Items Similar to "Braque Graveur, " an Original Lithograph Poster signed Georges Braque
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Georges Braque"Braque Graveur, " an Original Lithograph Poster signed Georges Braque1953
1953
About the Item
"Braque Graveur" is an original color lithograph poster signed with initials by the artist Georges Braque. It depicts a moth or butterfly landed on a black abstract form. There are blue and reddish-brown abstract shapes as well, and it is all on a yellow background. The text in the bottom left corner details information for an exhibition.
26 1/2" x 18" art
38 3/4" x 30 1/4" frame
Georges Braque (13 May 1882 – 31 August 1963) was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most important contributions to the history of art were in his alliance with Fauvism from 1906, and the role he played in the development of Cubism. Braque’s work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso.
Braque's earliest works were impressionistic, but after seeing the work exhibited by the artistic group known as the "Fauves" (Beasts) in 1905, he adopted a Fauvist style. The Fauves, a group that included Henri Matisse and André Derain among others, used brilliant colors to represent emotional response. Braque worked most closely with the artists Raoul Dufy and Othon Friesz to develop a somewhat more subdued Fauvist style.
In May 1907, he successfully exhibited works of the Fauve style in the Salon des Indépendants. The same year, Braque's style began a slow evolution as he became influenced by Paul Cézanne who had died in 1906 and whose works were exhibited in Paris for the first time in a large-scale, museum-like retrospective in September 1907. The 1907 Cézanne retrospective at the Salon d'Automne greatly affected the avant-gardeartists of Paris, resulting in the advent of Cubism.
Braque's paintings of 1908–1912 reflected his new interest in geometry and simultaneous perspective. He conducted an intense study of the effects of light and perspective and the technical means that painters use to represent these effects, seeming to question the most standard of artistic conventions. In his village scenes, for example, Braque frequently reduced an architectural structure to a geometric form approximating a cube, yet rendered its shading so that it looked both flat and three-dimensional by fragmenting the image. He showed this in the painting Houses at l'Estaque
Beginning in 1909, Braque began to work closely with Pablo Picasso who had been developing a similar proto-Cubist style of painting. At the time, Pablo Picasso was influenced by Gauguin, Cézanne, African masks and Iberian sculpturewhile Braque was interested mainly in developing Cézanne's ideas of multiple perspectives. “Picasso celebrates animation, while Braque celebrates contemplation. Later, these artists experimented with collage and papier colle.
Braque believed that an artist experienced beauty "… in terms of volume, of line, of mass, of weight, and through that beauty [he] interpret[s] [his] subjective impression...” He described "objects shattered into fragments… [as] a way of getting closest to the object…Fragmentation helped me to establish space and movement in space”. He adopted a monochromatic and neutral color palette in the belief that such a palette would emphasize the subject matter.
- Creator:Georges Braque (1882 - 1963, French)
- Creation Year:1953
- Dimensions:Height: 38.75 in (98.43 cm)Width: 30.25 in (76.84 cm)
- Medium:
- Movement & Style:Synthetic Cubist
- Period:
- Condition:
- Gallery Location:Milwaukee, WI
- Reference Number:
Georges Braque
Georges Braque was born in Argenteuil, France, in 1882. Braque lived much of his childhood and young adult life in Le Havre. He attended night classes at the art school from 1897–99 and then moved to Paris, where he obtained his license as a master decorator. From 1905–06, after studying at École des Beaux-Arts in Paris and having been influenced by the works of Henri Matisse, he began to paint in the way of Fauvism by using bright colors and taking advantage of the freedom of the composition. Paysage à L'Estaque (1906) was one of the prominent works of art made at this time.
The year 1907 was a significant time in Braque's development, wherein he visited the retrospective on Paul Cézanne and he came into contact with Picasso, who was very engrossed in the realization of Les Demoiselles d'Avignon at the time. At this point, Braque began nurturing a considerable interest in primitive art. After the First World War, Braque worked autonomously and developed a more personal style, which was characterized by vivid colors and textured surfaces. Braque painted still life, interior views, and ocean scenes. The Ateliers (1948–55) and Birds (1955–63) series were painted during this period. In 1948, he obtained his first award for painting at the XXIV Biennial in Venice.
