Screen Abstract Prints
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Medium: Screen
Keeping the Culture. mixed media signed print, renowned African American artist
Located in New York, NY
Kerry James Marshall
Keeping the Culture, 2011
Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges
20-1/4 x 30-1/4 inches
Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front
Published by Africa House International, Chicago
Unframed
Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier. Marshall, along with his dealer, were voted by ArtReview the top two of the 100 most influential people in the art world of 2018 - even ahead of the #MeToo movement, and ahead of figures like Jeff Koons, Larry Gagosian and Eli Broad! His paintings now sell for tens of millions of dollars - after P. Diddy paid $21 million for a painting. The present work "Keeping the Culture" is an extremely desirable work of art and exemplifies Marshall's style. For a feature profile/article written for Marshall's first retrospective - a blockbuster show entitled "MASRY" at the Museum of Contemporary Art, LA, the Museum of Contemporary Art Chicago and the Met Breuer in New York, Barbara Isenberg of the LA Times wrote: ." The New York Times called the show “smashing” and its subject “one of the great history painters of our time.” The New York Review of Books and Artforum magazine put large images from the show on their January covers. “I’ve been acutely aware that museums are behind their academic colleagues in terms of thinking of representation and people of color,” MOCA chief curator Helen Molesworth says. “I find Kerry’s paintings ravishing — they are drop dead, great paintings — and they have an extra level of reward for people who hold in their heads a history of Western painting.” Marshall is a compelling storyteller, whether on canvas or in conversation. Talking at length during a visit to MOCA, he is easygoing but eloquent, recalling his neighborhood in Birmingham, Ala., where he was born in 1955, or about growing up black there and in Los Angeles. He remembers the names of teachers who encouraged him. Asked when he first began to notice a lack of black subjects...
Category
2010s Contemporary Screen Abstract Prints
Materials
Screen, Pencil, Mixed Media, Linocut
I-S #1 /// Abstract Geometric Sewell Sillman Screenprint Purple Pink Modern Art
Located in Saint Augustine, FL
Artist: Sewell Sillman (American, 1924-1992)
Title: "I-S #1"
*Signed and dated by Sillman in pencil lower right
Year: 1968
Medium: Original Screenprint on unbranded heavy white wove ...
Category
1960s Abstract Geometric Screen Abstract Prints
Materials
Screen
Morocco Series #10, Hard Edge Geometric Silkscreen by Pierre Clerk
By Pierre Clerk
Located in Long Island City, NY
Artist: Pierre Clerk, Canadian (1928 - )
Title: Morocco Series #10
Year: 1980
Medium: Serigraph, signed and numbered in pencil
Edition: 300, AP 45
Image Size: 21 x 36 inches
Paper S...
Category
1980s Abstract Geometric Screen Abstract Prints
Materials
Screen
Tropic Fruit
Located in London, GB
80 x 94 cms (31.5 x 37 ins)
Edition of 100
Category
1980s Abstract Screen Abstract Prints
Materials
Color, Screen
Times Square Fragment #8 - Conceptual Art Screenprint by Chryssa
Located in Long Island City, NY
Times Square Fragment #8
Chryssa, Greek (1933–2013)
Date: 1979
Screenprint, signed and numbered in pencil
Edition of 300
Size: 32 in. x 25 in. (81.28 cm x 63.5 cm)
Category
1970s Abstract Geometric Screen Abstract Prints
Materials
Screen
Cuatro (Monoprint with screenprint, collage, acrylic, stitching and embossing)
By Sam Gilliam
Located in New York, NY
Sam Gilliam
Cuatro, 1994
Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper
Hand signed, dated, titled and annotated P/P by Sam Gilliam...
Category
1990s Abstract Expressionist Screen Abstract Prints
Materials
Mixed Media, Acrylic, Monoprint, Screen
Grove #1 /// Abstract Geometric Colorful Jay Rosenbulm New York Screenprint Art
Located in Saint Augustine, FL
Artist: Jay Rosenblum (Americam, 1933-1989)
Title: "Grove #1"
*Signed by Rosenblum in pencil lower right
Year: 1979
Medium: Original Screenprint on white Stonehenge paper
Limited edi...
Category
1970s Abstract Geometric Screen Abstract Prints
Materials
Screen
The Calumet /// Pop Art Robert Indiana Native American Indiana Screenprint Red
Located in Saint Augustine, FL
Artist: Robert Indiana (American, 1928-2018)
Title: "The Calumet"
Portfolio: The American Dream
*Issued unsigned
Year: 1997
Medium: Original Screenprint on Coventry paper
Limited edition: 395, (there were also 30 artist's proofs)
Printer: Marco Fine Arts Contemporary Atelier, El Segundo, CA
Publisher: Marco Fine Arts Contemporary Atelier, El Segundo, CA
Sheet size: 22" x 16.75"
Image size: 15.07" x 14"
Condition: In excellent condition
Notes:
Provenance: private collection - Düsseldorf, Germany. Comes from Indiana's 1997 "The American Dream" book portfolio of thirty screenprints. Printed in three colors. Text on verso of the following work as issued.
