Baroque Art
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Style: Baroque
Capriccio Landscape View with Figures
Located in Houston, TX
Capriccio painting in a greek or Italian style with women around a river. Capriccio is a fanciful architectural landscape painting. It was popular in Italy in the 18th Century. Most ...
Category
Late 19th Century Baroque Art
Materials
Gouache
Portrait of a Gentleman
By Ippolito Scarsella (Scarsellino)
Located in New York, NY
Provenance: Suida-Manning Collection, New York
Private Collection
Exhibited: Venetian Paintings of the Sixteenth Century, Finch College Museum of Art, New York, October 30-December 15, 1963, no. 31.
Veronese & His Studio in North American Collections, Birmingham Museum of Art, Oct. 1-Nov. 15, 1972, and Montgomery Museum of Fine Arts, Dec. 5-Dec. 31, 1972
Literature: Robert L. Manning, A Loan Exhibition of Venetian Paintings of the Sixteenth Century, exh. cat. New York 1963, cat. no. 31ill., as by Veronese
Stephen Clayton and Edward Weeks, eds., introduction by David Rosand, Veronese & His Studio in North American Collections, Birmingham 1972, as by Veronese, p. 38 ill.
Terisio Pignatti, Veronese, Venice 1976, I, p. 199, cat. no. A225, II, fig. 908, as attributed to Veronese
Terisio Pignatti and Filippo Pedrocco, Veronese; catalogo completo dei dipinti, Florence 1991, no. 54°, as attributed to Veronese.
Terisio Pignatti and Filippo Pedrocco, Veronese, Milan 1995, II, pp. 517-518ill., cat. no. A 56, under attributed paintings, by Veronese and workshop)
John Garton, Grace and Grandeur; The Portraiture of Paolo Veronese, London-Turnhout 2008, p. 237, fig. 77, cat. no. R16, as workshop of Veronese.
Scarsellino’s art is widely regarded as critical link between the Renaissance and the Baroque styles in Emilian painting; not only was he an important transmitter of the heritage of the Renaissance, but he was also open to innovative ideas, and was one of the earliest to experiment with the trend to naturalism that would become fundamental to art of the new century. Born around 1550, he received his earliest training from his father Sigismondo, an architect and painter; it was probably while working at his father’s side as a youth that he acquired the nickname Scarsellino, or “little Scarsella”. After absorbing the principles of his art in Ferrara and Parma, he went to Venice in 1570, staying for four years and working in the shop of Veronese. In the following decade, his art —especially in terms of its piety and its development of landscape— demonstrates a strong sympathy with that of the Carracci, with whom he worked in 1592-1593 at the Palazzo dei Diamanti in Ferrara. Maria Angela Novelli and later Alessandra Frabetti both propose that Scarsellino traveled to Rome, although such a trip has not been documented; if he did travel to Rome, it probably would have occurred during the years that Scarsellino’s colleagues Agostino and Annibale Carracci were there, that is, beginning in 1595 and until 1609. The last decades of Scarsellino’s career again involve stylistic experimentation, this time in a manner that would bring his work very close to the progressive figurative naturalism of Carlo Bononi and prepare the way for Guercino.
The present portrait of a distinguished gentleman had been long thought to be by Paolo Veronese and was in fact attributed to him by such distinguished connoisseurs as Adolfo Venturi and Wilhelm Suida. The portrait’s style is, however, distinct from Veronese’s, although clearly indebted to it, and the attribution to the young Scarsellino is wholly convincing. The painting would then date from the 1570s – a date confirmed by the costume the subject wears. The puffed hat that appears in the painting had a rather short-lived vogue in the early 1570s. One sees it in Giambattista Moroni’s Portrait of Count...
Category
18th Century and Earlier Baroque Art
Materials
Canvas, Oil
Flemish School, Portrait Young Boy, Old Master Drawing, Baroque, 17th Century
Located in Greven, DE
Old Master Drawing, Flemish School, Portrait or Sketch of a standing young boy. Condition : see photos.
Category
17th Century Baroque Art
Materials
Crayon
Running on Empty, by David Avery
By David Avery
Located in Palm Springs, CA
Signed and numbered from the edition of 30. This is one of four prints in a series of prints based on the sixteenth century engraver Hendrick Goltzius' "The Four Disgracers". The tex...
