Lithograph Abstract Prints

Joan Miró's iconic surrealist style is clearly on display with this colour lithograph. The title translates to 'little night party', easily seen through the figures dancing under the...

Abstract Composition  is a lithograph realized by Piero Sadun in the 1970s. The state of preservation of the artwork is good.

Abstract Composition  is a lithograph realized by Piero Sadun in the 1970s. The state of preservation of the artwork is good.

Abstract Composition  is a lithograph realized by Piero Sadun in the 1970s. The state of preservation of the artwork is good.

Alexander Calder Lithograph c. 1967 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of u...

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Susan Sheehan Gallery (Ellsworth Kelly Posters 1951-2001)" *Signed by Kelly in pencil lowe...

Lithograph, 1973 Handsigned by the artist in pencil and numbered 33/75 Printer : Pierre Badey (Paris) Catalog : Mason Putman 120 LCD5023

Andrea Belag New Moon, 1990 Monotype on Wove Paper 42 × 30 inches Hand signed and dated on the front Published by Pelavin Editions, with blind stamp recto Unique Unframed Lovely cont...

Sam Francis Vegetable ll , 1971 Hand-signed Lithograph in colors 35 x 24 in 14/15

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered...

1960s Antoni Tàpies Lithographic cover to Derrière le miroir: Lithographic publication cover; circa 1968. 11 x 15 inches. Good overall vintage condition as pictured. Unsigned from a...

Color lithograph, Edition 20. The artist describes this project: “The suggestive but ambiguous presence and narrative of the images “Bloob (?)” & “Dyad-O” reflect an ongoing creati...

Color lithograph, Edition 20. The artist describes this project: “The suggestive but ambiguous presence and narrative of the images “Bloob (?)” & “Dyad-O” reflect an ongoing creati...

Alexander Calder Lithograph c. 1971 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of un...

Joan Miró Litografia Original VIII Color Lithograph Year: 1975 Size: 25 × 9.6 inches Catalogue Raisonné: Queneau, Miro Lithographe II, 1952-1963, p.38 Publisher: Maeght Editeur, Pari...

Artist: Walasse Ting (Chinese-American, 1929-2010) Title: "Untitled (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Mediu...

Alexander Calder The original Los Angeles County Museum of Art poster, 1965 Limited Edition vintage Offset Lithograph 32 × 24 3/4 inches 81.3 × 62.9 cm Edition of 300 This is the OR...

Paul Jenkins' works are described as: "Flowing veils of color that overlap and interact together, seeping and bleeding vivid color." In 1954 Jenkins had his first exhibition in Paris...

Alexander Calder Lithographic cover c. 1968 from Derrière le miroir: Lithograph in colors; 11 x 15 inches. Very good overall vintage condition. Unsigned from an edition of unknown with crisp bright colors. Published by: Galerie Maeght, Paris, c. 1968. Unsigned from an edition of unknown. Looks fantastic framed. Derrière le miroir: In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies. Related Categories: Mid century modern. Alexander Calder prints. Calder orange. Calder red...

Colorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of ...

Sonia DELAUNAY Rhythms Triangles Dress Lithograph after a painting of 1926 Printed signature in the plate Numbered /600 On vellum paper 40 x 30 cm (c....

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Galerie Maeght" Year: 1964 Medium: Original Lithograph, Exhibition Poster on light wove paper Limited edition: Unknown Printer...

"Tapiz of Tarragona" 1970 Lithography. virtual frame 76x56 Cm. 200 Copies Edition Exemplary HC Papel Guarro with Water Filigree of the Sala Gaspar Signed in Monogramada and numbered ...

The work is an original photo-lithograph by Lucio Fontana, signed and numbered in pencil at lower right, accompanied by a booklet containing six full-page black-and-white offset plat...

Artist: Alexander Calder (American, 1898-1976) Title: "Flying Colors '76 (Stars and Stripes)" Portfolio: Flying Colors *Issued unsigned, though signed by Calder in the plate (printed...

Sun Curtain by Richard Smith, 1971 Additional information: Medium: lithograph on two sheets 64 x 92 cm 25 1/4 x 36 1/4 in signed and dated in the plate Charles Richard "Dick" Smith...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XVI Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In ...

Abstract 1973 abstract lithograph by Hans Burkhardt. Image is 12" x 7 7/8 and sheet size is 20 3/4" x 14 3/4", edition is 3/12. Signed with both the artist's signature and date (H. ...

Sam FRANCIS Color Explosion (c. 1983) Original lithograph Unsigned as issued On heavy paper 89.5 x 54 cm (c. 36 x 21 inch) Original lithographic exhibition poster for the artist Ret...

1960s Francis Bacon lithographic cover from Derrière le miroir: A highly decorative vintage 1960s Bacon frame-piece constructed under the supervision of the artist. Medium: Litho...