Robert Indiana's 1997 black leather-covered book portfolio "The American Dream" was printed and published with 30 screenprints: 6 loose each signed and numbered and 24 bound not signed and numbered, as issued. Forward by Susan Ryan, text by Michael McKenzie and poems by Robert Creeley. The book was issued within a white cardboard packing box with red and black lettering.
This image is based of Indiana's 1971 screenprint edition "The Calumet", (Sheehan No. 64, page 43), from his 1971 "Decade" series, (Sheehan No. 63-72, page 42-44). The prints in that portfolio reproduce one of Indiana's paintings from each year of the 1960's. The bear they same titles as the corresponding paintings. "The Calumet" is a 1961, 90" x 84", oil on canvas painting which is within the permanent collection of the Rose Art Museum, Brandeis University, Waltham, MA.
"The Calumet", derived from Longfellow's "Song of Hiawatha", reflects Indiana's ongoing involvement with American literary associations and sources. As interpreted, by Indiana, the schematized image of the red clay peace-pipe smoked by the Indians in Longfellow's poem symbolizes mankind's potential to eradicate war. - (Sheehan page 9). Seven stars for seven spheres...
Category
1990s Pop Art Screen Abstract Prints
Materials
Screen
I Rather Like You A Lot You Fool, rare 1970 silkscreen signed/N, in museum frame
Located in New York, NY
Niki de Saint Phalle
I Rather Like You A Lot You Fool, 1970
Silkscreen on wove paper
Signed and numbered 74//75 in graphite pencil on the front
Frame included
Signed and numbered 74//75 in graphite pencil on the front
A delightful and clever work. The text reads:
I Rather Like You A Lot You Fool
Not much Hair
Crooked Nose
You are not very rich
You’re not terribly intelligent
You smoke too much pot
You are lazy
A bit crazy
But I like the way you touch me
I like the way you look at trees and flowers
I like the way you look at me
You found the key to my heart
This work is elegantly floated and framed in a museum quality white wood frame with UV plexiglass
Dimensions:
Framed
23.5 vertical by 28.5 by 1.5 inches
Artwork:
19.5 by 25.5 inches
"Throughout her long and prolific career Niki de Saint Phalle, a former cover model for Life magazine and French Vogue, investigated feminine archetypes and women’s societal roles... Her Nanas, bold, sexy sculptures...
Category
1970s Abstract Screen Abstract Prints
Materials
Screen, Pencil, Graphite
Deborah Kass Feminist Jewish American Pop Art Silkscreen Screenprint Ltd Edition
By Deborah Kass
Located in Surfside, FL
Deborah Kass (born 1952)
Being Alive, 2012
nine-color silkscreen, one color blend on 2-ply museum board
Image 24 x 24 image. Frame 29 x 29 x 2 inches
Edition 1/65
Hand signed and dated in pencil, lower right verso; numbered lower left verso
Being Alive is from a vibrant and uplifting body of work entitled Feel Good Paintings for Feel Bad Times. Finding inspiration in pop culture, political realities, film, Yiddish, art historical styles, and prominent art world figures, Deborah Kass uses appropriation in her work to explore notions of identity, politics, and her own cultural interests. She received her BFA in painting at Carnegie Mellon University and studied at the Whitney Museum Independent Study Program and the Art Students League of New York.
Deborah Kass (born 1952) is an American artist whose work explores the intersection of pop culture, art history, and the construction of self. Deborah Kass works in mixed media, and is most recognized for her paintings, prints, photography, sculptures and neon lighting installations. Kass's early work mimics and reworks signature styles of iconic male artists of the 20th century including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha. Kass's technique of appropriation is a critical commentary on the intersection of social power relations, identity politics, and the historically dominant position of male artists in the art world.
Deborah Kass was born in 1952 in San Antonio, Texas. Her grandparents were from Belarus and Ukraine, first generation Jewish immigrants to New York. Kass's parents were from the Bronx and Queens, New York. Her father did two years in the U.S. Air Force on base in San Antonio until the family returned to the suburbs of Long Island, New York, where Kass grew up. Kass’s mother was a substitute teacher at the Rockville Centre public schools and her father was a dentist and amateur jazz musician.
