Jack Davidson

Untitled

2016

Catherine Howe's "Tantric Flower #7" is a unique monotype printed on Habotai silk mounted to Arches En Tout Cas paper. During COVID-19 lockdown Catherine Howe began experimenting wi...

"Bouquet (mum, orange, rose, violet)" is a unique collagraph print from a series published by Manneken Press in 2019. In collagraph printmaking the artist adds to the plate to create the image rather than carving into it, as in relief printing, or etching into it, as in intaglio printing. Howe painted the image of a bouquet of flowers in a vase with sweeping, fluid brushstrokes strokes, directly onto the plate, using a thick gel medium. Carborundum grit was added to create the texture necessary to hold the ink. Different colors were used for each impression printed from the plate, creating a series of unique but related prints. Like all of Howe's works, her monotypes have a strong, vibrant, spontaneous energy and a sensuous sensibility. Referencing her personal garden located in the Hudson Valley, flowers dissolve into abstract flurries of brush marks and fields of commingled colors. The artist balances abstraction with representation in gestural prints which are process-based while retaining an affinity with the observed subject matter. Catherine Howe is widely admired for her painterly works that reference both the baroque and nature. Drawing from nature, Howe’s paintings is influenced by New York School abstraction, as well as rococo and 17th century Dutch still life paintings. Catherine Howe received an MFA from SUNY Buffalo in 1983. Her paintings have been exhibited extensively in New York, and the United States, including solo exhibitions at New York Academy of Art, Winston Wächter...

"Bouquet (peony, yellow, jade)" is a unique collagraph print from a series published by Manneken Press in 2019. In collagraph printmaking the artist adds to the plate to create the image rather than carving into it, as in relief printing, or etching into it, as in intaglio printing. Howe painted the image of a bouquet of flowers in a vase with sweeping, fluid brushstrokes strokes, directly onto the plate, using a thick gel medium. Carborundum grit was added to create the texture necessary to hold the ink. Different colors were used for each impression printed from the plate, creating a series of unique but related prints. Like all of Howe's works, her monotypes have a strong, vibrant, spontaneous energy and a sensuous sensibility. Referencing her personal garden located in the Hudson Valley, flowers dissolve into abstract flurries of brush marks and fields of commingled colors. The artist balances abstraction with representation in gestural prints which are process-based while retaining an affinity with the observed subject matter. Catherine Howe is widely admired for her painterly works that reference both the baroque and nature. Drawing from nature, Howe’s paintings is influenced by New York School abstraction, as well as rococo and 17th century Dutch still life paintings. Catherine Howe received an MFA from SUNY Buffalo in 1983. Her paintings have been exhibited extensively in New York, and the United States, including solo exhibitions at New York Academy of Art, Winston Wächter...

"Bouquet (sweet pea, blue, magenta)" is a unique collagraph print on Rives BFK paper from a series published by Manneken Press in 2019. This is a bleed print with the edges extending to the edges of the paper. In collagraph printmaking the artist adds to the plate to create the image rather than carving into it, as in relief printing, or etching into it, as in intaglio printing. Howe painted the image of a bouquet of flowers in a vase with sweeping, fluid brushstrokes strokes, directly onto the plate, using a thick gel medium. Carborundum grit was added to create the texture necessary to hold the ink. Different colors were used for each impression printed from the plate, creating a series of unique but related prints. Like all of Howe's works, her monotypes have a strong, vibrant, spontaneous energy and a sensuous sensibility. Referencing her personal garden located in the Hudson Valley, flowers dissolve into abstract flurries of brush marks and fields of commingled colors. The artist balances abstraction with representation in gestural prints which are process-based while retaining an affinity with the observed subject matter. Catherine Howe is widely admired for her painterly works that reference both the baroque and nature. Drawing from nature, Howe’s paintings is influenced by New York School abstraction, as well as rococo and 17th century Dutch still life paintings. Catherine Howe received an MFA from SUNY Buffalo in 1983. Her paintings have been exhibited extensively in New York, and the United States, including solo exhibitions at New York Academy of Art, Winston Wächter...

"Field of Flowers #4" is a unique monotype from a series of prints by Judy Ledgerwood published by Manneken Press in 2020. Rather than using ink, the artist painted directly on a san...

"Flood Tide #3" is a unique monotype that Anna Kunz created during her visit to Manneken Press in July 2021; thirty six unique prints resulted from this intense work session. Inspired by water imagery...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Begin Flight, monotype by Melanie Yazzie, abstract, Navajo, Native American, art Melanie Yazzie works in a wide range of media that include printmaking, painting, sculpting, and cer...

"Poppy 200" is a gorgeous, fun and fresh combination print featuring elements of Cyanotype and Monotype. The main subject is a California Poppy flower. Hues of oranges and yellows flow on top of a pale blue cyanotype print. In her creative process, Katherine scans organic material which she then refines into digital files. The images are then then cut out of wood using a laser cutter. Katherine prints the inked wood shapes in combination with ink washes, in different arrangements making each print unique. For more works by Katherine Warinner...

Geometric shapes in yellow, coral red and light sky blue are layered on an indigo blue background. Available unframed, please inquire with the gallery for framing costs. Signed on r...

Geometric shapes in yellow, red, green and blue on a soft gray background. Available unframed, please inquire with the gallery for framing costs. Signed on recto, titled on verso. ...