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Yaacov AgamWash Art 1978, Yaacov Agam1978
1978
About the Item
Artist: Yaakov Agam (1928)
Title: Wash Art
Year: 1978
Medium: Silkscreen on wove paper
Size: 38.5 x 23.25 inches
Condition: Excellent
Inscription: Signed in colored ink
Notes: Published by Judith L. Posner & Assoc., Inc. This vintage poster was published in 1978 and is one of a kind. Multiple overlapped signatures by the artist in assorted color inks showcase the optical expression the artist is so very famous for. Only a small number of these posters were set aside and signed in this manner by the artist making them very rare and unique. The piece is printed a heavy stock wove paper with a matte finish and is in excellent condition.
YAACOV AGAM (1928- ) Yaacov Agam is one of the pioneer creators of the kinetic and optical movement in art as well as its most outstanding contemporary representative. Agam's work breaks with the established way of expressing reality in limited and "determined statements." He strives to demonstrate the principle of reality as a continuous "becoming" rather than as a circumscribed statement. Such an image gives the viewer the understanding that he is receiving a partial revelation behind which lie unseen levels of reality. His works are actively collected world-wide, and held in many prominent museums and private collections.
- Creator:Yaacov Agam (1928, Israeli)
- Creation Year:1978
- Dimensions:Height: 38.5 in (97.79 cm)Width: 23.25 in (59.06 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairfield, CT
- Reference Number:1stDibs: LU1342113537952
Yaacov Agam
Influenced by his upbringing in Judaism as well as the teachings of the Bauhaus, Yaacov Agam is a pioneer of kinetic art as well as the Op art movement and is often credited with introducing geometric abstraction to his home country of Israel.
Born in Rishon LeZion, Palestine — now part of Israel — the son of a rabbi, Agam found that the spiritual world had a major influence on his art practice, as did the sand dunes he grew up watching as they constantly shifted with the wind. This perpetual movement would inform his work, whereby riveting, prismatic compositions that transform from different perspectives, patterns that generate optical effects and sculptures that move with a passing breeze all reflect the gradual changes in nature.
Agam studied with Israeli painter Mordecai Ardon at the Bezalel School of Art in Jerusalem in the 1940s before traveling to Zurich where he trained with Swiss Expressionist painter Johannes Itten and was inspired by the abstract work of Russian painter Wassily Kandinsky.
One of the innovative techniques Agam developed was the Agamograph, which uses lenticular printing so that multiple images, which are revealed as the viewer moves around the piece, can be seen on a single work. His art has regularly involved the spectator as a participant, whether it’s the 1972–74 room-size kinetic installation he created for the Elysée Palace that’s now in the Centre Pompidou in which a gleaming abstract sculpture is surrounded on all sides by polychromatic lines or it’s public art like the 1986 Fire and Water Fountain in Tel Aviv with circles of vibrant panels that offer varying colors from every angle.
In 2018, the Yaacov Agam Museum of Art opened in Rishon LeZion, showcasing six decades of Agam’s influential work that engages with perception through color, shape and form, from paintings, prints and installations to new experiments in interactive digital art.
Find a collection of Yaacov Agam art today on 1stDibs.
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