Baroque Art

Jacques Callot, French (1592 - 1635) - Les Gueux, Medium: 2 Etchings on paper from Les Gueux suite appelee aussi Les Mendiants, Image Size: 5.5 x 3.5 inches, Size: 7.5 x 11 in. (19.0...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Rembrandt au Chapeau Rond (B7). Year: 1878 (of original 1631), Medium: Heliogravure, Size: 5.75 x 5.25 in. (14.61 ...

Anthony of Padua or Anthony of Lisbon born Fernando Martins de Bulhoes 15 August 1195 – 13 June 1231) was a Portuguese Catholic priest and friar of the Franciscan Order. He was born and raised by a wealthy family in Lisbon, Portugal, and died in Padua, Italy. Noted by his contemporaries for his powerful preaching, expert knowledge of scripture, and undying love and devotion to the poor and the sick, he was one of the most quickly canonized saints in church history, being canonized less than a year after his death. He was proclaimed a Doctor of the Church by Pope Pius XII...

This is an exclusive limited edition color Giclée print, printed on matte photographic paper. This exquisite still life photo, shows a classy bouquet beautifully lit with soft light...

A fine hand coloured 18th Century engraving after the original by Piranesi (Rome 1743), published by Danisy, Paris. Presented in period gold leaf frame, under glass. Piranesi was born in Venice, in the parish of S. Moisè where he was baptised. His father was a stonemason. His brother Andrea introduced him to Latin literature and ancient Greco-Roman civilization, and later he was apprenticed under his uncle, Matteo Lucchesi, who was a leading architect in Magistrato delle Acque, the state organization responsible for engineering and restoring historical buildings. From 1740, he had an opportunity to work in Rome as a draughtsman for Marco Foscarini, the Venetian ambassador of the new Pope Benedict XIV. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, who introduced him to the art of etching and engraving of the city and its monuments. Giuseppe Vasi found Piranesi's talent was much greater than that of a mere engraver. According to Legrand, Vasi told Piranesi that "you are too much of a painter, my friend, to be an engraver." After his studies with Vasi, he collaborated with pupils of the French Academy in Rome to produce a series of vedute (views) of the city; his first work was Prima parte di Architettura e Prospettive (1743), followed in 1745 by Varie Vedute di Roma Antica e Moderna. From 1743 to 1747, he was mainly in Venice where, according to some sources, he often visited Giovanni Battista Tiepolo, a leading artist in Venice. It was Tiepolo who expanded the restrictive conventions of reproductive, topographical and antiquarian engravings. He then returned to Rome, where he opened a workshop in Via del Corso. In 1748–1774, he created an important series of vedute of the city which established his fame. In the meantime Piranesi devoted himself to the measurement of many of the ancient buildings: this led to the publication of Le Antichità Romane de' tempo della prima Repubblica e dei primi imperatori ("Roman Antiquities of the Time of the First Republic...

Paper Size: 19.5 x 25.5 inches ( 49.53 x 64.77 cm ) Image Size: 13 x 21 inches ( 33.02 x 53.34 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...

Frank Chabry (1916-1979) was a 20th-century artist whose career spanned several transformative decades in the art world. His work likely reflects the arti...

Gilded bronze sculpture - Mars, god of War. Rome, 17th century. 9 x 9 x h 31 cm. Entirely in cast, chiseled and gilded bronze, resting on an ebonized wooden pedestal decorated with...

'Luire de Cheminees a la Moderne nouvellement Invente et Grave par Jean Dolivar.' Collection of 4 engravings with designs for chimney-pieces. Published in Paris, circa 1670. 210mm ...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Vintage Pressed Flowers Nº2 + Year: 2023 + Edition Size: 20 + Stamped and Certificate of Authenticity p...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Portrait du Bourgmestre Jan Six (B285). Year: 1878 (of original 1647), Medium: Heliogravure, Size: 9.5 x 7.5 in. (2...

« The Roof of Folly: An Allegory of the Fall » This enigmatic 17th-century painting, laden with symbolic content, echoes the allegorical tradition of Hieronymus Bosch, fusing grotes...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - View of Amsterdam from the Northwest. Year: original 1640, Medium: Heliogravure, Size: 4.5 x 6 in. (11.43 x 15.24 ...

Oil work on canvas sold with frame. Total size with frame: 58x39x5 cm

Primo Tempo 6 is a 30cm x 30cm digital print on 50cm x 50cm cotton paper in a limited edition of 9 + 2 Artist Proofs. In this print by Rosa Basurto, an ancient tree takes center st...

Primo Tempo 2 is a 30cm x 30cm digital print on 50cm x 50cm cotton paper in a limited edition of 9 + 2 Artist Proofs. In this misty forest landscape by Rosa Basurto, a tree that ha...

Striped Cap is a baroque inspired female portrait by Ray Donley. It is oil on linen, 24x24. It is a timeless figurative painting. The classical ideals of the Baroque and Renais...

