Abstract Expressionist Abstract Prints

Pablo Picasso 1881–1973 "Peintre et modèle avec un noeud dans les cheveux" 1964 etching and aquatint on BFK Rives image: 10¾ h × 15 w in (27 × 38 cm)...

Beautiful 1994 monotype painting by American artist, David Chamberlain (b.1950). Summer Blues. Oil on Arches paper, image measures 9.75 x 11.75 inches; sheet measures 22 x 30 inches. The subtle variations of the oil application are quite lovely. Titled and signed by the artist in pencil, lower margin and on reverse. Excellent, clean condition with no damage or restoration. Unframed: sheet is loose with no backing. SHIPS ROLLED IN TUBE David Chamberlain (American, b Canton, Ohio 1949) has been a full-time artist since 1977, and has created more than 2000 original works in both two and three dimensions. Over 100 of his works appear in the collections of recognized arts institutions and museums, worldwide. A serious and passionate musician (a cappella jazz singer with three recording albums and over 700 concerts in this avocation), Chamberlain's artistic approach and imagery is inspired by studies of musical patterns and relationships. Other influences include topology, poetry, design and flying. His sculptures are noted for their playful explorations of lyrical, melodic edges and harmonious spaces. The surfaces are all one continuous form; the insides become the outsides and vice-versa; the edges are all one line. Mediums include mahogany, bronze, titanium, gold, and ceramic/porcelain. His paintings reflect an enthusiasm for composition and improvisation. Chamberlain has developed a way to create original oil paintings using methods adapted from monotype processes incorporating a light table and mirrors, an etching press, and a variety of hands-on tools (including fingers, rollers, static electricity and blowing)... but no brushes. This method, sometimes called the Chamberlain Method, makes possible the intense collaborations he is known for, where he and another artist work on the same painting at the same time. Called Duett Painting, this mutual and simultaneous way for two artists to paint together attempts to involve the backgrounds of each, directly and profoundly. There are no rules, and there is no place to hide whoever the artists are appears in the composition. As each artist's marks influence the other's, the painting takes on a momentum of its own, compelling the artists toward a new direction neither would have pursued on their own. Chamberlain has worked with over 100 artists, musicians, dancers, poets and creative people from the USA, Asia, Europe, South America and Africa. About half of his paintings are collaborative duetts; half are conventional solo works using these techniques. His studio is based near Boulder, Colorado. He is married, with two children, a dog and three cats. EDUCATION MLA University of Colorado 2002 Landscape Architecture MFA University of Pennsylvania 1977 Sculpture & Printmaking BA Princeton University 1971 Architecture & Design SELECTED EXHIBITIONS Consulate of Japan, San Francisco, CA 1999, 1998 Major Shows Muse a Muse' Gallery, Tokyo, Japan 1997, 1999 Retrospective: "Solos, Duets & Concertos" Muskegon Mus. of Art, MI 1996 "Duets" Delaware Museum of Art, Wilmington, DE 1995 MacLaren/Markowitz Gallery, Boulder, CO 1991 Retrospective: McKissick Museum of Art, Columbia, SC 1990 Retrospective: The Art Complex Museum, Duxbury, MA 