Paul JenkinsPhenomena Sur Le Drapeau (Hand Signed and Inscribed)1980
1980
About the Item
- Creator:Paul Jenkins (1923 - 2012, American)
- Creation Year:1980
- Dimensions:Height: 34.5 in (87.63 cm)Width: 24 in (60.96 cm)Depth: 0.3 in (7.62 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Good vintage condition, except there are air bubbles from the poster being mounted to board and wear around edges. (see photos) Sold as is- look at photos and read this!
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745213085302
Paul Jenkins
Born in Kansas City, the multimedia artist, poet and playwright Paul Jenkins began his studies at Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese-American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past 30 years, numerous retrospectives have been curated across the globe and Jenkins’s work can be found in national collections from Europe and the United States to Israel, Australia and Japan.
The diversity of Jenkins’s work springs from a wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes” influenced by ancient natural forms. Frequent student visits to the Frick Collection in New York fostered a love of the great masters, while trips to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful responses to a monumental Chinese fresco of Buddha, polychrome sculptures of the enlightened Bodhisattva, the Buddhist goddess of mercy Kuan-Yin, Indian bronzes of Hindu god Shiva and statues of meditative Buddhist lohans. Serving in the US Naval Air Corps during the Second World War, Jenkins painted watercolours of Japanese Kabuki dancers and read the ancient Chinese poetic teachings of the I Ching and Lao Tse Tung’s Tao Te Ching, described by him as "masterpieces in simplicity.” Jenkins’s discovery of psychoanalyst Carl Jung’s book Psychology and Alchemy was as illuminating for his practice as were formative meetings with dancer Martha Graham, architect Frank Lloyd Wright and Abstract Expressionist painters Mark Rothko, Jackson Pollock and Barnett Newman.
Concerned with colour and texture, nearness and distance as well as reality and mysticism, Jenkins’s work — considered to be part of the second wave of Abstract Expressionism — is a spiritual meditation on the nature of chance, balance, synchronicity, change and transformation. His ejection from an early art class in Kansas City for eating the still life appears instructive: "For me the pear is to be eaten and experienced, not painted.” Jenkins sought to reject the traditional Neo-Platonic approach to art as well as life in favour of a Taoist concern for the “present moment.” In this sense his paintings become spiritual reflections on the transitory present, life merely a rippled dance upon the water’s surface. Jenkins’s death in 2012 and the subsequent release of important works onto the market by his estate increased global interest in his work and they have grown in value and popularity. Jenkins’s works can be found in public and private collections worldwide.
(Biography provided by Stern Pissarro Gallery)
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 1 day of delivery.
- Limited Signed Deluxe Monograph with Slipcase (signed & numbered by Sam Francis)By Sam FrancisLocated in New York, NYSAM FRANCIS: Limited Signed Deluxe Edition (Hand signed and numbered by Sam Francis), 1982 Deluxe limited edition hardback monograph with cloth boards, held in special slipcase of ts...Category
1980s Abstract Expressionist Abstract Prints
MaterialsSilk, Paper, Ink, Mixed Media, Lithograph, Offset, Board
- Untitled Abstract Picture (Limited edition authorized promotional reproduction)By Gerhard RichterLocated in New York, NYGerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper - Artist Authorized reproduction Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...Category
Early 2000s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset
- Untitled Abstract PictureBy Gerhard RichterLocated in New York, NYGerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...Category
Early 2000s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset
- Abstract Painting (Limited edition print; authorized promotional reproduction)By Gerhard RichterLocated in New York, NYGerhard Richter Untitled Abstract Picture, 2002 Offset lithographic reproduction on GardaMatt Art 250 GSM paper with full margins (Artist Authorized) Not signed, edition of 3433 12 1...Category
Early 2000s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset
- Offset lithograph poster (Signed by both Helen Frankenthaler and Aaron Copland)By Helen FrankenthalerLocated in New York, NYHelen Frankenthaler Pro Musica's Contemporary American Choral Music (Hand signed by both Helen Frankenthaler and Aaron Copland), 1982 Offset lithograph poster (Hand signed by Helen F...Category