At age 14, Kass began taking drawing classes at The Art Students League in New York City which she funded with money she made babysitting. In the afternoons, she would go to theater on and off Broadway, often sneaking for the second act. During her high school years, she would take her time in the city to visit the Museum of Modern Art, where she would be exposed to the works of post-war artists like Frank Stella and Willem De Kooning. At age 17, Stella’s retrospective exhibition inspired Kass to become an artist as she observed and understood the logic in his progression of works and the motivation behind his creative decisions.
Kass received her BFA in Painting at Carnegie Mellon University (the alma mater of artist Andy Warhol), and studied at the Whitney Museum Independent Study Program Here, she created her first work of appropriation, Ophelia’s Death After Delacroix, a six by eight foot rendition of a small sketch by the French Romantic artist, Eugène Delacroix.
At the same time Neo-Expressionism was being helmed by white men in the late Reagan years, women were just beginning to create a stake in the game for critical works. “The Photo Girls” consisted of artists like Sherrie Levine, Cindy Sherman, and Barbara Kruger. Kass felt that content of these works connected those of the post-war abstract painters of the mid-70s including Elizabeth Murray, Pat Steir, and Susan Rothenberg. All of these artists critically explored art in terms of new subjectivities from their points-of-view as women. Kass took from these artists the ideas of cultural and media critique, inspiring her Art History Paintings.
Kass is most famous for her “Decade of Warhol,” in which she appropriated various works by the pop artist, Andy Warhol. She used Warhol’s visual language to comment on the absence of women in art history at the same time that Women’s Studies began to emerge in academia. Reading texts on subjectivity, objectivity, specificity, and gender fluidity by theorists like Judith Butler and Eve Sedgwick, Kass became literate in ideas surrounding identity. She engaged with art history through the lens of feminism, because of this theory which “The Photo Girls” drew upon.
Kass's work is in the collections of the Museum of Modern Art; Whitney Museum of American Art; Solomon R. Guggenheim Museum; Jewish Museum (New York); Museum of Fine Art, Boston; Cincinnati Museum of Art; New Orleans Museum; National Portrait Gallery, Smithsonian Institution; Fogg Museum, Harvard Art Museums; and Weatherspoon Museum, among others.
In 2012 Kass's work was the subject of a mid-career retrospective Deborah Kass, Before and Happily Ever After at The Andy Warhol Museum in Pittsburgh, PA. An accompanying catalogue published by Skira Rizzoli, included essays by noted art historians Griselda Pollock, Irving Sandler, Robert Storr, Eric C. Shiner and writers and filmmakers Lisa Liebmann, Brooks Adams, and John Waters.
Kass's work has been shown at international private and public venues including at the Venice Biennale, the Istanbul Biennale, the Museum Ludwig, Cologne, the Museum of Modern Art, The Jewish Museum, New York, the National Portrait Gallery, and the Museum of Fine Arts, Boston. A survey show, Deborah Kass, The Warhol Project traveled across the country from 1999–2001. She is a Senior Critic in the Yale University M.F.A. Painting Program.
Kass's later paintings often borrow their titles from song lyrics. Her series feel good paintings for feel bad times, incorporates lyrics borrowed from The Great American Songbook, which address history, power, and gender relations that resonate with Kass's themes in her own work.
In Kass's first significant body of work, the Art History Paintings, she combined frames lifted from Disney cartoons with slices of painting from Pablo Picasso, Jasper Johns, Jackson Pollock, and other contemporary sources. Establishing appropriation as her primary mode of working, these early paintings also introduced many of the central concerns of her work to the present. Before and Happily Ever After, for example, coupled Andy Warhol’s painting of an advertisement for a nose job with a movie still of Cinderella fitting her foot into her glass slipper, touching on notions of Americanism and identity in popular culture. The Art History Paintings series engages critically with the history of politics and art making, especially exploring the power relationship of men and women in society. Deborah Kass's work reveals a personal relationship she shares with particular artworks, songs and personalities, many of which are referenced directly in her paintings.
In 1992, Kass began The Warhol Project. Beginning in the 1960s, Andy Warhol’s paintings employed mass production through screen-printing to depict iconic American products and celebrities. Using Warhol’s stylistic language to represent significant women in art, Kass turned Warhol’s relationship to popular culture on its head by replacing them with subjects of her own cultural interests. She painted artists and art historians that were her heroes including Cindy Sherman, Elizabeth Murray, and Linda Nochlin. Drawing upon her childhood nostalgia, the Jewish Jackie series depicts actress Barbra Streisand, a celebrity with whom she closely identifies, replacing Warhol's prints of Jackie Kennedy Onassis and Marilyn Monroe. Her My Elvis series likewise speaks to gender and ethnic identity by replacing Warhol's Elvis with Barbra Streisand from Yentl: a 1983 film in which Streisand plays a Jewish woman who dresses and lives as a man in order to receive an education in the Talmudic Law. Kass's Self Portraits as Warhol further deteriorates the idea of rigid gender norms and increasingly identifies the artist with Warhol. By appropriating Andy Warhol's print Triple Elvis and replacing Elvis Presley with Barbara Streisand’s Yentl, Kass is able to identify herself with history’s icons, creating a history with powerful women as subjects of art. The work embodies her concerns surrounding gender representation, advocates for a feminist revision of art, and directly challenges the tradition of patriarchy.
