Baroque Art

The small bronze depicts a small seated faun, immortalized while playing a wind instrument as can be clearly seen by the puffy cheeks. is signed at the base R. Castagnino and is from...

Provenance: Private Collection, Argentina. A work of great delicacy and intimacy, this small painting on copper by Pietro Bardellino treats a subject which grew in popularity during the Baroque period: Saint Joseph and the Christ child...

Early 18th Century still life, very close to Pedro de Camprobín.

This is an exclusive limited edition color Giclée print, printed on matte photographic paper. This exquisite still life photo, shows a classy bouquet beautifully lit with soft light. The print measures 36 x 24 inches total, with an image size of 32 x 20 in. and a 2 inch surrounding white border. Details: + Title: Flowers with Caravaggio Light...

Flemish Baroque painting. Romantic scene. Signed and dated. J. HOREMANS 1760. This 100% authentic painting captivates with its powerful colors. A real eye-catcher. Dimensions witho...

Fascinating mythological story of Diana and Actaeon can be found in Ovid’s Metamorphoses. Very important provenance from a royal collection. Fabulous finely carved gilt wood coeval frame . Giovanni Battista Viola...

Saint Erasmus or Saint Elmo (Antioch, ca. 240 – Formia, 303) was an Italian bishop and patron saint of the sailors. His attribute was the capstan, a winch on which the anchor chains were rolled up. He died as a martyr for his faith, and his bones were transferred to Gaeta in the 9th century, where they are kept in the cathedral to this day. The electric phenomenon of Saint Elmus fire is named after Saint Erasmus and the 16th C humanist Desiderius Erasmus. Little is known with certainty about Saint Erasmus' life. However, many legends may have been passed on orally until - no older writings are known with certainty. His birthplace was in present-day Syria. However, the persecution of Christians under Emperor Diocletian forced him to flee to Mount Lebanon...

Designed as entrance guardians, this pair of mythical lady sphinx statuary display the head and chest of a neoclassical woman and the body of a recumbent lion on a rectangular stone ...

Lithograph with frame and glass Signed, artist unknown from the gallery

Fascinating mythological story of Diana and Actaeon can be found in Ovid’s Metamorphoses. Very important provenance from a royal collection. Fabulous finely carved gilt wood coeval...

Marine Dutch School, 18th Century Coastal Scene with ships in a storm Gouache on prepared paper

The Bibliothèque Nationale de France, Oval Reading Room, Paris, 2014 by Franck Bohbot is a 30" x 40" C-Type Matte Print in a Limited Edition of 5. In this photograph of the Bibliot...

The Bibliothèque Interuniversitaire de la Sorbonne #2, Paris by Franck Bohbot is a C-Type Matte Print in this size of 30" x 40" from a Limited Edition of 5. The view here is of the...

The Providence Athenaeum Library #1, Rhode Island by Franck Bohbot is a 30" x 40" C-Type Matte Print from a Limited Edition of 5. The symmetry of this composition by Franck Bohbot ...

A late 17th c. Italian carved figure of Mermaid, Circle of Filippo Parodi (Genoa, 1630 – July 22, 1702) Dimensions: h. 29.13 in, w. 30.31 in, p. 18.9 in (at the base) Magnificent Italian Baroque sculpture depicting a mermaid seated on the rock. All the virtuosity of the sculptor unfolds in this carved group. The fantastic creature is featured seated, the upper part of the body darting forward, the head looking upwards. Sophisticated hairstyle with rows of pearls intertwined in her hair, her loose locks fly in the wind and bring movement to the whole sculpture. The wide-open eyes with hollowed-out pupils make it possible to follow the mermaid's gaze, towards the sky. The half-open mouth further magnifies this bewitching and seductive attitude. Its long double tail ending in fins wraps on either side of a rocky mound strewn with objects evoking the underwater world: seashells and shells, branches of coral. The ornamental richness combined with the great care taken in its execution make it a work in which the splendor of Italian Baroque art unfolds in such characteristic scenic movement. The composition betrays a strong influence from Filippo Parodi, the leader of Genoese Baroque sculpture, and points to an artist from his circle. Our sculpture was probably part of a decorative monumental palace. The iconographic theme evoking the marine world finds its application in the numerous fountains and artificial grottos, designed in Italian palaces at the turn of the 17th and 18th centuries. Giacomo Filippo Parodi (Genoa 1630 – July 22, 1702) was an Italian Baroque sculptor of the Genoese school, who introduced Bernini's aesthetic to Genoa. In his youth fathers a first apprenticeship with a carpenter, he went to Rome where he became a pupil of Bernini. He had the opportunity to admire in person the works and style of the French sculptor Pierre Puget...

