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Medium: Drypoint
Arnulf Rainer, Büste im Nebel - Signed Print, Drypoint Etching, Abstract Art
Located in Hamburg, DE
Arnulf Rainer (Austrian, born 1929)
Büste im Nebel, 1977
Medium: Drypoint etching on BFK Rives wove paper
Dimensions: 29.8 × 20.8 cm (11 7/10 × 8 1/5 in)
Edition of 50: Hand-signed a...
Category
20th Century Abstract Drypoint Abstract Prints
Materials
Drypoint, Etching
Deux nus Dansant, Modern Drypoint Etching by Fernand Leger
Located in Long Island City, NY
Deux nus Dansant
Fernand Leger, French (1881–1955)
Date: circa 1932
Drypoint Etching
Image Size: 8.5 x 7.5 inches
Size: 14.75 x 11 in. (37.47 x 27.94 cm)
From the collection of the l...
Category
1930s Drypoint Abstract Prints
Materials
Drypoint, Etching
Tete De Femme, Modern Drypoint Etching by Fernand Leger
Located in Long Island City, NY
Tete De Femme
Fernand Leger, French (1881–1955)\
Date: 1952
Drypoint Etching, stamp signed and numbered in pencil
Edition of 26/100
Image Size: 7.75 x 4.75 inches
Size: 12.5 x 9.25 i...
Category
1950s Drypoint Abstract Prints
Materials
Drypoint, Etching
Profil de Femme, Modern Drypoint Etching by Fernand Leger
Located in Long Island City, NY
Profil de Femme
Fernand Leger, French (1881–1955)
Date: circa 1931 (pulled 1961)
Drypoint Etching on Richard de Bas
Edition of 102
Image Size: 10 x 8 inches
Size: 15.75 x 12 in. (40....
Category
1960s Drypoint Abstract Prints
Materials
Drypoint, Etching
Buoy Landscape IV, Mixed media signed/n limited edition Ab Ex relief print
By Sam Gilliam
Located in New York, NY
Sam Gilliam
Buoy Landscape IV, 1982
Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper
31 1/2 × 24 inches
Hand signed and numbered 3/25 in graphite pencil
Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto
Unframed with elegant deckled edges
Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market.
Steven M. Andersen (Printer)
Philip Barber (Printer)
Hang Nguyen (Printer)
Stephanie Nowack (Printer)
Michael Reid (Printer)
Daniel Rounds (Printer)
Vermillion Editions Limited (Publisher)
Sam Gilliam Biography:
Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting.
A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials.
In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago.
Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...
Category
1980s Abstract Expressionist Drypoint Abstract Prints
Materials
Mixed Media, Pencil, Graphite, Drypoint, Etching, Aquatint, Screen
Large Italian Aquatint Etching Francesco Clemente Neo Expressionist Avant Garde
Located in Surfside, FL
Francesco Clemente (Italian b. 1952),
'This side up / Telemone #2,
1981
Medium: Intaglio hard ground etching, color aquatint, drypoint, and soft-ground etching with chine collé (ha...
Category
1980s Abstract Expressionist Drypoint Abstract Prints
Materials
Drypoint, Etching, Aquatint, Intaglio
Three Hearts
Located in Albuquerque, NM
Linda Lomahaftewa (Hopi/Choctaw), Three Hearts, $1,200.00, Drypoint on paper, 2001, 16” x 23.5”, framed
Category
2010s Drypoint Abstract Prints
Materials
Drypoint
TV Re-Run B Unique mixed media monotype and colored embossing geometric abstract
Located in New York, NY
Alan Shields
TV Re-Run B, 1978
Mixed Media Monotype: Color drypoint, mezzotint, linocut and colored embossing on perforated paper on Handmade Paper Mounted on Linen Board
Signed, num...
Category
1970s Abstract Drypoint Abstract Prints
Materials
Paper, Mixed Media, Drypoint, Mezzotint, Linocut, Pencil
Two hearts with hand coloring in oil stick, signed & numbered (unique variation)
By Jim Dine
Located in New York, NY
Jim Dine
The Christmas Print (Burg, 26), 2001
Drypoint, direct gravure, etching over offset lithograph with hand coloring by artist in oil stick, on T.H. Saunders paper, the full she...
