Baroque Art

Oil on canvase realized by Giovanni Francesco Romanelli, so called "Il Viterbese" (1610-1662). It depicts the famous abduction of Persephone, daughter of Zeus and Demeter, by Hades....

Circle Wouwerman, Horseman by a Tent, Riders Playing Cards (?), Old Master Dutch Art, Travellers or Riders resting by a tent and gambling

This is an exclusive handprinted limited edition cyanotype of a gorgeous blue bouquet. Details: + Title: Blue Flower Bouquet + Year: 2024 + Edition Size: 100 + Medium: Acrylic Pain...

English School, 20th century painted in an earlier 'Tudor' style signed oil painting on paper stuck down on board, framed framed: 32 x 25 inches board: 25 x 18 inches provenance: fro...

Oil on canvas attributed to Philipp Peter Roos Rosa da Tivoli, realized in the late 17th Century in Italy. Large work with very fine workmanship, in particular in the creation of an...

This Game We Play #21 is a 30" x 40" C-Type Matte print from a Limited Edition of 5 by Franck Bohbot. The iconic New York cityscape stretches out and upwards into the sky in the dis...

A fine hand coloured 18th Century engraving after the original by Piranesi (Rome 1743), published by Danisy, Paris. Presented in period gold leaf frame, under glass. Piranesi was born in Venice, in the parish of S. Moisè where he was baptised. His father was a stonemason. His brother Andrea introduced him to Latin literature and ancient Greco-Roman civilization, and later he was apprenticed under his uncle, Matteo Lucchesi, who was a leading architect in Magistrato delle Acque, the state organization responsible for engineering and restoring historical buildings. From 1740, he had an opportunity to work in Rome as a draughtsman for Marco Foscarini, the Venetian ambassador of the new Pope Benedict XIV. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, who introduced him to the art of etching and engraving of the city and its monuments. Giuseppe Vasi found Piranesi's talent was much greater than that of a mere engraver. According to Legrand, Vasi told Piranesi that "you are too much of a painter, my friend, to be an engraver." After his studies with Vasi, he collaborated with pupils of the French Academy in Rome to produce a series of vedute (views) of the city; his first work was Prima parte di Architettura e Prospettive (1743), followed in 1745 by Varie Vedute di Roma Antica e Moderna. From 1743 to 1747, he was mainly in Venice where, according to some sources, he often visited Giovanni Battista Tiepolo, a leading artist in Venice. It was Tiepolo who expanded the restrictive conventions of reproductive, topographical and antiquarian engravings. He then returned to Rome, where he opened a workshop in Via del Corso. In 1748–1774, he created an important series of vedute of the city which established his fame. In the meantime Piranesi devoted himself to the measurement of many of the ancient buildings: this led to the publication of Le Antichità Romane de' tempo della prima Repubblica e dei primi imperatori ("Roman Antiquities of the Time of the First Republic...

Frank Chabry (1916-1979) was a 20th-century artist whose career spanned several transformative decades in the art world. His work likely reflects the artistic evolution of the mid-20...

Landscape with hunters by a lake. 18th century. Oil painting on canvas, from the French or Northern Italian school, Louis XV period. Probably part of the door decoration in an interi...