Skate, New York, 2013 by Franck Bohbot is a 30" x 40" C-Type Matte print from a Limited Edition of 5. As part of Franck Bohbot's nightlife series on New York's iconic Coney Island,...

This exquisite lithograph and pochoir after Peter Paul Rubens (1577–1640), titled Portrait de petite fille (Portrait of a young girl), originates from the 1968 folio Visages d Enfant...

“Putti” is a 19th c. terracotta antique of two nude children, babies, as mythical figures. This piece is beautifully rendered with a rich brown patina. ...

Dipinto di scuola toscana della seconda metà del XVII secolo raffigurante un ritratto maschile di tre quarti, immerso nell'eleganza e nella maestosità proprie dell'epoca. La figura è...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Saint Francois a Genoux (B107). Year: 1878 (of original 1657), Medium: Heliogravure, Size: 7.5 x 10 in. (19.05 x 2...

Melanie Sherman Vintage Moth X (Wall Piece/Dish (hand-painted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2025 S...

Willem Muys was a Dutch, 18th-century painter of history pieces, portraits and cabinet pieces. Above all, he appears to have been active as a painter of ‘wallpaper’. Until the mid-18th century, ‘wallpaper’ was not painted on paper but on coarsely woven linen. Wealthy citizens had their mansions or country estates adorned with ‘wallpaper’ with landscapes, exotic birds or chinoiseries. Willem Muys mainly painted ‘wallpaper’, which means that few of his works have been preserved. They are hardly represented in public collections. The works of his sons, Nicolaas en Robbert, both painters, are a little less rare. The painting with Rebecca and Eliezer...

Flower Garland Surrounding the Virgin and Child, after Jan Brueghel the Elder (flowers), Circle of Frans Francken II (figures), Antwerp, circa 1615–1625, Oil on copper This finely executed garland painting on copper belongs to the Antwerp tradition of collaborative devotional cabinet pictures developed in the early seventeenth century. The meticulously rendered floral wreath may be associated with the circle of Jan Brueghel the Elder, while the central figures are attributable to the circle of Frans Francken II. The copper support, favored for high-quality works of this type, provides an exceptionally smooth surface that permits minute precision of detail and preserves the jewel-like luminosity of the colours. Set against a dark, subtly modulated background, the oval garland appears to float freely within the pictorial field, leaving the corners and margins open and lending the composition an airy sense of balance. The wreath is constructed from a carefully orchestrated rhythm of large, voluminous blossoms—roses in varying hues, carnations, anemones, and marigolds—interwoven with a profusion of smaller flowers, leaves, and stems. Each bloom is individually characterized, displaying botanical precision, crisp highlights, and delicate tonal transitions consistent with early seventeenth-century Flemish flower painting...

Roman Charity Flemish Baroque period, first half 17th century circle of Peter Paul Rubens oil on wood panel, framed framed: 24.5 x 30 inches panel: 20 x 26 inches Provenance: Private...

This photograph by Fidel Santos depicts an 18th-century etching on parchment paper, meticulously depicting a curtain with beautifully rendered folds and shadows that seem to breathe ...

Stilllife with dead Birds, Fruits and Vegetables Oil on Canvas, 101 x 84 cm signed (upper left) „G Libald “ (G and L ligated) Provenance: Private Collection, Brussels; Private Coll...

"EL CUCUY" Figurative Painting 24" x 18" inch by Isaac Pelayo Medium: Oil and aerosol on wood panel ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The Renai...

In Fidel Santos' work, Saint Peter Chanel, a sense of pure exuberance is captured through the depiction of the sculptural remnant of the head of the saint, The first martyr of the So...

Questa ceramica dipinta, 33 x 24 cm senza la cornice, è ispirata dal "Riposo durante la fuga in Egitto" di Simone Cantarini detto il Pesarese, realizzato negli anni trenta del XVII s...

