Items Similar to Roaring Deer Stag, Carl Friedrich Deiker, Wetzlar 1836 – 1892 Düsseldorf, Signed
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Carl Friedrich DeikerRoaring Deer Stag, Carl Friedrich Deiker, Wetzlar 1836 – 1892 Düsseldorf, Signed1836 – 1892
1836 – 1892
About the Item
Roaring Deer Stag
Deiker Carl Friedrich
Wetzlar, Germany 1836 – 1892 Dusseldorf, Germany
German Painter
Signature: Signed bottom right
Medium: Oil on canvas
Dimensions: Image size 58 x 81 cm, frame size 73 x 96 cm
Biography: Deiker Carl Friedrich was born on April 3, 1836 in Wetzlar. He was a Prussian animal painter. Deiker was specialised in animal genres related to hunting and wildlife. He also illustrated magazines and books on hunting.
Carl Friedrich Deiker was the son of Friedrich Deiker, a painter and drawing teacher at the high school. His older brother, Johannes Deiker, with whom he learned to draw after their father’s death in 1843, was a painter specialising in hunting scenes.
Deiker attended the Hanau drawing Academy, where he was a pupil of the director Theodor Pélissier (1794-1863), and then studied at Johann Wilhelm Schirmer’s studio in Carlsruhe.
In 1859, in the Reinhardswald forest, he collected studies for his large hunting paintings. From 1861 he had his own studio in Karlsruhe.
From 1864, he lived in Düsseldorf and painted wild boar, deer fighting, foxes, game birds.
Deiker stands in the baroque tradition of hunting and animal painters.
The painter died in Wetzlar on March 19, 1892. Today, his paintings can be found in private and public collections, including in the Cologne Museum “Dogs Chasing their Prey”.
- Creator:Carl Friedrich Deiker (German)
- Creation Year:1836 – 1892
- Dimensions:Height: 28.75 in (73 cm)Width: 37.8 in (96 cm)Depth: 3.94 in (10 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:The painting is housed in high quality frame which is in excellent condition. This work is offered in ready to hang gallery condition, having been professionally cleaned and revised.
- Gallery Location:Bruges, BE
- Reference Number:1stDibs: LU2006211866762
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1998
1stDibs seller since 2022
13 sales on 1stDibs
Typical response time: 5 hours
- ShippingRetrieving quote...Ships From: Bruges, Belgium
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Wild Boars in Winter Forest, István Szobota, Budapest 1911 – 1994 SopronLocated in Bruges, BEWild Boars in Winter Forest Szobota István Budapest 1911 – 1994 Sopron Hungarian Painter Signature: Signed bottom left and dated 1973 Medium: Oil on canvas Dimensions: Image size 6...Category
20th Century Impressionist Animal Paintings
MaterialsCanvas, Oil
- 'Swans of Bruges – Beguinage Bridge' Leo Mechelaere, Bruges 1880 – 1964 ErlangenLocated in Bruges, BELeo Mechelaere Bruges, Belgium 1880 – 1964 Erlangen, Germany Belgian Painter 'Swans of Bruges – Beguinage Bridge' Signature: Signed bottom left Medium: Oil on canvas Dimensions: Image size 65 x 75 cm Provenance: Painting "Swans of Bruges" was exhibited at Salon des Artistes Indépendants Normands in Rouen, France on June 7th, 1956. Biography: Leo Mechelaere, or Leon Mechelaere as he was sometimes known, emerged from the cobblestone streets of Bruges, Belgium, in 1880, destined to leave an indelible mark on the canvas of art history. Born into a world of rich cultural heritage and artistic inspiration, Mechelaere’s passion for painting ignited early, fueling a lifelong journey of creative exploration. His formative years were steeped in the traditions of the Academy of Fine Arts in Bruges, where he honed his craft under the tutelage of esteemed masters. Among them, Edouard Van Hove (1851 – 1913) and Franz Courtens (1850 – 1943) imparted their wisdom, guiding Mechelaere’s hand as he navigated the intricacies of form, light, and color. Under the mentorship of Juliaan De Vriendt...Category
Early 20th Century Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Christian Haug, 1862 – 1953, Norwegian Painter, Oil on Canvas, Signed and PlacedLocated in Bruges, BEHaug Christian Soleur, Norway 1862 – 1953 Munich, Germany Norwegian Painter Deer in a Winter Landscape Signature: Signed bottom right and placed Mu...Category
Early 20th Century Realist Animal Paintings
MaterialsCanvas, Oil