Category
Early 2000s Pop Art Drypoint Abstract Prints
Materials
Offset, Etching, Drypoint, Engraving, Oil, Mixed Media, Oil Crayon
American Dream (EAT / DIE / HUG / ERR) (Sheehan 136) UNIQUE Proof Love Food Life
Located in New York, NY
Robert Indiana
American Dream (EAT / DIE / HUG / ERR) (Sheehan, 136), 1986
Hard and soft-ground etching, aquatint, drypoint and stencil on white Arches paper
37 inches × 21 inches
...
Category
1980s Pop Art Drypoint Abstract Prints
Materials
Mixed Media, Drypoint, Etching, Aquatint, Stencil
Neferchidea /// Abstract Geometric Expressionist Nancy Graves Female Artist
By Nancy Graves
Located in Saint Augustine, FL
Artist: Nancy Graves (American, 1939-1995)
Title: "Neferchidea"
Portfolio: Black Ground Series
*Signed and dated by Graves in pencil lower right
Year: 1987
Medium: Original Etching, ...
Category
1980s Abstract Drypoint Abstract Prints
Materials
Drypoint, Etching, Aquatint, Intaglio
Le Singe
Located in New York, NY
A very good impression of this aquatint, grattoir and drypoint. Edition of 225. Printed by Lacourière, Paris. Published by Martin Fabiani, Paris. From "Histoire Naturelle."
Catalogu...
Category
1930s Modern Drypoint Abstract Prints
Materials
Drypoint, Aquatint, Etching
Georg Baselitz, Schwester Rosi III - Signed Print, Contemporary Art
Located in Hamburg, DE
Georg Baselitz (German, b. 1938)
Schwester Rosi III, 1995/1996
Medium: Drypoint etching on wove paper
Dimensions: 80 x 60 cm
Edition of 12: Hand-signed and numbered
Condition: Excellent
Category
20th Century Neo-Expressionist Drypoint Abstract Prints
Materials
Etching, Drypoint
Louise Bourgeois, Be Calm (from Recueil des Secrets)
Located in Hamburg, DE
Louise Bourgeois (French-American, 1911-2010)
Be Calm (from Recueil des Secrets de Louise Bourgeois), 2005
Medium: Drypoint with selective wiping, on wove paper
Dimensions: 18.8 x 12...
Category
21st Century and Contemporary Abstract Drypoint Abstract Prints
Materials
Drypoint, Etching
'Blue Eyes' — 1970s Erotic Surrealism
By Hans Bellmer
Located in Myrtle Beach, SC
Hans Bellmer, 'Blue Eyes', engraving and drypoint, edition 99, 1971. Flahutez 89. Signed and numbered '74/99' in pencil. A fine impression, on Arches cream wove paper; the full sheet...
Category
1960s Surrealist Drypoint Abstract Prints
Materials
Engraving, Drypoint
'The Modest Rose' — 1970s Erotic Surrealism
By Hans Bellmer
Located in Myrtle Beach, SC
Hans Bellmer, 'The Modest Rose', engraving and drypoint, edition 99, 1971. Signed and numbered '99/99' in pencil. A fine, richly-inked impression, on Arches cream wove paper; the ful...
Category
1960s Surrealist Drypoint Abstract Prints
Materials
Engraving, Drypoint
Untitled (Two Nudes) — 1970s Erotic Surrealism
By Hans Bellmer
Located in Myrtle Beach, SC
Hans Bellmer, Untitled (Two Nudes), engraving and drypoint, 1971, edition 99. Signed and numbered '94/99' in pencil. A fine impression, on Arches cream wove paper; the full sheet wit...
Category
1960s Surrealist Drypoint Abstract Prints
Materials
Engraving, Drypoint
Guadalmar
Located in Palm Springs, CA
Signed, titled andnumbered by the artist. Abstract image invoking imagery of the Mediterranean ocean and the desert of Morocco.