1988 Pucker Gallery, Boston, MA 1981, 1984, 1988 Gibson Gallery, SUNY at Potsdam, NY 1987 Arlene McDaniel Galleries, Simsbury, CT 1986 Lyme Academy of Fine Arts, Old Lyme, CT 1985, 1986 Gallerie Obussier, Nantucket, MA 1985 New Acquisitions Gallery, Syracuse, NY 1983 Everson Museum of Art, Syracuse, NY 1983 COMMISSIONS: Operhall Suite; [Series of 6 original works] Muskegon Museum of Art 1994 Symphony Suite; Gibbes Museum & Charleston Symphony Orchestra 1994 Gospel Suite in F; New England Conservatory of Music, Boston, MA 1994 Eroica; Morgridge Auditorium, University of Wisconsin, Madison, WI 1992 Balletté; Southworth Library, Canton College, Canton, NY 1991 A Une Passante; M. C. Wallace Library, Wheaton College, Norton, MA 1991 Festivale; K. B. K. Foundation, Boston, MA 1990 A Une Passante; SUNY Potsdam, Potsdam, NY 1989 Balletté; Ensign-Bickford Corp., Simsbury, CT 1987 Torus; Stratus Computer, Inc., Marlboro, MA 1986 Rondella; BNWC, Brandeis University, Waltham, MA 1985 Viole, Ayre; Asset Management, Inc., Essex, CT 1983 Cantata; Horne Library, Babson College, Wellesley, MA 1981 COLLECTIONS Museums Art Complex Museum, Duxbury, MA Ashmolean Museum, Oxford University, England Asian Art Museum, San Francisco, CA British Museum, London, England Columbia Museum of Art, Columbia, SC Currier Gallery & Museum, Manchester, NH Danforth Museum, Framingham, MA Davis Museum of Art, Wellesley, MA DeCordova Museum, Linclon, MA Delaware Museum of Art, Wilmington, DE Denver Art Museum, Denver, CO Detroit Institute of Arts, Detroit, MI Everson Museum of Art, Syracuse, NY Farnsworth Museum of Art, Rockland, ME Fine Arts Center at Cheekwood, Nashville,TN Fitzwilliam Museum, Cambridge University, England Gibbes Museum of Art, Charleston, SC Gibson Gallery & Museum, SUNY Potsdam, NY Greenville County Art Msueum, Greenville, SC Hara Museum of Contemporary Art, Tokyo, Japan Johnson Museum of Art, Ithaca, NY McKissick Museum of Art, Columbia, SC Minneapolis Institute of Art, Minneapolis, MN Munson-Williams-Proctor Institute of Art, Utica, NY Museum of Fine Arts, Boston, MA Museum of Fine Arts, Springfield, MA Muskegon Museum of Art, Muskegon, MI National Museum of American Art, Washington, DC Nelson Museum of Art, Kansas City, MO New Britain Museum of American Art, New Britain, CT Portland Museum of Art, Portland, ME Portland Art Museum, Portland, OR Princeton University Art Museum, Princeton, NJ Rose Art Museum, Waltham, MA San Diego Museum, San Diego, CA Smith College Museum of Art, Northampton, MA Taylor Museum/CSFAC, Colorado Springs, CO University of Michigan Museum of Art, Ann Arbor, MI Victoria & Albert Museum, London, England Wadsworth Athenaeum, Hartford, CT Williams College Museum of Art, Williamstown, MA Yale University Art Gallery, New Haven, CT Institutions American Embassy, Tokyo, Japan [selected] Arjo Wiggins/Arches S.A., Annonay, France Bank of America, Boston, MA Boso Yusi Company, Tokyo, Japan Boston Ballet, Boston, MA Canadian Foreign Ministry, Ottawa, Canada Chase Manhattan Bank, Vietnam Embassy of Japan, Abu Dhabi, United Arab Emirates FIA Institute, Tokyo, Japan Fidelity Ventures & Associates, Boston, MA Frederik Meijer Sculpture Gardens, Grand Rapids, MI Gauteng Legislature, Gauteng, South Africa German Embassy to Vietnam, Hanoi, Vietnam Helix Technology Corporation, Longmont, CO Ito-En Company, Tokyo, Japan JAFCO America Ventures, Boston, Palo Alto, Tokyo Japanese Consulates: Boston, MA; Atlanta, GA; San Francisco, CA Japanese Foreign Ministry, Tokyo, Japan Japan External Trade Organization, New York, Tokyo Kepner-Tregoe Company, Princeton, NJ Kobe Steel, Ltd Tokyo, Kobe Mochida Medicines, Inc., Tokyo Monsanto, European Division, Brussels, Belgium New England Conservatory of Music, Boston, MA Nueva Set-Kei, Inc. Tokyo, Japan Opinion Research Company, Princeton, NJ PAR Associates, Inc., Boston, MA Price, Waterhouse & Company, Greenwich, CT Princeton Club of Japan, Tokyo, Japan Saint Joseph's Heart Hospital, Lexington, KY Spencer, Fane & Browne; Shugert & Thomson, Kansas City, MO Temple Society of Concord, Syracuse, NY T. Rowe Price, Inc., Colorado Springs, CO University of Wisconsin School of Business, Madison, WI Vietnam Embassy to Canada, Ottawa, Canada Yankelovich, Skelly & White, Stamford, CT COLLABORATIONS Johannesburg, South Africa (& Artist Proof Studio) 1997 Duetts with: Kagiso Pat Mautloa, Durant Sihlali, Mmakgabo Sebidi, Dumisane Mabaso, Nhlanhla Xaba, Pepe Abela, Vincent Baloyi, Ntepe Osiah Masekwameng, Gordon Gabashane, Sokhaya Nkosi Vietnam (& Indochina Arts Project) 1995 Fine Arts Associations, Saigon, Hue and Hanoi; Ecole des Beaux Arts, Hanoi Duetts with: Do Minh Tam, Hoc Hai, Huy Oanh, Le Anh Van, Le Thong, Le Van Suu, Manh Tuan, Mai Khanh, Nghia Duyen, Thuc Ban, Tran Khan Chuong, Tran Luong Studio Duetts 1995-2001 With: Yuji Kishimoto (Architect -- Japan/USA), Emi Tajima (Japanese master caligrapher), Nguyen Quynh Nhu (Vietnam), Eduardo Chavez & Arturo Miranda (Mexico), Kyi May Kaung (Burmese Poet), Patrick Moraz (Swiss/American composer/performer), Jingalu (Aboriginal Australian artist), Rungsak Dokbua (Thailand), and Americans Don Grusin (Composer/performer), Dave Grusin (Composer/performer), Harry Skoler (Composer/performer), Sarah Schneider (Dancer/choreographer), Sally Ranney (artist/humanist), Cleo Parker Robinson (Dancer/choreographer) China (PRC) 2001-2004 Proposal for an Artistic Collaboration with China, 2001-2004 (38 pages). Involving ten Chinese Artists, streaming on the internet, development of 160 museum-quality Duett paintings for world-wide exhibition; budget 1.6 million USD. HIGHER EDUCATION Visiting Artist [Associate Professor One-year appointment] 1990/1991 Art Department, University of South Carolina Adjunct Professor 1991-1994 Art Department, Rivier College, Nashua, NH Fellow/Panelist The Aspen Institute Aspen, CO 2000 Conference on World Affairs [Univ of Colo, Boulder] 1990-1998 Visiting Artist Haverford School, Bryn Mawr, PA 1999 Clemson University, Clemson, SC 1997, 1998 African Institute of Art, FUNDA Soweto, South Africa 1997 Princeton University 1996 Williams College 1995 Bradford College 1994, 1998 College of Charleston 1994 University of Pennsylvania 1993 University of South Carolina 1990, 1994 SUNY Albany 1992, 1993 Pine Manor College 1987, 1989 Bentley College 1988 Simon's Rock/Bard College 1988 Brandeis University 1986 Lyme Academy of Fine Arts 1985, 1986 Emerson College 1985 Harvard University 1984, 1985 Mount Holyoke College 1984 Syracuse University 1983 Colorado College 1977 Director; Artist in Residence 1974-1977 Arts College House, University of Pennsylvania Taught Drawing (figure & still-life) and Photography Initiated Interdisciplinary Program: Dance, Music, Poetry, Theatre, Film, Architecture, Art SCHOOLS & PROGRAMS Instructor, Photography & Visual Arts 1974-1976 Adirondack Lakes Center for the Arts Chair, Performing Arts Department 1971-1974 Purnell School Instructor, Visual Arts Department 1970-1974 Purnell School [Taught (& developed syllabi for) 21 Studio arts courses] Juror, College Entrance Examination Board Area: Fine Arts 1972 AWARDS Selection Who's Who: in American Art; in the East; in the World Grants Krasner-Pollack Foundation Emergency Grant, 1999 Indochina Arts Project (Ford Foundation) 1994 Individual Artist Grant, South Carolina Arts Commission 1991 K. B. K. Foundation, 1991, 1994 High Meadow Foundation, 1990 Ford Venture Fund Grant [Univ. of Pennsylvania] 1975-1977 Haas Memorial Fund Fellowship, 1976 GRANTS IN KIND Kodak, Rochester, NY Papeteries Canson & Montgolfier, Annonay, France; Royal Talens BV Oil Paints, Apeldoorn, Holland Takach Etching Press Corp., Albuquerque, NM South African Airlines; American Airlines Korean Airline; Trans World Airlines PUBLICATIONS Film segmant Video Jukebox DeCordova Museum of Art, Linclon, MA 1999 Film David Chamberlain: Artistry in Motion {30 minutes} SC-ETV/PBS 1992 Book Melodic Forms: The Sculpture of David Chamberlain {75 pages, color} 1990 David Godine, Publisher Boston, MA Videotape Search for Perfection; {16 minutes} FIS/Pucker Safrai 1982 Award: Red Ribbon Category: The Arts American Film Festival, New York INTERVIEWS All Things Considered, National Public Radio Weekend Edition, Monitor Radio & Public Radio International CNN Headline News, Atlanta, GA International News Scene, Reuters Press International, New York/Hong Kong Terra Infirma, Corp. for Public Broadcasting BBC World, London Art Scene, S. Carolina Public Radio Jazz Times, Blue Lakes Public Radio, Grand Rapids, MI Conversations with Jean Feraca, Wisc. Public Radio, Madison, WI WBZ-TV Boston, MA WCNY-TV Syracuse, NY WNPE-TV Watertown, NY WSBK-TV Boston, MA WERS-Radio Boston, MA RELATED EXPERIENCE Designs Arts College House (Program) ; University of Pennsylvania, Philadelphia, PA 1975 Performing Arts Center (Architectural); Purnell School, Pottersville, NJ 1973 Fine Arts Center (Architectural); Purnell School, Pottersville, NJ 1971 Diplome Centre Audio Visuel Langues Modernes, Vichy, France 1973 School for International Training, Experiment in International Living, Putney, VT 1973 Graduate Credits Teaching Studio Art Institute, Colorado College, 1972 Consultant Sculpture Walk Project Univ. of South Carolina, Architectural Facilities Planning 1990/91 "How to create, fund and impliment a self-sufficient world-class sculpture collection" Speaker "[Man] In The Arena" , Haverford School, Haverford, PA 2000 "Architecture & Painting" Clemson University Dept of Art & Architecture, AIA Lecture 1997 Reflections on Creativity" Am. Inst. of Architects Convention, Highlands, NC 1994 "Neurons, Notes & Sketches", Conference on Art & Mathematics Albany, NY 1993 "Music into Sculpture", Conference on Art & Mathematics Albany, NY 1992 "On the Creative Process", Empire State Plaza Art Collection Albany, NY 1993 "Creativity and Fullfillment", Conference on Health & Spirituality Boston, MA 1991 Vocalist & Cahoots (jazz a cappella quartet) 1974-present Album Recordings: "Released" (1993) ; Arranger "Haven't We Met" (1991); All Good Children (octet) 1972-74 Album: "All Good Children" (1980); Canto Ergo Sum (sextet) 1971-72; The Footnotes (double sextet) 1967-1971 Album: "Another Summer...

"In the Sky" is an original 1982 poster for the exhibition of "40 international aerial artists exhibiting over Purchase, New York, Aug 8, Washington DC, Oct 9, New York City, Oct 16, 1982". Produced and orchestrated by the Rainbow Art...

Artist: Willem de Kooning (1904-1997) Title: Composition for Lisa Year: 1984 Medium: Color silkscreen on wove paper Edition: 250, plus proofs Size: 17.75 x 23.25 inches Condition: Ex...

A very good impression of this scarce color lithograph on Arches. Artist's proof, aside from the edition of 65. Signed and dated in pencil. Published by the Martha Jackson Gallery...

Description: Tang Chenghua (B.1964) Silk screen Prints 98 x 65 cm Dated 2019 Edition 29 of 100, hand signed Tang Chenghua in chinese lower right About Tang Chenghua Tang Chen...

“I’ll find me a place by the river now and give up all my story lines.” – Van Morrison All of these paintings originated in the past year, but I suspect they truly began in 1955 after I returned from the army to complete my college education at Fresno State. Having discovered the heroic-scaled canvases of the abstract impressionists while away, I changed my major to art. Soon, after enrolling into a painting class taught by Darwin Musselman, I felt I’d be advancing from the old school to the new wave. Wrong. Musselman, an intense taskmaster, held me firm to the basics and taught me how to crawl first. The flying would come after I paid my dues. Musselman had studied at the Los Angeles Art Center and The School of Arts and Crafts in Oakland. Proficient in many styles of painting, he never shied away from demonstrating techniques he felt might spur a student’s progress. About the time I began to suspect he was controlling us all too tightly, he showed the class Hans Namath...

This artwork titled "Spring 69" 1969 is an original color lithograph by American artist Nancy Genn, b. 1929. It is hand signed, titled and inscribed Artist Proof in pencil by the artist. The size is 23.75 x 34.65 inches. It is in excellent condition, it has very small marks in the back due to tape removal from previous framing, not visible from the front. About the artist: Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. Her abstract expressionist paintings of this period, continuing through the mid-1970s, featured all-over compositions of colorful layers of gestural brushwork and calligraphic mark making resembling asemic writing. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture,[5] and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

Description: Tang Chenghua (B.1964) Silk screen Prints 98 x 65 cm Dated 2019 Edition 43 of 100, hand signed lower right About Tang Chenghua Tang Chenghua was born in 1964 in ...

Description: Tang Chenghua (B.1964) Silk screen Prints 55 x 45 cm Dated 2018 Edition 08 of 100, hand signed Tang Chenghua in chinese lower right About Tang Chenghua Tang Chen...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined Modern painting...

Stanley Boxer, (1926–2000) Date: 1990 Screenprint, signed and dated verso in pencil Edition of 7/20 Size: 38.5 x 26 in. (97.79 x 66.04 cm)

Description: Tang Chenghua (B.1964) Silk screen Prints 42 x 76 cm Dated 2018 Edition 08 of 100, hand signed Tang Chenghua in chinese lower right About Tang Chenghua Tang Chen...

Stanley WIlliam (Bill) Hayter Meduse, 1958 High Viscosity Etching & Engraving Pencil signed, titled and numbered from the edition of 50 (10/50) on th...

John Altoon (American, 1925-1969) From the 'About Women' Series. Color lithograph 1965/66, Hand signed and editioned in pencil with the chop mark of Gemi...

64.8 x 85.7 cms (25.5 x 33.75 ins) Edition of 30 Paper: Rives BFK Proofs: 1 BAT, 6 AP (I on Japanese paper), I CTP Signed lower right; numbered lower left; publisher's cho...

This artwork "Untitled" 1986 is a large original color screen print on Wove paper by noted American abstract expressionist artist Robert Natkin, 1930-2010. IOt is hand signed, dated ...

James Rosenquist (1933-2017) Star Thief Color lithograph on white wove paper, 1978-1986 Image size: 31.75” x 32”, full margins. Impression 8 of edition of 25 Signed, titled, da...

