Faile

Red Dog (limited edition print with gold foil) by famous Street Art Pop Artists

2018

Damien Hirst From the Cradle to the Grave, 2005 Limited Edition hardback monograph (Hand signed and numbered) Hand signed and numbered 998/1500 by Damien Hirst on the title page 16 ×...

Roy Lichtenstein Paintings Drawings Collages Prints at Kent State University, 1976 Historic Offset Lithograph Poster 21 × 15 3/4 inches Unframed Limited edition highly collectible vintage Roy Lichtenstein poster. It was acquired from the estate of Ohio artist Joseph O' Sickey, a personal friend of Roy Lichtenstein, who was involved with the creation of the show. Very few of these posters remain, and in fact the only other one we have seen in recent years also came from O'Sickey's estate. "Lichtenstein", 1976, exhibition invite/poster, Kent State University School of Art, January 4-23-1976, lithograph on paper. This image is a 2 color version of Lichtenstein's 1972 work "still life with goldfish bowl and painting of a golf ball", which was inspired by Henri Matisses's 1912 work "goldfish." In very good condition with original folds, as issued Over the course of his career, Roy Lichtenstein designed 70 posters...

Robert Rauschenberg Earth Day, 1970 Offset Lithograph Plate signed and dated on the front Publisher: Castelli Graphics 33 1/2 × 22 1/4 inches Unframed This is the original 1970 offse...

Roy Lichtenstein The Red Horsemen, aka The Equestrians (with COA from the 1984 Olympic Committee), 1982 Limited Edition Offset Lithograph on Parsons Diploma Parchment Paper. Pencil...

Nancy Graves Original Graham Gallery poster (hand signed by Nancy Graves), 1968 Extremely rare vintage offset lithograph poster (hand signed by Nancy Graves) hand signed by Nancy Graves in pencil on the front Frame included: held in museum quality wood frame with UV plexiglass Publisher: Graham Gallery This late 1960s vintage Graham Gallery poster is hand signed by Nancy Graves on the front. It was published on the occasion of her "Camels" exhibition - a groundbreaking show in the artist's young life, as she died at age 54 of breast cancer. (People forget how brave she was, a sharp counterpoint to the style of the macho Minimalists of the era, like her ex husband Richard Serra.) The following year -- in 1969 - Nancy Graves became the first woman ever to have a solo show at the Whitney Museum. We've never seen another of these posters anywhere else in the world - let alone one hand signed by Nancy Graves. Elegantly framed in a museum quality wood frame with UV plexiglass Measurements: Frame: 17 x 17.5 x 1.5 inches Work: 10 x 10.75 inches About Nancy Graves: Nancy Graves (1940–1995) was born in Massachusetts. Her father worked as an accountant at the local Berkshire Museum, where art was displayed with natural history. He encouraged his daughter’s early interests in art, nature and anthropology — interests which endured for the rest of her life. After graduating from Vassar College with a degree in English Literature, Graves attended Yale University, where she earned both a B.A. and an M.A. in Art, studying alongside Chuck Close, Robert Mangold and Brice Marsden. Following Yale, she won a prestigious Fulbright Scholarship in 1964, and began studying painting in Paris — where she also married sculptor Richard Serra, whom she had met at Yale (and from whom she would divorce in 1970). Moving on to Florence soon after, she would live a somewhat nomadic life, spending time in countries that included Morocco, Kashmir, India, Egypt, Peru, Australia and Canada. From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information. Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance. After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps...

Roy Lichtenstein at Modern Art Pavilion, Seattle Art Museum Limited Edition poster, 1976 Offset lithograph Limited Edition of 1500 22 1/2 × 28 inches Unframed This limited edition o...

2 x Screen prints hand signed and numbered on 280gsm Somerset Velvet paper. Each of the two prints are packaged with their own certificate of authenticity within a specially crafted ...

Vintage 1984 Kenny Scharf Exhibition Poster: Original Kenny Scharf illustrated exhibition poster published by Tony Shafrazi Gallery in conjunction with the Fun Gallery, New York, NY 1984. Fun, cool, vibrant original 1980s pop art without breaking the bank. Medium: Offset Lithograph, 1984. Dimensions: 23 x 24.75 inches (folded open). Condition: Fold-lines as issued; good overall vintage condition. Muralist, painter, sculptor, and installation artist Kenny Scharf (American, b. 1958) is best known for his fantastical, large-scale paintings of anthropomorphic animals...

Keith Haring Tony Shafrazi 1982: set of 4 printed works: A set of four double-sided lithographic inserts from the seminal, spiral bound 1982 Keith Haring Tony...

Keith Haring Club DV8 San Francisco 1992: A rare, historic Keith Haring announcement card for Club DV8's pre-opening construction party, Friday December 4th, 1992; CLVB DV8, San Francisco. This party was dedicated to Keith Haring and even included a Keith Haring room. Offset printed announcement card. Dimensions 6 x 4 inches. Very good vintage condition. Unsigned from an edition of unknown; rare. Further Background: "Haring’s work has long been a part of San Francisco’s ocular culture. He created works for diverse venues in San Francisco during his lifetime, including murals for DV8, a club once located in the South of Market neighborhood, and a huge, multi-panel painting for the South of Market Child-care Center (also known as the Saint Patrick’s Daycare Center). Haring’s outdoor sculpture Untitled (Three Dancing Figures 1989), located at Third and Howard Streets, is a prominent feature of Moscone Convention Center, and his triptych altarpiece The Life of Christ (1990) is installed in the AIDS Chapel at Grace...

Keith Haring Tony Shafrazi Gallery, 2005 (Keith Haring Mickey Mouse): Vintage folding Keith Haring exhibition announcement published on the ...

Keith Haring Club DV8 San Francisco 1991: A rare 1991 Club DV8's poster featuring Keith Haring balloon dog artwork originally created by the artist for DV...