Baroque Art

Lucrezia Romana. Follower of Guido Redi. 17th- 18th century. Oil painting on wooden board. The pose of the young Roman matron with eyes raised to the sky, with a suffering gaze is th...

Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was among a select group of the esteemed Ken ...

A charming picture of two sitting, attentive dogs. Signed and dated. Hand carved and gilded frame.

Dutch School, Elegant Couple, Tavern Interior Scene, Cabinet Piece, A PAIR

Valentine Love (number 10 white) R’ depicts silhouette of a Valentine. As snipped from the pure white background, Agent X creates the illusion of a cut-out to reveal a Baroque, flora...

Circle of Andries Both, Southern Landscape with Cows. Both moved to Italy ( Rome and Venice) where is work was influenced by the warm Italian light. Decorative Painting

Manner of Nicolas Poussin (1594-1665) French The Holy Family with the Infant Saint John the Baptist Oil on canvas: 32 x 27 ½ in. Frame: 37 x 33 in. This fabulous and well execut...

Lithograph with frame and glass Signed, artist unknown from the gallery

Jan Cossiers was a versatile artist who worked in various genres such as portraits and history paintings. There was a clear evolution in Cossiers' career,...

Angelo Basso Bronze 1989 Paolo And Francesca- Size: Size: 42 x 12 x 12 in Signed and marked 92/95 "ITALIAN MASTER OF THE MODERN BAROQUE" The story o...

Agent X Beauté du XVIIIe Siècle 1 Archival Pigment Inks on Canvas Year: 2022 Size: 74x58in Unique Signed, dated by hand COA provided Ref.: 924802-1160 ------------------------------...

Artist/ School: Italian School, 17th century, circle of Salvator Rosa (1615-1673) Title: Waterfalls in a Landscape Medium: oil painting on canvas, unframed Size: canvas: 20 x 24....

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman "Small Vase" Year: 2021 Porcelain, Glaze, China...

Signed and numbered from the edition of 30. This is one of four prints in a series of prints based on the sixteenth century engraver Hendrick Goltzius' "The Four Disgracers". The tex...

A wonderfully detailed and charismatic portrait, this exquisite work illustrates the technical mastery and artistic vision of Van Dyck. Ernest de Mansfeld's stately yet approachable ...

Still life with flowers and a basket. 2021. Canvas, oil, 76x61 cm Artwork in baroque style and technique. Flowers on black background Arturs Amatnieks...

Old Master An Oil Print after a Painting by Jusepe de Ribera in the Museo del Prado, Spain. This is an early print after the original.

The Market is an original old master artwork realized in the 18th century by an Anonymous Flemish artist. Oil painting on canvas. The artwork depicts a bargaining scene at the marke...

Knights is an original old masters artwork realized in the first half of the 17th century by Peter Van Lear (called Il Bamboccio). Mixed colored oil painting on canvas. The artwork includes frame: 43x84.5 cm Pieter Bodding van Laer...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman Vintage Peacock I (Wall Piece/Dish (handpainted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2022 Size: 4.5x6x0.5in Signed by hand COA provided Ref.: 924802-1330 ------------------------ My ceramics are handmade and painted with the finest overglazes from Europe. The gold luster used is 24k liquid Gold from Germany. Every piece is unique. My imagery is inspired by vintage Meissen dinnerware...

English painter (17th century) - Portrait of a gentleman. 73.5 x 63.5cm. Oil on canvas, unframed. Condition report: Canvas applied on panel. Good state of conservation of the pict...

Lorenzo Pasinelli (Bologna 1629 - Bologna 1700) - Sibyl. 65 x 50.5 cm without frame, 90.5 x 75 cm with frame. Antique oil painting on canvas, in carved and gilded wooden frame. Th...

Pair of Religious Scenes are an original pair of old masters' artworks realized in the 18th century by Anonymous Italian artist. Oil on canvas. Pr...

Oil work on canvas sold with frame. Total size with frame: 58x39x5 cm

Both dead and alive, a mighty, uprooted tree trunk, together with a tangle of stumps, roots, and branches, is the sole subject of this drawing. The artist, like several other Nether...

Provenance Private collection, Germany until 2018 The work has been reviewed by Fred Meijer. A festoon of fruits is attached to a blue ribbon on an iron nail. This is composed of light grapes, oranges, peaches, cherries, red berries, plums and medlars with their foliage and twigs, shimmering into pale violet. A small snail and a whitish flower are hidden between the fruits. The dark background highlights the fine and highly qualitative painting. This painting varies a composition by the Flemish artist Cornelis De Heem...