America's Most Wanted is a series of enlarged black-and-white screen prints of fake police mug shots. The collection of prints from 1998–1999 is a late-1990s update of Andy Warhol’s 1964 work 13 Most Wanted Men, which featured the most wanted criminals of 1962. The “criminals” are identified in titles only by first name and surname initial, but in reality the criminals depicted are individuals prominent in today's art world. Some of the individuals depicted include Donna De Salvo, deputy director for international initiatives and senior curator at the Whitney Museum of American Art; Thelma Golden, director and chief curator of the Studio Museum in Harlem, and Robert Storr, dean of the Yale School of Art. Kass's subjects weren’t criminals. Through this interpretation, Kass show's how they are wanted by aspirants for their ability to elevate artists’ careers. The series explores the themes of authorship and the gaze, at the same time problematizing certain connotations within the art world.
In 2002, Kass began a new body of work, feel good paintings for feel bad times, inspired, in part, by her reaction to the Bush administration. These works combine stylistic devices from a wide variety of post-war painting, including Ellsworth Kelly, Frank Stella, Jackson Pollock, Andy Warhol, and Ed Ruscha, along with lyrics by Stephen Sondheim, Laura Nyro, and Sylvester, among others, pulling from popular music, Broadway show tunes, the Great American Songbook, Yiddish, and film. The paintings view American art and culture of the last century through the lens of that time period's outpouring of creativity that was the result of post-war optimism, a burgeoning middle class, and democratic values. Responding to the uncertain political and ecological climate of the new century in which they have been made, Kass's work looks back on the 20th century critically and simultaneously with great nostalgia, throwing the present into high relief. Drawing, as always, from the divergent realms of art history, popular culture, political realities, and her own political and philosophical reflection, the artist continues into the present the explorations that have characterized her paintings since the 1980s in these new hybrid textual and visual works.
OY/YO
In 2015, Two Tree Management Art in Dumbo commissioned of a monumentally scaled installation of OY/YO for the Brooklyn Bridge Park. The sculpture, measuring 8×17×5 ft., consists of big yellow aluminum letters, was installed on the waterfront and was visible from the Manhattan. It spells “YO” against the backdrop of Brooklyn. The flip side, for those gazing at Manhattan, reads “OY.”[ An article and photo appeared on the front page of the New York Times 3 days after its installation in the park. An instant icon, OY/YO stayed at that site for 10 months where it became a tourist destination, a favorite spot for wedding, graduation, class photos and countless selfies. After its stay in Dumbo it moved to the ferry stop at North 6th Street in Williamsburg, Brooklyn for a year, where it greeted ferry riders. Since 2011, OY/YO has been a reoccurring motif in Deborah Kass's work in the form of paintings, prints, and tabletop sculptures. Kass first created “OY” as a painting riffing on Edward Ruscha’s 1962 Pop canvas, “OOF.” She later painted “YO” as a diptych that nodded to Picasso's 1901 self-portrait, “Yo Picasso” (“I, Picasso”). OY/YO is now installed in front of the Brooklyn Museum. Another arrived at Stanford University in front of the Cantor Arts Center late 2019. A large edition of OY/YO was acquired by the Jewish Museum in New York in 2017 and is on view in the exhibition Scenes from the Collection.
On December 9, 2015 Deborah Kass introduced her new paintings that incorporated neon lights in an exhibition at Paul Kasmin Gallery entitled "No Kidding" in Chelsea, New York. The exhibition was an extension of her Feel Good Paintings for Feel Bad Times, but it sets a darker, tougher tone as she reflects on contemporary issues such as global warming, institutional racism, political brutality, gun violence, and attacks on women's health, through the lens of minimalism and grief. The series is ongoing.
Deborah Kass has spoken about creating an “ode to the great Louises,” a space dedicated to her works inspired by famous Louise’s which she would call the “Louise Suite.” The earliest of these odes is “Sing Out Louise,” a 2002 oil on linen painting from her Feel Good Paintings Feel Bad Times collection. “Sing out Louise” is driven by her fondness for Rosalind Russel and the fact Kass feels it is her time to “Sing Out] “After Louise Bourgeois” is a 2010 sculpture made of neon and transformers on powder-coated aluminum monolith; it is a spiraling neon light with a phrase inspired by French-American artist Louise Bourgeois.[22] The neon installation reads “A woman has no place in the art world unless she proves over and over again that she won’t be eliminated.” Kass changed the quote slightly to better represent her beliefs but it was derived from Bourgeois. “After Louise Nevelson” is a 2020 spiraling neon work of art that reads "Anger? I'd be dead without my anger" a quote from American sculptor, Louise Nevelson.