Mixed media collage print serigraph on canvas. Hand signed Dimensions: 22 X 19 inches including the frame Post Soviet Russian Jewish Israeli Artwork In this limited edition artwork the artists incorporates different imagery, creating layers of artt, music compositions cut-outs and a group of figures dressed in a 1920s fashion, and a still life of a vase with flowers. A variety of elements. Tanya Wissotzky and Alexander Galtchansky were born in the same year, 1959, in Crimea (U.S.S.R.). Their careers began in art school. Alexander studied in Dnepropetrovsk, Ukraine and Wissotzky in Simferopol. They continued their studies at the Kiev institute of the Arts; Wissotzky as a painter and Alexander as a book illustrator. After getting married, they emigrated to Israel. Alexander Wissotzky was in reality a name used by two artists who were married and collaborated together to make their art. Tanya Wissotzky was born in 1959 in the Crimea. She started to study art in Simferopol specializing in painting. She then moved to Kiev to further her studies. There she met her husband Alexander Galtchansky who was studying book illustration. He was also born in 1959 in the Crimea and began his art studies in Dnepropetrovsk. Galtchansky also decided to continue his art education at the Kiev Institute of the Arts. After they fell in love and got married they began to collaborate artistically to produce their works of art. With the opening up of the Soviet Union and Russia, Tanya Wissotzky and Alexander Galtchansky took the opportunity to emigrate to Israel. Working in a combination of acrylic, pen and ink, and collage the couple produced art that is both nostalgic and romantic. Their work harks back to a time, the 1920’s and a place, Paris, which helps conjure up the image of love, and this makes their art very accessible to the general public. Some of Wissotzky and Alexander’s mixed media pieces remind one of figures in the ‘Belle Epoch’ while their still life paintings of flowers seem to step out of an English garden guide. Wissotzky and Alexander found it difficult to adjust to life in Israel and eventually they returned to Europe settling in the Czech republic. Tanya Wissotzky and Alexander Galtchansky exhibited their work widely during their lifetime. There is a book that was published about their life and work ‘G. Alexander and Wissotzky T.’ Alexander Wissotzky art can be found online and in permanent exhibitions, galleries and collections around the world including the International Conference Center in the center of Jerusalem. Their works have been shown with Itzchak Tarkay and Isaac Maimon. They have shown at the prestigious Safrai Art Gallery in Jerusalem Israel and has been exhibited with Raphael Abecassis, Ben Simhon, Yosl Bergner, Naftali Bezem , Sami Briss, Amram Ebgi, Alexander Klevan, Gregory Kohelet, Yuval Mahler, Ran Haya Graetz, Zina Rothman, Michael Rozenvein, David Sharir, Reuven Rubin, Theo Tobiasse, Yuri Tremler, Shraga Weil, Wissotzky and Avigail Yoresh.

An exceptionally beautiful antique French wood carving, made in the 17th century. It depicts Madonna standing with open offering arms .The...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Vue d'Omval pres d'Amsterdam (B209), Medium: Heliogravure, Image Size: 7 x 8.5 inches, Frame Size: 13.5 x 15 inche...

Eduardo León GARRIDO (French, Madrid 1856-1949 Caen) Picture Size: 16 x 13" (41 x 33cm) Outside Frame Size: 22 x 19" (56 x 48cm) Eduardo León Garrido was born in Madrid in 1856. He...

Terracotta sketch depicting the allegory of Music attributed to Venetian naturalized Austrian sculptor Giovanni Giuliani. First quarter of the 18th century. Giovanni Giuliani, als...

This impressive mid-17th-century oil painting by Flemish artists Pieter Bout (1640 to 1645-1689 to 1719) and Adriaen Frans Boudewijns (1644-1719) depicts an extensive mountainous Rhi...

Giulio Carpioni (Venice 1613 - Vicenza 1678) - Madonna and Child with Saints Joseph, Francis, Dominic and Anthony of Padua. 61 x 37.5 cm. Oil on canvas, unframed (not signed). Bib...

Judith Beheading Holoferne is an oil painting made by Giovanni Raffaele Badaracco, mid-17th Century. Oil on canvas, cm. 102x75.. Very good condition. Prov. Sotheby's, Amsterdam,...

Frank Chabry (1916-1979) was a 20th-century artist whose career spanned several transformative decades in the art world. His work likely reflects the arti...

An early eighteenth-century, Italian baroque figural oil showing a group of cherubs or Amorini grouped together before red velvet drapes, one reclining on a wooden cross and wearing ...

Italian painter (17th century) - The Entombment of Christ. 51 x 54 cm (without frame) - 57 x 60 cm (with frame). Oil on canvas, in lacquered and gilded wood frame (not signed). Th...

Circle of Jusepe de Ribera (Xàtiva 1591 - Naples 1652) - Saint Joseph. 108 x 80 cm (without frame) - 123 x 95 cm (with frame). Oil on canvas, in carved and gilded wooden frame (not...

This intriguing mid 18th-century German oil painting depicts Dr Johann David Wechsler, a respected civic figure. Painted around 1760, when Wechsler was in his early 30s, it presents ...

Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The Capitol and the Steps of S. Maria in Aracoeli) Etching, 1775 Watermark: Double Circle Fleur de Lys A lifetime impression with the price etching in the plate Printed in Rome, before the plates are moved to Paris and the numerous posthumous editions Reference: Hind 38 ii/IV Robison 38 ii/V with the price Wilton Ely 190 Condition: A fine Roman...