Category
2010s Baroque Art
Materials
Etching
"Putti" 19th c. Terracotta, Antique, Mythical Figures, Patina
Located in Detroit, MI
SALE ONE WEEK ONLY
“Putti” is a 19th c. terracotta antique of two nude children, babies, as mythical figures. This piece is beautifully rendered with a...
Category
Late 19th Century Baroque Art
Materials
Terracotta, Wood
The Rape of Sabine Iconic Bronze Sculpture 1930
Located in Rome, IT
Fine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna)
The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculptures in the world. Three intertwined bodies, two men and a woman, spiral upwards as the woman tries to escape the clutches of the younger man standing over the older one. It is an absolute masterpiece by the Flemish sculptor Giambologna.
After the original in Florence’s Loggia dei Lanzi, Piazza della Signoria...
Category
1920s Baroque Art
Materials
Bronze
Soldiers by a Tent, Soldiers Camp, Circle Van Huchtenburg, Old Master Painting
Located in Greven, DE
Circle of Jan van Huchtenburg
Landscape Scene with a Soldiers Camp
Oil on Canvas, 41 x 55 cm
Soldier Camp Life Scene
together with a wonderful golden Frame
Category
18th Century Baroque Art
Materials
Oil, Canvas
'Arch of Constantine' original engraving by Israel Silvestre
Located in Milwaukee, WI
In the mid-seventeenth century, views of historic landscapes and classical structures were increasingly popular among print collectors, and artists like the Frenchman Israel Sylvestre were eager to fill that demand. In this example, Sylvestre captures a view of the Arch of Constantine...
Category
Mid-17th Century Baroque Art
Materials
Engraving
Battle of Peterwardein, By Jan van Huchtenburg, Battle Scene, Old Master
Located in Greven, DE
Jan Van Huchtenburg
Battle of Peterwardein, 1716
Oil on canvas, 45 x 64 cm
monogrammed "HB"
n 1670 he settled at Haarlem, where he married Elisabeth Mommes. It seems he practised and kept a dealers...
Category
18th Century Baroque Art
Materials
Canvas
"Veduta Presso di San Stefano Rotondo, " Original Engraving by Israel Silvestre
Located in Milwaukee, WI
"Veduta Presso di San Stefano Rotondo" is an original engraving by Israel Silvestre, titled along the bottom of the image. This small etching shows an unusual view of the church San ...
Category
1650s Baroque Art
Materials
Engraving
17th Century Italian Old Master Fine Portrait of St. Nicholas
Located in Cirencester, Gloucestershire
St. Nicholas of Tolentino (1245-1305)
Italian School, 17th century
oil painting on canvas,
canvas: 10 x 8 inches
provenance: private collection, Germany
Very fine and rare 17th century Italian Old...
Category
17th Century Baroque Art
Materials
Oil
Anthony van Dyck, Engraving Ernest de Mansfeld, c. 1654, Portrait, Iconographie
Located in Greven, DE
A wonderfully detailed and charismatic portrait, this exquisite work illustrates the technical mastery and artistic vision of Van Dyck. Ernest de Mansfeld's stately yet approachable expression reflects Van Dyck's refined ability to comfort and relax his subjects, resulting in a realistic and acute portrait. Ernest de Mansfeld was a German military commander during the early years of the Thirty Years War. Donning his armor and an ornate, lace collar, de Mansfeld appears as a strong commander. Without a hint of a smile, he calmly gazes out, the definition of cool and collected. Van Dyck accurately captures the sense that de Mansfeld is a man who takes his job seriously, a man worthy of commanding an army in battle.
This portrait is a Mauquoy-Hendrickx State II (of II), engraved by Robertus van Voerst in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641) as part of his Iconographie series of engraved portraits of famous people...
Category
17th Century Baroque Art
Materials
Engraving
Platter with Kidney, Blackberries, Kimchi, Eel (Memento Mori)
Located in Kansas City, MO
Limited Edition: 7 of 25
Signed, dated and numbered in ink on label affixed verso
COA provided
In Sherman's photographs she is experimenting with groupings of different objects wit...
