Victor Vasarely

Sidney Janis Gallery Exhibition Poster

1966-1974

Yaacov Agam Chateau Mouton Rothschild label (hand signed), 1984 Offset lithograph (hand signed by Yaacov Agam) Hand signed twice in black and ...

Ross Bleckner The Seventh Examined Life: Offset Lithograph Invitation for Mary Boone Gallery (Hand Signed), 1991 Offset lithograph invitation fold-out card. (Hand Signed by Ross Blec...

Lucienne Bloch Untitled, from the Album International 2 Portfolio, 1977 Silkscreen on wove paper 11 1/2 × 11 inches Edition 1/50 Hand signed, number and dated on the front Unframed This is a rare Bloch silkscreen, signed and numbered in pencil from the limited edition of only 50. Superb provenance as it is was acquired from the original Album International Portfolio, number 1 of 50. Text from the Colophon page reads as follows: Swiss born, living in California. Limited signed edition of 50 serigraphs by Lucienne Bloch Lucienne Bloch was the daughter of famous European music composer...

Grisha Bruskin Note D, 1991 Color silkscreen on Somerset paper 34 × 27 inches Edition 74/75 Boldly signed and numbered on front in graphite pencil. Published by Marlborough Graphics Unframed From Russian-American Jewish artist Grisha Bruskin's "Notes" series. In Russia, Bruskin had been accused of creating “subversive” Soviet art and “Jewish propaganda". But he's said, “We have no prejudice here. Even Russians can feel something for art. Some Russians understand the Jewish paintings and some stupid Jewish people do not. It depends upon the person.” Below is an excerpt from a 1988 New York Times profile on Bruskin: “It is my intention to create two lines of mythology based on the mentality of socialism and Judaism,” he solemnly declares, while acknowledging the “difficulty of looking at Soviet art with Western criteria.” Bruskin’s paintings of Jewish characters are equally perplexing to some Soviets, though their meaning is not as evident because he has invented his own symbols. “In Egyptian or Assyrian art, there were symbolic equivalents of beliefs, but not in Judaism,” he says. “I was interested in creating them not at a secular level but at an artistic level.” In his Jewish-themed works, gnome-like characters may appear upside-down, carrying an angel, a menorah or a strange beast. Snippets of Hebrew text...

Menashe Kadishman Clothes 2, 1973 Silkscreen on wove paper Signed and numbered 31/70 on the front 23 1/4 × 32 1/2 inches Edition 31/70 Chris Prater of Kelpra Studio, Kentish Town, En...

Robert Indiana The Golden Future of America (Sheehan, 92), 1976 Silkscreen on Arches paper Signed and dated in pencil, lower right; numbered 13/175, in pencil, lower left. Also bears printers blind stamp Frame included: Elegantly matted and framed in a handmade wood frame On its face, this Robert Indiana's silkscreen, based upon the eponymous painting "The Golden Future of America", is a patriotic celebration of Americana, done for the country's bicentennial year. But its looks are deceptive, as the work has a far more subversive meaning. In 2014, the Art Newspaper...

Serigraph on paper from Jalons portfolio. Hand signed and numbered by the artist. Image size 25.75 x 24.5 inches. Sheet size 33.25 x 29.75 inches. From the main edition of 250. Add...

Serigraph on paper.. Hand signed and numbered by the artist. Image size 25.75 x 16 inches. Sheet size 30.5 x 19.5 inches. Frame size approx 37 x 26 inches. From the main edition of...

Neptune, from Eight Impressions. Serigraph in colors on wove paper. Hand signed and numbered by Victor Vasarely. Un-numbered (outside the hand numbered edition of 250). Image size 16 x 16 inches. Sheet size 24.37 x 19.25 inches. Frame size approx 26.5 x 25.5 inches. Additional images available upon request. Certificate of authenticity included. Artwork in excellent condition. All reasonable offers will be considered. About the Artist: Victor Vasarely ((French/Hungarian, 1906–1997) was credited as the grandfather and leader of the Op Art movement. Utilizing geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. Born Győző Vásárhelyi on April 9, 1906 in Pécs, Hungary, he briefly studied medicine, but after two years he dedicated himself to learn academic painting. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard paintings...

Serigraph on paper. Hand signed and numbered by the artist. Artwork size 36 x 18 inches. Frame size approx 49 x 30 inches. From the edition of 200. Certificate of authenticity i...

Serigraph on paper. Hand signed and numbered by the artist. From the edition of 250. Frame size approx 39 x 30 inches. Certificate of authenticity included. Artwork in excellent c...

Artist: Yaakov Agam (1928) Title: Wash Art Year: 1978 Medium: Silkscreen on wove paper Size: 38.5 x 23.25 inches Condition: Excellent Inscription: Signed in colored ink Notes: Publis...