Zincographies, 1971 Edition : 66/200 Publisher : Cercle Graphique Européen, Amsterdam Printer : Maeght, Paris Catalog : [RMM 346] 55.30 cm. x 75.50 cm. 21.77 in. x 29.72 in. (paper)...

Sam Francis Untitled, from Michael Walberg Poemes dans le Ciel (Lembark 272) 1986 Lithograph 30 x 22 in. Edition of 20 Pencil signed and numbered

Cy Twombly Untitled, 1973 Screenprint and lithograph in colours, on rag paper Signed, dated and numbered from the edition of 300 verso With the artist's copyright inkstamp verso Fr...

Artist: Robert Motherwell (American, 1915-1992) Title: "Greenwich Arts Council" *Issued unsigned, though signed by Motherwell in the plate (printed signature) center right Year: 1976 Medium: Original Lithograph, Exhibition Poster on Strathmore paper Limited edition: 700. (There was also a signed and numbered edition of 42) Printer: Tyler Graphics, Ltd., Mount Kisco, NY Publisher: Greenwich Arts Council, Greenwich, CT Reference: "The Prints of Robert Motherwell - A Catalogue Raisonné 1943-1984" - Belknap Appendix: No. 28, page 282; "Robert Motherwell - The Complete Prints 1940-1991" - Engberg No. 202 Sheet size: 37.25" x 23" Condition: Never framed, has been professionally stored away for decades. Some minor edge wear. In excellent condition Rare Notes: Printed in three colors: black, green, and cream. Poster produced for a special exhibition "Sculpture 76" at The Greenwich Arts Council, Greenwich, CT from June - October, 1976. The image featured on this poster is Motherwell's 1972 acrylic painting on paper "Greenwich Sculpture". Artist's copyright lower left and printer's imprint lower right. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...

Matisse Exhibit poster (reproduction) has this in the poster" Collages * Gouaches Linden Gallery May 1 to June 1 It is 20 x 26 and in excellent condition

Munich Olympic Games is an original contemporary artwork realized by Marino Marini in 1972. Mixed colored lithograph on paper Signed on plate. The artwork was realized in the occas...

Felipe Pantone CHROMADYNA MICAP #4 Date of creation: 2020 Medium: Lithograph on paper Edition number: 24/30 Size: 75.5 x 55.5 cm Condition: New, in mint condition and never framed Li...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition, with centerfold and stitch-marks, as issued. Notes: From the volume, calder autobiographie. Published ...

1960s Francis Bacon lithograph from Derrière le miroir: Well-suited for matting & framing, this original 1960's print is derived from Bacon's historic George Dyer work & was construc...

Peter Beard The End of the Game (Hand Signed by Peter Beard), 1977 Offset Lithograph Poster (hand signed by Peter Beard and inscribed with a heart) Hand signed and dated 11/11/1977 b...

1960s Francis Bacon lithograph from Derrière le miroir: Well-suited for matting & framing, this original 1960's print is derived from Bacon's historic work, Portrait of George Dyer T...

Victor Vasarely (Franco / Hungarian 1908 - 1997 Kaldor lithograph 38.3/8 x 37.3/8 in. (97.7 x 95.2) Numbered ‘180 / 250’ and signed (lower left and right respectively

Maravillas con variaciones acrósticas en el jardín de Miró IV Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In very good con...

Artist: Pablo Picasso, After, Spanish (1881 - 1973) Title: BUSTE DE FEMME ASSISE, LES MAINS SOUS LE MENTON , #3-B Year of Original Artwork: 1938 Medium: Lithograph on Coventry Paper, 100% acid free Edition of 1000, unnumbered, estate approved printed signature Print Size: 29.25 x 21.25 in. BUSTE DE FEMME ASSISE, LES MAINS SOUS LE MENTON( bust of a woman sitting with her hands under her chin) is a limited edition lithograph re-created after an original painting from the estate Collection of Marina Picasso, Picasso's grand-daughter. Printed using hand drawn lithographic plates(not a photo reproduction or digital print) on archival heavy weight Coventry printmaking paper, 100% acid free. Edition was produced in accordance with the Picasso family...

Frank Stella (American, b. 1936) Sidi Ifni (from Hommage à Picasso), 1973 Medium: Lithograph in colors, on wove paper Dimensions: 22 × 30 in (55.8 × 76.2 cm) Edition of 90 + XXX + 15...

Pierre Tal-Coat Untitled, from the Swiss Society of Arts Portfolio, 1975 Lithograph on paper with deckled edges. Hand Signed. Numbered. Unframed Hand signed and numbered on the lower...

Original Limited Edition Color Lithograph by Marc Chagall. Edition: 6,000 - plus proofs. Inscription: unsigned and unnumbered, as issued. Excellent Condition; never framed or matted....

Yinka Shonibare CBE (British, b. 1962) Aristocrat in Blue, 2020 Medium: Lithograph with collage Dimensions: 76 x 49.5 cm Edition of 40 (slightly varying due to collage elements): Ha...