Mixed media collage print serigraph on canvas. Hand signed Dimensions: 22 X 19 inches including the frame Post Soviet Russian Jewish Israeli Artwork In this limited edition artwork the artists incorporates different imagery, creating layers of artt, music compositions cut-outs and a group of figures dressed in a 1920s fashion, and a still life of a vase with flowers. A variety of elements. Tanya Wissotzky and Alexander Galtchansky were born in the same year, 1959, in Crimea (U.S.S.R.). Their careers began in art school. Alexander studied in Dnepropetrovsk, Ukraine and Wissotzky in Simferopol. They continued their studies at the Kiev institute of the Arts; Wissotzky as a painter and Alexander as a book illustrator. After getting married, they emigrated to Israel. Alexander Wissotzky was in reality a name used by two artists who were married and collaborated together to make their art. Tanya Wissotzky was born in 1959 in the Crimea. She started to study art in Simferopol specializing in painting. She then moved to Kiev to further her studies. There she met her husband Alexander Galtchansky who was studying book illustration. He was also born in 1959 in the Crimea and began his art studies in Dnepropetrovsk. Galtchansky also decided to continue his art education at the Kiev Institute of the Arts. After they fell in love and got married they began to collaborate artistically to produce their works of art. With the opening up of the Soviet Union and Russia, Tanya Wissotzky and Alexander Galtchansky took the opportunity to emigrate to Israel. Working in a combination of acrylic, pen and ink, and collage the couple produced art that is both nostalgic and romantic. Their work harks back to a time, the 1920’s and a place, Paris, which helps conjure up the image of love, and this makes their art very accessible to the general public. Some of Wissotzky and Alexander’s mixed media pieces remind one of figures in the ‘Belle Epoch’ while their still life paintings of flowers seem to step out of an English garden guide. Wissotzky and Alexander found it difficult to adjust to life in Israel and eventually they returned to Europe settling in the Czech republic. Tanya Wissotzky and Alexander Galtchansky exhibited their work widely during their lifetime. There is a book that was published about their life and work ‘G. Alexander and Wissotzky T.’ Alexander Wissotzky art can be found online and in permanent exhibitions, galleries and collections around the world including the International Conference Center in the center of Jerusalem. Their works have been shown with Itzchak Tarkay and Isaac Maimon. They have shown at the prestigious Safrai Art Gallery in Jerusalem Israel and has been exhibited with Raphael Abecassis, Ben Simhon, Yosl Bergner, Naftali Bezem , Sami Briss, Amram Ebgi, Alexander Klevan, Gregory Kohelet, Yuval Mahler, Ran Haya Graetz, Zina Rothman, Michael Rozenvein, David Sharir, Reuven Rubin, Theo Tobiasse, Yuri Tremler, Shraga Weil, Wissotzky and Avigail Yoresh.

Provenance: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA Giovanni Battista Viola was born in Bologna a...

Eduardo León GARRIDO (French, Madrid 1856-1949 Caen) Picture Size: 16 x 13" (41 x 33cm) Outside Frame Size: 22 x 19" (56 x 48cm) Eduardo León Garrido was born in Madrid in 1856. He...

Important oil on panel in the style of the great Dutch artist Philips Wouwerman (also Wouwermans) (1619 – 1668) a painter of hunting, landscape and battle scenes. This beautiful pain...

"Top 1% on OnlyFans"" Oil Painting (FRAMED) 26.5" x 19" inch by Isaac Pelayo Medium: Oil, oil stick, and aerosol on wood Comes in antique frame (wood & gold leaf) Size framed: ...

Marble head in the round depicting a putto, Roman Baroque, 17th century. In the Baroque, the putti became predominant decorative elements, depicted as nude and winged child figure...

Attributed to Jacopo Guarana (Verona 1720 – 1808 Venice) Canvas, unsigned The Deeds of Apollo Provenance: Suida-Manning Collection These seven scenes are brilliant evocations o...

Mid-century French transatlantic liner menu with printed illustration by French artist Jean Adrien Mercier. Signed in the print, top left and dated 1956 inside centre. This highly c...

Designed as entrance guardians, this pair of mythical lady sphinx statuary display the head and chest of a neoclassical woman and the body of a recumbent lion on a rectangular stone ...

Hunting played an essential role in the lives of princes and nobles for centuries. It was no different in the 17th century. Paintings depicting hunting scenes were hung, for example, in the hunting lodges of elites. It should be noted that the upper bourgeoisie also began to show interest in painted hunting scenes during the 17th century. In the Southern Netherlands there were a number of skilled animal painters who produced hunting scenes, including Frans Snijders, Paul De Vos, Jan Roos, Pieter Boel and Jan Fyt. Snijders knew how to render the anatomy of the animals masterfully. Also, he managed to make his animals look intelligent. He let them express a variety of feelings. His colleague, Paul De Vos, seems to have been less familiar with animal anatomy. His animals lack a kind of individuality and psychological expression. The panel shows a boar hunt with dogs. It was a prevalent theme, portrayed by Rubens, Snijders, De Vos and others. Buyers were especially interested in the showdown between animal species. The mental and physical strength appealed to their imagination. The painter of this little work has no solid knowledge of dog breeds. Due to a lack of insight into dogs' bone and muscle structure, he makes them look rather stiff. Mainly the heads have something naïve about them. It cannot be ruled out that the artist of this painting is Jan van Kessel...