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1966
1stDibs seller since 2017
391 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Milwaukee, WI
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- "Stabile with Red Sun Galerie Maeght, " Original Lithograph Poster by A. CalderBy Alexander CalderLocated in Milwaukee, WI"Stabile with Red Sun Galerie Maught" is an original color lithograph by Alexander Calder. The Stabile is a black topsy-turvy statue taking up most of the piece. A red sun sits to th...Category
1970s Post-Modern Abstract Prints
MaterialsLithograph
- "Galerie Maeght, " Graphic Color Lines Lithograph Poster by Jean Rene BazaineLocated in Milwaukee, WI"Galerie Maeght" lithograph poster by Jean Rene Bazaine. This poster holds Bazine's name in harsh orange lines near the top of the piece. Diagonally bisecting the b and a in Bazaine is a teal line. Bellow this horizontally against the white backgrounds are two lines, one painted yellow and the other blue. Image: 29 x 21 in Jean Bazaine was a French painter, designer of stained glass windows, and writer. He was the great great grandson of the English Court portraitist Sir George Hayter. In 1949/1950 he had his first major one man show at the Galerie Maeght, who remained his art dealer thenceforth. From then on it was a steady progress of major exhibitions: Bern, Hanover, Zürich, Oslo... 1987 a retrospective exhibition in Galerie Maeght, 1988 a retrospective of his drawings in the Musée Matisse and finally in 1990 the Exposition Bazaine in the Galeries Nationales du Grand Palais, Paris., which was accompanied by the reissue of his major texts on painting in art theory as Le temps de la peinture (Paris, Aubier 1990). "The motley crowds of international tourists and souvenir-shoppers who fill the ancient streets of the Latin Quarter in Paris spend most of their time admiring the open-air displays of seafood outside the Greek restaurants in the rue de la Huchette. They ignore the beautiful church of St Severin in the same street, for have they not already "done" Notre Dame? So they miss one of the most wonderful series of stained-glass windows in France: Jean Bazaine's vivid, dynamic works irradiating the sombre ambulatory and apsidal chapels. These windows represent the seven sacraments of the Church, portrayed as essential forms from nature in all its glory and symbolising Water, Fire and Light, sacred emblems of Divine Grace. An appropriate biblical verse is inscribed beneath each. Only Pierre Soulages with his "luminous black" windows at l'Abbaye de Conques (1998) can stand comparison with the majesty of these contemporary works by Bazaine, created between 1965 and 1970. Bazaine was fortunate in his friends. He received at an early stage in his student career support and advice from another master colourist, Pierre Bonnard. In his youth he knew Leger, Braque, James Joyce and Marcel Proust. One of his great personal friends was Jean Fautrier, with whom he shared his first exhibition in 1930. His work gradually developed as a form of bold tachisme - brilliantly composed but well-controlled "splashes" of sumptuous colour. He rejected the term "abstract" which he considered a denial of the essentially intimate relationships between art and reality. He quoted his friend Braque: "The canvas must efface the idea behind it." In 1941, during the Nazi occupation, at a time when Hitler was destroying many works of modern art, Bazaine had the courage to organise in Paris a first "avant-garde" exhibition of 20 French artists. In 1948, he wrote his first book, an unpedantic, unacademic view of contemporary painting, Notes sur la peinture d'aujourd'hui. He quotes Braque on Cezanne: "He's a painters' painter - other people think it's unfinished." Bazaine, too, reverenced Cezanne: Three lines drawn by Cezanne overturn our whole concept of the world, proclaim the liberty of man, his courage. The great painters have never had any other aims. The painter says: "I exist, therefore you exist. I am free, therefore you are free. Or at least he tries to. It's his one aim in life." After the Second World War, Bazaine produced vast compositions with virtuoso colour structures, mostly with references to nature, like the breathtaking Vent de mer (1949, now in the Museum of Modern Art, Paris) and Orage au jardin (1952, now in the Van Abbemuseum at Eindhoven). His Earth and Sky (1950) is in the Maeght Foundation at Saint Paul de Vence. One of his greatest works, L'Arbre tenebreux (1962), was sold to the Sonja Henie...Category
