Items Similar to Finale, from Carnival of Animals (Tyler Graphics, 119:SB31)
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Stanley BoxerFinale, from Carnival of Animals (Tyler Graphics, 119:SB31)1979
1979
About the Item
Stanley Boxer
Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), 1979
Etching, aquatint, engraving and drypoint on hand colored TGL handmade paper
Edition 16/20
Pencil signed and numbered 16/20 on the front; chop marks of workshop and artist on the front lower right; workshop number SB79-425 verso
Original vintage handmade wood frame is included
Measurements:
Frame included
27 inches x 30 inches x 1 inch
Artwork
23 inches x 26 inches
Floated and framed in handmade vintage wood frame
This 1979 Stanley Boxer print, the finale in his series Carnival of Animals, featuring birds and musical notes, done at Tyler Graphics, is rarely found on the market. Other editions are in the permanent collection of the Tate Gallery and the Metropolitan Museum of Art. The paper was hand colored by Stanley Boxer. This work is documented in the Tyler Graphics catalogue raisonne, 1974-1985, page 95, plate 119-SB31, published by the Walker Art Center, Minneapolis, and Abbeville Press in New York
About Stanley Boxer:
Stanley Boxer devoted nearly five decades to the development of an expressive, abstract practice, encompassing drawing, sculpture, and printmaking. “In the manufacture of my art, I use anything and everything that gets the job done without any sentiment or sanctity as to medium,” he once said. While best known for his thickly brushed canvases that engage the material qualities of paint, he began his career as a figurative painter and draughtsman. Throughout the 1960s, Boxer was often associated with the Color Field painters and, for a period, used dense planes of color as the governing center of his work. He later moved beyond these concerns, however, towards an examination of paint itself.
- Creator:Stanley Boxer (1926 - 2000, American)
- Creation Year:1979
- Dimensions:Height: 27 in (68.58 cm)Width: 30 in (76.2 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:FIne original condition; some natural waviness (see photo).
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745213415962
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2007
1stDibs seller since 2022
289 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 1 day of delivery.
More From This SellerView All
- Big Horse (Black & Moorhead 46)By Stanley William HayterLocated in New York, NYStanley William Hayter Big Horse (Black & Moorhead 46), 1932 Engraving & Drypoint on antique white Canson Vidalon laid paper affixed to original matting Hand signed, numbered and dat...Category
1930s Abstract Expressionist Animal Prints
MaterialsEngraving, Drypoint
- The Bull and the CondorBy Jacques LipchitzLocated in New York, NYJacques Lipchitz The Bull and the Condor, 1962 Lithograph on Rives BFK Paper Signed in pencil and numbered 30/100 by the artist; with the blind stamp of the publisher, Tamarind Works...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- White ClawLocated in New York, NYWalter Rogalski White Claw, 1952 Engraving on antique-white laid Homere paper Hand signed, numbered 6/25, dated and titled on lower front ; affixed to original matting Publisher The ...Category
1950s Abstract Abstract Prints
MaterialsLaid Paper, Engraving, Pencil
- Green Cat, etching and aquatint, pencil signed & numbered, famed Chinese artistBy Walasse TingLocated in New York, NYWalasse Ting 丁雄泉 Green Cat, 1984 Color etching and aquatint on copper plate, printed on Fabriano Rosaspina paper Pencil signed, numbered 178/230, dated 1984 along with artist's perso...Category
1980s Pop Art Animal Prints
MaterialsInk, Pencil, Graphite, Etching, Aquatint
- Etching and aquatint with dog and airplane, signed/n by California Pop Art starBy Billy Al BengstonLocated in New York, NYBILLY AL BENGSTON Untitled, from the In Barcelona Portfolio, 1988 Etching with aquatint on Rives BFK paper 22 × 30 inches Signed, dated and numbered 29/75 in graphite pencil on the front Published by: Poligrafia Obra Grafica SL, Barcelona, Spain Abstract etching with aquatint containing the silhouette of a dog and an airplane contrasted with a highly textured background, by renowned West Coast based American artist Billy Al Bengston. Published by Poligrafia Obra Grafica, SL in Barcelona, Spain Billy Al Bengston was memorialized in the New York Times as the artist who epitomized California Cool. Billy Al Bengston was born in 1934 in Dodge City, Kansas and moved to Los Angeles with his family in 1948. He studied painting under Richard Diebenkorn at California College of Arts and Crafts in Oakland. In 1957, Bengston began showing with the Ferus Gallery (founded and run by Walter Hopps...Category
1980s Pop Art Abstract Prints
MaterialsMixed Media, Etching, Aquatint, Pencil, Graphite
- Buoy Landscape IV, Mixed media signed/n limited edition Ab Ex relief printBy Sam GilliamLocated in New York, NYSam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24...Category
1980s Abstract Expressionist Abstract Prints
MaterialsMixed Media, Pencil, Graphite, Drypoint, Etching, Aquatint, Screen
You May Also Like
