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Israel Silvestre Art

French, 1621-1691

French Baroque Era Engraver, Israël Silvestre, called the Younger to distinguish him from his father, was a prolific French draftsman, etcher and print dealer. He specialized in topographical views and perspectives of famous buildings. Orphaned at an early age, he was taken in by his uncle in Paris, Israël Henriet, an etcher and printseller and a friend of Jacques Callot. Between 1630 and 1650 Silvestre traveled widely in France and Italy and later worked up his sketches as etchings, which were sold single and in series. His work, especially of Venetian subjects published in the 1660s, influenced eighteenth-century painters such as Luca Carlevarijs and Canaletto, who adapted his compositions. In 1661, he inherited the stock of plates of his uncle, the printseller Israël Henriet, among which was a large part of the works of Jacques Callot and many of those of Stefano della Bella. In 1662, he was appointed dessinateur et graveur du Roi and in 1673, he was appointed drawing-master to Louis, Grand Dauphin. From 1668 he was granted workshop space in the galleries of the Louvre, where the practice of housing eminent artists and craftsmen was a tradition that originated under Henry IV. Silvestre's atelier was large, he had at least two pupils who had careers as engravers, François Noblesse and Meunier. In 1670, Charles Le Brun recommended him for membership in the Académie Royale de Peinture et de Sculpture. In 1675 his son, the artist Louis de Silvestre was born at Sceaux. He passed away on October 11, 1691, in Paris, France.

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Artist: Israel Silvestre
17th century engraving black and white landscape ancient building scene
17th century engraving black and white landscape ancient building scene

17th century engraving black and white landscape ancient building scene

By Israel Silvestre

Located in Milwaukee, WI

In the mid-seventeenth century, views of historic landscapes and classical structures were increasingly popular among print collectors, and artists like the Frenchman Israel Sylvestre were eager to fill that demand. In this example, Sylvestre captures a view of the Arch of Constantine...

Category

Mid-17th Century Baroque Israel Silvestre Art

Materials

Engraving

Le Tour de Clermont en Dauphine apartenant a Monsieur de Tonnerre
Le Tour de Clermont en Dauphine apartenant a Monsieur de Tonnerre

Le Tour de Clermont en Dauphine apartenant a Monsieur de Tonnerre

By Israel Silvestre

Located in Middletown, NY

Etching and engraving on handmade cream laid paper, 3 7/8 x 6 7/8 inches (97 x 173 mm), full margins. In good condition, consistent with age. Several small notations in pencil in t...

Category

18th Century Old Masters Israel Silvestre Art

Materials

Handmade Paper, Laid Paper, Engraving, Etching

17th century engraving black and white landscape ancient building scene
17th century engraving black and white landscape ancient building scene

17th century engraving black and white landscape ancient building scene

By Israel Silvestre

Located in Milwaukee, WI

"Tempio Della Pace" is an original engraving by Israel Silvestre. The title is printed below the miniature image. It shows a frontal view of the remains of the Temple of Peace in Rom...

Category

1650s Old Masters Israel Silvestre Art

Materials

Paper, Ink, Engraving

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Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century. Good conditions. The etching belong...

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"A Dance in Otaheite" (Tahiti), Engraving from Captain Cook's 3rd Voyage
"A Dance in Otaheite" (Tahiti), Engraving from Captain Cook's 3rd Voyage

"A Dance in Otaheite" (Tahiti), Engraving from Captain Cook's 3rd Voyage

By John Webber

Located in Alamo, CA

"A Dance in Otaheite" (Tahiti) is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is a plate in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell. Two women and two men wearing ceremonial costumes, performing a dance outdoors standing on a mat. Three men are playing the drums in the background, in front of a thatched roof building. An audience of men are sitting on both sides of the stage. By the time Webber arrived in Tahiti, 'south sea' imagery had become familiar. Webber gave concentrated attention to dance. He had the opportunity to distinguish the Tahitian dance from the more formalized dancing of Tonga. Whereas they seem to have called to mind the more formal dances of antiquity, the Tahitian dancing aroused memories of peasant and folk dancing. This engraving is professionally framed in Koa wood. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. The print is in excellent condition. There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and double mats (LU117324682432, LU117324684052, LU117324684062). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included. Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...

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1780s Realist Israel Silvestre Art

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Four Koa Wood Framed 18th C. Engravings from Captain Cook's 3rd Voyage Journal
Four Koa Wood Framed 18th C. Engravings from Captain Cook's 3rd Voyage Journal

Four Koa Wood Framed 18th C. Engravings from Captain Cook's 3rd Voyage Journal

By John Webber

Located in Alamo, CA

A grouping of four framed engravings of Hawaii, Tahiti, Tonga and Vancouver Island from the atlas of the official British Admiralty sanctioned journal of Captain Cook's 3rd Voyage entitled "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", published upon completion of the voyage in London in 1784 by Strahan & Cadell. These engravings were made from drawings by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. The set of engravings includes: "A Canoe of the Sandwich Islands, the Rowers Masked", Plate 65 in the atlas; "A Dance in Otaheite" (Tahiti), Plate 28; "King of the Friendly Islands" (Tonga), plate 20; "Inside of a House in Nootka Sound" (Canada), plate 42. These engravings are professionally framed in Koa wood, the same wood as was used to make the canoes of the ancient Hawaiians. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. These four engravings would make a wonderful grouping for a display of 2, 3 or 4 prints. They may be purchased separately or in groups on 1stDibs. Their listing Reference #'s are: LU117324682432, LU117324682022, LU117324684052 and LU117324684062. A discount is available for a grouping depending on the number of items included. Hawaii was discovered by Captain Cook (1728-1779) during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...

