather Corset - model sitting on antique desk, fine art photography1998
1998
About the Item
- Creator:Guido Argentini (1966, Italian)
- Creation Year:1998
- Dimensions:Height: 50 in (127 cm)Width: 90 in (228.6 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Vienna, AT
- Reference Number:1stDibs: LU193570442
Guido Argentini
Guido Argentini is widely known for his evocative landscapes and stylized color nude photography. The Los Angeles-based artist has freelanced for numerous magazines and has garnered acclaim for his book, Silvereye, which collects sensual photography of nude female models that have been covered in metallic chrome paint.
Born in Florence, Italy, Argentini initially studied medicine at the University of Florence. He left after three years of study to pursue an interest in photography — a passion that brought him to the United States in 1990.
Since the debut of Silvereye in 2003, Argentini has published Private Rooms, Reflections and Shades of a Woman. An admirer of performance art as well as visual art — he has drawn on sculptures by Michelangelo, Auguste Rodin and Constantin Brâncuși — Argentini explored a fusion of motion and eroticism for the images of ballet dancers that are collected in 2013’s Argentum.
Renowned publications such as Vogue, Marie Claire and Playboy have all featured Argentini’s photography. His work has been exhibited at Todd Kaplan Gallery in California, the James Gallery in Russia and elsewhere.
On 1stDibs, find original Guido Argentini nude photography and other photography.
- ShippingRetrieving quote...Ships From: Vienna, Austria
- Return PolicyThis item cannot be returned.
- Mary Louise Parker - nude portrait with body chain, fine art photography, 2002By Nigel ParryLocated in Vienna, ATAll prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certific...Category
Early 2000s Contemporary Black and White Photography
MaterialsSilver Gelatin
- Jenny Saville - Portrait of the Artist in her Studio, fine art photography 1995By Nigel ParryLocated in Vienna, ATAll prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certific...Category
1990s Contemporary Black and White Photography
MaterialsSilver Gelatin
- 'Tove playing with her shoe' - cinematic b&w portrait, fine art photography 1995By Guido ArgentiniLocated in Vienna, ATAll prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certificate of authenticity from the gallery. Argentini’s work is characterized by an underlying fantasy vision. His women are untouchable and alien, inhabitants of mysterious spheres, while at the same time radiating a confident physicality. Although Argentini’s style is quite unmistakable, he loves diversity and variety and repeatedly finds novel ways of communicating his visual fantasies. ‘Tove Playing with Her Shoe’ is a cinematic piece. The Model is sitting in a hallway. She is wearing a short black dress...Category
20th Century Contemporary Nude Photography
MaterialsSilver Gelatin
- Kristen McMenamy - nude model with champaign, fine art photography, 1995By Arthur ElgortLocated in Vienna, ATOther sizes and high end framing on request. PREISS FINE ARTS is one of the world’s leading galleries for fine art photography representing the most famous contemporary artists. Kr...Category
1990s Contemporary Black and White Photography
MaterialsSilver Gelatin
- 'Helena Christensen' - nude with tights in an hotel, fine art photography, 1995By Sante D´ OrazioLocated in Vienna, ATAll prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certific...Category
1990s Contemporary Black and White Photography
MaterialsSilver Gelatin
- Undercover, Warsaw - semi nude on a stairwell, fine art photography, 2019By Ellen von UnwerthLocated in Vienna, ATAll prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certific...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsSilver Gelatin
- Kate #9, Vintage Black and White Photograph of Erotic NudeBy Leonard FreedLocated in New york, NYKate #9, 2002 by Leonard Freed is an 8” x 10” signed black and white photograph, stamped "vintage" by the Freed estate on verso (back of photo). Model, photographer, and yogini Kate ...Category
Early 2000s Contemporary Nude Photography
MaterialsSilver Gelatin, Photographic Film, Photographic Paper