Venetian painter (early 17th century) - Madonna and Child with Saint George and Saint Nicholas. 41.5 x 35.5 cm (without frame) - 50.5 x 44.5 cm (with frame). Oil on panel, in a lat...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Vintage Pressed Flowers Nº2 + Year: 2023 + Edition Size: 20 + Stamped and Certificate of Authenticity p...

Primo Tempo 1 is a 30cm x 30cm digital print on 50cm x 50cm cotton paper in a limited edition of 9 + 2 Artist Proofs. In this photograph of a landscaped garden, Basurto takes an ex...

Study of Nicolas Poussin Landscape with a Man Washing His Feet in Oil on Board+ Small-scale study of Poussin's famous work by an unknown artist (early 20th Century). A man sits at t...

Artist: Martha Ochoa Medium: Oil on canvas Size: 32 x 40 in. unframed. Signed, lower right. This vibrant oil on canvas painting presents a lively and detailed nature scene, in Marth...

Italian School, 17th century oil on canvas (laid on board), framed framed: 15 x 21 inches board: 14 x 20 inches provenance: private collection, France condition: very good and sound ...

Agent X Butterfly on White Background (Silhouette, Nature, Flowers, Floral, Vibrant, Baroque) Year: 2025 Archival Pigment Print with Archival Inks on 240 gsm Hahnemuehle Paper Size: ...

Flemish Baroque painting. Romantic scene. Signed and dated. J. HOREMANS 1760. This 100% authentic painting captivates with its powerful colors. A real eye-catcher. Dimensions witho...

This exquisite painting, resembling a precious jewel, serves as an exceptional illustration of the devotional cabinet paintings created by Giuseppe Maria Crespi, a highly original Bolognese artist during the late 17th and early 18th centuries. Crespi's distinctiveness extended beyond his unique style and technique to the subjects he chose to portray. While his portraits and genre paintings often displayed a light-hearted and even irreverent tone, his treatment of religious themes resonated with deep emotion, even in its most inventive forms. This recently uncovered work by Crespi is a typical representation, invoking the tender connection between mother and child, and the Child's destiny, all within a compact and intimate format. Executed on a small scale, the painting showcases Crespi's remarkable sensitivity and mastery of paint, especially evident in the expressive brushwork of the drapery. The restrained and focused composition of the Holy Family allows for contemplation of the figures. Mary cradles the Christ child gently, seemingly presenting him to the viewer, her gaze knowing as the infant holds a diminutive cross, symbolizing his future crucifixion. Joseph appears in the background, emerging from the left side of the frame, gazing upward with folded hands in prayer. Individual motifs from this painting reappear in other works by Crespi, suggesting a synthesis of familiar elements into a vibrant composition. The artist's revisitation of designs throughout his career is evident, and this painting on copper likely belongs to a later period, reflecting stylistic ties to other works and Crespi's increased production of smaller devotional pieces. Distinguished by its cool palette, bold coloration, and the expressive force of the artist's hand, this Holy Family painting...

This ambitious composition illustrates the ancient episode of The Ring of Polycrates, drawn from Herodotus. In the story, the king of Samos, blessed with continuous success, is advis...

Domenichino, actually Domenico Zampieri (after) Bologna 1581 – 1641 Naples Rinaldo and Armida in Armida's Enchanted Garden, circa 1700 Oil on canvas (doubled) Size: 80 x 138 cm ...

Frank Chabry (1916-1979) was a 20th-century artist whose career spanned several transformative decades in the art world. His work likely reflects the arti...

This impressive early 18th-century oil painting attributed to French-Flemish artist Matthieu Elias (1658-1741) depicts the Transfiguration of Christ, one of the most extraordinary ep...

Fine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna) The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculpt...

Saint Christopher with the Christ Child, Spain, late 16th – early 17th C Polychromed and partially gilded wood. The sculpture represents Saint Christopher carrying the Christ Child ...

Portrait of a Bishop with a Crosier, 1700. The painting depicts a holy bishop or a high-ranking prelate, shown in a half-length portrait with his face in three-quarter profile to the...

Signed and dated lower left. Includes a beautiful later wooden frame cm. 137x8x182. Very Good conditions. Prov. Christie's London, February 15th 1974, n. 19. This artwork is shippe...

