Baroque Art

Large mirror made by a Florentine woodcarver working in the early 18th century (it can be hung on the wall in either direction) Tuscany (Florence) Louis XIV style Carved and g...

This exquisite lithograph and pochoir after Annibale Carracci (1560–1609), titled Portrait d un jeune garcon (Portrait of a young boy), originates from the 1968 folio Visages d Enfan...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Vieillard au Bonnet Fendu (B265). Year: 1878 (of original 1640), Medium: Heliogravure, Size: 6 x 5.5 in. (15.24 x ...

"EL CUCUY" Figurative Painting 24" x 18" inch by Isaac Pelayo Medium: Oil and aerosol on wood panel ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The Renai...

Johann Friedrich Bause (1738 Halle a. d. Saale - 1814 Weimar). Half-length portrait of a man with beard and cap after a drawing by Christian Wilhelm Ernst Dietrich. Etching and coppe...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Portrait de Jean Asselyn (B277). Year: 1878 (of original 1647), Medium: Heliogravure, Size: 8.5 x 7 in. (21.59 x 1...

Melanie Sherman Large Corset Platter Porcelain, Glaze, ChinaPaint, Vintage Decals, Flocking Cone 6, oxidation + multiple cone 018 firings, handpainted 2016 Size: H 0.75" x W 16" Sign...

Framed oil on canvas depicting children. Pink grisaille of cherubs playing in a park. Subject often found over doors or piers in the manner of the 18th century.

Antique Painting of 1600s Banquet with Figures Memento Mori after Giovanni Martinelli death comes to the banquet table-memento mori circa 1635. The oil on canvas painting (lined with...

Pair of Gorgeous Putti or triumphant angels, carved wood, 18th century. Traditionally associated with the Italian or French Baroque. With curly hair and expressive arms and legs, T...

Rare and unusual pair of 19th century Italian candle reflector remnants, , hand crafted in brass with hammered floral motifs and the pressed initials NM, now highly decorative wall d...

In Fidel Santos' work, Saint Peter Chanel, a sense of pure exuberance is captured through the depiction of the sculptural remnant of the head of the saint, The first martyr of the So...

"Veduta Presso di San Stefano Rotondo" is an original engraving by Israel Silvestre, titled along the bottom of the image. This small etching shows an unusual view of the church San ...

"TIFFANY" Figurative Portrait Painting 24" x 18" inch by Isaac Pelayo Painting size: 24" x 18" in Medium: oil and acrylic on wood ABOUT THE ARTIST: Isaac Pelayo is a head on crash...

"Pelaggio" Figurative Portrait Painting (FRAMED) 40" x 30" inch by Isaac Pelayo Full name: I’m Better off on My Own Any Fuckin Way - Pelaggio Medium: Oil, oil stick, and aerosol on ...

Italian School 18th Century An Ancient soldier in profile, red chalk on paper 35 x 23.5 cm in good condition, traces of folds in the lower right corner Framed : 46.5 x 35.5 cm This...

Beauté du XVIIIe siècle 1 by Agent X [2022] Please note that insitu images are purely an indication of how a piece may look "Beauté du XVIIIe siècle 1" depicts a Baroque style, flor...

Amazing and Exquisite vertical Chinese scroll, 18th century Qing Dynasty, blue, white, and brown, "Geisha Pair" (Gouache on paper, hanging vertically, possibly a vertical scroll, fra...

Thames Bridges – Looking West John Duffin Limited Edition Etching Printed on White 300g Somerset Paper Edition of 150 Signed – John Duffin Image Size: H 38cm x W 25cm Sheet Size: H 56cm x W 38cm x D 0.1cm This work is sold unframed Free Shipping Please Note that in situ images are purely an indication of how a piece may look Thames Bridge – Looking West is a limited edition cityscape print on London by artist, John Duffin. Duffin’s acute attention to detail gives the work a bold aesthetic. John Duffin is a painter and printmaker whose work is based on the modern environments of cities and towns, creating dynamic, cinematic images of contemporary urban life. His unique images of architecture, lighting and figures have been greatly praised and awarded, recently receiving The Most Outstanding Print Award from Sir peter Blake, he has a distinctive artistic voice and has much to say in his work about contemporary life in all of it’s manifestations. His work is in the tradition of LS Lowry...