- Not titled yet, from the series 'A Gaze of One's Own‘ – Brigitte LustenbergerBy Brigitte LustenbergerLocated in Zurich, CHBrigitte LUSTENBERGER (*1969, Switzerland) Not titled yet, from the series 'A Gaze of One's Own‘, 2021 Silver gelatin print on Baryta paper Sheet 70 x 70 cm (27 1/2 x 27 1/2 in.) Edition of 5, plus 2 AP; Edn. no. 1/5 print only Born in Zurich, Switzerland, Brigitte studied at Zurich University and received her MA in Social and Photo History in 1996. In the following years she established herself as an fine art photographer. She moved to New York and received her MFA in Fine Art Photography and Related Media at Parsons The New School of Design in 2007. The main issues in her works lie in her interest in the study of the gaze, the interplay between absence and presence in a photographic image, and the fact that the reading of a photograph is most often triggered by a collective memory. She explores the media itself and its close connection to themes like decay, memory, death and transitoriness. Brigitte Lustenberger has shown nationally and internationally in both solo and group shows. She had Solo Shows at the Museée de l’Elysée in Lausanne/Switzerland, at Walter Keller’s Scalo Gallery in Zurich and New York, at Le Maillon...Category
2010s Contemporary Black and White Photography
MaterialsSilver Gelatin
- Le Jardin D Haggadah – Marianne Maric, Body, Woman, Nude, Sculpture, FlowerLocated in Zurich, CHMarianne Marić Le Jardin D Haggadah, 2012 Silver gelatin print 80 x 120 cm (31 1/2 x 47 1/4 in.) Edition of 5, plus 2 AP; Ed. no. 2/5 Print only Marianne Marić looks at the body as...Category
2010s Contemporary Nude Photography
MaterialsSilver Gelatin
- Waiting, Silver Gelatin Black and White Nude Photography 20" x 24"By Savannah SpiritLocated in Los Angeles, CASavannah Spirit Waiting Silver gelatin on Ilford multigrade paper, signed, edition of 5 Scroll for more on the artist and this series and an excerpt from the recent monograph, The A...Category
2010s Contemporary Nude Photography
MaterialsBlack and White, Silver Gelatin
- Never Let the Same Snake Bite You Twice, Silver Gelatin Black and White NudeBy Savannah SpiritLocated in Los Angeles, CASavannah Spirit Never Let the Same Snake Bite You Twice Silver gelatin on Ilford multigrade paper, signed, edition of 5 Scroll for more on the artist and this series and an excerpt from the recent monograph, The Archive #6: Savannah Spirit, published by Quiet Lunch: "When I first saw Savannah Spirit’s early nudes, I felt immediately struck by their power and awareness. Of course, they were traditionally beautiful, with classical lighting and shadows from Venetian blinds. Some of them were sexy, in the way bodies are sexy. But they weren’t sexualized. Looking at them, I felt powerful. I felt good. They depicted the body of an adult woman viewing herself with love. I’ve been devoted to them ever since. To me, these portraits invoke the power of a landscape. The way the light rolls over the body evokes the body’s connection with the earth, with sunrise and its long deep shadows. The patterns of darkness can break the figure into geometry, creating a distance between the viewer and the image, as in End of An Era and Staying Abreast. Yet others, like Resist and Be The Woman You Needed When You Were Younger, create direct address, and sometimes empathy. Sometimes, the viewer takes the vantage point of the artist, and the piece becomes a further study in introspection. The titles, like The Bottom Line and Read Between the Lines, often invoke idioms, figures of speech, or stereotypes that themselves point back to the culture that produced them. As conceptual components, they are both playful and political, which, when juxtaposed against image to elicit a mood or reaction. For me, it’s different every time. I am often pricked to discover how the vernacular of Hollywood capitalism, juxtaposed to a powerful, nude self-portrait of a woman, almost always feels a bit surprising–as if I wasn’t expecting her to be there. Recent works, like Network, use both shadow and mirror to create a doubled image, the artist and her reflection, further suggesting the sense of a dialogue with the self. The two bodies are not a mirror image, though seen in a mirror: a conversation between two sides of oneself, rather than a literal twinning. Over the past decade, as this series took on greater and deeper life, Savannah and I have had countless wonderful discussions about women, bodies and art. As a former artist’s model, early in her career, she