JR (French, b. 1983) Olho, Estadio de Pacaembu, Sao Paulo, 2020, 2021 Medium: 16 colors lithograph on BFK Rives (not framed) Dimensions: 50 x 70 cm (19.7 x 29.6 in) Edition of 250: H...

1960s Francis Bacon lithograph from Derrière le miroir: Well-suited for matting & framing, this original 1960's print is derived from Bacon's historic work, Portrait of George Dyer C...

1960s Francis Bacon lithograph from Derrière le miroir: Well-suited for matting & framing, this original 1960's print is derived from Bacon's historic work, Henrietta Moraes and was ...

Facing to the side, this portrait of Olga Picasso (Khokhlova) demonstrates Pablo Picasso's ability to capture dimension with the use of shading and highlights. A lithograph from the ...

Original color lithograph, hand monogrammed in pencil. - This is an artist's proof marked EA from a limited edition. - Published by XX Siècle, Paris. - Printed by Desjobert, Paris. ...

Bonjour(!) by Morris Kestelman, 1975 Additional information: Medium: lithograph in colours on wove paper 26 3/4 x 18 7/8 in 68 x 48 cm signed and numbered 46/75 in pencil

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró VII Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 71 cm Observations: Li...

1960s Francis Bacon lithograph from Derrière le miroir: Well-suited for matting & framing, this original 1960's print is derived from Bacon's historic work, Portrait of Isabel Rawsth...

Untitled (for the journal, XXe Siécle) Color lithograph on wove paper, 1973 Unsigned (as issued) From: XXe Siecle,, December 1973, No. 41 Published by G. di San Lazzaro for A. Maeght, Paris Printed by Mourlot, Paris Edition 3000 (There was also a signed edition of 75 on larger paper) Catalogue raisonné: Subsequent to Schmücking Condition: Excellent Image/Sheet size: 12 1/4 x 9 1/2 inches "Hans Hartung B. 1904, LEIPZIG, GERMANY; D. 1989, ANTIBES, FRANCE Hans Hartung was born on September 21, 1904, in Leipzig, Germany. He cultivated interests in philosophy, astronomy, music, and religion at a young age before he turned to painting. Early in his career he found inspiration in the works of Rembrandt van Rijn and Francisco de Goya, and later influences included Lovis Corinth, Oskar Kokoschka, Emil Nolde, and Max Slevogt. At just 17, Hartung began to experiment with abstraction, synthesizing the graphic techniques of his artistic models while completely eliminating figurative elements. Hartung entered the Universität Leipzig in 1924 to study philosophy and art history but left to concentrate on painting at the Kunstakademie, Leipzig. While Hartung was advised to pursue further training at the Bauhaus, he opted to study at the Kunstakademie, Dresden. In 1926 Hartung saw an exhibition of international art in Dresden, which exposed him to Cubism and other modern styles that had emerged in France. His encounters with works by Georges Braque, Juan Gris, Henri Matisse, and Pablo Picasso, along with various travels abroad, encouraged him to move to Paris in 1926, where he spent the majority of his time until 1932, although he passed the summer of 1928 in Munich studying under artist and theorist Max Dörner. In 1929 Hartung married the Norwegian painter Anna-Eva Bergman. After several years abroad, they tried to reestablish themselves in Berlin in 1935 but were soon forced into exile by the National Socialist regime. In the years leading up to World War II, Hartung's work reflected his attempts to reconcile chance and control, combining expressive graphic elements with patches of black and color to produce a sense of spontaneity. After the outbreak of the war, Hartung served in the Foreign Legion (1939–40), and later in the Free French (1943–44). He was gravely wounded at the German Front, and one of his legs was amputated. In 1945 he returned to Paris and resumed painting and the following year earned French citizenship. Hartung was a major figure in Art Informel and Tachisme (from the French tache, meaning blot or stain). While Hartung's postwar paintings are generally described as exhibiting a calligraphic quality, his work moved through a series of phases, becoming less spontaneous and more formally aggressive than his work from the late 1930s. In many works of the late 1940s and early 1950s, such as T-50 Painting 8 (T-50 peinture 8, 1950), he applied large areas of color to the canvas on which he painted a combination of bold black brushstrokes and thinner frenetic linear strokes. Hartung received several international awards, including the 1956 award for the Europe-Africa section at the Guggenheim International Award and the International Grand Prize for painting at the 1960 Venice Biennale. His first major group show was organized by curator and critic Christian Zervos at the Jeu de Paume, Paris (1937). After settling permanently in Paris, he exhibited regularly at the Salon des Surindépendants (1935, 1937, 1945). His first solo show took place at Galerie Lydia...

1960s Francis Bacon lithograph from Derrière le miroir: Well-suited for matting & framing, this standout original 1960's print is derived from Bacon's historic work, Three Studies fo...