William Goliasch was a Swiss painter born in 1922 and passed away in 1986. He is renowned for his evocative winter landscapes and also produced abstract paintings and still life. Goliasch began his painting career in the 1940s and held his first exhibition in 1950 at the Galerie Saint-Gervais in Geneva. He continued to exhibit regularly in Switzerland, as well as in France and Germany. His works often depict urban landscapes and architectural themes, characterized by a figurative style. Notable pieces include "Lighthouse" (1974), "Sicily Landscape...

Fascinating mythological story of Diana and Actaeon can be found in Ovid’s Metamorphoses. Very important provenance from a royal collection. Fabulous finely carved gilt wood coeval frame . Giovanni Battista Viola...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

Pair of scagliola sculptures - Double-tailed winged sirens. Italy, 17th century. 60 x 45 x h 100 cm each. Made entirely of scagliola, these replicas are statues from a Baroque vill...

Madonna, Mary Mother of God South Germany, circa 1760 Linden wood, painted Dimensions: 69 x 32 x 21 cm Painting damaged in places Authenticity guaranteed in writing

Study of Nicolas Poussin Landscape with a Man Washing His Feet in Oil on Board+ Small-scale study of Poussin's famous work by an unknown artist (early 20th Century). A man sits at t...

English School, 20th century painted in an earlier 'Tudor' style signed oil painting on paper stuck down on board, framed framed: 32 x 25 inches board: 25 x 18 inches provenance: fro...

Giacomo Francesco Cipper, known as Todeschini (Feldkirch 1664 - Milan 1736), circle of - Interior of a Tavern. 76 x 61 cm. Oil on canvas, unframed (not signed). Condition report: ...

Francois BOUCHER Mannerist : Lying Nude Etching Unsigned On Vellum 38 x 50 cm (c. 15 x 20 in) Probably edited c. 1950 Excellent condition

(MADE TO ORDER) (Sabbath, Kiddush, Unique, Gold Luster) *Lead Time may vary between 1-3 weeks Melanie Sherman "Just A Little Tipsy" Year: 2021 Porcelain, Glaze, ChinaPaint, 24k Germ...

Francois BOUCHER Peaceful Maternity : the Sleeping Baby Etching Unsigned On Vellum 38 x 50 cm (c. 15 x 20 in) Probably edited c. 1950 Excellent condition

Oil on canvas by Jules Gouillet (1826-1907), France, 1907. Architectural and Floral Composition. This exceptional oil on canvas by Jules Gouillet, a renowned French artist born in Ve...

This artwork titled "Nevada" is an original lithograph by noted French artist Shan Merry, born 1935. It is hand signed and numbered 97/450 in pencil by the artist. The image size is 15.5 x 14 inches, framed is 32.25 x 29 inches. It is beautifully framed in a custom gold frame, with fabric matting and gold color bevel. it is in excellent condition. Shan-Merry began her artistic studies in 1957 at the Ecole Nationale Superieure des Arts et Metier, in France. By 1972 she was working as a professional fine artist and began exhibiting regularly in prominent art galleries. By the 1990’s her works were included in prestigious international collections and exhibitions in Belgium, Germany, Japan and the United States. She was also a designer for Hermes...

One of a Kind large-scale, vertically formatted work entitled “Duel of Knights,” 18th century. These works were typically displayed on boiseries, decorative wall coverings originati...

Agent X Butterfly on White Background (Silhouette, Nature, Flowers, Floral, Vibrant, Baroque) Year: 2025 Archival Pigment Print with Archival Inks on 240 gsm Hahnemuehle Paper Size: ...

Fine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna) The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculpt...

Saint Christopher with the Christ Child, Spain, late 16th – early 17th C Polychromed and partially gilded wood. The sculpture represents Saint Christopher carrying the Christ Child ...

Salvator Rosa (Naples, July 20, 1615 - Rome, March 15, 1673) Warrior with Mace and Shield Etching and engraving, ca. 1650-1652 Second state (final) Plate: 14 × 9.5 cm - Sheet: approx...

Original vintage advertising poster in French for the 26th Anniversary of the Mozart Festival in Wurtzbourg 11-25 June 1955 - 26th Anniversary of the Festival of Mozart. Great image ...

Beautiful pair of still lives ascribed to N. Stanchi, realized in the second half of 17th century. Both in very good conditions, they include a contemporary wooden gilded frame. Dime...

Frank Chabry (1916-1979) was a 20th-century artist whose career spanned several transformative decades in the art world. His work likely reflects the artistic evolution of the mid-20...