participated in the form of power that was available to her: that of the quieted muse. She knew she was being objectified, she recalls, but at least she was included in the club. I instantly recognized that message. She was still creating her own work, though, and one day, she realized she’d had enough of seeing herself through someone else’s lens. She turned the camera on herself, and began to take a very different kind of picture. During the pandemic, the feeling of being alone with oneself can sometimes feel overwhelming. These recent pieces reflect that agitation of the dialogue alone, the being with oneself, seeking connection..." - Katie Peyton Hofstadter Classic black and white silver gelatin print, signed by the artist Savannah Spirit. This is a self portrait of the artist. Categorize between self-portrait, contemporary feminism, take back control, I am my own muse, my body my choice...Category
2010s Contemporary Nude Photography
MaterialsSilver Gelatin, Black and White
- Waiting, Silver Gelatin Black and White Nude PhotographyBy Savannah SpiritLocated in Los Angeles, CASavannah Spirit Waiting Silver gelatin on Ilford multigrade paper, signed, edition of 5 Scroll for more on the artist and this series and an excerpt from the recent monograph, The Archive #6: Savannah Spirit, published by Quiet Lunch: "When I first saw Savannah Spirit’s early nudes, I felt immediately struck by their power and awareness. Of course, they were traditionally beautiful, with classical lighting and shadows from Venetian blinds. Some of them were sexy, in the way bodies are sexy. But they weren’t sexualized. Looking at them, I felt powerful. I felt good. They depicted the body of an adult woman viewing herself with love. I’ve been devoted to them ever since. To me, these portraits invoke the power of a landscape. The way the light rolls over the body evokes the body’s connection with the earth, with sunrise and its long deep shadows. The patterns of darkness can break the figure into geometry, creating a distance between the viewer and the image, as in End of An Era and Staying Abreast. Yet others, like Resist and Be The Woman You Needed When You Were Younger, create direct address, and sometimes empathy. Sometimes, the viewer takes the vantage point of the artist, and the piece becomes a further study in introspection. The titles, like The Bottom Line and Read Between the Lines, often invoke idioms, figures of speech, or stereotypes that themselves point back to the culture that produced them. As conceptual components, they are both playful and political, which, when juxtaposed against image to elicit a mood or reaction. For me, it’s different every time. I am often pricked to discover how the vernacular of Hollywood capitalism, juxtaposed to a powerful, nude self-portrait of a woman, almost always feels a bit surprising–as if I wasn’t expecting her to be there. Recent works, like Network, use both shadow and mirror to create a doubled image, the artist and her reflection, further suggesting the sense of a dialogue with the self. The two bodies are not a mirror image, though seen in a mirror: a conversation between two sides of oneself, rather than a literal twinning. Over the past decade, as this series took on greater and deeper life, Savannah and I have had countless wonderful discussions about women, bodies and art. As a former artist’s model, early in her career, she participated in the form of power that was available to her: that of the quieted muse. She knew she was being objectified, she recalls, but at least she was included in the club. I instantly recognized that message. She was still creating her own work, though, and one day, she realized she’d had enough of seeing herself through someone else’s lens. She turned the camera on herself, and began to take a very different kind of picture. During the pandemic, the feeling of being alone with oneself can sometimes feel overwhelming. These recent pieces reflect that agitation of the dialogue alone, the being with oneself, seeking connection..." - Katie Peyton Hofstadter Classic black and white silver gelatin print, signed by the artist Savannah Spirit. This is a self portrait of the artist. Categorize between self-portrait, contemporary feminism, take back control, I am my own muse, my body my choice...Category
2010s Contemporary Nude Photography
MaterialsBlack and White, Silver Gelatin