1626 dated Red chalk drawing on paper, 28 x 20 cm on the reverse collector's stamp of H(einrich) Lempertz (unfortunately not traceable in the catalogue of his auctioned collection...

17th/18th C Over mantle still life, likely Italian. I restored this with a cleaning and lining at great expense approx $1600. I offered this in an old master painting sale...

Circle of Jan Miel (Beveren-Waas 1599 - Turin 1663) - Baby scene. 67 x 87 cm without frame, 74.5 x 95 cm with frame. Antique oil painting on canvas, in a gi...

Pierre Berchet, Drawing of Putti playing in a landscape, Painter of decorative history subjects; trained under La Fosse; worked in France and during the 1690s...

Erasmus Quellinus The Continence of Scipio Oil on Canvas The painting is included in the Catalogue Raisonné of the artist. The Roman commande...

(After) Sebastiano Conca (Gaeta 1680 - Naples 1764) The Adoration of the Shepherds oil on canvas, (cm): 122 x 100, framed The proposed table, datable in the first decades of the e...

Claude Lorrain landscape with the God Hermes, Amor and the Muses. Richard Earlom aquatint c1817 by Lorrain, Claude le/Earlom, Richard Countryside with ...

Pierre-Antoine Demachy (Paris 1723 - 1807) Architectural capriccio oil painting on canvas 92 x 70 cm Criticism and expertise of Prof. Giancarlo Sestieri (Rome [...] With regard to ...

Pair of elegant Louis XVI style candelabra with six arms with flowering branches France, 19th century Gilt bronze and blue porcelain Dimensions: h. 77 cm Pair of magnificent candle...

Italian School, 18th Century, Circle of Grassi, This old master drawing is drawn in the late-Baroque or Rococo style. It depicts a woman worshipping Venus/ preparing a sacrifice for ...

Thomas Willeboirts Bosschaert Pan plays to the dance of the putti Thomas Willeboirts Bosschaert (1614 Bergen op Zoom - 1654 Antwerp) Pan plays to the dance of the putti Oil sketch Oil on canvas, 35 x 51 cm Provenance: Belgian private collection, ca. 1980 to 2020. The oil sketch shows a flute-playing man with dark curls sitting at the left edge of the picture in a recess draped with cloth. In the lower left corner, a fallen bowl with leaking water can be seen. The right half of the picture shows a circle of five dancing putti, whereby the left putti can be recognized as a satyr due to the goat legs. The background is dominated by a dark mountain landscape. In the sky a rising or setting sun can be guessed. It is possible that the flute player represents Bacchus, the god of wine and ecstasy. This fits with the flute as a symbol of celebration, as well as the bowl of water, which could refer to Bacchus' mother, Lethe. Lethe is a river in the underworld, which at the same time symbolizes "oblivion". Thus, the spilling water bowl is not only a reference to this river, but it also symbolizes "oblivion". Moreover, Bacchus is usually depicted with satyrs in his retinue, which would explain the putto with goat legs. However, the interpretation of the flute player as the god Pan would be possible. He is usually shown with his flute and associated with dance. Moreover, he is native to the mountainous landscape of Arcadia. The present work is an oil sketch, i.e. a preparatory study. This is suggested by the partly unfinished parts, as well as the structure of the picture. Some parts are already almost completely laid out, such as the flute player, while others, for example the horizon and also the figures of the putti, are only sketched in outline. The painting can be attributed to the Baroque painter Thomas Willeboirts Bosschaert. This attribution was also confirmed by Prof. Hans Vlieghe. Bosschaert lived and worked in Antwerp with Peter Paul Rubens and Anthonis van Dyck, among others. He studied with Gerard Seghers...

Poussin’s subject is the abduction of the Sabine women. Historically, this subject was known as The Rape of the Sabines (rape being derived fro...

Claude Lorrain landscape with the temptation of Saint Anthony .Richard Earlom aquatint c1817 by Lorrain, Claude le/Earlom, Richard Country...

Ferruccio Mataresi (1928 - 2009) Untitled Castle Lithograph Year: Circa 60s Signed and numbered by hand Edition: L (50) Size: 16.5 × 23.0 on 19.7 × 28.0 inches COA provided Ref.: 92...

