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Giovanni Benedetto Castiglione Art

Italian, 1609-1609

Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621, Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal painting. Though he painted portraits, historical pieces and landscapes, Castiglione excelled in rural scenes with animals and influenced Italy's animal painting specialists. By 1634, Castiglione was in Rome, where he remained for about ten years. After returning to Genoa for a time, he worked for the Mantuan court in 1648, which had also employed Rubens. There Castiglione picked up the freedom of touch he saw in Domenico Fetti's paintings. One of the first Italians to appreciate Rembrandt van Rijn's etchings, Castiglione probably invented the monotype. Also admired for his fluent brush drawings in oil on paper, Castiglione influenced artists throughout Europe and virtually every Italian printmaker who followed. Despite his easy-going nature, his last works were intense, ecstatic compositions, reminiscent of Gian Lorenzo Bernini's contemporary style.

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The Raising of Lazarus, Oil Drawing on Laid Paper, Circa 1650-1659
The Raising of Lazarus, Oil Drawing on Laid Paper, Circa 1650-1659

The Raising of Lazarus, Oil Drawing on Laid Paper, Circa 1650-1659

By Giovanni Benedetto Castiglione

Located in Paris, Île-de-France

Giovanni Benedetto Castiglione, called Il Grechetto (Genoa 1609–1664 Mantua) The Raising of Lazarus Brush drawing in red and brown oil paint, heightened with blue and white, on laid...

Category

1650s Old Masters Giovanni Benedetto Castiglione Art

Materials

Laid Paper, Oil

17th century etching baroque portrait male subject hat realistic print
17th century etching baroque portrait male subject hat realistic print

17th century etching baroque portrait male subject hat realistic print

By Giovanni Benedetto Castiglione

Located in Milwaukee, WI

This is an excellent example of the kind of portraiture produced by Castiglione during the early part of the 17th century. In the image, we see the visage of a man with a mustache, wearing a fur-lined hat topped with a feathery decoration. The image is reminiscent of the work of Rembrandt van Rijn, himself known for his portraits in the form of etchings. 4 x 3.5 inches, image 15.25 x 13.25 inches, frame Inscribed "GC" in the plate, lower left This impression is from the edition ca. 1825 from the original plate of ca. 1635. Unlike many Italian artists, Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621 Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal...

Category

17th Century Baroque Giovanni Benedetto Castiglione Art

Materials

Etching

17th century etching black and white landscape forest trees satyr goats
17th century etching black and white landscape forest trees satyr goats

17th century etching black and white landscape forest trees satyr goats

By Giovanni Benedetto Castiglione

Located in Milwaukee, WI

"Mythological Scene--Satyr & Goat Herder" is an etching by Italian artist Giovanni Benedetto Castiglione. It depicts a satyr lounging on the left and an approaching goat herder on th...

Category

Mid-17th Century Old Masters Giovanni Benedetto Castiglione Art

Materials

Etching

"Man wearing a plumed fur Cap and a Scarf" etching

"Man wearing a plumed fur Cap and a Scarf" etching

By Giovanni Benedetto Castiglione

Located in Henderson, NV

Medium: etching. Catalogue reference: Bellini 52 iii/iii. This etching is one of the Three Plates from Large Studies of Heads executed by Castiglione, and this impression was printed...

Category

Early 19th Century Giovanni Benedetto Castiglione Art

Materials

Etching

Giovanni Benedetto Castiglione, 1609-1664,  Young Man, Etching Circa 1640
Giovanni Benedetto Castiglione, 1609-1664,  Young Man, Etching Circa 1640

Giovanni Benedetto Castiglione, 1609-1664, Young Man, Etching Circa 1640

By Giovanni Benedetto Castiglione

Located in Toronto, CA

This is an original etching by Giovanni Benedetto Castiglione, circa 1640, of a Young Man Looking Down to the Right. It is the only known state and belongs to the series known as 'Studies of Heads in Oriental Headdress'. Signed (in monogram) in the plate in the upper right 'G Castiglione Genovese.' In a delicate gilt/black frame. Frame dimensions 12.75" by 8.75". Certificate of Authenticity. In this work, Castiglione offers us an exquisite portrait of a young man. This small etching shows all the hallmarks of Castiglione's style: incredibly detailed etching marks that result in a wonderful play of light and shadow. The angle of the head and the lively floating feather in the young man's hat show us a figure in movement, pausing to look at something the viewer can only guess at. That such a small collection lines and cross-hatchings can evoke so much is a testament to Castiglione's genius. Giovanni Benedetto Castiglione was an Italian Baroque painter, printmaker and draftsman of the Genoese school. He is best known now for his etchings, and as the inventor of the printmaking technique of monotyping. He was known as Il Grechetto in Italy and in France as Le Benédette. Castiglione was a brilliant draftsman and pioneered the development of the oil sketch (often using a mixture of mediums) as a finished work. He is credited with having invented the monotype in 1648, the only printmaking technique to be an Italian invention, making over twenty over the succeeding years. His most popular and influential prints were a series of exotic heads, mostly of vaguely Oriental males, but also of women. From Bartch/Bellini: Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621, Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal painting. Though he painted portraits, historical pieces and landscapes, Castiglione excelled in rural scenes with animals and influenced Italy's animal painting specialists. By 1634, Castiglione was in Rome, where he remained for about ten years. After returning to Genoa for a time, he worked for the Mantuan court in 1648, which had also employed Rubens. There Castiglione picked up the freedom of touch he saw in Domenico Fetti's paintings. One of the first Italians to appreciate Rembrandt van...

Category

17th Century Italian Baroque Antique Giovanni Benedetto Castiglione Art

Materials

Paper

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Giovanni Benedetto Castiglione art for sale on 1stDibs.

Find a wide variety of authentic Giovanni Benedetto Castiglione art available for sale on 1stDibs. You can also browse by medium to find art by Giovanni Benedetto Castiglione in etching, laid paper, paper and more. Much of the original work by this artist or collective was created during the 18th century and earlier and is mostly associated with the Old Masters style. Not every interior allows for large Giovanni Benedetto Castiglione art, so small editions measuring 4 inches across are available. Customers who are interested in this artist might also find the work of Stefano Della Bella, Karel Dujardin, and Giovan Battista Falda. Giovanni Benedetto Castiglione art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $250 and tops out at $6,000, while the average work can sell for $1,725.

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