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Engraving Animal Prints

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Medium: Engraving
Oscar Wilde, Art print, Man, Person, Smoking, Cigarettes
Located in Deddington, GB
Oscar Wilde by Kate Boxer prtint made with drypoint, gouache and carborundum, shows a portrait of Oscar sitting on a red chair wearing a black suit with stripped detailed trousers an...
Category

2010s Contemporary Engraving Animal Prints

Materials

Drypoint

Great Auk, Animal, Bird, Penguin, Black, White
Located in Deddington, GB
Great Auk by Kate boxer consists of white and black tones outlining the hand coloured Great Auk. ADDITIONAL INFORMATION: Sold unframed Limited Edition of 30 Made with Drypoint, carb...
Category

2010s Contemporary Engraving Animal Prints

Materials

Drypoint

Tennessee Williams and Mr Moon, Drypoint Print, Dog, Animal, Person
Located in Deddington, GB
Tennessee Williams and Mr Moon is a handmade dry point print by artist Kate Boxer, featuring a boxer dog sitting obediently with his owner. ADDITIONAL INFORMATION: Drypoint print, H...
Category

2010s Contemporary Engraving Animal Prints

Materials

Drypoint

Gigantic Crane, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Stevie Sitting, Drypoint Print, Dog, Animal, Black, White
Located in Deddington, GB
Stevie Sitting is a handmade dry point print by artist Kate Boxer, featuring a wire haired dog sitting obediently. Kate Boxer is an artist and printmaker.   The unique style of Kate...
Category

2010s Contemporary Engraving Animal Prints

Materials

Drypoint

Spur-winged Goose, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Hen crested Curassow, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

The Yacou, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Red-tailed Tropic Bird, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Artic Gull, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Cream-coloured Plover, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Pink-headed Duck, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Crested Pheasant, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Chinese Jacana, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Giant Petrel, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Chinese Diver, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Hackled Partridge, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Red-necked Grebe, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Red-billed Promerops, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Impeyan Pheasant, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

White-eared Bustard, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Crested Coot, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Red Flamingo, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Marbled Guillemot, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Gold-breasted Trumpeter, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Black faced Ibis, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Green Partridge, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Hooded Merganser, 18th century bird duck engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Spectacle Owl, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Harlequin Humming-Bird, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Capital Tanager, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Malabar Shrike, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Dropping In
Located in Fairlawn, OH
Dropping In Drypoint, c. 1940 Signed lower right (see photo) Titled lower left Condition: Excellent Brown paper tape around the sheet edges from the printing and air dryi...
Category

1940s American Realist Engraving Animal Prints

Materials

Drypoint

Lice
Located in Fairlawn, OH
Lice (Mallards grooming themselves) Drypoint, 1927 Signed and dated lower right (see photo) Titled lower left corner Condition: Excellent Image/Plate size: 6 7/8 x 10 3/4 inches Shee...
Category

1920s American Realist Engraving Animal Prints

Materials

Drypoint

Untitled (Three Ducks Taking to Flight)
Located in Fairlawn, OH
Untitled (Three Ducks Taking to Flight) Drypoint, c. 1940 Signed lower right Provenance: Estate of the Artist Winchell Heirs by descent Condition: Excellent Ima...
Category

1940s American Realist Engraving Animal Prints

Materials

Drypoint

Broadbills
Located in Fairlawn, OH
Broadbills Drypoint, 1922 Signed in pencil, lower left (see photo) Initialed and dated in the plate (see photo) Edition: 150 (unnumbered) Condition: Excellent, professionally cleaned...
Category

1920s American Impressionist Engraving Animal Prints

Materials

Drypoint

The Aurelian, A Natural History English Moths Butterflies Moses Harris pl. IX
Located in Paonia, CO
Moses Harris ( British 1731-1785) The Aurelian, A Natural History of English Moths and Butterflies – Plate IX Hand-Colored Engraving 17.88 x 11.00 very good condition Plate IX fro...
Category

1770s Engraving Animal Prints

Materials

Engraving

Snail in a Bowl (Artist Proof inscribed to Fritz Eichenberg)
Located in New Orleans, LA
Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg. While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting. Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked. Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium. Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print. There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers. But making mezzotints was not a paying job. Marchant and his South African wife...
Category

1980s Modern Engraving Animal Prints

Materials

Mezzotint

Izzy with her Ball, Dog Art, Affordable Art, Contemporary Animal Art Print
Located in Deddington, GB
Izzy, a charming characterful terrier stands alert, holding her ball in her mouth. Colour etching hand made and printed by the artist. Helen Fay's art for sale online and in our gallery at Wychwood Art. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert. I have long been a fan of Munch for his direct mark-making, colour and intensity and at the other end of the spectrum, Hammershoi for his limited palette, sense of space and calm. I am interested in black and white photography and film and have recently discovered and been amazed by the films of Yasujiro Ozu...
Category

2010s Contemporary Engraving Animal Prints

Materials

Paper, Drypoint, Etching

I Won’t Eat You with Drypoint Print by Kate Boxer
Located in Deddington, GB
I Won’t Eat You [2021] I Won't Eat You by Kate Boxer is a limited edition drypoint etching. This contemporary art print with gouache depicts a lion and is a humorous work of art by ...
Category

2010s Abstract Engraving Animal Prints

Materials

Drypoint, Acrylic

Pegasus
Located in New York, NY
A very good impression of this etching and engraving with color aquatint. Signed, dated and numbered 132/150 in pencil by Dali. Published by Argillet, Paris. From "Mythologie." Cat...
Category