Award and Grants
New York Foundation for the Arts, inducted into NYFA Hall of Fame (2014)
Art Matters Inc. Grant (1996)
Art Matters Inc. Grant (1992)
New York Foundation for the Arts, Fellowship in Painting 1987 National Endowment for the Arts, Painting (1991)
National Endowment For The Arts (1987)
Selected solo and group exhibitions
The Jewish Museum, New York, NY, “Scenes from the Collection”
National Portrait Gallery, Washington, DC “Eye Pop: the Celebrity Gaze”
Paul Kasmin Gallery, New York, NY, “No Kidding” (2015-2016)
Sargent...
Category
2010s Pop Art Screen Abstract Prints
Materials
Screen
Royal Curtain /// Gene Davis Contemporary Abstract Geometric Expressionist Art
By Gene Davis
Located in Saint Augustine, FL
Artist: Gene Davis (American, 1920-1985)
Title: "Royal Curtain"
*Signed by Davis in pencil lower right
Year: 1980
Medium: Original Screenprint on Arches paper
Limited edition: 250, (the number may differ from what is shown in the photos)
Printer: Alpha Omega...
Category
1980s Abstract Screen Abstract Prints
Materials
Screen
Totem Machine - Original Silkscreen by Ramon Alejandro
Located in Roma, IT
Totem Machine is an original artwork realized by the Cuban artist and writer José Ramón Díaz Alejandro in the 1990s.
Serigraph on paper. Numbered in white pencil on the lower right....
Category
Late 20th Century Abstract Screen Abstract Prints
Materials
Screen
1920 League of Women Voters, Large OP Art Screenprint by Anuszkiewicz 1969
Located in Long Island City, NY
Artist: Richard Anuszkiewicz, American (1930 - )
Title: 1920 League of Women Voters
Year: 1969
Medium: Screenprint (unsigned)
Image Size: 18 x 3...
Category
1970s Op Art Screen Abstract Prints
Materials
Screen
Louisiana Museum of Modern Art (LOVE) Poster /// Robert Indiana Pop Art Blue Red
Located in Saint Augustine, FL
Artist: (after) Robert Indiana (American, 1928-2018)
Title: "Louisiana Museum of Modern Art (LOVE)"
Year: 1972 (First edition)
Medium: Original Screenprint, Exhibition Poster on heav...
Category
1970s Pop Art Screen Abstract Prints
Materials
Screen
Lyrical Abstraction Screenprint Serigraph Ronnie Landfield Color Field Abstract
Located in Surfside, FL
Ronnie Landfield (1947- American)
1969
Hand signed, numbered, and dated in pencil
Serigraph on handmade paper. With the blindstamp of the Tanglewood Press.
From the portfolio Va...
Category
1960s Abstract Expressionist Screen Abstract Prints
Materials
Screen
Lajos Ebneth - signed and numbered screenprint
Located in London, GB
Lajos Ébneth (1902-1982) was born in Szilágysomlyó on 13 May 1902. In 1920 he entered the Budapest Academy of Fine Arts where he studied painting and sculpture, after which he attend...
Category
1970s Abstract Screen Abstract Prints
Materials
Screen
God Save the Queen (Homage to Queen Elizabeth II) hand signed numbered pop print
Located in New York, NY
Shepard Fairey
God Save the Queen, (UK) and Land of Liberty (US) 2012
Screenprint on cream speckle tone paper
24 × 18 inches
Hand signed dated and numbered from the limited edition ...
Category
2010s Pop Art Screen Abstract Prints
Materials
Screen
Abstract Composition - Screen Print by A. Fanfani - 1972
Located in Roma, IT
Abstract Composition is a mixed-colored serigraph realized by Amintore Fanfani in 1972.
Hand-signed and dated on the lower right.
Numbered on the lower left. Edition 41/60.
The...
Category
1970s Abstract Screen Abstract Prints
Materials
Screen
Laser II, Geometric Screenprint by Murray Zucker
Located in Long Island City, NY
Artist: Murray Zucker, American (1920 - )
Title: Laser II
Year: circa 1970
Medium: Screenprint, signed, titled and numbered in pencil
Edition: 30/175
Image: 24 x 23.5 inches
Paper S...
