Victor VasarelyAbstract in Purple and Green
About the Item
- Creator:Victor Vasarely (1906 - 1997, French, Hungarian)
- Dimensions:Height: 34 in (86.36 cm)Width: 34 in (86.36 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Missouri, MO
- Reference Number:1stDibs: LU74733502731
Victor Vasarely
Widely considered the grandfather of Op art, the French-Hungarian painter Victor Vasarely (1906–97) created eye-popping geometric abstractions that play with the viewer’s perception of depth, perspective and motion. A classic example is the 1937 Zebra, which consists of undulating black and white stripes that suggest the form of the titular animal through optical trickery. The work is often credited as the earliest Op art painting.
Such illusions were more than pleasing tricks for Vasarely, who insisted that “pure form and pure color can signify the world.” He wanted to “democratize” art by producing works in large editions at reasonable prices that were understandable across national and cultural boundaries. In the 1960s, he developed an alphabet plastique, or fine art alphabet, consisting of elementary visual building blocks that could be used in endless combinations to create original compositions. By employing this universal visual vocabulary and stripping away topical references, he sought to create what he called a “Planetary Folklore.”
Embodying Vasarely’s singular belief that art should serve a social function, accessible to all, these innovations may perhaps be his greatest contribution to 20th-century art.
Find a collection of Victor Vasarely prints, paintings, sculptures and other art on 1stDibs.
- ShippingRetrieving quote...Ships From: Missouri, MO
- Return PolicyA return for this item may be initiated within 2 days of delivery.
- Red and Green BubblesBy Victor VasarelyLocated in Missouri, MOVictor Vasarely "Red and Green Bubbles" c. 1970 Color Serigraph Signed and Numbered Ed. 125 Framed Size: 34 x 29.5 inches Image: approx 18 x 18 inchesCategory
1970s Abstract Geometric Abstract Prints
MaterialsLithograph
- Sphere and CubeBy Victor VasarelyLocated in Missouri, MOVictor Vasarely "Sphere and Cube" c. 1970 Serigraph Signed and Numbered Ed. 250 Framed Size: 42 x 31 inches Image Size: 28 x 21 inchesCategory
1970s Abstract Geometric Abstract Prints
MaterialsLithograph
- FerdeBy Victor VasarelyLocated in Missouri, MOVictor Vasarely "Ferde" c. 1970 Serigraph Signed and Numbered Ed. 250Category
1970s Abstract Geometric Abstract Prints
MaterialsLithograph
- Observador de PajarosBy Rufino TamayoLocated in Missouri, MO"Observador de Pajaros" 1950 By. Rufino Tamayo (Mexican, 1899-1991) Edition 83/210 Lower Right Signed Lower Left Unframed: 15.5" x 22.5" Framed: 21.75" x 28.25" Rufino Tamayo (August 26, 1899- June 24, 1991) A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria...Category
20th Century Abstract Abstract Prints
MaterialsLithograph
- FramedBy Sam FrancisLocated in Missouri, MOFramed Sam Francis (American, 1923-1994) Edition 58/100 in pencil Lower Left Signed in pencil Lower Right 17 x 22 inches 25.5 x 30.5 inches An Abstract Expressionist* painter known ...Category
1960s Abstract Abstract Prints
MaterialsColor, Lithograph
- St. Louis Symphony Orchestra (Poster) -- signed limited editionBy Robert MotherwellLocated in Missouri, MOOriginal color lithograph designed by Robert Motherwell for the 94th Season, Powell Symphony Hall, St. Louis Symphony Orchestra From the limited edition of 120 + A.P.s on Arches Cove...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph
- UntitledBy Vaclav VytlacilLocated in Provincetown, MAVaclav Vytlacil, an eminent American artist and educator, played a pivotal role in popularizing Hans Hofmann's teachings in the United States. Renowned alongside modernist giants lik...Category
Early 19th Century Abstract Geometric Abstract Prints
MaterialsLithograph
- Eduardo Chillida - Collage - 1995 Lithograph 26.75" x 18.75"By Eduardo ChillidaLocated in Brooklyn, NYSku: R264 Artist: Eduardo Chillida Title: Collage Year: 1995 Signed: No Medium: Lithograph Paper Size: 26.75 x 18.75 inches ( 67.945 x 47.625 cm ) Image Size: 26.75 x 18.75 inches ( ...Category
2010s Abstract Geometric Abstract Prints
MaterialsLithograph
- Perspective III - Original Lithograph by Renato Livi - 1971By Renato LiviLocated in Roma, ITLimited edition of 199 prints, numbered and hand signed.Category
20th Century Abstract Geometric Abstract Prints
MaterialsLithograph
- Anton Stankowski, Lithograph, serigraph, signed and numb. Geometric CompositionLocated in Berlin, DEAnton Stankowski, lithograph (serigraph). Signed and numbered. Gemotetric composition. Dimensions with frame. Anton Stankowski was born in Gelsen...Category
20th Century Abstract Geometric Abstract Prints
MaterialsLithograph
- Purple - Original Lithograph by Lorenzo Indrimi - 1970 ca.By Lorenzo IndrimiLocated in Roma, ITHand signed. Edition of 100 pieces and 30 pieces in roman numbers plus some artist's proofs.Category
1970s Abstract Geometric Abstract Prints
MaterialsLithograph
- Composition - Original Lithograph - Late 20th CenturyLocated in Roma, ITComposition is an original lithograph artwork on cardboard, realized in the late 20th Century. Hand-signed on the lower right. Numbered on the lower left, Edition II/XX. The stat...Category
Late 20th Century Abstract Geometric Abstract Prints
MaterialsLithograph