Thomas Willeboirts Bosschaert Pan plays to the dance of the putti Thomas Willeboirts Bosschaert (1614 Bergen op Zoom - 1654 Antwerp) Pan plays to the dance of the putti Oil sketch Oil on canvas, 35 x 51 cm Provenance: Belgian private collection, ca. 1980 to 2020. The oil sketch shows a flute-playing man with dark curls sitting at the left edge of the picture in a recess draped with cloth. In the lower left corner, a fallen bowl with leaking water can be seen. The right half of the picture shows a circle of five dancing putti, whereby the left putti can be recognized as a satyr due to the goat legs. The background is dominated by a dark mountain landscape. In the sky a rising or setting sun can be guessed. It is possible that the flute player represents Bacchus, the god of wine and ecstasy. This fits with the flute as a symbol of celebration, as well as the bowl of water, which could refer to Bacchus' mother, Lethe. Lethe is a river in the underworld, which at the same time symbolizes "oblivion". Thus, the spilling water bowl is not only a reference to this river, but it also symbolizes "oblivion". Moreover, Bacchus is usually depicted with satyrs in his retinue, which would explain the putto with goat legs. However, the interpretation of the flute player as the god Pan would be possible. He is usually shown with his flute and associated with dance. Moreover, he is native to the mountainous landscape of Arcadia. The present work is an oil sketch, i.e. a preparatory study. This is suggested by the partly unfinished parts, as well as the structure of the picture. Some parts are already almost completely laid out, such as the flute player, while others, for example the horizon and also the figures of the putti, are only sketched in outline. The painting can be attributed to the Baroque painter Thomas Willeboirts Bosschaert. This attribution was also confirmed by Prof. Hans Vlieghe. Bosschaert lived and worked in Antwerp with Peter Paul Rubens and Anthonis van Dyck, among others. He studied with Gerard Seghers...

"Warhola" (FRAMED) Figurative Portrait Painting 24" x 18" inch by Isaac Pelayo Medium: Oil, oil stick, and aerosol on wood "The Modern Renaissance" series Historically, the art wo...

Exposition Esquisses de Rubens. Musees Royaux des Beaux-Arts de Belgique, Bruxelles. Original, linen backed early (1937) Rubens Exposition. Very rare exposition poster...

Miguel Rodrigues, who’s celebrated for his distinct and visionary Hyperbaroque style, brings an artistic experience that transcends time and place. Through his masterful golden sculp...

Bronzetto del XIX secolo su modello di "Uomo con anfora" di Vittore Gambello detto Camelio (nato e attivo in Veneto, 1450-1539). Il soggetto ebbe molta fortuna e ne esistono vari e...

Framed oil on canvas depicting children. Pink grisaille of cherubs playing in a park. Subject often found over doors or piers in the manner of the 18th century. No signature

Madonna, Mary Mother of God South Germany, circa 1760 Linden wood, painted Dimensions: 69 x 32 x 21 cm Painting damaged in places Authenticity guaranteed in writing

Framed oil on canvas depicting children. Pink grisaille of cherubs playing in a park. Subject often found over doors or piers in the manner of the 18th century.

Woodcut after Peter Paul Rubens (Siegen 1577 - 1640 Antwerp) 337 x 451 mm.; 13 1/4 x 17 3/4 inches Provenance: The Metropolitan Museum of Art, New York, Duplicate stamp on verso...

"THE FIGHT" Figurative Painting 60" x 40" inch by Isaac Pelayo Medium: oil and aerosol on canvas ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The Renaissance and Street Art. In a household where constant turmoil and violence were more apparent than most a young Pelayo met escape and peace within the confines of himself and his own creativity. Hispanic born in the heavy beating heart of Los Angeles on the seventh day of June 1996. Pelayo was caught in the crossfires of everything that surrounded him but art served as his only guidance. After dropping out of college Pelayo turned from his hyperrealistic pencil portraits to oil painting where his passions grew more immensely. As of today Pelayo’s work is most influenced and fueled by the crème de la crème of old master painters like Da Vinci, Caravaggio, Rembrandt, and Velazquez as well as graffiti artists such as RETNA, Shepard Fairey, and EL MAC. In 2017 his work caught the attention and landed in the firm grasp of renown rapper and collector Alvin “Westside Gunn” Worthy. He has created several album covers and artworks for the Buffalo rap moguls music label Griselda Records including his personal collection. Pelayo’s paintings are widely recognized and sought out from all over the globe. His collectors include Sean “Diddy” Combs, Westside Gunn, Benny The Butcher, Jeff Hamilton, Shepard Fairey, Jaysse Lopez, and Everlast of House of Pain...

Agent X Beauté du XVIIIe Siècle 4 Archival Pigment Inks on 310 gsm hahnemühle paper Year: 2022 Size: 38x32in Edition: 50 Signed, dated and numbered by ha...

Agent X Beauté du XVIIIe Siècle 3 Archival Pigment Inks on 310 gsm hahnemühle paper Year: 2022 Size: 34x26in Edition: 50 Signed, dated and numbered by ha...