Christian Bozo...
Category
21st Century and Contemporary Abstract Drypoint Abstract Prints
Materials
Drypoint, Aquatint
Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), mixed media Framed
Located in New York, NY
Stanley Boxer
Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), 1979
Etching, aquatint, engraving and drypoint on hand colored TGL handmade paper
Edition 16/20
Pencil sign...
Category
1970s Abstract Expressionist Drypoint Abstract Prints
Materials
Engraving, Drypoint, Etching, Aquatint, Mixed Media, Pencil, Graphite
Sueño de Verano, by Christian Bozon
Located in Palm Springs, CA
Signed, title and numbered by the artist
Image Size: 8.25 x 10.25 inches
Year: 2009
Edition: 50
Bozon's abstract imagery recalls the colors and textures of Morocco and southern Spai...
Category
21st Century and Contemporary Abstract Drypoint Abstract Prints
Materials
Drypoint, Aquatint
Obliques - Drypoint by Max Ernst - 1967
By Max Ernst
Located in Roma, IT
"Obliques" is an etching hand-signed and numbered etching realized by Max Ernst in 1967. This is an edition of 57 prints. Passepartout included. Very good condition.
Published by Ge...
Category
1970s Surrealist Drypoint Abstract Prints
Materials
Drypoint
Italian Contemporary Art by Fred Borghesi - Last Century Bathers
Located in Paris, IDF
Mixed Media (Drypoint Etching, watercolor and digital retouch), Archival Giclée print Limited Edition of 30.
Fred Borghesi is an Italian artist born in 1987 who lives and works in L...
Category
2010s Drypoint Abstract Prints
Materials
Mixed Media, Watercolor, Digital, Drypoint
Italian Contemporary Art by Fred Borghesi - Domenica D'Agosto, Monochrome
Located in Paris, IDF
Drypoint etching hand printed
Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He is above all a multidisciplinary artist, constantly switching bet...
Category
2010s Drypoint Abstract Prints
Materials
Paper, Drypoint
Italian Contemporary Art by Fred Borghesi - He Used To Be A Big Shot
Located in Paris, IDF
Mixed Media (Watercolor, Ink and digital retouch) Archival Giclée print Limited Edition of 30.
Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He...
Category
2010s Drypoint Abstract Prints
Materials
Mixed Media, Watercolor, Drypoint, Ink
Trees (Trees in Circle)
Located in Fairlawn, OH
Trees (Trees in Circle)
Etching & drypoint with monotype inking, 1953-1955
Signed in pencil
An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...
Category
1950s Abstract Drypoint Abstract Prints
Materials
Drypoint, Etching, Monotype
Spanish Artist signed limited edition original art print chine colle drypoint
Located in Miami, FL
Eduardo Chillida (Spain, 1924-2002)
'Korapillo II', 1982
chine colle, dry point on japanese paper
25.6 x 19.7 in. (65 x 50 cm.)
Edition of 50. Original 63 of which 50 belong to the regular edition. P/A: 8, H.C.: 5
Unframed
ID: CHI1038-013
Hand-signed by author
It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P. II 1973-1985. Chorus – Verlag, pp 290 – 291. Nr 82003.
____________________________________________________
He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements.
Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes.
Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own.
His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production.
The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999).
Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...
Category
1980s Abstract Drypoint Abstract Prints
Materials
Paper, Drypoint
Spanish Artist signed limited edition original art print chine colle drypoint
Located in Miami, FL
Eduardo Chillida (Spain, 1924-2002)
'Korapillo I', 1982
chine colle, dry point on japanese paper
25.6 x 19.7 in. (65 x 50 cm.)
Edition of 50. Original 62 of which 50 belong to the regular edition. P/A: 7, H.C.: 5
Unframed
ID: CHI1038-012
Hand-signed by author
It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P. II 1973-1985. Chorus – Verlag, pp 288 – 289. Nr 82002.
____________________________________________________
He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements.
Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes.
Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own.
His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production.
The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999).
Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...