1980s Abstract Expressionist Abstract Prints
MaterialsInk, Lithograph, Offset
- Abstract Picture (Limited edition print; authorized promotional reproduction)By Gerhard RichterLocated in New York, NYGerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...Category
Early 2000s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset
- Casino Knokke Poster (Signed) /// Contemporary Abstract Sculpture Frank StellaBy Frank StellaLocated in Saint Augustine, FLArtist: (after) Frank Stella (American, 1936-) Title: "Casino Knokke" Series: Casino Knokke Posters *Signed by Stella in black marker lower center Year: 1991 Medium: Original Offset-Lithograph, Exhibition Poster on glossy wove paper Limited edition: Unknown Printer: Unknown Publisher: Casino Knokke, Knokke, Belgium Sheet size: 24.5" x 16.63" Condition: Some minor handling creases. In excellent condition Very rare Notes: Provenance: private collection - Paris, France; acquired directly from the exhibition at Casino Knokke, Knokke, Belgium. Poster produced for a special exhibition of Stella's work at Casino Knokke, Knokke, Belgium from June 23 - September 1, 1991. The artwork featured on this poster is Stella's 1991, 133" x 87" x 75" stainless steel, bronze, copper, aluminum and carbon steel sculpture "Raft of the Medusa, Part IV". Comes with its rare 56 page softcover exhibition catalogue "Frank Stella: Casino Knokke" featuring 18 artworks. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Frank Stella (1936-) is an American artist best known for his use of geometric patterns and shapes in creating both paintings and sculptures. Arguably one of the most influential living American artists, Stella’s works utilize the formal properties of shape, color, and composition to explore non-literary narratives, as seen in his work Harrar II (1967) from the Protractor series. “Abstraction didn't have to be limited to a kind of rectilinear geometry or even a simple curve geometry. It could have a geometry that had a narrative impact. In other words, you could tell a story with the shapes,” he explained. “It wouldn't be a literal story, but the shapes and the interaction of the shapes and colors would give you a narrative sense. You could have a sense of an abstract piece flowing along and being part of an action or activity.” Born on May 12, 1936 in Malden, MA, Stella went on to study history at Princeton University before moving to New York in 1958. Having moved to the city, Stella was immersed in the heyday Abstract Expressionism, but it was the work of Jasper Johns that inspired Stella’s Black...Category
1990s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset, Permanent Marker
- Bacon, Le Boeuf, 1986By Francis BaconLocated in Fairfield, CTArtist: After Francis Bacon (1909-1992) Title: Le Boeuf, exhibition poster Year: 1986 Medium: Offset Lithograph on premium paper Size: 30.75 x 18 inches Condition: Excellent Notes: Published by Foundation Maeght FRANCIS BACON (1909-1992) Francis Bacon has a distinctive style as a figure painter. In his mature style, developed in the 1950s, the paintings include images of either friends or lovers, or images of people found in movie stills...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset
- Bacon, Untitled, 1987 (after)By Francis BaconLocated in Fairfield, CTArtist: Francis Bacon (1909-1992) Title: Untitled Year: 1987 Medium: Offset Lithograph on premium paper Size: 26.25 x 19.75 inches Condition: Excellent Notes: Published by Galerie Le...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset
- Bacon, Portrait Isabel Rawsthorne, 2003 (after)By Francis BaconLocated in Fairfield, CTArtist: Francis Bacon (1909-1992) Title: Portrait Isabel Rawsthorne Year: 2003 Medium: Offset Lithograph on premium paper Size: 39.25 x 27.5 inches Condition: Excellent Notes: Publis...Category
Early 2000s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset
- Bacon, Personnage Couche 1966By Francis BaconLocated in Fairfield, CTArtist: After Francis Bacon (1909-1992) Title: Personnage Couche, exhibition poster Year: 1966 Medium: Offset Lithograph on wove paper Size: 28 x 17....Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset
- Frankenthaler, Mary Mary 1991, New York City, Lincoln CenterBy Helen FrankenthalerLocated in Fairfield, CTArtist: After Helen Frankenthaler (1928-2011) Title: Mary Mary (Lincoln Center Honorary) Year: 1991 Medium: Offset lithograph poster on extra thick Somerset paper Edition: 2000 Size...Category
1990s Abstract Expressionist Landscape Prints
MaterialsLithograph, Offset