The final print of Sam Francis. L’étoile (SF-364) 1995. Museum glass anti-reflective. Artwork size : 127 x 78,5 cm Frame size : 147x98x4 cm Edition 6/50 artist blindstamp signature. Stamped by the Publisher. Artist's Proofs: 8 ex. Sam Francis Archive Number: SF-364. Free shipment worldwide. Publisher: The Litho Shop, Santa Monica. Sam Francis’s paintings are a journey into a dream, a voyage into the landscapes of the soul where colours are lights on fire. Alongside names such as Jackson Pollock, Willem de Kooning and Franz Kline, Sam Francis is an artist who has succeeded in demonstrating a total mastery of abstract expressionism’s impassioned and spontaneous genre. The explosions of colour – red, blue, green and yellow – the streaks, strokes and bold lines of his pictures are the physical synthesis of the deepest crevices of the soul. His colours create rhythmical motifs that, characteristically enough, can be called the “musicality” of his paintings. The work of Sam Francis provides a visible meeting place for the conscious and the unconscious. His pictures are the cross-fertilisation of what has already been experienced with what exists still only as desire, a struggle between melancholy and merrymaking. Influenced by C.G. Jung, the father of psychoanalysis, Sam Francis spent a large portion of his life exploring the premise that dreams, instincts and intuition provide, the keys which unlock the mysteries and meaning of our inner lives. He was also fascinated by the four ancient elements – earth, water, air and fire – which developed into a leitmotif in his work. Sam Francis was born in San Mateo in California, USA in 1923. After starting to paint at the age of around twenty, he soon found himself increasingly consumed by the power of art. He spent much of the 1950s in Paris, from where he not only made frequent excursions to a number of European cities, but also embarked on many journeys to South America and Asia. He continued to move from place to place, primarily in the USA and Japan, right up until his death in 1994. Sam Francis’s first...

Color lithograph by Mark Tobey (Centerville, Wisconsin 1890 - 1976 Basel) from "Vingt-deux poèmes" (Portfolio with artworks by several artists and 22 poems by Jean Cassou...

Created in 1971, Sam Francis People's Jade, 1971 is a color lithograph on Strathmore 100 percent rag paper hand signed by Sam Francis (San Mateo, 1923- Santa Monica, 1994) in pencil ...

Frank Stella challenges the narrative possibilities of abstraction in this tribute to the literary work “Moby-Dick”. Rather than plainly depicting scenes of the novel, Stella instead...

Artist: Paul Jenkins, American (1923 - 2012) Title: Untitled Year: 1983 Medium: Lithograph, signed and numbered in pencil Edition: 75 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

This artwork titled "Midnight Reach" c.1990 is in an original color monoprint on Wove paper by noted American artist Pia Stern, b. 1953. It is hand signed, t...

Created circa 1963, this color lithograph on Rives BFK paper is hand signed by Sam Francis in pencil in the lower right and inscribed “Special Proof Marlene” in pencil in the lower m...

Embossed abstract lithograph signed and numbered 1/12 by Los Angeles artist Sherry Schrut who was one of the prolific contributors of 20th- century Ameri...

“Far from being an exercise in nostalgia, this analogue technique offers Jackson, as it does other artists at the cutting edge of this art movement, a path to the future.” – The Financial Times “Mike...

Created in 1984 on handmade paper, “Glass Garden” was signed in pencil, numbered 50/59, and published by Motherwell with his blind stamp in New York City. Robert Motherwell, the youn...

Cities 20 – Evening, Radcliffe Camera Oxford by Susan Brown. A limited edition giclée print. The print edition is 150 The image size is 40 x 40 cm, o...

Artist: Arman, French (1929 - 2005) Title: Violents Violin II Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 150, AP 30 Size: 30 in. x 22 in. (76.2 cm x 5...

A very good impression of this color lithograph on Arches. Signed, dated and numbered 88/100 in pencil by Neel. Published by Eleanor Ettinger, Inc., New York, with the blind stamp lo...

105.4 x 74 cms (41 1/2 x 29 1/8 ins) Edition of 100 Paper: Arches Cover Signature: Signed "Motherwell" in pencil lower right Inscriptions: Numbered in pencil lower right; artist's c...

The goal isn't to replicate the real world - it is to show where the real world and the process meet - sometimes pushing towards the real world, sometimes pushing towards the process - but never completely at either extreme. - (the Artist: Mike G Jackson) NEW YORK CITY AND THE HUDSON 2020 "After spending time in New York and producing work that showed the city from the viewpoint of being on the inside, I wanted to show the city from the outside looking in. I wanted to try and capture the city and water using bold shapes - building up the scene piece by piece. Making the sky and sea from rectangles to make them a whole with the city structures." - Mike G Jackson Unique 4 x Prints, Selenium toned Silver Gelatine Luminogram Print, Hand printed in the darkroom, Framed Dimensions: 32 x 24 inches (82 x 62 cm approx including frame); can be framed separately or in one frame upon request Frame: Mounted on aluminium Dibond, custom made hardwood frame (framing options available upon request; colour and various material options) finish with antireflective UV protective AR Art Glass Mounting and framing of this work will be done after the purchase so the framing options like framing colour for example can be made according to specifications of the client; matt or gloss, black, white, metallic etc OFFER! Free Shipping worldwide: the work would be crated for protection and shipped by professional art shipping company; front door delivery; complementary delivery and install available in London area About the Artist: Michael Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner. Past awards and accolades include being named a Finalist for the Hasselblad Masters Award (2008, 2009, 2010) and winner of the 2013 Chris Beetles Award. His work has been exhibited internationally and is part of various private and public art and photography collections including The National Art Gallery in Washington, USA. Michael Jackson’s Luminograms are a very special piece of photographic art. Not a photograph in itself but a creative medium of its own. Each one is meticulously crafted by Michael in his darkroom. There are many structured stages to go through before the photographic paper can be hand developed and permanently fixed. Once Michael is happy with a finished Luminogram print it’s then toned in Selenium, which not only intensifies the prints tonality, but also increases the prints archival quality. Traditional photographic darkroom printing techniques have an unquestionable pedigree when it comes to the life expectancy of a photograph. Each Luminogram is unique and only one Silver Gelatin Print is produced of each image. The images reveal themselves with a 3D quality; viewed in the flesh the abstracted surreal forms within the paper come alive to the viewer. Michael Jackson’s Luminograms were exhibited for the first time at MMX Gallery in 2016; The Self Representation of Light exhibition and the following year at Photo London 2017 as well as next Photo London editions. The Luminogram work was also paired with theologian Edwin A. Abbott in a book published by 21st Editions, titled after the author’s famous work ‘FLATLAND’ and premiered in November at the Grand Palais in Paris, for Paris Photo 2017. Other recent group exhibitions include Light + Metal, PhotoEye Gallery, (USA) and Unbound 7, Candela Gallery, (USA), ATO>MIC, MMX Gallery, London 2022. “Mike Jackson...

Date: circa 1970 Lithograph, signed, numbered, and dedicated in pencil Edition of EA XII/XV Image Size: 15 x 12 inches Size: 22 x 17.5 in. (55.88 x 44.45 cm) Frame Size: 23 x 19 inches

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 17 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 75 Size: 35 x 45 inches

Adolph GOTTLIEB Blue Night, 1970 Color silkscreen, edition of 200 31 x 24 in.

The limited edition was printed at Fine Creations Inc. and has the printer's blind stamp on the bottom right. It was published by Lincoln Center for the Performing Arts. The availab...

Intersections by Jimmy Ernst, American (1920–1984) Date: 1979 Wash on Arches paper, signed and dated in pencil lower right Image Size: 25 x 40 inches Frame Size: 35 x 44.5 inches

An abstract Expressionist piece titled "Metamorphosis of Zan Biell" Numbered "20/20", and signed by artist Keisuke Serizawa. Woodcut on Rice Paper. Designer, painter, illustrator, d...

Artist: Larry Zox Title: Odon II Year: 1981 Medium: Serigraph, Signed and numbered in Pencil Edition: 38/185 Size: 42 x 30 in. (106.68 x 76.2 cm)

This artwork titled "Bicycle" 1979 is an original color lithograph by Colombian/American artist Knox Martin, b.1923. It is hand signed and numbered 199/300 in pencil by the artist. The image size is 30.35 x 12.35 inches, sheet size is 35.5 x 21.15 inches, It is in excellent condition, it has a small reference tag in the back. The colors are fresh and bright, has never been framed. About the artist: New York School artist Knox Martin was born in Barranquilla, Colombia to an American aviator father - the first man to ever pilot an aircraft over the Andes - and a Colombian mother. His family moved to Salem, Virginia and later to New York City when he was 5 years old. Knox Martin served in the Coast Guard in WWII on a sub-chaser, part of a rescue flotilla at Omaha Beach in Normandy. He attended The Art Students League of New York from 1946 to 1950 under the GI Bill. At the League he studied with Harry Sternberg, Vaclav Vytlacil, Will Barnet and Morris Kantor. There he met fellow students Susan Weil...