Sorber Halle Watercolor Size: 7.0 × 9.9 on 7.6 × 10.3 inches COA provided Ref.: 924802-786

Pair of early 17th-century medallion profiles in antique yellow marble and onyx Pair of medallions depicting Agrippina and Faustina, Rome, 17th century. Ra...

Image dimensions: 20.4 x 27.5 cm. Hunting Scene is a wonderful black and white etching on thick laid paper, realized by the Italian master, Antonio Tempesta (1555-1630). Monogramm ...

Oil on canvas realized in Italy ih the late 17th Century. The painting depicts the episode from Genesis (21, 9-21) in which the servant Hagar, together woth her little son Ishmael b...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman "Small Vase" Year: 2021 Porcelain, Glaze, China...

The Martyrdom of Saint Agatha after the painting by his father, Giovanni Battista Tiepolo (see photo) Etching, c. 1780 Signature: unsigned Watermark: Letter A (similar to Bromberg 4...

Exposition Esquisses de Rubens. Musees Royaux des Beaux-Arts de Belgique, Bruxelles. Original, linen backed early (1937) Rubens Exposition. Very rare exposition poster...

19th Century French Bronze Bust Of a Young Woman, Unsigned brown patinated bronze bust. Émile-Victor Blavier was born in Crespin France...

Two putti with symbols of war and victory (cannons, cannonballs, armour, anchor, lion's head, laurel branch/ olive branch, flag, staff with helmet) in pediment triangle. Probably a design for a painting or architecture Pen-and-ink drawing in black on brownish paper, black wash Plain gold moulding with UV glass Allegory of Victory, 18th Century, Old Master Drawing, By De Wit, Figurative Jacob de Wit...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Jan Uytenbogaert dit le Peseur d'Or (B281). Year: 1878 (of original 1639), Medium: Heliogravure, Size: 10 x 8 in. (...

Sin firmar, la obra es de autor anónimo El estado de la obra es bueno, aunque comentar que la tela está reentelada Se presenta bien enmarcada la obra con un marco posterior a la pi...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Portrait de Jean Lutma (B276). Year: 1878 (of original 1656), Medium: Heliogravure, Size: 8 x 6 in. (20.32 x 15.24...

Agent X Beauté du XVIIIe Siècle 2 Archival Pigment Inks on Canvas Year: 2022 Size: 74x58in Unique Signed, dated by hand COA provided Ref.: 924802-1162 -...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Landscape with Trees and Farm Buildings (B223). Year: 1878 (of original 1651), Medium: Heliogravure, Size: 3 x 8 in...

Carpi, mid-17th century, scagliola panel. The panel, in black and white two-tone, features insertions of polychrome marbled elements and a central scene depicting St. Michael defeat...

In this striking photograph by artist Fidel Santos, an old stained glass window features the ethereal image of Mary Magdalene surrounded by clouds. Despite the dust and cracked panes...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - L'Homme au Lait Paysage (B213). Year: 1878 (of original 1652), Medium: Heliogravure, Size: 2.75 x 7 in. (6.99 x 17...

Pieta, 2019 Oil on Panel with Dutch Ripple Frame, 9 x 12 inches A whispering portrayal of spiritual sorrow, Justas Varpucanskis’s “Pieta” present...

Paper Size: 19.75 x 26 inches ( 50.165 x 66.04 cm ) Image Size: 12.5 x 21 inches ( 31.75 x 53.34 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addition...

Limited Edition: 7 of 25 Signed, dated and numbered in ink on label affixed verso COA provided In Sherman's photographs she is experimenting with groupings of different objects wit...

Giuseppe Bernardino Bison (Palmanova 1762 - Milan 1844) - Holy Family. 32 x 26 cm without frame, 36 x 30 cm with frame. Pencil and white chalk drawing on paper, in a gilded wooden ...

Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was among a select group of the esteemed Ken ...

Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was among a select group of the esteemed Ken ...

Etching realized by Castiglione (Il Grechetto) in 1640 ca. From the Series Small Studies of Heads Good condition. Ref. Bartsch 46.43

La obra no va firmada, es de autor anónimo El estado de conservación es bueno Se presenta enmarcada la obra Medidas de la obra: 77 cm. de altura x 115 cm. de ancho. Medidas del m...

"Onlyfans" Painting (FRAMED) 30" x 25" inch by Isaac Pelayo Medium: Oil, oil stick, and aerosol on wood Comes in antique frame (wood & gold leaf) Size framed: 43" x 37.5" inch ...

This exquisite lithograph and pochoir after Cornelis de Vos (1584–1651), titled Enfant endormi (Sleeping child), originates from the 1968 folio Visages d Enfants. Quinze Dessins de D...

This exquisite lithograph and pochoir after Guido Reni (1575–1642), titled Tete d enfant (Head of a child), originates from the 1968 folio Visages d Enfants. Quinze Dessins de Durer ...