Category
1980s Abstract Drypoint Abstract Prints
Materials
Paper, Drypoint
Le Viol d'Europe
Located in New York, NY
A very good impression of this color drypoint on Japon nacré. Artist's proof, aside from the edition of 270. Signed and inscribed "EA" in pencil. Published by Vision Nouvelle, Paris....
Category
1970s Surrealist Drypoint Abstract Prints
Materials
Color, Drypoint
Drypoint Lambda I
By Ron Davis
Located in San Francisco, CA
This artwork titled "Drypoint Lambda I" 1980 is an original etching by noted American artist Ronald Davis, b.1937. It is hand signed, dated and numbered 9/25 in pencil by the artist....
Category
Late 20th Century Abstract Geometric Drypoint Abstract Prints
Materials
Drypoint, Etching
Drypoint Lambda II
By Ron Davis
Located in San Francisco, CA
This artwork titled "Drypoint Lambda II" 1980 is an original etching by noted American artist Ronald Davis, b.1937. It is hand signed, dated and numbered 9/25 in pencil by the artist...
Category
Late 20th Century Abstract Geometric Drypoint Abstract Prints
Materials
Drypoint, Etching
La Bonne faisant son Marché
Located in New York, NY
A superb, richly-inked impression of this scarce drypoint printed in dark brownish black on cream laid paper. Second state (of 4), with the drypoint work on the windows upper right. ...
Category
1880s Impressionist Drypoint Abstract Prints
Materials
Laid Paper, Drypoint
l'inquiétude des Sphères
By Michel Roncerel
Located in Palm Springs, CA
Signed and numbered artist proof, aside from the edition published in a fine press artist book.
Image size: 9.25 x 7 in.
Sheet: 18.5 x 15 in.
Year: 1995
Beginning in 1993, Manière...
Category
1990s Abstract Drypoint Abstract Prints
Materials
Drypoint, Mezzotint
Your Day in Court, from the portfolio Wisconsin Graphics
Located in New York, NY
Warrington Colescott
Your Day in Court, from the portfolio Wisconsin Graphics, 1971
Drypoint, etching, aquatint, woodcut, & soft-ground etching, w roulette, vibrograver, letterpress ...
Category
1970s Modern Drypoint Abstract Prints
Materials
Drypoint, Etching, Aquatint, Woodcut
Seeing Don Quixote and Sancho
By Santi Moix
Located in New York, NY
Santi Moix
Seeing Don Quixote and Sancho ("the famous pair"), ca. 2008
Drypoint, etching and abrasion with hand coloring with watercolor, along with graphite annotations
Hand signed and numbered 1 of 5 (1/5) by the artist on the front
Frame Included: elegantly floated and framed in a museum quality hand made wood frame, finished with authentic gold leaf
The present work is one of a suite of hand colored prints that were included in the exhibition "Santi Moix: Don Quixote" at PACE prints from September 11 to October 4, 2008.
Excerpt from the PACE Gallery Press materials:
It is clear that Moix, a true Catalonian, has a rightful claim to the lineage that spawned the extraordinary draughtmanship of his Spanish predecessors- Goya and Picasso.
“Part of the pleasure of this project on Quixote by Santi Moix is that it boldly closes the gap between writing and art, between the markmaking of the pen, the stylo, the etching tool, between the fiction of two absolutely distinct means of expression, and proposes instead a true imaginative domain in which unity is everything” – Adrian Dannati, 2008
Measurements:
Frame:
22 x 27 x 1.5 inches
Print:
19.5 x 25 inches
Exhibition History:
"Santi Moix: Don Quixote" at PACE prints from September 11 to October 4, 2008.
Published by Pace Prints, in collaboration with the Institut Ramon LLull
Provenance:
PACE Editions, New York, NY
This work is elegantly floated and framed in a hand made museum quality wood frame, finished with genuine gold leaf, under UV plexiglass.
About Santi Moix:
Santi Moix was born in Barcelona in 1960. Recent solo exhibitions include “Brooklyn Studio,” M77 Gallery, Milon, Italy; “Santi Moix on Huckleberry Finn: Watercolors and Wall Dryawings,” Paul Kasmin...