Category
2010s Baroque Art
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital
The Rape of Sabine Iconic Bronze Sculpture 1930
Located in Rome, IT
Fine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna)
The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculptures in the world. Three intertwined bodies, two men and a woman, spiral upwards as the woman tries to escape the clutches of the younger man standing over the older one. It is an absolute masterpiece by the Flemish sculptor Giambologna.
After the original in Florence’s Loggia dei Lanzi, Piazza della Signoria...
Category
1920s Baroque Art
Materials
Bronze
Exposition Esquisses de Rubens 1937 Exposition linen backed vintage poster
By (After) Peter Paul Rubens
Located in Spokane, WA
Exposition Esquisses de Rubens. Musees Royaux des Beaux-Arts de Belgique, Bruxelles. Original, linen backed early (1937) Rubens Exposition. Very rare exposition poster...
Category
1930s Baroque Art
Materials
Lithograph
Portrait de Fanny Charrin /// French Impressionist Art Nouveau Lady Woman Girl
Located in Saint Augustine, FL
Artist: Malo-Renault (French, 1870-1938)
Title: "Portrait de Fanny Charrin"
Portfolio: Gazette des Beaux-Arts
*Issued unsigned
Year: 1909
Medium: Original Etching and Drypoint on wov...
Category
Early 1900s Baroque Art
Materials
Intaglio, Drypoint, Etching
Path by the sea. 1869. Oil on Canvas, 31x53 cm
Located in Riga, LV
Path by the sea. 1869. Oil on Canvas, 31x53 cm
Category
1860s Baroque Art
Materials
Canvas, Oil
Baroque Painting, Oil on Canvas. Princely Dance in the Castle with Violin Music.
Located in Berlin, DE
Decorative baroque painting, oil on canvas. Princely dance in the castle.
Dimensions including frame 94 cm x 77.5 cm
Dimensions without frame 79cm x 63cm.
Category
19th Century Baroque Art
Materials
Canvas, Oil
Basilius Besler Engraving Hand Colored
Located in Delray Beach, FL
Basilius Besler Narcissus Orientalis Medio Croceus Calice Pleno
Hand colored engraving 21.5"x17.5"
A fine copper engraving published in the famous large flower book...
Category
16th Century Baroque Art
Materials
Engraving
Bust of a Lady, prob Queen Elisabeth Petrowna, Terracotta Sculpture, Baroque Art
Located in Greven, DE
Bust of a Lady, thought to be Elisabeth Petrowna, also known as Elisabeth of Russia
Depicted before she was crowned
Terracotta Bust
Elizabeth Petrovna (Russian: Елизаве́та (29 Decem...
Category
18th Century Baroque Art
Materials
Terracotta
Old Master Drawing, Baroque, Jacob de Wit, Allegory of Victory, Putti, Ships
By Jacob De Wit
Located in Greven, DE
Two putti with symbols of war and victory (cannons, cannonballs, armour, anchor, lion's head, laurel branch/ olive branch, flag, staff with helmet) in pediment triangle.
Probably a d...
Category
Late 17th Century Baroque Art
Materials
Paper, Crayon
Baroque Italian Old Master, Madonna, Child, Angels, Oval, Marratta, Christmas
By Workshop Of Carlo Maratta
Located in Greven, DE
Religious Painting, depicting Madonna and the Child, surrounded by Angels by the Circle of Carlo Maratta (Maratti). This painting is wonderful example of...
Category
18th Century Baroque Art
Materials
Canvas, Oil
Three Angels
By Domenico Piola the Elder
Located in New York, NY
Provenance:
Robert L. and Bertina Suida Manning, New York, until 1996
Private Collection, USA
One of the leading artists in Genoa during the second half of the seventeenth century, Domenico Piola came from a successful family of artists, renowned for their many illusionistic ceiling programs throughout Genoese churches and palaces. A prolific draughtsman and painter, Domenico oversaw an extremely productive studio. In addition to his collaborations with numerous other artists, Domenico also provided many designs for book illustrations and prints that circulated throughout Europe, earning him international exposure and high acclaim in his own day.
