Nicolaus Visscher Art

Plate 13 from La Suite Vollard. Bloch 229. Baer 444. Etching on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 with larger margins). Printe...

Artist: Thomas Dunham Whitaker (English, 1759-1821) Title: "East View of Peel Castle" (Vol. 2, Plate 41) Portfolio: An History of Richmondshire, in the North Riding of the County of York; together with those parts of the Everwicschire of Domesday which form The Wapentakes of Lonsdale, Ewecross, and Amunderness, in the Counties of York, Lancaster, and Westmoreland Year: 1822, (published 1823) (First edition) Medium: Original Engraving on wove paper Limited edition: Unknown Printer: Thomas Davison, London, England Publisher: Longman, Hurst, Rees, Orme & Brown, London, England; Hurst, Robinson, & Co., London, England; Robinson & Hernaman, Leeds, England Framing: Not framed, but matted with hand decorated archival French matting and shrink-wrapped Matted size: 15.57" x 19.07" Sheet size: approx. 10.63" x 16.13" Image size: 7" x 11" Condition: Has been stored away for decades. A strong impression in excellent condition Notes: Provenance: private collection - Aspen, CO. Engraved by English artist John Roffe (1769-1850) after a drawing by English artist John Buckler (1770-1851). Comes from Whitaker's two volume "An History of Richmondshire", (1818-1823) (First edition), which consists of 45 engravings. Printed from one copper plate in one color: black. Old price tag lower center. Peel Castle is a castle in Peel in the Isle of Man, originally constructed by Norwegians. The castle stands on St Patrick's Isle, which is connected to the town by a causeway. It is now owned by Manx National Heritage and is open to visitors during the summer. Biography: Thomas Dunham Whitaker (8 June 1759 – 18 December 1821) was an English clergyman and topographer who was Vicar of Whalley, from 1809 and Blackburn, from 1818. He undertook landscape improvements in the Cliviger area, and oversaw the planting of approximately half a million trees between 1785 and 1815, winning the gold medal of the Society of Arts for planting 64,000 larches in one year. Born at Raynham, Norfolk, on 8 June 1759, he was the son of William Whitaker (1730–1782), curate of Raynham, Norfolk, and his wife Lucy, daughter of Robert Dunham, and widow of Ambrose Allen. In 1760, his father moved to his ancestral house at Holme, in the township of Cliviger, Lancashire, and the boy was, in November 1766, placed under the care of the Rev. John Shaw of Rochdale. In November 1774, after spending a short time with the Rev. William Sheepshanks of Grassington in Craven, he was admitted to St John's College, Cambridge, and went into residence in October 1775. He took the degree of LL.B. in November 1781. His intention to enter the legal profession changed on the death of his father in the following year, when he settled at Holme. Whitaker was ordained in 1785, but remained without pastoral charge until 1797, when he was licensed to the perpetual curacy of Holme Chapel, where he had rebuilt the chapel at his own cost in 1788. He completed his degree of LL.D. in 1801. In 1809 he became vicar of the extensive parish of Whalley, Lancashire. The rectory of Heysham, near Lancaster, was presented to him in January 1813. He resigned it in 1819. On 7 November 1818 he became vicar of Blackburn, a benefice he retained, together with Whalley, until his death. When settled at Holme he instituted a local literary club. He had influence with the people of his parishes, and on several occasions exerted it to quell disturbances, particularly at Blackburn in 1817. For his 'patriotic services' he was presented with a public testimonial in April 1821. He was also very interested in topography and forestry, writing books on the subjects. In 1818, he was elected a Fellow of the Royal Society as "a Gentleman well versed in various Branches of Natural Knowledge being desirous of becoming a Fellow of the Royal Society". Whitaker married Lucy, daughter of Thomas Thoresby of Leeds, on 13 January 1783. The couple had several children, of whom one, Robert Nowell Whitaker, also became vicar of Whalley. Whitaker died at Blackburn vicarage on 18 December 1821, and was interred at Holme. A monument raised by public subscription was placed in the Church of St Mary and All Saints, Whalley in 1842. His library was sold at Sotheby's in 1823, and his coins and antiquities, with the exception of his Roman altars...

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence. This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art. This magnificent etching is presented in a brown-colored wood frame and a tan French...

Ray Smith's aptitude for the surreal is apparent in this portfolio of six drypoint prints, presented in a portfolio case. Each image depicts an intriguing, fantastic landscape populated with chimeric nudes. Each one is carefully printed to appear as if doodled on lined notebook paper with ballpoint pen: Japanese letter paper chine-colle on Kizuki Hosho paper. Translated as "Letters from Japan," Cartas de Japon plays on tropes of an exotic, faraway land. The series of prints perhaps pictures Japan in the imagination of westerners, who for centuries speculated that those from other continents had wildly different bodies and customs. The title may be a reference to iconic Mexican director Carlos Velo's 1973 film Letters from Japan. Cartas del Japon, 1988-89 Portfolio of 6 drypoint prints printed on Japanese letter paper mounted on Kizuki Hosho paper Plate 6 x 7.8 in. Paper 18 x 23.4 in. Ed. 30 with three artist proofs. Printed by Hideharu Mishio, Norimasa Mizutani, and Marie Okada at Woodblock Workshop. Published by AC&T CORPORATION, Tokyo, 1989. Per the Broad: "Ray Smith’s paintings incorporate surrealistic and animistic tendencies informed by his Latin heritage as well as deep study of the history of modern art. Smith was born near the Texas/Mexico border...

This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto della Tosse su la Via Tiburtina, un miglio vicino a Tivoli" (View of the so-called Tem...

Artist: Francis Grose (English, 1731-1791) Title: "Bar Gate, Southampton" (Vol. III, Plate 32) Portfolio: The Antiquarian Repertory: A Miscellaneous Assemblage of Topography, History...

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...

"A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in 1778. It depicts stone caryatids...

"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...

Map of Persiae, Armeniae, Natoliae et Arabiae Descriptio per F de Wit 1688 engraving from: Atlas Contractus Orbis Terrarum Praecipuas ac Novissimas Complectens Tabulas. Amsterdam, N. Visscher, 1656-77. (Koeman III, Vis5-8) This highly decorative map of the Middle East is by the Dutch engraver, publisher, and map seller...

Giovanni Battista Piranesi Venice 1720 – 1778 Rome Ruins of a Gallery of Statues in Hadrian’s Villa at Tivoli, 1770 Etching Signed lower left on the plate Image size: 45.2 x 58.5 c...

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...