Category
Early 2000s Contemporary Drypoint Abstract Prints
Materials
Mixed Media, Watercolor, Graphite, Drypoint, Etching
Big Horse (Black & Moorhead 46)
Located in New York, NY
Stanley William Hayter
Big Horse (Black & Moorhead 46), 1932
Engraving & Drypoint on antique white Canson Vidalon laid paper affixed to original matting
Hand signed, numbered and dat...
Category
1930s Abstract Expressionist Drypoint Abstract Prints
Materials
Engraving, Drypoint
Isle of View
Located in New York, NY
George Trakas
Isle of View, 2006
Aquatint and dry point etching printed on Lana Gravure paper
Signed, titled and numbered X/X in pencil; bears publishers' blind stamp on the front
18...
Category
Early 2000s Contemporary Drypoint Abstract Prints
Materials
Mixed Media, Drypoint, Etching
Edge of the Woods.
Located in Storrs, CT
Edge of the Woods. 1916. Drypoint. 7 7/8 x 9 3/4 (sheet 10 7/16 x 13 1/8). A rich impression in printed on Japanese paper with an oak leaf watermark. Signed and annotated '3rd state'...
Category
Early 20th Century American Modern Drypoint Abstract Prints
Materials
Drypoint, Etching
Journal D'Un Graveur - Vol. 2 Plate 3
By Joan Miró
Located in Roma, IT
This is an original drypoint realized by Joan Miró in 1975. Hand signed in pencil on the lower right and numbered on the lower left. Edition of 75 prints. It represents an abstract s...
Category
1970s Surrealist Drypoint Abstract Prints
Materials
Drypoint
Waterfall I (de-accessioned from the Denver Art Museum)
Located in New York, NY
David Shapiro (American, b. 1922)
Waterfall I (de-accessioned from the Denver Art Museum), 1979
Spit-bite etching, drypoint and carborundrum on Lanaquerelle...
Category
1970s Contemporary Drypoint Abstract Prints
Materials
Drypoint, Mezzotint, Etching
Head of a Man
By Milton Avery
Located in New York, NY
A superb impression of this very scarce drypoint. Edition of 100. Signed in pencil by Avery. Printed by Atelier 17, New York. Published by Laurel Gallery, New York. From "Laurels Por...
Category
1930s Modern Drypoint Abstract Prints
Materials
Drypoint
'European Landscape' —Mid-century American Surrealism
Located in Myrtle Beach, SC
Lawrence Kupferman, 'European Landscape', drypoint, edition 50, 1942. Signed, dated, titled, and numbered '7/50' in pencil. A superb, finely nuanced impression, on cream wove paper; the full sheet with margins (1 to 1 3/4 inches); in excellent condition.
Image size 10 7/8 x 13 3/8 inches; sheet size 13 1/8 x 16 1/2 inches. Archivally matted to museum standards, unframed.
An impression of this work is included in the permanent collection of the Syracuse University Art Museum.
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Drypoint Abstract Prints
Materials
Drypoint
Florence Leyland
Located in New York, NY
A very good impression of this extremely scarce drypoint. MacDonald's eleventh state "b" (of 11b), restored after cancellation.
Category
1870s Impressionist Drypoint Abstract Prints
Materials
Drypoint
Carlos Rios, "El Salto", 2010, Drypoint, 27.8x19.1 in
Located in Miami, FL
Carlos Rios (Cuba, 1958)
'El Salto', 2010
dry point, engraving on paper Guarro Super Alpha 250g.
27.8 x 19.1 in. (70.5 x 48.5 cm.)
Edition of 10
ID: RIO-10...
Category
2010s Contemporary Drypoint Abstract Prints
Materials
Paper, Engraving, Drypoint
Night Opening
Located in Bristol, GB
Drypoint etching on BFK Rives 270 gsm paper
Edition of 100
Signed and numbered on the front
Mint
Since this item will be shipped directly from the consignor, the seller can only pro...