- Stanley Boxer Aquatint Intaglio Etching Elephant Herd Abstract ExpressionistBy Stanley BoxerLocated in Surfside, FLElephants. 1979 edition 2/20 Hand signed and dated Framed 24.5 X 28. Sheet 23 X 26 This is from a series of prints Boxer produced at Tyler Graphics between 1975 and 1979. Over this period, he created several series of intricately rendered figurative works, illustrating whimsical scenes featuring animals, plants and nubile winged figures. Boxer had, however, been making drawings of this nature throughout his career, and he insisted they were closely connected to his abstracts, made with similar gestures and motivation. The Tate Museum received twenty-five of Stanley Boxer’s prints as a gift of Kenneth Tyler from Tyler Graphics, comprising a complete portfolio of Ring of Dust in Bloom, 1976, an incomplete portfolio of Carnival of Animals, 1979, and two individual prints. This work is from Carnival of Animals, a portfolio of fourteen intaglio prints on handmade paper. Tate holds eleven of the prints from this portfolio (Elephants, Swan and Fossils are not in Tate’s collection). Stanley Boxer (1926-May 8, 2000) was an American abstract expressionist artist best known for thickly painted abstract works of art. He was also an accomplished sculptor and printmaker. He received awards from the Guggenheim Fellowship and the National Endowment for the Arts. Boxer was born in New York City, and began his formal education after World War II, when he left the Navy and studied at the Art Students League of New York. He drew, painted, made prints, and sculpted. His work was recognized by art critic Clement Greenberg, who categorized him as a color field painter, A group that included Barnett Newman, Clyfford Still, and Mark Rothko and was a form of Abstract Expressionism and later included Helen Frankenthaler, Ad Reinhardt, Kenneth Noland, Gene Davis, Jules Olitski, Raymond Parker and Morris Louis. Boxer himself was adamant in rejecting this stylistic label. Over the years, he remained loyal to the materially dense abstract mode on which his reputation rested.. Art critic Grace Glueck wrote "Never part of a movement or trend, though obviously steeped in the language of Modernism, the abstract painter Stanley Boxer was a superb manipulator of surfaces, intensely bonding texture and color." In 1953 Boxer had his first solo exhibition of paintings in New York City, and showed regularly thereafter until his death. His paintings and sculpture were represented in New York City during the late 1960s through 1974 by the Tibor de Nagy Gallery, then by the André Emmerich Gallery from 1975 until 1993, and finally by Salander-O'Reilly Galleries until its demise in 2007. Richard Waller, director of the University of Richmond's Harnett Museum of Art, describes his evolution as an artist: You can see the shift from working with figurative imagery in the 1940s and early '50s to abstraction in the late '50s. The abstraction in the late '60s and '70s was more derived from color-field issues. In the 1980s, Boxer really hit his stride in larger works with lots of thick paint and splashes of color. He sold a lot, and his success in the art world in the 1980s gave him the freedom to do what he wanted to do most. He was married to painter and artist Joyce Weinstein. The Boca Raton Museum of Art in Florida hosted an exhibition entitled Expanding Boundaries: Lyrical Abstraction Selections from the Permanent Collection. At the time the museum issued a statement that said in part: "Lyrical Abstraction arose in the 1960s and 70s, following the challenge of Minimalism and Conceptual art. Many artists began moving away from geometric, hard-edge, and minimal styles, toward more lyrical, sensuous, romantic abstractions worked in a loose gestural style. These "lyrical abstractionists" sought to expand the boundaries of abstract painting, and to revive and reinvigorate a painterly 'tradition' in American art. "Characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the abstract works included in this exhibition sing with rich fluid color and quiet energy. Works by the following artists associated with Lyrical Abstraction will be included: Natvar Bhavsar, Stanley Boxer, Lamar Briggs, Dan Christensen, David Diao, Friedel Dzubas, Sam Francis, Dorothy Gillespie, Cleve Gray, Paul Jenkins, Ronnie Landfield, Pat Lipsky, Joan Mitchell, Robert Natkin, Jules Olitski, Larry Poons, Garry Rich, John...Category
1970s Abstract Expressionist Animal Prints
MaterialsEtching, Aquatint, Intaglio
- Le SingeBy Pablo PicassoLocated in New York, NYA very good impression of this aquatint, grattoir and drypoint. Edition of 225. Printed by Lacourière, Paris. Published by Martin Fabiani, Paris. From "Histoire Naturelle." Catalogu...Category
1930s Modern Abstract Prints
MaterialsDrypoint, Aquatint, Etching
- PegasusBy Salvador DalíLocated in New York, NYA very good impression of this etching and engraving with color aquatint. Signed, dated and numbered 132/150 in pencil by Dali. Published by Argillet, Paris. From "Mythologie." Cat...Category
1960s Surrealist Abstract Prints
MaterialsColor, Engraving, Etching, Aquatint
- Penguin MigrationLocated in Santa Fe, NMPENGUIN MIGRATION This hand crafted Giclee print on canvas of 'Penguin Migration', by Boris Chetkov, provides the opportunity to own and enjoy a Chetkov masterpiece at a very afford...Category
1990s Abstract Expressionist Abstract Prints
MaterialsGlaze, Gesso, Giclée
- Lithographier Originale (Les Peintures Sur Carton) (Abstract, Fun, Gestural)By Joan MiróLocated in Kansas City, MOJoan Miro Lithographier Originale (Les Peintures Sur Carton De Miro) Original Color Lithograph Year: 1965 Size: 14.5x10.5in Edition: 150 Portfolio: DLM 151-152 Publisher: Maeght Ed...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Lithographier Originale (Les Peintures Sur Carton) (Abstract, Fun, Gestural)By Joan MiróLocated in Kansas City, MOJoan Miro Lithographier Originale (Les Peintures Sur Carton De Miro) Original Color Lithograph Year: 1965 Size: 14.5x10.5in Edition: 150 Portfolio: DLM 151-152 Publisher: Maeght Ed...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph