Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621, Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal painting. Though he painted portraits, historical pieces and landscapes, Castiglione excelled in rural scenes with animals and influenced Italy's animal painting specialists. By 1634, Castiglione was in Rome, where he remained for about ten years. After returning to Genoa for a time, he worked for the Mantuan court in 1648, which had also employed Rubens. There Castiglione picked up the freedom of touch he saw in Domenico Fetti's paintings. One of the first Italians to appreciate Rembrandt van Rijn's etchings, Castiglione probably invented the monotype. Also admired for his fluent brush drawings in oil on paper, Castiglione influenced artists throughout Europe and virtually every Italian printmaker who followed. Despite his easy-going nature, his last works were intense, ecstatic compositions, reminiscent of Gian Lorenzo Bernini's contemporary style.
Figure with Their Head Leaning Against...- Etching by Castiglione - 17th Century
By Giovanni Benedetto Castiglione
Located in Roma, IT
Etching realized by Castiglione (Il Grechetto) in 1640 ca. From the Series Small Studies of Heads Good condition. Ref. Bartsch 46.43
Etching
The Raising of Lazarus, Oil Drawing on Laid Paper, Circa 1650-1659
By Giovanni Benedetto Castiglione
Located in Paris, Île-de-France
Giovanni Benedetto Castiglione, called Il Grechetto (Genoa 1609–1664 Mantua) The Raising of Lazarus Brush drawing in red and brown oil paint, heightened with blue and white, on laid...
Oil, Laid Paper
17th century etching baroque portrait male subject hat realistic print
By Giovanni Benedetto Castiglione
Located in Milwaukee, WI
This is an excellent example of the kind of portraiture produced by Castiglione during the early part of the 17th century. In the image, we see the visage of a man with a mustache, wearing a fur-lined hat topped with a feathery decoration. The image is reminiscent of the work of Rembrandt van Rijn, himself known for his portraits in the form of etchings. 4 x 3.5 inches, image 15.25 x 13.25 inches, frame Inscribed "GC" in the plate, lower left This impression is from the edition ca. 1825 from the original plate of ca. 1635. Unlike many Italian artists, Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621 Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal...
Etching
17th century etching black and white landscape forest trees satyr goats
By Giovanni Benedetto Castiglione
Located in Milwaukee, WI
"Mythological Scene--Satyr & Goat Herder" is an etching by Italian artist Giovanni Benedetto Castiglione. It depicts a satyr lounging on the left and an approaching goat herder o...
Etching
Peaceful Maternity : the Sleeping Baby - Etching
By François Boucher
Located in Paris, IDF
Francois BOUCHER Peaceful Maternity : the Sleeping Baby Etching Unsigned On Vellum 38 x 50 cm (c. 15 x 20 in) Probably edited c. 1950 Excellent condition
Etching
$832Sale Price|25% Off
H 22.05 in W 18.9 in D 1.38 in
Black and White Image of Michelangelo's Sculpture, 1940, Photogravure, Framed
Located in Barcelona, ES
Immerse yourself in the timeless beauty of this framed black and white heliogravure of Michelangelo's iconic sculpture, dating back to around 1940. This artwork captures the remark...
Paper
$675
H 17 in W 13 in
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Insubria
Located in Cirencester, Gloucestershire
'Insubria' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches ...
Ink, Watercolor, Archival Paper
$1,309Sale Price|20% Off
H 12 in W 8 in D 2.25 in
Baldassarre Franceschini, Sleeping Cupid, Valentine's Day Gift
Located in Harkstead, GB
A beautiful 19th century copy by Giuseppe Rocchi of Baldassarre Franceschini's Sleeping Cupid, presented in a very attractive gilt frame with hand carved mouldings. A very peaceful i...
Paper, Watercolor
$675
H 17 in W 13 in
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Providenza
Located in Cirencester, Gloucestershire
'Providenza' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inche...
Ink, Watercolor, Archival Paper
Temptation of St. Anthony
By Hendrik Goltzius
Located in North Clarendon, VT
Temptation of Saint Anthony an etching in the manner of Hendrik Goltzius. Goltzius was born near Viersen in Bracht or Millebrecht, a village then in the Duchy of Julich, now in the ...
Etching
$544Sale Price|20% Off
H 17 in W 13 in
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Magnaminita
Located in Cirencester, Gloucestershire
'Mgnaminia' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches...
Ink, Watercolor, Archival Paper
Butterfly
By Tom Perkinson
Located in Los Angeles, CA
TOM PERKINSON "BUTTERFLY" MIXED MEDIA, SIGNED AMERICAN, DATED 1974 21.5 X 21 INCHES Tom Perkinson was born in Indianapolis, Indiana. He was raised in the country, and developed ...
Mixed Media, Oil
$1,031Sale Price|20% Off
H 4.75 in W 7 in
1600’s Flemish Old Master Ink Wash Drawing Biblical Figures Group on paper
Located in Cirencester, Gloucestershire
Figure Studies Attriubted to Cornelis Schut (1597 - 1655) Flemish ink drawing on paper, inscribed on mount size: 4.75 x 7 inches private collection, France The painting is in overa...
Ink, Watercolor
$680
H 17 in W 13 in
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical India
Located in Cirencester, Gloucestershire
'India' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches con...
Ink, Watercolor, Archival Paper
$28,253Sale Price|25% Off
H 12.21 in W 8.08 in
Fenzoni, Painting AND preparatorial Drawing, John the Baptist, Italy Renaissance
By Ferrau Fenzoni
Located in Greven, DE
The painting and the preparatory drawing are offered together. Provenance Private collection, Germany, Trier, c. 1980- 2013 Saint John the Baptist Brown ink and wash over red chalk on oatmeal paper 31 x 20.5 cm Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“. bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso On the reverse is a partial drawing of a Pieta, pricked for transfer. Provenance New York, Doyle, 14. October 2015, No. 6 The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm). Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590. The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”. Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ). Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”. Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque. Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...
Canvas, Oil, Handmade Paper
$948
H 19.75 in W 25.75 in
Two Women in Red Dresses French Modernist Oil Figure Painting
By Jacqueline Boisselot
Located in Cirencester, Gloucestershire
Title Two Women in Red Dresses French Modernist Oil Figure Painting Artist Jacqueline Boisselot French late 20th century Medium Oil on artist paper unframed Size 19.75 x 25.75 Height...
Oil
Sold
H 4.38 in W 3.07 in
Young man looking down to right, fr Small Studies of Heads in Oriental Headdress
By Giovanni Benedetto Castiglione
Located in Middletown, NY
Etching on tissue thin laid paper. 4 3/8 x 3 1/16 inches (110 x 78 mm), trimmed at plate mark. A very good, well inked impression. Only known state. Adhered at all four corners to ar...
Handmade Paper, Laid Paper, Tissue Paper, Etching
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H 6 in W 7.25 in
Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state)
By Giovanni Benedetto Castiglione
Located in Chicago, IL
Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state), 1645-50 Etching on laid paper 152 x 184 mm.; 6 x 7 1/4 inches References: Bellini 45 Bartsch 52 Note...
Laid Paper, Etching
Pan Reclining Before an Urn
By Giovanni Benedetto Castiglione
Located in Chicago, IL
Etching Watermark: Bunches of Grapes References: Bartsch XXI, 18 Percy E. 10 Notes: A very fine impression on laid paper with Bunches of Grapes watermark. The left borde...
Etching