Category
1970s Abstract Geometric Screen Abstract Prints
Materials
Screen
Homage to Barnett Newman /// Gene Davis Abstract Geometric Minimal Screenprint
By Gene Davis
Located in Saint Augustine, FL
Artist: Gene Davis (American, 1920-1985)
Title: "Homage to Barnett Newman"
*Signed and dated by Davis in pencil lower right
Year: 1979
Medium: Original Screenprint on unbranded soft-...
Category
1970s Abstract Screen Abstract Prints
Materials
Screen
Scribble Version of Still life #58
Located in Kampen (Sylt), SH
Scribble Version
135 x 165 cm
41/90 Ed.
vorderseitig signiert und nummeriert
Weißer Holzrahmen und Museumsglass
Category
1990s Abstract Screen Abstract Prints
Materials
Screen
Forms in Space
Located in Miami, FL
Hand signed rf Lichtenstein, numbered and dated '85 in pencil lower right. Printed by Studio Henrici, New York. Published by the artist for the Institute of Contemporary Art, Univers...
Category
1980s Contemporary Screen Abstract Prints
Materials
Screen
Geometric Abstract by Richard Mortensen 1962
By Richard Mortensen
Located in Long Island City, NY
Artist: Richard Mortensen
Title: Red, Blue and Yellow Composition
Year: 1962
Medium: Screenprint, signed, titled and numbered in pencil
Edition: 62/75
Image Size: 19.75 x 12.75 inche...
Category
1960s Hard-Edge Screen Abstract Prints
Materials
Screen
Abstract Composition II, Screenprint by Frank Roth c1968
By Frank Roth
Located in Long Island City, NY
Artist: Frank Roth, American (1936 - )
Title: Abstract Composition II
Year: circa 1968
Medium: Screenprint, signed, titled and numbered in pencil
Edition: 150
Image Size: 33.25 x 33 ...
Category
1960s Minimalist Screen Abstract Prints
Materials
Screen
Bouncing Ball, Minimalist Screenprint by Murray Zucker
Located in Long Island City, NY
Artist: Murray Zucker, American (1920 - )
Title: Bouncing Ball
Year: circa 1970
Medium: Screenprint, signed, titled and numbered in pencil
Edition: 9/20
Image: 18 x 24 inches
Paper ...
Category
1970s Abstract Geometric Screen Abstract Prints
Materials
Screen
Circular Orbit, Geometric Collage Multiple by Murray Zucker
Located in Long Island City, NY
Artist: Murray Zucker, American (1920 - )
Title: Circular Orbit
Year: circa 1970
Medium: Screenprint and Collage on Board, signed, titled and numbered in pencil
Edition: 4/25
Image:...
Category
1970s Abstract Geometric Screen Abstract Prints
Materials
Paper, Screen
Abstract Composition I, Screenprint by Frank Roth c1968
By Frank Roth
Located in Long Island City, NY
Artist: Frank Roth, American (1936 - )
Title: Abstract Composition I
Year: circa 1968
Medium: Screenprint, signed, titled and numbered in pencil
Edition: 200
Image Size: 33.25 x 33 i...
Category
1960s Minimalist Screen Abstract Prints
Materials
Screen
Man Sitting
By Neal Doty
Located in San Francisco, CA
Artist: Neal Doty (American, born 1941)
Title: Man Sitting
Year: 1979
Medium: Color serigraph
Edition: Numbered 93/135
Size of image: 32.5 x 24 inches
Size of paper: 39.25 x 30 inche...
Category
Late 20th Century Post-Impressionist Screen Abstract Prints
Materials
Screen
Agidius Geisselmann - signed and numbered screenprint
Located in London, GB
Agidius Geisselmann
Concrete Composition, 1983
silkscreen on board
an edition of 80
signed and numbered
50 x 70 cm
Published by Edition Oestler, 1983
Category
1960s Abstract Screen Abstract Prints
Materials
Screen
Agidius Geisselmann - signed and numbered screenprint
Located in London, GB
Agidius Geisselmann
Concrete Composition, 1983
silkscreen on board
an edition of 80
signed and numbered
50 x 70 cm
Published by Edition Oestler, 1983
Category
1960s Abstract Screen Abstract Prints
Materials
Screen
Agidius Geisselmann - signed and numbered screenprint
Located in London, GB
Agidius Geisselmann
Concrete Composition, 1983
silkscreen on board
an edition of 80
signed and numbered
50 x 70 cm
Published by Edition Oestler, 1983
Category
1960s Abstract Screen Abstract Prints
Materials
Screen
Jean Baier - signed and numbered screenprint
By Jean Baier
Located in London, GB
Jean Baier
1961
Screen print
55.5 x 76 cm
Jean Baier was a Swiss artist who initially as a trained mechanic after the Second World War. This interest enabled him to develop an art...
