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Catherine Howe
Bouquet (peony, yellow, jade)

2019

About the Item

"Bouquet (peony, yellow, jade)" is a unique collagraph print from a series published by Manneken Press in 2019. In collagraph printmaking the artist adds to the plate to create the image rather than carving into it, as in relief printing, or etching into it, as in intaglio printing. Howe painted the image of a bouquet of flowers in a vase with sweeping, fluid brushstrokes strokes, directly onto the plate, using a thick gel medium. Carborundum grit was added to create the texture necessary to hold the ink. Different colors were used for each impression printed from the plate, creating a series of unique but related prints. Like all of Howe's works, her monotypes have a strong, vibrant, spontaneous energy and a sensuous sensibility. Referencing her personal garden located in the Hudson Valley, flowers dissolve into abstract flurries of brush marks and fields of commingled colors. The artist balances abstraction with representation in gestural prints which are process-based while retaining an affinity with the observed subject matter. Catherine Howe is widely admired for her painterly works that reference both the baroque and nature. Drawing from nature, Howe’s paintings is influenced by New York School abstraction, as well as rococo and 17th century Dutch still life paintings. Catherine Howe received an MFA from SUNY Buffalo in 1983. Her paintings have been exhibited extensively in New York, and the United States, including solo exhibitions at New York Academy of Art, Winston Wächter Fine Art , VonLintel Gallery, Lesley Heller Workspace, Casey Kaplan, Liz Koury, Littlejohn Contemporary, Bill Maynes Gallery, Slein/ SchmidtKim Light. Exhibitions abroad include Yukiko Kawase, Paris, Salama Caro Gallery, London, Johan Jonker, Amsterdam, and Thomas von Lintel. Howe is emeritus Professor at the New York Academy of Art. She lives and works in Manhattan and at her farmhouse in The Hudson Valley.
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