An Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen and is best known for his complete series of engravings of the neoclassical sculptures of Canova. He became a member of the Accademia di San Luca.
Bust of Tiberius - Original Etching by P. Fontana After A. Tofanelli
By Pietro Fontana
Located in Roma, IT
“Tiberio con corona civica” (Tiberius with a civic crown) is a beautiful black and white burin and etching on paper, realized by the artist Pietro Fontana (Caslano 1763 – Rome 1829),...
Etching
Bust of Nero - Original Etching by P. Fontana After B. Nocchi - 1821
By Pietro Fontana
Located in Roma, IT
“Busto di Nerone” (Bust of Nerone) is a beautiful black and white burin and etching on paper, realized by the Italian artist Pietro Fontana, after Bernardino Nocchi as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò./ Pietro Fontana incise Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XVII" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a precious piece of the Borghese's collection, the marble bust of the Roma Emperor, Nerone, realized with neoclassical style and a wise touch In excellent conditions with some light signs of the time, with some sporadic minor stains along the margins above all on the lower, and a usual yellowing of the paper on the lower margin, this wonderful burin has preserved still today his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello...
Etching
Ara con Tripode - Etching by V. Feoli After B. Nocchi - 1821
By Pietro Fontana
Located in Roma, IT
Image dimensions: 33.7 x 48.6 cm. “Ara con tripode” (Ara with tripod) is a beautiful black and white burin and etching on paper, realized by the artist Vincenzo Feoli, after Bernardino Nocchi as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Vincenzo Feoli incise in Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXVIII" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. Original Title: Ara con Tripode di quindecemviri, e la corona...
Etching
Bust of Geta Etching by Pietro Fontana, Old Masters, 1821, Unframed
By Pietro Fontana
Located in Roma, IT
Image dimensions: 48.4 x 33.2 cm Busto di Geta (Bust of Geta) is a superb black and white burin and etching on paper, realized by the artist Pietro Fontana, after Agostino Tofanelli, as the inscriptions on plate on the lower margin report “Agostino Tofanelli delineò / Pietro Fontana incise Roma”. This original print is numbered on plate in Roman numerals on the higher margin: “Tom II. / Tav. XXII" and is a plate from the series "Illustrazioni de' Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..) date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome in 1821. This old master’s original print shows a beautiful piece of the Borghese's collection: a marble bust of Geta in a neoclassical style. Geta (full name Publius Septimius Geta) was the son of Septimius Severus and Julia Domna, and the brother of Caracalla. He was a Roman co-emperor from 209 to 212 AD, first with his father and then with his brother. His biography is very interesting: he was the younger son of Septimius Severus and his second wife; his face was obliterated because of the damnatio memoriae ordered by his brother Caracalla, who had him assassinated. In excellent conditions, with some light signs of time, some sporadic minor stains along the lower margin, and a usual and imperceptible yellowing of the paper on the margins. This wonderful etching has preserved its charming and fresh impression. Pietro Fontana (Bassano Romano, 1762 – Rome, 1837) The Italian artist and engraver Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as student of Raffaello Morghen...
Etching
Bacchanalia - Etching by P. Fontana After A. Tofanelli - 1821
By Pietro Fontana
Located in Roma, IT
“Baccanale con Bacco, Sileno, Fauni, e Menadi” is a beautiful black and white burin and etching on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, ...
Etching
A Wooded River Landscape; Entry into the Wood
By Anthonie Waterloo
Located in Middletown, NY
A magnificent forest scene with lush, vast foliage along a brook by a master of the Dutch Golden Age. Amsterdam: c1650. Etching on cream laid paper, 5 1/8 x 5 3/4 inches (130 x 147 ...
Laid Paper, Etching
$1,100
H 17.75 in W 16 in
The glass mountain shattered David Hockney Fairy Tales from the Brothers Grimm
By David Hockney
Located in New York, NY
This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...
Etching, Aquatint
$2,975
H 23.13 in W 33 in D 0.5 in
Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence. This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art. This magnificent etching is presented in a brown-colored wood frame and a tan French...
Etching
$1,200
H 31 in W 37.6 in
Four Figures and a Head, on Giant Phallus by Claes Oldenburg erotic nude scene
By Claes Oldenburg
Located in New York, NY
This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of joy and come-hither coquettishness. T...
Etching
$3,875
H 24.38 in W 31.75 in D 0.75 in
Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
Etching, Engraving, Drypoint
$3,975
H 42.25 in W 26.5 in D 1.5 in
A Framed 18th C. Piranesi Etching of an Ancient Marble Vase from Hadrian's Villa
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le ...