Category
1960s Abstract Screen Abstract Prints
Materials
Screen
Jean Baier - signed and numbered screenprint
By Jean Baier
Located in London, GB
Jean Baier
1961
Screen print
55.5 x 76 cm
Jean Baier was a Swiss artist who initially as a trained mechanic after the Second World War. This interest enabled him to develop an art...
Category
1960s Abstract Screen Abstract Prints
Materials
Screen
Drapery - Screen Print - 1970s
Located in Roma, IT
Image dimensions: 15 x 9.5 cm.
Drapery is an original color serigraph on paper, realized around the 1970's by a German artist, whose signature is hard to read.
Signed in pencil on ...
Category
1960s Abstract Screen Abstract Prints
Materials
Screen
"Views (Purple)" Silkscreen Print by The Skyscape Artist, 88/100
Located in Soquel, CA
"Views (Purple)" Silkscreen Print by The Skyscape Artist, 88/100
This geometric abstraction by Tetsuro Sawada (Japanese, 1933-1998) focuses on hard-edged horizontal lines, color, an...
Category
21st Century and Contemporary Contemporary Screen Abstract Prints
Materials
Paper, Screen, Archival Paper
Contentment Island
Located in London, GB
Screenprint in colours, 2004, on Rives BFK paper, signed and dated in pencil, numbered from edition of 118, printed by Brand X Editions, New York, published by The Dalton School, New...
Category
Early 2000s Abstract Expressionist Screen Abstract Prints
Materials
Screen
Shadow Line
Located in Toronto, Ontario
Kenneth Noland (1924 – 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved figures in the Color-Field ...
Category
1960s Color-Field Screen Abstract Prints
Materials
Screen
Acrobat (detail), Limited Edition Porcelain Plate in bespoke blue box - Abstract
Located in New York, NY
This porcelain/ceramic plate makes a gorgeous gift - in a bright blue bespoke box, ready to be gifted. Any fan of Helen Frankenthaler or Abstract Expressionist art would be thrilled!...
Category
2010s Abstract Expressionist Screen Abstract Prints
Materials
Porcelain, Screen, Cardboard, Mixed Media
Sightseeing James Rosenquist text Pop Art
Located in New York, NY
Sightseeing is one of a group of ten prints which the artist made at Petersburg Press in 1972, each based on one of his paintings. Rosenquist’s Sightseeing 1962 oil painting on canva...
Category
1970s Pop Art Screen Abstract Prints
Materials
Lithograph, Screen
Stockholm
Located in Toronto, Ontario
Kenneth Noland (1924 – 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved figures in the Color-Field ...
Category
1970s Color-Field Screen Abstract Prints
Materials
Screen
Southern Exposure
Located in London, GB
Screenprint in colours, 2005, on Somerset wove paper, signed and dated in pencil, numbered from the edition of 128, printed by Brand X Editions, Ltd., New York, published by Lincoln ...
Category
Early 2000s Abstract Expressionist Screen Abstract Prints
Materials
Screen
Flotilla
Located in London, GB
Screenprint in colors, 2006, on Rives BFK paper, signed and dated in pencil, numbered from the edition of 120, published by the Naples Art Museum, Florida, 78.7 x 93.7 cm. (31 x 37 i...
Category
Early 2000s Abstract Expressionist Screen Abstract Prints
Materials
Screen
“Three Movements" Limited Edition Hand-Signed Serigraph by Yaacov Agam, Framed
By Yaacov Agam
Located in Encino, CA
"Three Movements," an original silkscreen by Yaacov Agam, is a piece for the true collector. Agam is considered the father of Kinetic art. His iconic style is recognizable across the...
Category
1970s Kinetic Screen Abstract Prints
Materials
Screen
KAWS, Alone Again, 2018, Screenprint in colours on wove paper, Edition of 100
By KAWS
Located in Bristol, GB
Screenprint in colours on wove paper
Edition of 100
81.3 x 135.3 cm (32 x 53.2 in)
Signed and numbered on the front
Mint
Our mission is to connect art collectors to opportunity.
Whe...
Category
2010s Contemporary Screen Abstract Prints
Materials
Screen
KAWS, Far Far Down, 2018, Screenprint in colours on wove paper, Edition of 100
By KAWS
Located in Bristol, GB
Screenprint in colours on wove paper
Edition of 100
81.3 x 135.3 cm (32 x 53.2 in)
Signed and numbered on the front
Mint
Our mission is to connect art collectors to opportunity.
Whe...
Category
2010s Contemporary Screen Abstract Prints
Materials
Screen
Homage to the Square: P1, F23, I2
By Josef Albers
Located in New York, NY
Josef Albers
Homage to the Square - P1, F23, I2
Hand signed on the Colophon
Screenprint on Mowhalk Superfine Bristol Paper
Sheet: 15 x 20 inches
980/1000
Category
1970s Abstract Geometric Screen Abstract Prints
Materials
Screen
Trame, 1956-1975, Serigrafia, Astrazione geometrica, Argento
Located in Milano, IT
Serigrafia originale su carta Fabriano Rosaspina di Francois Morellet, firmata e datata a matita in basso a destra, numerata a sinistra. da una cartella di dieci serigrafie, tratte d...