Donald K. Sultan (b. 1951) "Lilies" Screenprint in colors on arches 88 wove paper, 1998 Sheet size 24 x 20 inches Ed. 47 of 70 Initialed, numbered, dated, and titled in pencil alo...

Abstract composition is an artwork realized by Mark Tobey in 1970. Mixed colored aquatint and etching on paper paper. Hand signed and dated on the Lower right Numbered on the lowe...

Amadeus Listening Paul Jenkins, American (1923–2012) Date: 1992 Lithograph, signed, numbered, and dated in pencil Edition of 39/40 Image Size: 30.25 x 22...

Artist: Robert Natkin, American (1930 - 2010) Title: Untitled - III Year: circa 1977 Medium: Lithograph, Signed in Pencil Size: 31 in. x 24 in. (78.74 cm x 60.96 cm)

Brenda Zappitell is a painter known for her use of exuberant colors and vigorous brushwork. Zappitell synthesizes her observations of nature, the concept of Mindfulness or awareness ...

Brenda Zappitell is a painter known for her use of exuberant colors and vigorous brushwork. Zappitell synthesizes her observations of nature, the concept of Mindfulness or awareness ...

Untitled (SFE-013) Sam Francis, American (1923–1994) Date: 1984 Aquatint on Somerset, signed and numbered in pencil Edition of AP, 17 Image Size: 23.75 x 8 inches Size: 32.5 x 16 in. (82.55 x 40.64 cm) Frame Size: 43 x 27 inches Printer: Jacob Samuel...

Artist: Gregory Amenoff, American (1948 - ) Title: El Santurio de Chimayo Year: 1986 Medium: Lithograph, Signed and numbered in Pencil Edition: 40 Paper Size: 37 x 38 inches (93.98 x...

Porter's first color lithograph. A very good impression on Arches with strong colors. Signed and numbered 25/100 in pencil. Printed by Mourlot, New York. Published by Brooke Alexande...

Brenda Zappitell is a painter known for her use of exuberant colors and vigorous brushwork. Zappitell synthesizes her observations of nature, the concept of Mindfulness or awareness ...

Artist: Robert Natkin, American (1930 - 2010) Title: Untitled - IV Year: circa 1977 Medium: Lithograph, Signed in Pencil Size: 31 in. x 24 in. (78.74 cm x 60.96 cm)

Artist: Raymond Parker, American (1922 - 1990) Title: Jazz Year: circa 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 90 Size: 35.25 x 46 in. (89.54 x 116.84 cm)

Brenda Zappitell is a painter known for her use of exuberant colors and vigorous brushwork. Zappitell synthesizes her observations of nature, the concept of Mindfulness or awareness ...

Artist: Dan Christensen, American (1942 - 2007) Title: Shanidar Year: circa 1980 Medium: Silkscreen, Signed and numbered in Pencil Edition: 46/175 Size: 29.5 x 43 in. (74.93 x 109.22...

Brenda Zappitell is a painter known for her use of exuberant colors and vigorous brushwork. Zappitell synthesizes her observations of nature, the concept of Mindfulness or awareness ...

A very good impression of this color lithograph on light gray Rives BFK. It is signed, dated and numbered 119/120 in pencil by Brown. Printed and published by Gemini, G.E.L., Los Ang...

Artist: Gabor Peterdi, Hungarian (1915 - 2001) Title: The Reef Year: 1969 Medium: Color Etching, signed and numbered in pencil Edition: HC 10 Image Size: 17.5 x 24 inches Size: 23.5 ...