On offer is a classic Verdure tapestry, popular in the 17th and 18th centuries for its lush nature scenes. "Verdure" comes from the French word for greenery, focusing on forest and g...

Primo Tempo 5 is a 30cm x 30cm digital print on 50cm x 50cm cotton paper in a limited edition of 9 + 2 Artist Proofs. In this sepia-hued print by Rosa Basurto, an ancient tree with...

Baroque 17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas B...

Lithograph with frame and glass Signed, artist unknown from the gallery

Agent X Beauté du XVIIIe Siècle 3 Archival Pigment Inks on Canvas Year: 2022 Size: 74x58in Unique Signed, dated by hand COA provided Ref.: 924802-1164 -----------------------------...

Italian sculptor (19th-20th century) - Pair of marble pedestal sculptures depicting Poseidon and Amphitrite. 44 x 44 x h 90 cm each. Carved entirely in yellow marble, in Baroque st...

This mid-17th-century Spanish oil on canvas depicts a dignified man of learning - a theologian, or perhaps a cathedral canon. Dressed in a black cassock, marked by a vertical row of...

Hercules and Omphale Oil on panel, 52 x 41 cm According to legend, Hercules had to make atonement and became a slave to the Lydian queen Omphale. When she found out who her slave was, she married him. Falling for his mistress and made effeminate by the luxury of court life, the former hero allowed himself to become the laughing stock of the court. He dressed in women's clothes, spun wool and did other women's work, whereas Omphale wore his lion's skin and carried a wooden club. When the time of punishment was over, the hero realised his delusion and left Omphale. So far, the painting could not be clearly assigned to an artist. Nevertheless, it impresses with its fluid and convincing painting, whose colourfulness and conception are reminiscent of the Prague School around Bartholomäus Spranger. This work follows an engraving and an etching made by Michel Dorigny in 1643 after a design by Simon Vouet. It shows the same scene but the print differs in minor details from the present painting (see e.g. the head of the lion) and the treatment of the faces seems to be painted more detailed and refined. So far there is no painting...

Jacques Sébastien Leclerc, known as Leclerc des Gobelins Paris, 1733 – Paris, 1785 The Harvester's nap Oil on wood 23 x 30 cm (28.5 x 35 cm with frame) Inscription on the back: "Jacq...

Artist: George Vertue (English, 1684-1756) Title: "King Richard II" Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History *Issued unsigned, though signed by Ve...

Giuseppe Bernardino Bison (Palmanova 1762 - Milan 1844) - Holy Family. 32 x 26 cm (without frame) - 36 x 30 cm (with frame).  Pencil and white chalk on paper, in a gilded wood fram...

Fidel Santos' evocative photograph, L'occhio di Dio, captures a stunning polychromed carving of the All-Seeing Eye, radiating golden beams of light against a stark black background. This aged and fragmented artifact, with its cracked and weathered surface, embodies the passage of time while preserving its spiritual and symbolic power. The All-Seeing Eye has deep historical roots, originating in ancient Egypt as the Eye of Horus...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Mendients a la Porte d'Une Maison (B176). Year: 1878 (of original 1648), Medium: Heliogravure, Size: 7 x 5.5 in. (1...

Circle of Teniers, Peasants in a Landscape passing by a river and an Inn.

An very refined and beautiful pair of parrot sculptures in deep blue glazed Chinese porcelain with a smooth, glossy finish, characteristic of advanced Chinese ceramic techniques. Th...

Portrait of a Lady - Ettore Frattini Italia 2005 - Oil on canvas cm.100x70. The painting by Ettore Frattini depicts an elegant and refined noblewoman, the painting is inspired by t...

A rare and important Italian alabaster bust sculpture of Jesus Christ, C. 1860 A modeled bust of Holy Christ wearing a crown of thorns, exceptional...

By Martha Ochoa Oil on Canvas Canvas Size: 59" x 39" Framed Size: 67" x 47.25" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tra...

To the Calvary with Maddalena is a superb and impressive original oil painting on canvas, realized by the Italian artist Ippolito Borghese (Sigillo, 1568 - after 1627) Original Title: Andata al Calvario con l'incontro con la Maddalena...

ARTIST - Circle of Giuseppe Nogari (Italian, 1699–1763) // PERIOD - First Half of the 18th Century // ORIGIN - Italy, Venice // MEDIUM - Oil on canv...