As Dr. Anna Orlando has indicated (written communication), the present work is an early work by Piola, datable from the late 1640s. At this time the young artist came strongly under the influence of Castiglione and Valerio Castello, while admiring the works of Giulio Cesare Procaccini. Piola’s works from this period are exuberant and fluid, and the artist’s love of portraying children is evident from the angels and putti that populate both his altarpieces and more intimate paintings.
The present work depicts three angels...
Category
17th Century Baroque Art
Materials
Canvas, Oil
Head of a Cheerful Man Wearing a Cap
Located in New York, NY
Watermark: the arms of Amsterdam
Provenance:
Christie’s, Amsterdam, 1 December 1986, lot 46; where acquired by:
Private Collection, New York
Literature:
Roger Adolf d’Hulst, “Jordaens Drawings: Supplement II,” Master Drawings, vol. 28, no. 2 (1990), pp. 153-156, no. A237a, fig. 17.
Matías Díaz Padrón, Jacob Jordaens...
Category
17th Century Baroque Art
Materials
Paper, Chalk
Baroque 17th century German fountain design engraving print by Boeckler
Located in Melbourne, Victoria
Baroque 17th century German fountain design
Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas B...
Category
Mid-17th Century Baroque Art
Materials
Engraving, Etching
Portrait of Margaritta MacDonald in red jacket and white gown (half-length)
Located in Saint Augustine, FL
Artist: (after) Sir Henry Raeburn (Scottish, 1756-1823)
Title: "Portrait of Margaritta MacDonald in red jacket and white gown (half-length)"
*No signature found
Circa: 1820
Medium: O...
Category
1820s Baroque Art
Materials
Canvas, Paint, Oil, Gesso
Tuscan Baroque Nude Putto Candle Holder 17-18 century gilded wood
Located in Florence, IT
One flame candle holder putto made of gilded wood.
Those kind of objects were present in churches or noble villas, specially during the Baroque times.
The base is not coeval.
Category
17th Century Baroque Art
Materials
Gold
Thomas Willeboirts Bosschaert, Dancing Putti, Pan, Satyr, Rubens School, Model
By Thomas Willeboirts Bosschaert
Located in Greven, DE
Thomas Willeboirts Bosschaert
Pan plays to the dance of the putti
Thomas Willeboirts Bosschaert (1614 Bergen op Zoom - 1654 Antwerp)
Pan plays to the dance of the putti
Oil sketch
Oil on canvas, 35 x 51 cm
Provenance:
Belgian private collection, ca. 1980 to 2020.
The oil sketch shows a flute-playing man with dark curls sitting at the left edge
of the picture in a recess draped with cloth. In the lower left corner, a fallen
bowl with leaking water can be seen. The right half of the picture shows a circle
of five dancing putti, whereby the left putti can be recognized as a satyr due to
the goat legs. The background is dominated by a dark mountain landscape. In
the sky a rising or setting sun can be guessed. It is possible that the flute player
represents Bacchus, the god of wine and ecstasy. This fits with the flute as a
symbol of celebration, as well as the bowl of water, which could refer to
Bacchus' mother, Lethe. Lethe is a river in the underworld, which at the same
time symbolizes "oblivion". Thus, the spilling water bowl is not only a reference
to this river, but it also symbolizes "oblivion". Moreover, Bacchus is usually
depicted with satyrs in his retinue, which would explain the putto with goat legs.
However, the interpretation of the flute player as the god Pan would be
possible. He is usually shown with his flute and associated with dance.
Moreover, he is native to the mountainous landscape of Arcadia.
The present work is an oil sketch, i.e. a preparatory study. This is suggested by
the partly unfinished parts, as well as the structure of the picture. Some parts
are already almost completely laid out, such as the flute player, while others, for
example the horizon and also the figures of the putti, are only sketched in
outline.
The painting can be attributed to the Baroque painter Thomas Willeboirts
Bosschaert. This attribution was also confirmed by Prof. Hans Vlieghe.
Bosschaert lived and worked in Antwerp with Peter Paul Rubens and Anthonis
van Dyck, among others. He studied with Gerard Seghers...
Category
17th Century Baroque Art
Materials
Canvas
Striped Cap, Portrait, Figurative, Baroque, Female, Oil, Painting, Timeless
By Ray Donley
Located in Riverdale, NY
Striped Cap is a baroque inspired portrait, oil on linen, by Ray Donley. It is 24x24. It is a timeless figurative painting featuring a female figure.