Etching
$5,875
H 28.88 in W 37.25 in D 1.25 in
Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
Etching
$2,975
H 26.63 in W 36.13 in D 0.88 in
Ancient Roman Architectural Frieze: An 18th C. Piranesi Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This framed original 18th century etching is entitled "Fregio antico di marmo con Ippogrifi, nel cortile del palazzo della Valle" (Ancient Marble Frieze with Hippogriffs in the Courtyard of The Palace of the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones...
Etching
$3,775
H 27 in W 32 in D 1.5 in
Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...
Etching
$5,875
H 28.88 in W 37.25 in D 1.25 in
The Roman Colosseum: A Framed 18th Century Etching of the Interior by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno dell'Anfiteatro Flavio detto il Colosseo" (View of the interior of the Flavian Amph...
Etching
$2,975
H 28.38 in W 14.63 in
Ancient Roman Medici Marble Vase: An 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le quail r...
Etching
$3,175
H 27 in W 29.07 in D 0.5 in
Column of Trajan in Rome: A Framed Original 19th C. Etching by Luigi Rossini
By Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta dello scavo del Foro Trajano" was created by Luigi Rossini and included in his publication "Le Antichita Romane" (The Rome of Antiquity), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst the rubble of broken columns that remain around it. The etching is presented in a black wood frame with a light brown outer mat and a dark brown inner mat. There are several frame abrasions. The print and mats are in very good condition. The frame measures 27" high, 29.07" wide and 0.5" deep. The print is framed and matted in the identical style as the another etching of an ancient Roman landmark, the Piazza Navona, which is also listed on 1stdibs, see item # LU117326144172. The pair would make an attractive display grouping of Roman architecture. A discount is available for purchase of the pair of prints. Luigi Rossini (1790-1857) like his predecessors, Giovanni Piranesi (1720–1778) and Giuseppi Vasi (1710-1782), was an architect and artist. Like Piranesi and Vasi, he wanted to glorify the architecture of ancient Rome, which he felt was deteriorating and needed to be documented. Several of the ruins he illustrated have, in fact, since disappeared leaving only his images as a record of their appearance. His images of the grand edifices of the city dramatically depict the power and glory...
Etching
Sold
H 23.39 in W 17.33 in D 0.04 in
Bust of M. Agrippa - by G. Foto After B. Nocchi - 1821
By Pietro Fontana
Located in Roma, IT
Image dimensions: 49x33.4 cm M. Agrippa is a beautiful black and white burin and etching on paper, realized by the Italian artist Giovanni Folo Veneto, after Bernardino Nocchi as the inscriptions on plates on the lower margins report “Bernardino Nocchi delineò. / Giovanni Folo Veneto incise in Roma”. This original print is numbered on plate in Roman numerals on the higher margin: “Tom II. / Tav. XXIII" and is a plate from the series "Illustrazioni de' Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..) date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli" by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome in 1821. This old master’s original print shows a precious piece of the Borghese's collection, the marble bust of Marco Vipsanio Agrippa (Arpino, 63 BC approx. - Campania, 12 BC), a Roman politician, military and architect but above all a friend of Octavian, the future Emperor Augustus and also his faithful collaborator and son-in-law. Agrippa was the author of many Octavian's military triumphs, the most notable of which was the naval victory in the battle of Actium against the forces of Mark Antony and Cleopatra. In excellent conditions, with some light signs of the time and some sporadic minor stains along the margins, this wonderful burin has preserved still today its fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This print collection in two volumes is a beautiful detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his villa on the Pincio, in Rome. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large illustrated plates. To these writings, which were found and made available by the son of the illustrious archaeologist, the publishers added - as they notified in the warning - only a few illustrations relating to some minor monuments formerly engraved on copper. The Volume I shows ancient full-length statues of the Borghese warrior...
Etching
Sold
H 23.23 in W 17.33 in D 0.04 in
David with the Sling - Etching by A. Campanella After S. Tofanelli - 1821
By Pietro Fontana
Located in Roma, IT
Image dimensions: 39.5 x 31 cm “Davide con la Fionna” (David with the sling) is a beautiful black and white burin and etching on paper, realized by the artist Angelo Campanella, after Stefano Tofanelli, as the inscriptions on plates on lower margins report “Stefano Tofanelli delineò/ Angelo Campanella incise in Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXXII" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a beautiful piece of the Borghese's collection, the statue representing the young boy who with a sling defeated the monster Goliath and became a myth. In excellent conditions with some light signs of the time with some sporadic minor stains along the higher margins, a usual yellowing of the paper at the edges, this wonderful etching has preserved still today his beauty and his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Angelo Campanella (Rome, 1748 – 1815) Angelo Campanella was an Italian painter and engraver, learned his art under Giovanni Volpato. He engraved the statues of twelve apostles found in the church of St. John Lateran in Rome, and some of the plates for Gavin Hamilton's Schola Itálica including The Presentation in the Temple after Fra Bartolommeo...
Etching