Agent X Beauté du XVIIIe Siècle 1 Archival Pigment Inks on Canvas Year: 2022 Size: 74x58in Unique Signed, dated by hand COA provided Ref.: 924802-1160 ------------------------------...

Large-scale Baroque hunting still life featuring a centrally placed amphora set against an idealized landscape. The foreground depicts game birds and a hare, accompanied by a long hu...

In this striking photograph by artist Fidel Santos, an old stained glass window features the ethereal image of Mary Magdalene surrounded by clouds. Despite the dust and cracked panes...

The photograph titled "Madonna di Pietraquaria" captures a poignant portrait of a centuries-old carved wooden statue of the Virgin Mary, deeply rooted in the traditions of Baroque an...

Saint Christopher with the Christ Child, Spain, late 16th – early 17th C Polychromed and partially gilded wood. The sculpture represents Saint Christopher carrying the Christ Child ...

"Cherub Walk" Oil Painting (FRAMED) 29.5" x 23.5" inch by Isaac Pelayo Medium: Oil, oil stick, and aerosol on wood Comes in antique frame (wood & gold leaf) Size framed: 38" x ...

Oil on copper after Raphael " the virgin of Lorette " Chantilly Museum . Ecole Hollandaise from around 1600 . No signature at this time La Vierge de Lorette (Madonna del Loreto) ap...

Still life with a sewing machine. 2019. Oil on canvas, 60x90 cm Arturs Amatnieks (Leon) (1974) Leon (real name: Artūrs Amatnieks) is a professional...

"Hyperbaroque Impressions: A Collection of Art Prints by Miguel Rodrigues" Step into the surreal world of Miguel Rodrigues, where the boundaries between reality and fantasy blur int...

"Bill Collect" Oil Painting (FRAMED) 48" x 36" inch by Isaac Pelayo Full name: Fuck the Bill Collector, My Rent is Due Medium: Oil, oil stick, and aerosol on wood Comes in antique...

"Hyperbaroque Impressions: A Collection of Art Prints by Miguel Rodrigues" Step into the surreal world of Miguel Rodrigues, where the boundaries between reality and fantasy blur int...

Pierre Berchet, Drawing of Putti playing in a landscape, Painter of decorative history subjects; trained under La Fosse; worked in France and during the 1690s...

"BAD MAN WITH A PRETTY FACE" Painting 40" x 30" inch by Isaac Pelayo Medium: OIl and aerosol on wood "The Modern Renaissance" series Historically, the ar...

Pair of 1600s Nature Morte di Fiori by 17th-century Italian school, unframed. Oil paintings on canvas with a dark background and finely defined flowers these Baroque still lifes of t...

Frans Francken the Younger 1581 - Antwerp - 1642 Flemish Painter 'The Departure of the Israelites from Egypt – The Exodus', c. 1610 - 1620 Medium: pen in sepia on paper Dimensions: mage size 26 x 34,5 cm, frame size 55 x 65,5 cm Biography: Frans Francken the Younger, born in Antwerp in 1581 and passing away on May 6, 1642, also in Antwerp, was a distinguished Flemish painter. He is recognized as the most prominent and productive member of the renowned Francken family of artists. Francken explored a wide range of subjects, creating large altarpieces for churches and producing smaller works depicting historical, mythological, and allegorical scenes. Notably, his depictions of collectors’ cabinets established a popular new genre of art during his era. He was known for collaborating with other artists, enriching their works with his skilled renderings of figures and narrative elements, complementing specialists in landscape, architectural scenes, and floral still-life painting. Francken was born to Frans Francken the Elder and Elisabeth Mertens. His father was a pupil of Antwerp’s leading history painter, Frans Floris, and a significant creator of altarpieces in Flanders during his time. Francken received his artistic training under the guidance of his father. Additionally, it is possible that Frans and his brother, Hieronymus Francken II, received further instruction in the workshop of their uncle, Hieronymus Francken I, in Paris. A versatile artist, Francken made significant contributions to various genres within Flemish art, introducing new themes and subjects. Many of his works comprised small-scale historical, allegorical, and biblical cabinet paintings, often emphasizing figures. He is credited with either inventing or popularizing several novel themes that gained popularity in Flemish painting, including genre scenes featuring monkeys (also known as singeries) and Kunstkammer or gallery paintings, presenting a plethora of natural and artistic treasures against a neutral wall. Francken introduced various other unconventional themes that later gained traction, such as the ‘Triumphal Procession of Amphitrite’ and ‘Croesus and Solon.’ He also produced a series of paintings depicting witches and witchcraft, including portrayals of witches’ sabbats. His remarkable paintings are held in the collections of numerous major museums throughout Europe. Francken specialized in rendering the human figure, as evidenced by etched and engraved portraits of the artist by Anthony van Dyck (after Peter Paul Rubens), identifying him with the Latin inscription: ‘ANTVERIÆ PICTOR HVMANARVM FIGVRARVM’ (Figure painter of Antwerp). He was frequently invited to contribute figures to compositions by other esteemed artists, including landscape artists such as Tobias Verhaecht, Abraham Govaerts, and Joos de Momper...