Category
21st Century and Contemporary Contemporary Drypoint Abstract Prints
Materials
Drypoint
Opening on cardboard
Located in Palm Springs, CA
Signed and numbered from the edition of 20.
trompe l'oeil illusion - the abstract image of cardboard.
Born in Memphis, Tennessee to a French mother and Belgian father, Anne Heyvaert...
Category
Early 2000s Contemporary Drypoint Abstract Prints
Materials
Drypoint, Etching, Aquatint
L'Éventail rose
Located in New York, NY
A very good impression of this scarce color etching and drypoint. Fourth state (of 4). Signed and numbered 54/100 in pencil, lower margin.
Category
1920s Cubist Drypoint Abstract Prints
Materials
Color, Drypoint, Etching
Black and white II
Located in Ciudad de México, MX
Nicolás Guzmán shows us a selection of pieces taken from his new pictorial research, in which traditional techniques are mixed with industrial materials...
Category
20th Century Abstract Drypoint Abstract Prints
Materials
Aquatint, Paper, Drypoint, Etching
"Black and white I" contemporary prints abstract black and white lines
Located in Ciudad de México, MX
Nicolás Guzmán shows us a selection of pieces taken from his new pictorial research, in which traditional techniques are mixed with industrial materials...
Category
20th Century Abstract Drypoint Abstract Prints
Materials
Paper, Drypoint, Etching, Aquatint
Trace #3
Located in Kansas City, MO
Lauren Steinert
Trace #3
Drypoint etching, mulberry chine colle on Rives BFK paper
Year: 2022
Size: 7 x 7 inches
Unique
Signed by hand, titled and numbered by hand
COA provided
Ref.: 924802-1033
Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation
Lauren C. Steinert received a Master of Fine Art in Printmaking from the University of Arizona. She received her Bachelor of Science and Arts from the University of Wisconsin-Madison in Printmaking and Glass-working along with Bachelor degrees in Environmental Science and German. She worked as the Printmaking Technician as well as the Relief Printmaking Instructor for the University of Arizona throughout her time as a graduate student. Steinert is currently the Printmaking Instructor for Pima Community College, a Glassblowing Instructor/Assistant at the Sonoran Glass School, and she works as an Artist Assistant.
I believe objects hold memory more distinctly than people do. Spending immersive time with different objects around my home, studio, and the communal spaces I occupy, I attempt to visually translate the stories people...
Category
2010s Abstract Geometric Drypoint Abstract Prints
Materials
Handmade Paper, Mulberry Paper, Drypoint, Etching
Trace #4
Located in Kansas City, MO
Lauren Steinert
Trace #4
Drypoint etching, mulberry chine colle on Rives BFK paper
Year: 2022
Size: 7 x 7 inches
Unique
Signed by hand, titled and numbered by hand
COA provided
Ref.: 924802-1034
Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation
Lauren C...
Category
2010s Abstract Geometric Drypoint Abstract Prints
Materials
Handmade Paper, Mulberry Paper, Drypoint, Etching
Aphrodite
Located in New York, NY
A very good, richly-inked impression of this Drypoint and aquatint printed in gray and black on cream wove paper. Signed, dated and numbered 20/150 by Dali. Printed by Robbe, Paris. ...
Category
1960s Surrealist Drypoint Abstract Prints
Materials
Drypoint
Trace #2
Located in Kansas City, MO
Lauren Steinert
Trace #2
Drypoint etching, mulberry chine colle on Rives BFK paper
Year: 2022
Size: 7 x 7 inches
Unique
Signed by hand, titled and numbered by hand
COA provided
Ref.: 924802-1032
Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation
Lauren C. Steinert received a Master of Fine Art in Printmaking from the University of Arizona. She received her Bachelor of Science and Arts from the University of Wisconsin-Madison in Printmaking and Glass-working along with Bachelor degrees in Environmental Science and German. She worked as the Printmaking Technician as well as the Relief Printmaking Instructor for the University of Arizona throughout her time as a graduate student. Steinert is currently the Printmaking Instructor for Pima Community College, a Glassblowing Instructor/Assistant at the Sonoran Glass School, and she works as an Artist Assistant.