For Ray Donley, the classic...
Category
Early 2000s Baroque Art
Materials
Linen, Oil
Van der Bent, Southern Landscape with woman animals, Dutch Old Master, Berchem
Located in Greven, DE
17th Century Old Master, Figurative and Landscape Painting by Jan Van der Bent
So far, little is known about the life and work of Jan van der Bent. He was...
Category
17th Century Baroque Art
Materials
Canvas, Oil
Important 17' Century Mythological Painting Diana and Actaeon Oil on Canvas
Located in Rome, IT
Fascinating mythological story of Diana and Actaeon can be found in Ovid’s Metamorphoses.
Very important provenance from a royal collection. Fabulous finely carved gilt wood coeval frame .
Giovanni Battista Viola...
Category
17th Century Baroque Art
Materials
Oil
17th C., Baroque, Genre Painting, Stop of the Travelers
Located in brussel, BE
As the Dutch painter Philips Wouwerman often did, this artist painted travellers stopping at an inn or a farm. One of the men got off his horse to urinate against the facade of the building. The motif of a peeing man was far from an exception in Dutch genre paintings...
Category
17th Century Baroque Art
Materials
Canvas, Oil
16th C, Biblical, Manner of Joos van Cleve, Madonna with Child, Oil on Panel
By Joos van Cleve
Located in brussel, BE
Attentive observer, may I challenge you to find some unusual elements in this panel painting? One detail has to do with the symbolic use of color, the other with a later adjustment of the image. Indeed! The Blessed Virgin is not dressed in her usual sky blue cloak, which refers to her purity, but in a red robe.
During the Late Middle Ages and early Renaissance, the Virgin often wore such a red garment to refer to the Passion of Christ. After all, the blessing Christ child with his orb would shed his blood for the redemption of mankind. The second strange element catches the eye when one looks closer at the little Jesus. It appears that he was originally depicted completely naked, but got on a transparent loincloth over time. In the past there were several times when nudity in art was subject to some form of censorship. For example, the supervision of Christian art was strongly encouraged by the Council of Trent (1545-1563). This assembly was dealing with the inner-ecclesiastical reform of the Roman Catholic Church. One of the important theologians who followed the council’s guidelines was Joannes Molanus (1533-1585). He did not consider the nakedness of the Christ Child to be edifying and pointed out that children could be endangered in this way. He may have been referring to the dangers of paedophilia.
During the 19th century, puritanism emerged. A famous example of a moral preacher was Pope Pius IX...
Category
16th Century Baroque Art
Materials
Canvas, Oil
Adoration Of The Shepherds Painting Oil on canvas Italy 18th Century
By (After) Sebastiano Conca
Located in Riva del Garda, IT
(After) Sebastiano Conca (Gaeta 1680 - Naples 1764)
The Adoration of the Shepherds
oil on canvas, (cm): 122 x 100,
framed
The proposed table, datable in the first decades of the e...
Category
18th Century Baroque Art
Materials
Oil
Follower of Samuel de Wilde, Portrait of an Actor in Character
Located in London, GB
Follower of Samuel de Wilde c.1841
Portrait of an Actor in character.
Oil on canvas; held in a period gilded frame.
Dimensions refer to size of ...
Category
19th Century Baroque Art
Materials
Canvas, Oil
Hercules and Omphale, Old Master Painting, Mannerism, Baroque, Mythology, Prague
Located in Greven, DE
Hercules and Omphale
Oil on panel, 52 x 41 cm
According to legend, Hercules had to make atonement and became a slave to the Lydian queen Omphale. When she found out who her slave was, she married him. Falling for his mistress and made effeminate by the luxury of court life, the former hero allowed himself to become the laughing stock of the court. He dressed in women's clothes, spun wool and did other women's work, whereas Omphale wore his lion's skin and carried a wooden club. When the time of punishment was over, the hero realised his delusion and left Omphale.
So far, the painting could not be clearly assigned to an artist. Nevertheless, it impresses with its fluid and convincing painting, whose colourfulness and conception are reminiscent of the Prague School around Bartholomäus Spranger.