Category

1780s Other Art Style Israel Silvestre Art

Materials

Engraving

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

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1780s Old Masters Israel Silvestre Art

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Laid Paper, Engraving

Botanical Cyanotype, Blue Flower Bouquet, Large Wild Roses Cyanotype, Watercolor
Botanical Cyanotype, Blue Flower Bouquet, Large Wild Roses Cyanotype, Watercolor

Botanical Cyanotype, Blue Flower Bouquet, Large Wild Roses Cyanotype, Watercolor

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype of a gorgeous blue bouquet. Details: + Title: Blue Flower Bouquet + Year: 2024 + Edition Size: 100 + Medium: Acrylic Pain...

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2010s Baroque Israel Silvestre Art

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Emulsion, Watercolor, Photographic Paper, Monoprint, Monotype

Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi
Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi

Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi

By Giovanni Battista Piranesi

Located in Alamo, CA

"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...

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Early 18th Century Old Masters Israel Silvestre Art

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Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi
Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi

Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi

By Giovanni Battista Piranesi

Located in Alamo, CA

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence. This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art. This magnificent etching is presented in a brown-colored wood frame and a tan French...

Category

1750s Old Masters Israel Silvestre Art

Materials

Etching

Sandwich Islands Canoe (Hawaii): Framed 18th C. Engraving Captain Cook's Journal
Sandwich Islands Canoe (Hawaii): Framed 18th C. Engraving Captain Cook's Journal

Sandwich Islands Canoe (Hawaii): Framed 18th C. Engraving Captain Cook's Journal

By John Webber

Located in Alamo, CA

"A Canoe of the Sandwich Islands, the Rowers Masked" is an engraving created by Charles Grignion, from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is Plate 65 in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admiralty sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell. This famous image of ten Hawaiian rowers transporting a priest who is carrying a feather-covered image of Kukailimoku, the Hawaiian god of war. The priests and paddlers are all wearing gourd masks in their double-hulled canoe with an upright lateen woven sail. Each hull was shaped from a single large Koa log harvested from island rainforests, where they were carved before being transported to the coast. This engraving is presented in a Koa wood frame and a white mat. There are occasional faint spots, but the print is otherwise in very good condition. Koa is the same wood as was used to make the canoe. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. The frame measures 20.75" high, 26.75" wide and 0.88" deep. There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mat (LU117324682022, LU117324684052, LU117324684062). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included. Hawaii was discovered by Captain Cook (1728-1779) during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...

Category

1780s Israel Silvestre Art

Materials

Engraving

Set of Two Engravings from Campbell's "Vitruvius Britannicus" /// Architecture
Set of Two Engravings from Campbell's "Vitruvius Britannicus" /// Architecture

Set of Two Engravings from Campbell's "Vitruvius Britannicus" /// Architecture

By Colen Campbell

Located in Saint Augustine, FL

Artist: Colen Campbell (Scottish, 1676-1729) Titles: "The Plan of this New Design to the Earl of Islay" (Vol. 1, Plate 53) and "This New Design to the Earl of Islay" (Vol. 1, Plate 5...

Category

1710s Old Masters Israel Silvestre Art

Materials

Engraving, Laid Paper, Etching, Intaglio

Previously Available Items
A Set of 6 Hand Colored 17th C. Views of Paris, Lyon and Grenoble by Silvestre
A Set of 6 Hand Colored 17th C. Views of Paris, Lyon and Grenoble by Silvestre

A Set of 6 Hand Colored 17th C. Views of Paris, Lyon and Grenoble by Silvestre

By Israel Silvestre

Located in Alamo, CA

A set of six original antique gilt framed hand colored engraved views of Paris, Lyon and Grenoble, France by Israel Silvestre, published in Paris in 1652. These are entitled: " Veue ...

Category

Mid-17th Century Old Masters Israel Silvestre Art

Materials

Laid Paper, Engraving

Prospettiva di Fontane detta Roma Antica alla Vigna d’Este a Tivoli - 1646
Prospettiva di Fontane detta Roma Antica alla Vigna d’Este a Tivoli - 1646

Prospettiva di Fontane detta Roma Antica alla Vigna d’Este a Tivoli - 1646

By Israel Silvestre

Located in Roma, IT

Prospettiva di Fontane detta Roma Antica alla Vigna d’Este a Tivoli is a splendid ancient etching engraved by the French artist Israel Silvestre for the series Alcune Vedute di Giard...

Category

1640s Israel Silvestre Art

Materials

Etching

Veue du Temple du Soleil a Rome

Veue du Temple du Soleil a Rome

By Israel Silvestre

Located in New York, NY

Israel Silvestre (1621-1691), Veue du Temple du Soleil a Rome, etching, c. 1660, from the series of Veduta, [with the title, name of Israel in the plate]. In generally good conditio...

Category

1660s Old Masters Israel Silvestre Art

Materials

Etching

Israel Silvestre art for sale on 1stDibs.

Find a wide variety of authentic Israel Silvestre art available for sale on 1stDibs. You can also browse by medium to find art by Israel Silvestre in engraving, paper, etching and more. Much of the original work by this artist or collective was created during the 18th century and earlier and is mostly associated with the Old Masters style. Not every interior allows for large Israel Silvestre art, so small editions measuring 7 inches across are available. Customers who are interested in this artist might also find the work of Karel Dujardin, Gerard Mercator, and Wenceslaus Hollar. Israel Silvestre art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $350 and tops out at $2,700, while the average work can sell for $1,960.

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