1960s Surrealist Engraving Animal Prints

Materials

Color, Engraving, Etching, Aquatint

Eared Grebe /// John James Audubon Ornithology Havell Edition Bird Animal Art
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Eared Grebe" (Plate CCCCIV - 404; part No. 81) Portfolio: The Birds of America, Havell Edition Year: 1838 Medium: Original Ha...
Category

1830s Victorian Engraving Animal Prints

Materials

Watercolor, Engraving, Aquatint, Intaglio

White Claw
Located in New York, NY
Walter Rogalski White Claw, 1952 Engraving on antique-white laid Homere paper Hand signed, numbered 6/25, dated and titled on lower front ; affixed to original matting Publisher The ...
Category

1950s Abstract Engraving Animal Prints

Materials

Laid Paper, Engraving, Pencil

The Natural History of Moths: An Antique Hand-colored Engraving by Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of Pinkunderwing Moths, Cream Spotted Tyger Moths, which is plate 4 from Moses Harris' publication "The Aurelian: or Na...
Category

Mid-19th Century Realist Engraving Animal Prints

Materials

Engraving

Tortoise-shell Butterfly, Hawk Moth: Antique Hand-colored Engraving by M. Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Privet Hawk Moth, Tortoise-shell Butterfly, which is plate 2 from Moses Harris' publication "The Aurelia...
Category

Mid-19th Century Realist Engraving Animal Prints

Materials

Engraving

Siberian eared Owl and Acadian Owl, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Late 18th Century Naturalistic Engraving Animal Prints

Materials

Engraving

Admirable Butterflies, Magpie Moths: A Hand-colored Engraving by Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Admirable Butterfly and the Small Magpie Moth, which is plate 6 from Moses Harris' publication "The Aure...
Category

Mid-19th Century Realist Engraving Animal Prints

Materials

Engraving

La Fontaine's Bestiary, The Lion's Court - Original etching, HANDSIGNED, 1974
Located in Paris, FR
Salvador Dali The Lion's Court, 1974 Original drypoint etching with stencil enhancement (Atelier Rigal) Signed in pencil Limited to 250 copies (Here numbered 183) On Arches vellum ...
Category

1970s Surrealist Engraving Animal Prints

Materials

Engraving

Natural History of Moths and a Beetle: A Hand-colored Engraving by Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of moths and a beetle, which is plate 22 from Moses Harris' publication "The Aurelian: or Natural History of English In...
Category

Mid-19th Century Realist Engraving Animal Prints

Materials

Engraving

Butterflies & Moths: A 1st Ed. Hand-colored 18th C. Engraving by M. Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving depicting the natural history of butterflies and moths, which is plate 10 from Moses Harris' publication "The Aurelian: ...
Category

Mid-18th Century Engraving Animal Prints

Materials

Engraving

Butterflies & Moths: An Antique Hand-colored Engraving by Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Drinker Moth, the Brown Hairstreak Butterfly, the Larke Skipper Butterfly, the Small Skipper Butterfly, ...
Category

Mid-19th Century Realist Engraving Animal Prints

Materials

Engraving

Peacock Butterfly & Moth: A 1st Ed. Hand-colored 18th C. Engraving by M. Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving of Water Betony Moths and Peacock Butterflies, which is plate 8 from Moses Harris's publication "The Aurelian: or Natura...
Category

Mid-18th Century Engraving Animal Prints

Materials

Engraving

The horse and the wolf - Original etching, HANDSIGNED, 1974
Located in Paris, FR
Salvador Dali The horse and the wolf, 1974 Original drypoint etching with stencil enhancement (Atelier Rigal) Signed in pencil Limited to 250 copies (Here numbered 183) On Arches v...
Category

1970s Surrealist Engraving Animal Prints

Materials

Engraving

La Fontaine's Bestiary, The crow and the fox -Original etching, HANDSIGNED, 1974
Located in Paris, FR
Salvador Dali The crow and the fox, 1974 Original drypoint etching with stencil enhancement (Atelier Rigal) Signed in pencil Limited to 250 copies (Here numbered 183) On Arches vel...
Category

1970s Surrealist Engraving Animal Prints

Materials

Engraving

Surrealistic elephant - Original etching, HANDSIGNED, 1974
Located in Paris, FR
Salvador Dali Surrealistic elephant (or Animals Sick of the Plague), 1974 Original drypoint etching with stencil enhancement (Atelier Rigal) Signed in pencil Limited to 250 copies ...
Category

1970s Surrealist Engraving Animal Prints

Materials

Engraving

Surrealistic rhinoceros - Original etching, HANDSIGNED, 1974
Located in Paris, FR
Salvador Dali Surrealistic Rhinoceros (or Jupiter's Elephant and Monkey), 1974 Original drypoint etching with stencil enhancement (Atelier Rigal) Signed in pencil Limited to 250 co...
Category

1970s Surrealist Engraving Animal Prints

Materials

Engraving

Antique Engraving Dogs Watching Cats Drink Milk Cats Animal 1895
Located in Douglas Manor, NY
3881 Dogs and Cats Animal Engraving Image size 11.5x8"
Category

1890s Engraving Animal Prints

Materials

Engraving

Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No.46
Located in Paonia, CO
Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No.46 is from a series of original engravings published by Lodovico Mirri in the late 18th century and engr...
Category

Late 18th Century Engraving Animal Prints

Materials

Engraving

Engraving animal prints for sale on 1stDibs.

Find a wide variety of authentic Engraving animal prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 18th Century is especially popular. If you’re looking to add animal prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Salvador Dalí, Pablo Picasso, Edmund Blampied, and Francois Nicolas Martinet. Not every interior allows for large Engraving animal prints, so small editions measuring 8 inches across are also available Prices for animal prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $350 and tops out at $460, while the average work can sell for $380.

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