Robert MotherwellNorway1980
1980
About the Item
- Creator:Robert Motherwell (1915-1991, American)
- Creation Year:1980
- Dimensions:Height: 21.6 in (54.87 cm)Width: 22.25 in (56.52 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:
Robert Motherwell
The name of painter, printmaker and writer Robert Motherwell (1915–91) is often taken as synonymous with the New York School, whose name he coined. Motherwell was the youngest of this group of Abstract Expressionists working in art, dance, poetry and music in 1950s and '60s New York City, which included Jackson Pollock, Willem de Kooning, Philip Guston, Helen Frankenthaler and Mark Rothko.
Born in Aberdeen, Washington, in 1915, Motherwell had perhaps the broadest and best education of any of the New York School coterie, with an extensive background in philosophy, literature and art history. He earned a BA in philosophy in 1937 from Stanford University and was working toward a PhD in the subject at Harvard when he interrupted his studies for a yearlong trip to Europe, where he fell in love with European modernism.
After returning, in 1940 he enrolled Columbia to study art history. It was there that he met a group of exiled Parisian Surrealists, and encounter that proved influential on his style. Motherwell began to integrate the idea of “automatism” — unmediated gestures that reflect deeper psychological impulses — into his work, pioneering a new form of Abstract Expressionism that came to characterize the New York School.
Works like the 1967 Beside the Sea no. 45, an acrylic on canvas, and the 1966 lithograph New York International epitomize Motherwell’s use of simple shapes in boldly contrasting colors, executed in quick, gestural strokes that occasionally evoke figures, suggesting a latent narrative despite their obvious abstraction.
Throughout his career, Motherwell taught painting at Hunter College, in New York, and at Black Mountain College, in North Carolina, where his work influenced the likes of Cy Twombly, Robert Rauschenberg and Kenneth Noland. His influence as one of the founding fathers of American Abstract Expressionism remains profound.
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Mediterranean LightBy Robert MotherwellLocated in London, GBLithograph on white Tyler Graphics Ltd. (TGL) handmade paper 32 1/2 x 76 in. (82.6 x 193 cm) Edition of 40Category
1990s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph
- Lament for LorcaBy Robert MotherwellLocated in London, GBLithograph on white Tyler Graphics Ltd. (TGL) handmade paper 44x61 in (111.8x154.9cm) Edition of 52Category
1980s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph
- Smoke SulfurBy Sam FrancisLocated in London, GB64.8 x 85.7 cms (25.5 x 33.75 ins) Edition of 30 Paper: Rives BFK Proofs: 1 BAT, 6 AP (I on Japanese paper), I CTP Signed lower right; numbered lower left; publisher's cho...Category
1970s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph
- UntitledBy Sam FrancisLocated in London, GB114.3 x 70.5 cms (45 x 27.76 ins) Edition of 50Category
1980s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph
- Sail IBy Sam FrancisLocated in London, GB101.6 x 71.1 cms (40 x 28 ins) Edition of 40 Signed lower left; numbered lower centre, printer's chop lower right. Publisher: Hollander's Workshop, New ...Category
1960s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph
- UntitledBy Sam FrancisLocated in London, GB64.8 x 46.3 cms (25 1/2 x 19 ins) Edition of 3 Paper: Rives BFK Proofs: 1 UP (Hand colored) Signed lower left, numbered lower left. Publisher: Joseph Press...Category
1960s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph
- Bright Vibrant Pop Art Silkscreen Lithograph Print NYC Abstract ExpressionistBy William ScharfLocated in Surfside, FLRed Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and hard-edged, refuse to resolve neatly Assemblage, a bold strategy to keep viewers unsettled and curious, the reward for which are profuse and luscious details: varied incidents of refinement, suggestive signs, most in a private code, not merely ornamental but integral to the overall message. William Scharf (born 1927, Media, PA) is an American artist from New York, he teaches at The Art Students League of New York. Painting with acrylics, he was a member of the New York School movement. Often categorized as a late generation Abstract Expressionist, Known for producing paintings with abstract compositions incorporating biomorphic and geometric forms in vivid colors, the artist was influenced by Surrealism, the Color Field painters, and symbolism. He apprenticed with Mark Rothko and was influenced by his color field paintings. The surrealist painter Arshile Gorky and the Abstract expressionism style found in 1950s New York City also influenced Scharf. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001), and Richard York Gallery in New York City (2004). In the heyday of Abstract Expressionism, being serious meant following the tenets of the New York School, which required abstract paintings to be spontaneous improvisations, the messier the better. At once hedonistic and disciplined, his brazen paintings are nothing if not promiscuous. The best ones mix the dynamism of gestural abstraction with sensual rhythms of decorative patterning, sometimes souping up the stew with cartoonish symbols and flourishes so ripe they belong in a dandy's fantasies. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001) and Richard York Gallery in New York City (2004). Scharf's work has been exhibited in a number of galleries, including the Anita Shapolsky Gallery, Meredith Ward Fine Art, and Hollis Taggart Galleries in New York City. Scharf has been an instructor of art at various institutions including The Art Students League, the San Francisco Art Institute, and the School of Visual Arts in New York. He is a member of the Society of Illustrators and the Artists Equity Association. EDUCATION 1944-49 The Pennsylvania Academy of the Fine Arts — Philadelphia, PA (1948 Cresson Scholar) 1949 The University of Pennsylvania — Philadelphia, PA 1948 The Academie de la Grand Chaumiere — Paris, France 1947 The Barnes Foundation — Merion, PA 1939-41 Samuel Fleisher Memorial School— Philadelphia, PA (also known as Graphic Sketch Club) TEACHING HISTORY Instructor: Painting & Drawing 1987-Present Art Students League, New York, NY 1989, 74, 69, 66, 63 San Francisco Institute of Fine Arts, San Francisco, CA 1965-69 he School of Visual Arts, New York, NY 1964 Art Center of the Museum of Modern Art, New York, NY Guest Lecturer 1979 Pratt Institute, New York, NY 1974 Stanford University, Palo Alto, CA 1974 California College of Arts and Crafts, San Francisco, CA Recent Solo Exhibitions: 2005 Meredith Ward Fine Art, New York, NY 2004 Richard York Gallery, New York, NY 2002 P.S.1/MOMA, Queens, NY 2001 The Frederick R. Weisman Museum of Art, Malibu, CA 2000-2001 The Phillips Collection, Washington, DC Selected Group Exhibitions: 2005 National Academy of Design, New York, NY 2005 Peter McPhee Fine Arts, Stone Harbor...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph, Screen
- An 8 Set--3 * An 8 Set--5By Sam FrancisLocated in New York, NYVery good impressions of these extremely scarce, early color lithograph proofs, double-sided, on Rives BFK. Each an unique proof with color variations, aside from the edition of 100. One side signed, inscribed "monoprint" and numbered 10/16 in pencil. Printed by Joe Funk at Joseph Press...Category
1960s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph
- For LisaBy Willem de KooningLocated in New York, NYA very good impression of this color lithograph on cream laid Japan paper. Signed and numbered 48/250 in pencil by de Kooning. Published by Brand X Editions, Ltd., New York, with the...Category
1880s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph
- Original Les Artistes Decorateurs et le Tourisme French vintage posterLocated in Spokane, WAOriginal vintage poster “Les artistes décorateurs et le tourisme” at the Grand Palais in Paris. Artist: Jean Colin Full lithograph printed in 1953 by Mourlot, Paris. No paper...Category
1950s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Untitled (Two Figures)By Willem de KooningLocated in New York, NYA very good impression of this scarce offset lithograph on cream wove paper. Artist's proof, aside from the edition of 100. Signed in ink, lower right, and inscribed "A/P" in pencil,...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset
- Untitled (for Harvey Gantt)By Richard DiebenkornLocated in New York, NYA very good impression of this color lithograph on Rives BFK. Initialed, dated and numbered 183/250 in pencil. Printed and published by Gemini G.E.L., Los Angeles, with the blind sta...Category
1990s Abstract Expressionist Abstract Prints
MaterialsColor, Lithograph