Two putti with symbols of war and victory (cannons, cannonballs, armour, anchor, lion's head, laurel branch/ olive branch, flag, staff with helmet) in pediment triangle. Probably a d...

Framed oil on canvas depicting children. Pink grisaille of cherubs playing in a park. Subject often found over doors or piers in the manner of the 18th century.

(MADE TO ORDER) (Sabbath, Kiddush, Ceremonial Vessel) *Lead Time may vary between 1-3 weeks Melanie Sherman "Yunomi" Year: 2021 Porcelain, Glaze, ChinaPaint, 24k German Gold Luster,...

Though he is most celebrated today for his extraordinary work as an artist of ornithological and zoological subject matters, Schouman was also a prolific documenter of landscape in his native Holland. The present drawing, which depicts a view of the Castel of Vianen, fits securely into a corpus of drawings Schouman produced on the same scale and in the same distinctive combination of media, examples of which are today housed in the collection of the Koninklijk Zeeuwsch Genootschap der Wetenschappen, Middelburg. Castle Batestein (also called Batenstein ) is a castle disappeared from the Netherlands . It was built on the banks of the Lek in the small town of Vianen, then in the province of South Holland (now in the province of Utrecht ). The castle was burned down in 1696 and then demolished. Remains only the Hofpoort (or castle gate...

Pair of very decorative Italian Still-life paintings of flowers with vases and classical figures . 18th century, oil on canvas, with original gilt-wood frames. This pair is an exce...

"Rembrandt El Chingon" Painting (FRAMED) 23" x 17" inch by Isaac Pelayo Medium: Oil, oil stick, and aerosol on wood Comes in antique frame (wood & gold leaf) Size framed: 29.5" x 2...

A late 17th c. Italian carved figure of Mermaid, Circle of Filippo Parodi (Genoa, 1630 – July 22, 1702) Dimensions: h. 29.13 in, w. 30.31 in, p. 18.9 in (at the base) Magnificent...

Johann Boeckhorst (Münster 1604 - Antwerp 1668) Saint Ursula Oil on canvas, 112 x 86 cm Provenance: New York, Christe's, 20.3.1981, lot 88 (as Van Diepenbeeck's circle) The presen...

Antique Flemish Baroque painting, 17th century, portrait, Medici. Oil on canvas. The painting is probably attributed to the Flemish painter Justus Sustermns. Pictured is most likel...

Portrait of a noblewoman. Attributed to Carlo Ceresa. (1609 - 1679, Bergamo) Oil on canvas. Size cm 110x86,5cm with frame Around 1640. This portrait depicts a middle-aged woman w...

Sorber Halle Watercolor Size: 7.0 × 9.9 on 7.6 × 10.3 inches COA provided Ref.: 924802-786

Agent X Beauté du XVIIIe Siècle 4 Archival Pigment Inks on 310 gsm hahnemühle paper Year: 2022 Size: 38x32in Edition: 50 Signed, dated and numbered by ha...

“Putti” is a 19th c. terracotta antique of two nude children, babies, as mythical figures. This piece is beautifully rendered with a rich brown patina. ...

Agent X Beauté du XVIIIe Siècle 2 Archival Pigment Inks on 310 gsm hahnemühle paper Year: 2022 Size: 34x26in Edition: 50 Signed, dated and numbered by ha...

French (?) school circa 1770 Portrait of a Lady in a Tondo, red chalk on paper 20 x 29 cm Numbered 25 on the upper left Little holes in the bottom (intended for binding) Not framed ...

The painting and the preparatory drawing are offered together. Provenance Private collection, Germany, Trier, c. 1980- 2013 Saint John the Baptist Brown ink and wash over red chalk on oatmeal paper 31 x 20.5 cm Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“. bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso On the reverse is a partial drawing of a Pieta, pricked for transfer. Provenance New York, Doyle, 14. October 2015, No. 6 The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm). Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590. The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”. Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ). Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”. Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque. Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...

Agent X Beauté du XVIIIe Siècle 3 Archival Pigment Inks on 310 gsm hahnemühle paper Year: 2022 Size: 34x26in Edition: 50 Signed, dated and numbered by ha...

Agent X Beauté du XVIIIe Siècle 1 Archival Pigment Inks on 310 gsm hahnemühle paper Year: 2022 Size: 34x26in Edition: 50 Signed, dated and numbered by ha...