This work follows an engraving and an etching made by Michel Dorigny in 1643 after a design by Simon Vouet. It shows the same scene but the print differs in minor details from the present painting (see e.g. the head of the lion) and the treatment of the faces seems to be painted more detailed and refined.
So far there is no painting...
Category
17th Century Baroque Art
Materials
Oil, Panel
"Tempio della Sibilla in Tivoli, " Original Engraving by Israel Silvestre
Located in Milwaukee, WI
"Tempio della Sibilla in Tivoli" is an original engraving by Israel Silvestre, titled along the bottom edge of the work. This miniature print features the Temple of the Sybil perched...
Category
1650s Baroque Art
Materials
Engraving
Old Master Painting, Flemish Baroque, Religious Scene, Esau and Jacob, Lentil
By Erasmus Quellinus the Younger
Located in Greven, DE
Isaac and Rebecca had two sons: the twins Esau and Jacob. Esau was the first-born, giving him the birthright. Among Jews the birthright gave the eldest son authority over the family,...
Category
17th Century Baroque Art
Materials
Oil, Panel
Cherubs Playing With Bow And Arrow
Located in Delray Beach, FL
Pair Of 18th Century Cherubs Playing With Bow And Arrow oil paintings.
After Francois Boucher (1703-1770)
Boucher is known for his idyllic and voluptuou...
Category
Late 18th Century Baroque Art
Materials
Cotton Canvas, Oil
Francesco Furini Sanguine Drawing before 1642
Located in Florence, IT
Preparatory Drawing (sanguine on paper, 42 x 28 cm) by Francesco Furini for the making of the Saint Sebastian, ordered by the prince Lorenzo de' Medic...
Category
1640s Baroque Art
Materials
Color Pencil, Paper
Bust of Pope Innocent XI Odescalchi by Domenico Guidi
Located in New Orleans, LA
This monumental bust is a museum-quality example of Roman Baroque sculpture. Crafted by the legendary Domenico Guidi and carved from Carrara marble, the impressive portrait captures the visage of Pope Innocent XI, Benedetto Odescalchi (1611-1689). It presents a larger-than-life example of Guidi’s remarkable skill as a sculptor, which ultimately made his workshop one of the most important in Rome during his age. Today, his works are rarely found on the market, particularly his extraordinary works in marble.
Pope Innocent XI was born Benedetto Odescalchi into an Italian noble family of prominent bankers. Spending his early years in banking, he eventually turned to the law, earning his doctorate in 1639. His background would serve him well in his service to the papacy, and he became known as a frugal and devout member of the Church. In 1676, he was unanimously elected Pop after the death of Clement X. During his nearly 13-year reign, he instilled his own personal ideals of austerity and frugality onto the Church, with a deep commitment to reform and piety.
He is captured here by Guidi in his traditional Pope’s mozzetta and camauro cap. A wide stole is draped over his shoulders, ornamented by acanthus leaves and the coat of arms of the Odescalchi family. It displays Guidi’s mastery over the chiaroscuro effect, particularly in the high level of contrast in his cheeks and his eyes, which Guidi achieved through various methods of high polish.
A very similar portrait sculpture of Pope Innocent XI by Guidi can be found in the collection of the Royal Castle in Warsaw. The Warsaw bust belongs to a series of portraits of popes which the Odescalchi family commissioned from Domenico Guidi in the 1690s. Compared to that example, the present bust is far more dramatic, with deeper cut lines and a more precise expression. It is likely that the present piece was seen by the Odescalchi family, who ordered a similar one to be made. The piece was almost certainly intended to be displayed in a niche, given its dramatic cutting and its roughly carved back.
Others of Guidi’s busts can be found in important collections throughout Italy, England and the United States, though many of these are lesser bronze repetitions. A bronze bust of the Pope Alexander VIII by Guidi is currently in the collection of the Victoria & Albert Museum (London), while a terracotta version of the same is in the Los Angeles County Museum. A bronze of Pope Alexander VIII can be found in the Princely Collection of Lichtenstein, and his impressive marble papal bust of Clement IX graces the pope’s tomb in Santa Maria Maggiore. The present bust of Pope...