1970s Post-Modern Abstract Prints
MaterialsLithograph
- 'Oasis' signed color lithograph (2/10)By Joseph RozmanLocated in Milwaukee, WIArt: 11-1/4 x 11-7/8 Color lithograph, signed (2/10) Joseph Rozman was born on December 26, 1944 in Milwaukee, WI. He was the first artist to have a solo exhibition at the David Barnett Gallery...Category
1960s Abstract Prints
MaterialsLithograph
- "Departing Beauty" & "Dreams, " Double-sided Colored LithographBy Alphonse MuchaLocated in Milwaukee, WI"Departing Beauty" and "Dreams" are two sides of one double-sided original lithograph by Art Nouveau master Alphonse Mucha. These illustrations were pages 94 & 93 of "Ilsee, Princess...Category
1890s Art Nouveau Abstract Prints
MaterialsLithograph
- "Bacchanale from Je Reve (I Dream) Portfolio, " Original Color LithographBy André MassonLocated in Milwaukee, WI"Bacchanale" is an original color lithograph by Andre Masson. This piece is from the Je Reve (I Dream) portfolio and is edition number H.C. XVV/XVV. Masson signed the piece in pencil...Category
1970s Surrealist Figurative Prints
MaterialsLithograph
- Original Lithograph Signed Pop Art Aquatic Abstract Cityscape New York Fish ReefBy Michael KniginLocated in Milwaukee, WI"Invading Knight" is an original color lithograph by Michael Knigin. The artist signed the piece in the lower right and wrote the title/edition number 200/275, in the lower left corn...Category
1970s Pop Art Animal Prints
MaterialsLithograph, Ink
You May Also Like
- Ciel Gris I (Grey Sky I)By (after) Georges BraqueLocated in Storrs, CTCiel Gris I (Grey Sky I). 1959. Lithograph printed in colors. Vallier, Dora. Braque. The Complete Graphics, London 1988, page 294, 9 x 2 3/4 (sheet 15 x 11). This is not a copy. It...Category
Mid-20th Century Cubist Abstract Prints
MaterialsColor, Lithograph
- Ciel Gris II (Grey Sky II)By (after) Georges BraqueLocated in Storrs, CTCiel Gris. 1959. Lithograph printed in colors. Vallier, Dora. Braque. The Complete Graphics, London 1988, page 294, No. 1033. 9 x 3 3/8 (sheet 15 x 10 3/4). One of about 3000 imp...Category
Mid-20th Century Cubist Abstract Prints
MaterialsColor, Lithograph
- Russian French Avant Garde Lithograph Rhythm in Colour Vibrant Abstract PrintBy Léopold SurvageLocated in Surfside, FLLéopold Survage (French/Russian, 1879-1968), "Rythmes Colorés", 1967-1968 Lithograph on Vélin d'Arches paper, Printed by Mourlot, Paris Hand signed in pencil and numbered "AN 16/75"...Category
1960s Cubist Abstract Prints
MaterialsLithograph
- Russian French Avant Garde Lithograph Rhythm in Colour Vibrant Abstract PrintBy Léopold SurvageLocated in Surfside, FLLéopold Survage (French/Russian, 1879-1968), "Rythmes Colorés", 1967-1968 Lithograph on Vélin d'Arches paper, Printed by Mourlot, Paris Hand signed in pencil and numbered "AN 16/75"...Category
1960s Cubist Abstract Prints
MaterialsLithograph
- Russian French Avant Garde Lithograph Rhythm in Colour Vibrant Abstract PrintBy Léopold SurvageLocated in Surfside, FLLéopold Survage (French/Russian, 1879-1968), "Rythmes Colorés", 1967-1968 Lithograph on Vélin d'Arches paper, Printed by Mourlot, Paris Hand signed in pencil and numbered "AN 16/75"...Category
1960s Cubist Abstract Prints
MaterialsLithograph
- Russian French Avant Garde Lithograph Rhythm in Colour Vibrant Abstract PrintBy Léopold SurvageLocated in Surfside, FLLéopold Survage (French/Russian, 1879-1968), "Rythmes Colorés", 1967-1968 Lithograph on Vélin d'Arches paper, Printed by Mourlot, Paris Hand signed in pencil and numbered "AN 16/75"...Category
1960s Cubist Abstract Prints
MaterialsLithograph
Recently Viewed
View AllMore Ways To Browse
George 1
George 2
George 3
Braque Signed
Matisse Original Signed
Cubist Lithographs
Braque Lithograph
Large Scale Lithographs
Lithograph Large Scale Lithograph
Georges Braque Signed
Retro Art Exhibit Posters
Braque Original
Vintage Architecture Posters
Exhibit Poster Framed
Framed Exhibition Poster Original
Art Exhibit Poster Framed
Matisse Signed Lithograph
Original Georges Braque