This painting (oil on paper applied to wood panel, 18 x 12, 5 cm) is a valuable example of the production of small-format works, thus aimed at a private audience, which was very comm...

The photograph titled "Madonna di Pietraquaria" captures a poignant portrait of a centuries-old carved wooden statue of the Virgin Mary, deeply rooted in the traditions of Baroque an...

Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was one of a select group of the esteemed Ken...

Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was one of a select group of the esteemed Ken...

John Clostermann (Osnabrück 1660 - 1711 London) Portrait of a boy, maybe Charles Hinde Oil on canvas, 61 x 74,6 cm John Closterman (also Klosterman) was a portrait painter of the late 17th and early 18th centuries. He primarily portrayed English noblemen and European aristocratic families. His father was already an artist and he trained his son. In 1679 he went to Paris and studied with Francois de Troy. In 1681 he was in London and worked for the artist John Riley, whose studio he took over after his death. In 1696 he was invited to the Spanish court...

"Veduta del Palazzo Maggiore" is an original engraving by Israel Silvestre, titled along the lower edge of the image. The miniature image depicts an idyllic landscape framed with sil...

This is an excellent example of the kind of portraiture produced by Castiglione during the early part of the 17th century. In the image, we see the visage of a man with a mustache, wearing a fur-lined hat topped with a feathery decoration. The image is reminiscent of the work of Rembrandt van Rijn, himself known for his portraits in the form of etchings. 4 x 3.5 inches, image 15.25 x 13.25 inches, frame Inscribed "GC" in the plate, lower left This impression is from the edition ca. 1825 from the original plate of ca. 1635. Unlike many Italian artists, Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621 Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal...

This photograph by Fidel Santos depicts an 18th-century etching on parchment paper, meticulously depicting a curtain with beautifully rendered folds and shadows that seem to breathe ...

Fidel Santos’ Portata is a hauntingly evocative photograph that captures a single forearm and hand, reaching from the shadows with an air of longing and mystery. The image immediatel...

Jean-Baptiste LE PAON Paris, 1738 – Paris, 1785 Military scene near a castle Wash and ink on paper 25 x 31 cm (38 x 44 cm with frame) Signed and dated lower right: “Le Paon / 1785” C...

"Oceans Four" Figurative Oil Painting (FRAMED) 48" x 36" inch by Isaac Pelayo Medium: Oil, oil stick, and aerosol on wood Comes in antique frame (wood & gold leaf) Size framed: 55.5" x 43.5" inch ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The Renaissance and Street Art. In a household where constant turmoil and violence were more apparent than most a young Pelayo met escape and peace within the confines of himself and his own creativity. Hispanic born in the heavy beating heart of Los Angeles on the seventh day of June 1996. Pelayo was caught in the crossfires of everything that surrounded him but art served as his only guidance. After dropping out of college Pelayo turned from his hyperrealistic pencil portraits to oil painting where his passions grew more immensely. As of today Pelayo’s work is most influenced and fueled by the crème de la crème of old master painters like Da Vinci, Caravaggio, Rembrandt, and Velazquez as well as graffiti artists such as RETNA, Shepard Fairey, and EL MAC. In 2017 his work caught the attention and landed in the firm grasp of renown rapper and collector Alvin “Westside Gunn” Worthy. He has created several album covers and artworks for the Buffalo rap moguls music label Griselda Records including his personal collection. Pelayo’s paintings are widely recognized and sought out from all over the globe. His collectors include Sean “Diddy” Combs, Westside Gunn, Benny The Butcher, Jeff Hamilton, Shepard Fairey, Jaysse Lopez, and Everlast of House of Pain...

In this striking photograph by artist Fidel Santos, an old stained glass window features the ethereal image of Mary Magdalene surrounded by clouds. Despite the dust and cracked panes...

"Don't East that Shit Bitch" Painting (FRAMED) 36" x 24" inch by Isaac Pelayo Medium: Oil, oil stick, and aerosol on wood Comes in antique frame (wood & gold leaf) Size framed:...

This striking photograph by Fidel Santos captures the haunting beauty of a weathered wall, where layers of peeling paint, like rings on a tree trunk, show the passage of time. The to...