Category
17th Century Baroque Art
Materials
Marble
Pair of Exceptional Italian Still Life Paintings of Flowers 18th century
Located in Rome, IT
- ANNA CATERINA GILLI or
GILLI Anna Caterina Turin 1729- 1751
Her paintings recorded in Turin as a decorative artist for the Royal Palace and the Stupinigi,
working in a simil...
Category
Mid-18th Century Baroque Art
Materials
Oil
1912 After Pellerin 'Passage Du Ponte D'Arcole'
Located in Brooklyn, NY
Paper Size: 19.75 x 25.5 inches ( 50.165 x 64.77 cm )
Image Size: 12.25 x 20.5 inches ( 31.115 x 52.07 cm )
Framed: No
Condition: A-: Near Mint, very light signs of handling
Ad...
Category
1910s Baroque Art
Materials
Woodcut
Louis XVI Console Golden Wood 1785 Baroque 18th Century Italy Art
Located in Riva del Garda, IT
Old Italian console Louis XVI style gilded wood, quality work made in the late eighteenth century by Genoese workers.
Louis XVI period (1774-1793)
Genoa, around 1785
Carved and gilded wood, Spanish brocatel marble
Height 88 cm, width 103 cm, depth 54 cm.
The furniture is surrounded by an elegant ornamental device characterized by the typical motifs of the neoclassical repertoire, with garlands, stylized flowers and oak branches. Refined festoons of bay leaves descend from the strip, giving a pleasant feeling of harmony to the structure, while the four slender legs are delimited by a fluted truncated cone shape, adorned with a rich leafy capital. The console is complete with a marble shelf "Broccatello di Spagna", original of the time, characterized by a golden yellow background with shades of purplish red. Very good state of conservation.
Certificate of historical authenticity.
The furniture is accompanied by a rich photographic documentation, which allows an in-depth analysis. If you wish to see it yourself, you are invited to visit our Riva del Garda...
Category
Late 18th Century Baroque Art
Materials
Wood
1912 'Napoleon Bonaparte-Bataille de Rivoli'
Located in Brooklyn, NY
Paper Size: 19.75 x 26 inches ( 50.165 x 66.04 cm )
Image Size: 12.5 x 21 inches ( 31.75 x 53.34 cm )
Framed: No
Condition: A-: Near Mint, very light signs of handling
Addition...
Category
1910s Baroque Art
Materials
Woodcut
1912 Napoleon Bonaparte 'Bataille D'Esling- Mort De Montebello'
Located in Brooklyn, NY
Paper Size: 19.5 x 25.5 inches ( 49.53 x 64.77 cm )
Image Size: 13 x 21 inches ( 33.02 x 53.34 cm )
Framed: No
Condition: A-: Near Mint, very light signs of handling
Additional...
Category
1910s Baroque Art
Materials
Woodcut
The Tooth-Puller (Il Cavadenti) - Oil on Canvas by Follower of Caravaggio
By Follower of Caravaggio (Michelangelo Merisi)
Located in Roma, IT
The Tooth-Puller is a superb original oil painting on canvas, realized by an anonymous artist, a follower of Caravaggio, in the first half of the X...
Category
Late 17th Century Baroque Art
Materials
Canvas, Oil
Dance
Located in Los Angeles, CA
LORENA VILLALOBOS
"DANCE"
OIL ON CANVAS, SIGNED
COSTA RICA, DATED 2005
39 X 29 INCHES
Lorena Villalobos
Villalobos was born in Costa Rica in 1961.
She studied Fine Arts at t...
Category
Early 2000s Baroque Art
Materials
Canvas, Oil
Set of 6 French Louis XIV period chimney-piece design engravings by Jean Dolivar
Located in Melbourne, Victoria
'Luire de Cheminees a la Moderne nouvellement Invente et Grave par Jean Dolivar.'
Collection of 6 engravings with designs for chimney-pieces. Published in Paris, circa 1670.
210mm ...
Category
Mid-17th Century Baroque Art
Materials
Etching, Engraving
Antique Flemish Baroque painting, 17th Century Portrait "Medici" Oil on canvas.
Located in Berlin, DE
Antique Flemish Baroque painting, 17th century, portrait, Medici. Oil on canvas.
The painting is probably attributed to the Flemish painter Justus Sustermns.