This exquisite lithograph and pochoir after Annibale Carracci (1560–1609), titled Portrait d un jeune garcon (Portrait of a young boy), originates from the 1968 folio Visages d Enfan...

Serigraph on Paper. Page Size: 30 x 20 in. Frame Size: 46 x 34 in. Signed, bottom right. Numbered, bottom left: 53/75 This is an evocative, dramatic portrait of a young woman, set w...

LORENA VILLALOBOS "DANCE" OIL ON CANVAS, SIGNED COSTA RICA, DATED 2005 39 X 29 INCHES Lorena Villalobos Villalobos was born in Costa Rica in 1961. She studied Fine Arts at t...

A rare and important Italian alabaster bust sculpture of Jesus Christ, C. 1860 A modeled bust of Holy Christ wearing a crown of thorns, exceptional...

Frans Francken the Younger 1581 - Antwerp - 1642 Flemish Painter 'The Departure of the Israelites from Egypt – The Exodus', c. 1610 - 1620 Medium: pen in sepia on paper Dimensions: mage size 26 x 34,5 cm, frame size 55 x 65,5 cm Biography: Frans Francken the Younger, born in Antwerp in 1581 and passing away on May 6, 1642, also in Antwerp, was a distinguished Flemish painter. He is recognized as the most prominent and productive member of the renowned Francken family of artists. Francken explored a wide range of subjects, creating large altarpieces for churches and producing smaller works depicting historical, mythological, and allegorical scenes. Notably, his depictions of collectors’ cabinets established a popular new genre of art during his era. He was known for collaborating with other artists, enriching their works with his skilled renderings of figures and narrative elements, complementing specialists in landscape, architectural scenes, and floral still-life painting. Francken was born to Frans Francken the Elder and Elisabeth Mertens. His father was a pupil of Antwerp’s leading history painter, Frans Floris, and a significant creator of altarpieces in Flanders during his time. Francken received his artistic training under the guidance of his father. Additionally, it is possible that Frans and his brother, Hieronymus Francken II, received further instruction in the workshop of their uncle, Hieronymus Francken I, in Paris. A versatile artist, Francken made significant contributions to various genres within Flemish art, introducing new themes and subjects. Many of his works comprised small-scale historical, allegorical, and biblical cabinet paintings, often emphasizing figures. He is credited with either inventing or popularizing several novel themes that gained popularity in Flemish painting, including genre scenes featuring monkeys (also known as singeries) and Kunstkammer or gallery paintings, presenting a plethora of natural and artistic treasures against a neutral wall. Francken introduced various other unconventional themes that later gained traction, such as the ‘Triumphal Procession of Amphitrite’ and ‘Croesus and Solon.’ He also produced a series of paintings depicting witches and witchcraft, including portrayals of witches’ sabbats. His remarkable paintings are held in the collections of numerous major museums throughout Europe. Francken specialized in rendering the human figure, as evidenced by etched and engraved portraits of the artist by Anthony van Dyck (after Peter Paul Rubens), identifying him with the Latin inscription: ‘ANTVERIÆ PICTOR HVMANARVM FIGVRARVM’ (Figure painter of Antwerp). He was frequently invited to contribute figures to compositions by other esteemed artists, including landscape artists such as Tobias Verhaecht, Abraham Govaerts, and Joos de Momper...

By Martha Ochoa Oil on Canvas Canvas Size: 59" x 30" Framed Size: 69.5" x 40.5" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tr...

The photograph titled "Madonna di Pietraquaria" captures a poignant portrait of a centuries-old carved wooden statue of the Virgin Mary, deeply rooted in the traditions of Baroque an...

"CIELO" Figurative Painting (FRAMED) 30" x 24" inch by Isaac Pelayo Medium: Oil stick & aerosol on paper Size framed: 33.5" x 27.5" inch ABOUT THE ARTIST: Isaac Pelayo is a h...

Amazing and Exquisite vertical Chinese scroll, 18th century Qing Dynasty, blue, white, and brown, "Geisha Pair" (Gouache on paper, hanging vertically, possibly a vertical scroll, fra...

One of a Kind and very delicate crucified Christ, following the renowned model created by the Italian Mannerist sculptor Guglielmo della Porta (1515-1577). The body is carved from bo...

Giacomo Francesco Cipper, known as Todeschini (Feldkirch 1664 - Milan 1736), circle of - Interior of a Tavern. 76 x 61 cm. Oil on canvas, unframed (not signed). Condition report: ...

Johan Jacob HOCH Mainz, 1750 - Mainz, 1829 Pencil drawing on paper 34 x 22 cm (50 x 41 cm with frame) Signed and dated lower left "Johann Jacob Hoch / July 1778" Pitch pine frame wit...

Framed oil on canvas depicting children. Pink grisaille of cherubs playing in a park. Subject often found over doors or piers in the manner of the 18th century. No signature

Antique Painting of 1600s Banquet with Figures Memento Mori after Giovanni Martinelli death comes to the banquet table-memento mori circa 1635. The oil on canvas painting (lined with...