- A Spring Landscape, Floris Jespers, Antwerp 1889 – 1965, Belgian, SignedLocated in Bruges, BEA Spring Landscape Jespers Floris Antwerp 1889 – 1965 Belgian Painter Signature: Signed bottom left and dated 43 Medium: Oil on canvas Dimensions: Image size 42 x 61 cm, frame size...Category
Early 20th Century Modern Landscape Paintings
MaterialsCanvas, Oil
- Running, István Szobota, Budapest 1911 – 1994 Sopron, Hungarian PainterLocated in Bruges, BERunning Szobota István Budapest 1911 – 1994 Sopron Hungarian Painter Signature: Signed bottom left and dated '73 Medium: Oil on canvas Dimensions: ...Category
20th Century Naturalistic Animal Paintings
MaterialsCanvas, Oil
- A Summer’s Day, Cornelis Koppenol, Zoetemeer 1865 – 1946 The Hague, SignedLocated in Bruges, BEA Summer’s Day Cornelis Koppenol Zoetemeer 1865 – 1946 The Hague Dutch Painter Signature: Signed bottom left Medium: Oil on canvas Dimensions: Image size 29 x 43 cm, frame size 37 x 52 cm Biography: Koppenol Cornelis was born on December 26 in 1865 in Zoetmeer, The Netherlands. He was a Dutch painter of genre scenes, portraits, still lifes, flowers, beach scenes with figures, cows and sheep markets, landscapes with farm workers, farm interiors. He is known especially for paintings with farm girls with geese...Category
Early 20th Century Impressionist Animal Paintings
MaterialsCanvas, Oil
You May Also Like
- Van der Bent, Southern Landscape with woman animals, Dutch Old Master, BerchemLocated in Greven, DE17th Century Old Master, Figurative and Landscape Painting by Jan Van der Bent So far, little is known about the life and work of Jan van der Bent. He was...Category
17th Century Baroque Landscape Paintings
MaterialsCanvas, Oil
- Hunting Dog with GameBy Giacomo NaniLocated in Atlanta, GAFamous for his paintings of animals, landscapes and still lifes, Giacomo (sometimes spelled Jacopo) Nani was an Italian painter of the Baroque period. Presumably born in Naples, Nani studied under Gasparo López and Andrea Belvedere whose style Nani often imitated. Nani became famous while working in the court of Charles of Bourbon, future Charles III of Spain (1716 – 1788). His work is featured in the collections of museums worldwide, especially his hometown museum in Naples. An excellent example of his work, this painting is signed in the lower left corner "Giacomo Nani." This painting depicts a hunting dog...Category
18th Century and Earlier Baroque Animal Paintings
MaterialsCanvas, Oil
- Flemish 17th, Orpheus and Animals, Large Decorative Wall Old Master PaintingLocated in Greven, DEFlemish school, 17th century Orpheus and the animals Oil on canvas, 146,5 x 217 cm Provenance: South German private collection. On an impressive, room-filling format, this painting depicts "Orpheus and the Animals." The harp-playing Orpheus sits centrally in front of a tree whose trunk bifurcates above his head. This central tree frames with its crown the scenery towards the horizon and at the same time offers through branches the possibility for many birds to find space. The left half of the picture is characterized by a seascape, at the edge of which the ruins of a castle can be seen deep in the background. This seascape, framed by mountains on the horizon, is the only area where sky can be seen. On this side, waterfowl such as storks, swans and ducks can be seen. In the right half, the viewer looks into a deep European forest. On this right side, more land animals can be found, such as deer, rabbits and lions, among others. Orpheus wears opulent red and gold trimmed clothing, under his blue breastplate we see a white shirt. His feet are adorned by elaborate sandals. His head is surrounded by a radiant laurel wreath ("poeta laureatus"). The young man is clearly identifiable as the singer and poet of Greek mythology, Orpheus, by his harp, the laurel wreath and the animals surrounding him. Orpheus was one of the Argonauts who, under Jason, was searching for the Golden Fleece. He sang so beautifully that he even conquered the angry sea and enemies by the magic of his lyre. During the journey, Orpheus is said to have drowned out even the sirens with his singing. It is said that he was the greatest of all poets and charmed people, animals, stones and trees with his singing. In total, 51 birds and 37 different species are depicted in the painting. The animals are mostly depicted in great detail