Category
1970s Abstract Geometric Screen Abstract Prints
Materials
Screen
Rupprecht Geiger, Original Exhibition Poster, Screenprint from 2007
Located in Hamburg, DE
Original screenprint poster for Rupprecht Geiger's exhibition “Rupprecht Geiger – Eine Werkschau zum 100. Geburtstag” from 2007-2008.
This screenprint was produced in a limited edit...
Category
21st Century and Contemporary Abstract Screen Abstract Prints
Materials
Screen
Helen Frankenthaler “Mary Mary” 1987
Located in San Francisco, CA
Helen Frankenthaler: 1928-2011. Well listed very important American abstract expressionist. Her paintings have sold well into the millions of dollars. This particular print is done a...
Category
1980s Abstract Expressionist Screen Abstract Prints
Materials
Screen
WATER DROPS
Located in Aventura, FL
Water Drops, from The Official Arts Portfolio of the XXIVth Olympiad, Seoul, Korea, 1988. Silkscreen in colors on paper. Hand signed, dated and numbered by the artist. Image size 3...
Category
1980s Contemporary Screen Abstract Prints
Materials
Screen, Paper
Homage to the Square: P1, F23, I1
By Josef Albers
Located in New York, NY
Josef Albers
Homage to the Square - P1, F23, I1
Hand signed on the Colophon
Screenprint on Mowhalk Superfine Bristol Paper
Sheet: 15 x 20 inches
980/1000
Category
1970s Abstract Geometric Screen Abstract Prints
Materials
Screen
James Rosenquist F-111 TRIPTYCH (GIRL) Limited Skate Modern Design Pop American
Located in Madrid, Madrid
James Rosenquist F-111 TRIPTYCH A (GIRL)
Date of creation: 2021
Medium: Digital print on Canadian maple wood
Edition: 100
Size: 80 x 20 cm (each skate...
Category
2010s Pop Art Screen Abstract Prints
Materials
Wood, Maple, Screen
Jonas Wood, Bananas - Signed Print, Contemporary Art, Still Life, Screenprint
By Jonas Wood
Located in Hamburg, DE
Jonas Wood (American, b. 1977)
Bananas, 2021
Medium: 9-color screen print on rising museum board
Dimensions: 71.1 × 58.4 cm (28 × 23 in)
Edition of 200: Hand-signed and numbered
Cond...
Category
21st Century and Contemporary Contemporary Screen Abstract Prints
Materials
Screen
Rupprecht Geiger, Yellow on Red - Signed Print, Abstract Art, Hard Edge
Located in Hamburg, DE
Rupprecht Geiger (German, 1908-2009)
Yellow on Red, 1969
Medium: Screenprint on card stock
Dimensions: 39 x 35 cm
Edition of 60: Hand-signed and numbered
Publisher: Edition Fürneisen...
Category
20th Century Abstract Screen Abstract Prints
Materials
Screen
Thunder Bay
By Roy Ahlgren
Located in San Francisco, CA
This artwork titled "Thunder Bay" 1986 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 14/95 in penci...
Category
Mid-20th Century Op Art Screen Abstract Prints
Materials
Screen
Olympia : Sky and Sun (Op Art Spiral) - Original Screen Print, 1971
Located in Paris, FR
Victor Vasarely
Olympia : Sky and Sun (Op art spiral), 1971
Original 15 colors screenprint
Printed signature in the plate
On paper 100 x 78 cm (c. 40 x 31 in)
REFERENCES : Catalog...
Category
1970s Op Art Screen Abstract Prints
Materials
Screen
1945 Mexican Modernist Silkscreen Serigraph Print Regional Dress Carlos Merida
Located in Surfside, FL
This listing is for the one Silkscreen serigraph piece listed here.
Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing...
Category
1940s Folk Art Screen Abstract Prints
Materials
Screen
1945 Mexican Modernist Silkscreen Serigraph Print Regional Folk Art Dress Mexico
Located in Surfside, FL
This listing is for the one Silkscreen serigraph piece listed here.
Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing...
Category
1940s Folk Art Screen Abstract Prints
Materials
Screen
Screen abstract prints for sale on 1stDibs.
Find a wide variety of authentic Screen abstract prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, purple, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Roy Ahlgren, Victor Debach, Risaburo Kimura, and Mario Padovan. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Screen abstract prints, so small editions measuring 0.02 inches across are also available