Bev Doolittle

Drawn from the Heart ( 1, 2&3 )

1995

A Pair of Etchings by Kelly Fearing, done in 1982. The price is for the pair. Kelly Fearing ( American, 1918 – 2011 ) Title: Bird In The Rain 1982, #1 & #2 Medium: ...

By John Sloan American Realist From the early 20th century Ashcan School which focused on capturing day to day life in New York City during that period. Image size: 5.75" x 4.25" Et...

An exact giclée on canvas facsimile (the only one made) of the painting by Charles William Shaw ( American, 1941 - 2005 ). The piece depicts a fu...

A luminous landscape depicting a scene of traditional Plains America-Indian culture, masterfully rendered by David Sanders (1936 - 2013) in pastel on pap...

George Kovach (b. 1942) Medium: Oil on Canvas Dimensions: 24" x 36" Markings: Signed lower right Frame size - 32.5 x 44.5"

Manuel Garza (b. 1940) Local Texas Landscape Artist Title: Untitled Landscape, Hillcountry Bluebonnets Medium: Oil on Panel Size: Canvas 16" x 20" Framed 20.5" x 24.5" Fram...

Signed in pencil Edition: 75 Gargoyle Series No. 7 This impression probably printed by David Strang, 1937-38 Sheet: 9 1/4 x 11 1/4" Reference: William Dolan Fletcher, John Tay...

Blue Wing Etching, c. 1940 Signed in the lower right (see photo) Created while the artist was a commercial artist working in Minneapolis, after his tenure o...

Etching with aquatint on heavy laid paper, 7 x 9 1/4 inches (172 x 233 mm), full margins. Signed in the plate, lower right image area. Minor corner loss, top right, and a 1/4 inch ed...

Neil Welliver Loon, 1998 color etching, ed. of 175 29 3/4 x 29 5/8 in. (75.6 x 75.2 cm)

A fine etching of a Pike Fish. Perfect for the angler or sport fisherman Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, an...

MARGUERITE KIRMSE (English/American 1885-1954) THREE’S A CROWD, c 1930 Etching, signed and titled in pencil. Plate 6 3/8 x 9 ¾ inches. Full sheet with edges on all sides. Sheet 10 5/8 x 13 5/8 inches. In good condition, save for old tape on sheet edges verso, showing through to recto. A hint of a mat line below the signature Kirmse is considered to be one of the most important etchers of Dogs. Sheet with even white tone - photos show oblique shadows From Wikipedia: Marguerite first trained as a harpist at the Royal Academy of Music but spent much of her spare time drawing animals. She went to the United States in 1910 on holiday with friends but stayed there.[4] She was not successful in advancing her musical career and focused her attention increasingly on her animal drawing, which she developed by frequent sketching trips to the Bronx Zoo.[5] In 1921 she started producing etchings of dogs...