and, except for a few, can be identified. Mainly European species of animals are shown. Exceptions are the ostrich-like nandu peeking out from behind the deer, as well as the large parrot on the upper left, and the two lions. Similar is the case for the large animal directly behind Orpheus on the right. The shape of the head suggests an arctic fox from the polar regions, even though the body is much too large. The arctic fox was first described in 1555 by Olaus Magnus. However, it could also be a depiction of a brown or black bear. An unusual detail is the animal, which is relatively isolated in the right background and looks to the left. It is not clearly identifiable, but it shows certain similarities with the Australian kangaroo. This was first described by Vespucci in 1500 and further by Francisco Pelsaert in 1629. If it is indeed a kangaroo, this would be one of the earliest surviving pictorial representations. In this painting, Orpheus is accompanied by a small monkey playing a viola da gamba. This is an iconographic peculiarity. In general, this painting has some peculiarities compared to other paintings with "Orpheus and the animals". The central positioning of Orpheus is quite common, but he usually holds a lyre and is dressed in an antique style, but not as opulently. The choice of animals is also remarkable: European animals in particular are seen, hardly any exotic features, such as camels or elephants. The two lions in the right foreground are a quotation from Peter Paul Rubens and his depiction of "Daniel in the Lion's Den", which was realized in an engraving. The present painting can be classified as belonging to the Flemish School of the 17th century on the basis of its painterly and compositional conception. From the circle of Jan Brueghel the Younger are numerous representations of this Orpheus - theme, which take it as an opportunity to show as many exotic animals. There are also echoes of Spanish painters such as Juan de Arellano...Category
17th Century Baroque Landscape Paintings
MaterialsOil, Canvas
- 17th C, Baroque, Hunting Scene, Wild Boar Hunt in the style of Frans SnijdersLocated in brussel, BEHunting played an essential role in the lives of princes and nobles for centuries. It was no different in the 17th century. Paintings depicting hunting scenes were hung, for example, in the hunting lodges of elites. It should be noted that the upper bourgeoisie also began to show interest in painted hunting scenes during the 17th century. In the Southern Netherlands there were a number of skilled animal painters who produced hunting scenes, including Frans Snijders, Paul De Vos, Jan Roos, Pieter Boel and Jan Fyt. Snijders knew how to render the anatomy of the animals masterfully. Also, he managed to make his animals look intelligent. He let them express a variety of feelings. His colleague, Paul De Vos, seems to have been less familiar with animal anatomy. His animals lack a kind of individuality and psychological expression. The panel shows a boar hunt with dogs. It was a prevalent theme, portrayed by Rubens, Snijders, De Vos and others. Buyers were especially interested in the showdown between animal species. The mental and physical strength appealed to their imagination. The painter of this little work has no solid knowledge of dog breeds. Due to a lack of insight into dogs' bone and muscle structure, he makes them look rather stiff. Mainly the heads have something naïve about them. It cannot be ruled out that the artist of this painting is Jan van Kessel...Category
17th Century Baroque Landscape Paintings
MaterialsCanvas, Oak, Oil
- Fine 1700's Italian Old Master Oil Painting Hunting Dogs with Game, Roman RuinsLocated in Cirencester, GloucestershireArtist/ School: Italian School, early 18th century The painting is almost certainly from the circle of the Italian Baroque painter known as 'Rosa da Napoli', Jacob Roos (Rome 1682-Na...Category
Early 18th Century Baroque Landscape Paintings
MaterialsOil
- Southern Landscape with Cows, circle of Both, Dutch 17th Century Old MasterBy Jan Dirksz BothLocated in Greven, DECircle of Andries Both, Southern Landscape with Cows. Both moved to Italy ( Rome and Venice) where is work was influenced by the warm Italian light. Decorative PaintingCategory
17th Century Baroque Animal Paintings
MaterialsCanvas