Pictured is most likel...
Category
17th Century Baroque Art
Materials
Canvas, Oil
Two Scenes of Diana and Actaeon (a pair)
Located in New York, NY
Provenance:
Robert L. and Bertina Suida Manning, New York, until 1996
Private Collection, USA
Giovanni Battista Viola was born in Bologna a...
Category
17th Century Baroque Art
Materials
Copper
Important 17' Century Mythological Painting Diana and Actaeon Oil on Canvas
Located in Rome, IT
Fascinating mythological story of Diana and Actaeon can be found in Ovid’s Metamorphoses.
Very important provenance from a royal collection. Fabulous finely carved gilt wood coeval frame .
Giovanni Battista Viola...
Category
17th Century Baroque Art
Materials
Oil
Oil painting after 'Marina del Porto' by Salvator Rosa
Located in London, GB
This exquisite painting is based on the famous 17th-Century work, ‘Marina del Porto’ by Salvator Rosa. This beautiful version was created in the 18th Century.
The scene depicts the ...
Category
18th Century Baroque Art
Materials
Canvas, Oil
Gold Louis XVI Candelabra Gilt Bronze Blue Sèvres Porcelain France 19th Century
Located in Riva del Garda, IT
Pair of elegant Louis XVI style candelabra with six arms with flowering branches
France, 19th century
Gilt bronze and blue porcelain
Dimensions: h. 77 cm
Pair of magnificent candle...
Category
19th Century Baroque Art
Materials
Bronze
Virgin and Child with the Infant Saint John
By Domenico Puligo
Located in New Orleans, LA
A masterful example of Italian Mannerist painting, this exceptional panel was composed by the renowned Florentine painter Domenico Puligo. Alongside Jacopo Pontormo and Rosso Fiorentino, Puligo is remembered as one of the foremost figures of the Mannerist movement that rose to prominence during the 16th century in Florence. This panel of the Virgin Mary with the Christ child and Saint John the Baptist is a characteristic example of his celebrated devotional images, which grace museums such as the Metropolitan Museum of Art (New York), Museo del Prado (Madrid), Palazzo Borghese (Rome), and Palazzo Pitti (Florence), among many others.
Puligo’s skill with color is fully demonstrated in the beautifully preserved work. Considering its age, the vibrancy and the sheer range of color is remarkable. The Virgin Mary’s crimson dress...
Category
16th Century Baroque Art
Materials
Oil, Panel
Nevada
By Shan Merry
Located in San Francisco, CA
This artwork titled "Nevada" is an original lithograph by noted French artist Shan Merry, born 1935. It is hand signed and numbered 97/450 in pencil by the artist.
The image size is 15.5 x 14 inches, framed is 32.25 x 29 inches. It is beautifully framed in a custom gold frame, with fabric matting and gold color bevel. it is in excellent condition.
Shan-Merry began her artistic studies in 1957 at the Ecole Nationale Superieure des Arts et Metier, in France. By 1972 she was working as a professional fine artist and began exhibiting regularly in prominent art galleries. By the 1990’s her works were included in prestigious international collections and exhibitions in Belgium, Germany, Japan and the United States. She was also a designer for Hermes...
Category
Late 20th Century Baroque Art
Materials
Lithograph
Interior Meeting - Original Etching by Cornelis Meyssens - 17th Century
Located in Roma, IT
Interior Meeting is an original etching realized by Cornelis Meyssens ( 1640-1573).
Good conditions, except for some foldings.
Included a Passepartout: 34 x 49 cm
The artwork repres...
Category
17th Century Baroque Art
Materials
Etching
Pair of 18th century Italian Still Life Paintings of Flowers
Located in Rome, IT
Pair of very decorative Italian Still-life paintings of flowers with vases and classical figures .
18th century, oil on canvas, with original gilt-wood frames.
This pair is an exce...
Category
18th Century Baroque Art
Materials
Oil
Baroque art for sale on 1stDibs.
Find a wide variety of authentic Baroque art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Suzi Fadel Nassif, Kind of Cyan, Agent X, and Melanie Sherman. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Baroque art, so small editions measuring 2.38 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $77 and tops out at $345,000, while the average work sells for $5,900.
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