I believe objects hold memory more distinctly than people do. Spending immersive time with different objects around my home, studio, and the communal spaces I occupy, I attempt to visually translate the stories people...
Category
2010s Abstract Drypoint Abstract Prints
Materials
Handmade Paper, Mulberry Paper, Drypoint, Etching
"Rebirth" Honey Bee and Barbed Wire - Intaglio Print
Located in Soquel, CA
Wonderful and evocative abstracted dry point etching of honey bee drinking water and barbed wire titled "Rebirth" by Tomoya Uchida (Japanese, b. 1947). Presented in new double mat. Unframed. Image size: 8.5"H x 7.5"W
Titled "Rebirth" along the bottom edge.
Signed and dated "T. Uchida" in the lower right corner.
Presented in a new double mat mat with foam core backing.
Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
Category
1980s Contemporary Drypoint Abstract Prints
Materials
Paper, Ink, Drypoint
Trace #7
Located in Kansas City, MO
Lauren Steinert
Trace #7
Drypoint etching, mulberry chine colle on Rives BFK paper
Year: 2022
Size: 7 x 7 inches
Unique
Signed by hand, titled and numbered by hand
COA provided
Ref.: 924802-1037
Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation
Lauren C...
Category
2010s Contemporary Drypoint Abstract Prints
Materials
Handmade Paper, Mulberry Paper, Drypoint, Etching
"Back to the Sea" - Intaglio Print
Located in Soquel, CA
Wonderful and evocative abstracted dry point etching of the sea, a maddox. random fishing buoys and crab claw titled "Back to the Sea by Tomoya Uchida (Japanese, b. 1947). Presented in new custom cut mat. Unframed. Image size: 9"H x 15"W
Titled "Back to the Sea" along the bottom edge.
Signed and dated "T. Uchida '89" in the lower right corner.
Presented in a new custom-cut mat with foam core backing.
Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
Category
1980s Contemporary Drypoint Abstract Prints
Materials
Paper, Ink, Drypoint
"Unremembered Dream" Dragon Fly and Barbed Wire - Intaglio Print
Located in Soquel, CA
Wonderful and evocative abstracted dry point etching of dragon fly and barbed wire titled "Rebirth" by Tomoya Uchida (Japanese, b. 1947). Presented in new custom cut mat. Unframed. Image size: 9"H x 15"W
Titled "Unremembered Dream" along the bottom edge.
Signed and dated "T. Uchida '89" in the lower right corner.
Presented in a new custom-cut mat with foam core backing.
Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
Category
1980s Contemporary Drypoint Abstract Prints
Materials
Paper, Ink, Drypoint
Middle Seat (Drypoint Etching, Chine Colle, Rives BFK) (50% OFF LIST PRICE)
Located in Kansas City, MO
Lauren Steinert
Middle Seat
Drypoint etching, mulberry chine colle on Rives BFK paper
Year: 2021
Size: 22 x 30 inches
Edition: 5
Unique within the edition
Signed by hand
COA provided
Ref.: 924802-1027
Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation
Lauren C...
Category
2010s Contemporary Drypoint Abstract Prints
Materials
Handmade Paper, Mulberry Paper, Drypoint, Etching
Middle Seat (Drypoint Etching, Chine Colle, Rives BFK) (50% OFF LIST PRICE)
Located in Kansas City, MO
Lauren Steinert
Middle Seat
Drypoint etching on Rives BFK paper
Year: 2021
Size: 22 x 30 inches
Edition: 5
Unique within the edition
Signed by hand
COA provided
Ref.: 924802-1028
Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation
Lauren C...
Category
2010s Modern Drypoint Abstract Prints
Materials
Handmade Paper, Drypoint, Etching
Drypoint abstract prints for sale on 1stDibs.
Find a wide variety of authentic Drypoint abstract prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of red, orange, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Pierre Muckensturm, Joan Miró, Christian Bozon, and Leszek Rózga. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Drypoint abstract prints, so small editions measuring 0.02 inches across are also available