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Slim AaronsDolores Del Rio by the Pool, Acapulco (Slim Aarons Estate Edition)1952
1952
About the Item
Mexican film star Dolores Del Rio (1905 - 1983, centre) lounges by the pool with Micki Salle, a friend and a poodle, Acapulco, 1952.
Slim Aarons
Dolores del Rio by the Pool
Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate.
Slim Aarons Estate Edition
Chromogenic Lambda print from the original transparency
Complimentary dealer shipping to your framer, worldwide.
60 x 40 inches
$3950
40 x 30 inches
$3350
30 x 20 inches
$3000
Complimentary dealer shipping to your framer.
Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century.
The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone.
Photograph is unframed
Slide show includes a close-up of the Slim Aarons estate's stamp.
Collector will get the next number in the edition
* We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons *
Dolores del Río, born María de los Dolores Asúnsolo López-Negrete; August 3, 1904 – April 11, 1983) was a Mexican actress, dancer and singer. With a career spanning more than 50 years, she is regarded as the first major female Latin American crossover star in Hollywood, with an outstanding career in American cinema in the 1920s and 1930s. She was also considered one of the most important female figures in the Golden Age of Mexican cinema. Del Río is also remembered as one of the most beautiful faces on screen of all time.
After being discovered in Mexico, she began her film career in Hollywood in 1925. She had roles on a string of successful films, including Resurrection (1927), Ramona (1928) and Evangeline (1929). Del Río has been compared to Rudolph Valentino, in her years during the American "silent" era.
With the advent of sound, she acted in a range of film genres, from contemporary crime melodramas to musical comedies and romantic dramas. Among her most successful films of that decade include Bird of Paradise (1932), Flying Down to Rio (1933) and Madame Du Barry (1934). In the early 1940s, when her Hollywood career began to decline, Del Río returned to Mexico and joined the Mexican film industry, which at that time was at its peak.
When Del Río returned to her native country, she became one of the more important stars of the Golden Age of Mexican cinema. A series of Mexican films starring Del Rio, are considered classic masterpieces and helped boost Mexican cinema worldwide. Of them stands out the critically acclaimed María Candelaria (1943). Del Río remained active mainly in Mexican films throughout the 1950s. In 1960 she returned to Hollywood. During the next years she appeared in Mexican and American films. From the late 1950s until the early 1970s she also successfully ventured into theater in Mexico and appeared in some American TV series.
Del Río is now considered a mythical figure of American and Mexican cinema.
Internal: Slim Aarons, Acapulco, Vintage Dolores del Rio, Vintage Glamour, Midcentury Photography, Vintage Slim Aarons, 1950s, vintage Hollywood, Golden Age of Mexican Cinema, Vintage Poolside Photography, Silent film stars
- Creator:Slim Aarons (1916-2006, American)
- Creation Year:1952
- Dimensions:Height: 30 in (76.2 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Los Angeles, CA
- Reference Number:1stDibs: LU1486470652
Slim Aarons
American photographer Slim Aarons captured the 20th century’s international jet set — U.S. socialites, European royalty, Hollywood stars — at play in sun-kissed locales like Monaco, Saint-Tropez and Palm Beach, as well as other luxurious settings around the globe.
Committed to eschewing makeup and artificial lighting, Aarons created images that are at once candid and polished, combining the relaxed posture of his subjects, who trusted him to document their lives, with the visual sharpness of a seasoned art director. Having gotten his start taking pictures for the U.S. military magazine Yank during World War II, he contributed over the course of his career to Life, Town and Country and Holiday magazines and published several books.
Aarons was born in Manhattan in 1916. He joined the army at 18, shooting military maneuvers at West Point before serving as a combat photographer, for which he was awarded a Purple Heart. After the war, he moved to California and began snapping socialites and movie stars. In the 1950s, he opened a bureau for Life magazine in Rome, where he took pictures capturing the postwar scene. Aarons was always able to win the trust of his elite subjects, who saw him as close to a peer, rather than a paparazzo. In a 2002 interview with The Independent, he remarked, ''I knew everyone. They would invite me to one of their parties because they knew I wouldn't hurt them. I was one of them.'' This access allowed Aarons to document the rich and famous with their guard down, reading newspapers and magazines, talking on the phone, relaxing by the pool, and chatting with friends. The 1957 photograph The Kings of Hollywood, for example, which won him wide acclaim, shows Clark Gable, Van Heflin, Gary Cooper and Jimmy Stewart laughing together as they celebrate New Year’s Eve.
Many of Aarons’s best-known images involve games and sports. In the 1972 Poolside Backgammon, two young women play the board game of the title against the backdrop of a majestic Acapulco estate. In 1958’s Cannes Watersports, a couple attempts to glide across the Golfe de la Napoule on Jet Skis, one expertly and one hanging on for dear life. And in Penthouse Pool, shot in Athens in 1961, a young woman wearing a yellow bathing cap smiles coyly at the camera, surrounded by friends and brightly colored seat cushions, with the Acropolis faintly visible in the background. Among Aarons’s books are 1974’s A Wonderful Time: An Intimate Portrait of the Good Life, and its 2003 sequel, Once Upon a Time. His final book, A Place in the Sun, was published in 2005, one year before his death.
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