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Giovanni Francesco RomanelliSt. John the Baptist pointing out (revealing) Christ1641
1641
About the Item
Giovanni Francesco Romanelli (born Viterbo 1612; died Viterbo 1662)
St. John the Baptist pointing out (revealing) Christ, in the far distance, to Simon Peter and Andrew.
Oil on canvas, 142 x 91 cm.
lconography and pictorial tradition of the scene in Roman painting.
The scene depicted in the picture refers to the gospel of St. John (the Evangelist) , book , verses 35 -
41:
Again the next day after John stood, and two of his disciples ,and looking u pon Jesus as he walked.
He said, Behold the Lamb of God!
And the two disciples heard him speak, and they fallowed Jesus ( ..... ).
This scene has been depicted rather seldomly. Many manuals do not even mention it. A Pigler,
Barockthemen, vol.1, Berlín- Budapest 1956, p. 270 lists only one Netherlandish example and eleven
ltalian examples . But in most of his cases these are engravings or drawings. He mentions only three
paintings: Domenichino's famous fresco in S. Andrea della Valle, Rome, Alessio del Barbiere's
altarpiece (16 the century) in Florence and a painting by Paolo de Matteis in Naples, chiesa della
Certosa di San Martina.
The most famous example is Domenichino's fresco in the center field on top of the arch befare the
vault of the presbytery or apse, in S. Andrea della Valle, painted in the years 1622 fallowing. Far a
good color reproduction see the volume "Sant' Andrea della Valle", a cura di Alba Costa magna,
Daniele Ferrara and Cecilia Grilli, Milan 2003, p.117.
We may note that the biographer Giovanni Battista Passeri mentions that Domenichino had been
Romanelli's first master. Domenichino's famous fresco of horizontal, rectangular shape is one of very
few representations of this scene in Roman Seicento painting. The others are an altarpiece by Ciro
Ferri and three paintings probably attributable to Giovanni Odazzi. (see below). These works were
not known to Pigler.
The lamb is depicted in a prominent place in the fareground. lt has been totally left out by
Romanelli. The walking Christ in Domenichino's fresco is quite similar to that in Romanelli's painting
and might have been an inspirational source far Romanelli. Domenichino s fresco is part of series of
faur scenes from the life of St. Andrew, the title Saint of the church, painted in the vault of the apse.
Andrew is depicted closest to the Baptist, in a more prominent position than that of his brother
Peter. In Romanelli's painting the two disciples have exchanged their position: the importance has
been shifted to Peter, who talks vividly to the Baptist, having raised his right hand in a rhetorical
gesture. Andrew appears in a secondary position behind Peter and turns his face toward him. The
importance of the figure of Peter is underlined by the angel flying above him in the clouds, holding
the keys, Peter's attribute, which open Peter the doors to the paradise.
Romanelli's picture was painted probably in 1641, thus almost. 20 years later than Domenichino's
fresco. Befare finally dealing with Romanelli's picture itself, we will shortly deal with a group of
pictures and an engraving, dating from 1684, thus created fartythree years after Romanelli's picture,
but still in the 17th century in Rome. Alle these pictures are beholden to Domenichino's prototype
and they show, by comparison, the difference and compositional independence of Romanelli's
picture.
Certificate continues by request.
Erich Schleier (15.9.2021)
- Creator:Giovanni Francesco Romanelli (1612 - 1662, Italian)
- Creation Year:1641
- Dimensions:Height: 55.91 in (142 cm)Width: 36.23 in (92 cm)Depth: 5.91 in (15 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good general condition. A certificate is provided.
- Gallery Location:Brooklyn, NY
- Reference Number:1stDibs: LU1599213503702
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