Etching Animal Prints

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundred...

This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundred...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831. The work was made of 29 volumes, containing hundreds o...

This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundred...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of " Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds...

The Donkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches,...

This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundred...

A very fine etching by the well-known Germany artist Kurt Meyer-Eberhardt. Colour has been added direct to the artist's plate in sepia tones to create this hype-realistic study of a ...

A striking tonal etching of a Great Dane by the famous German printmaker Kurt Meyer-Eberhardt (1895-1977). Signed in graphite below plate lines. Presented in a wash-line mount and el...

The Pigeon is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.75x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...

The Vulture is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...

This piece is from a collection of originally designed etchings with drypoints by Rembrandt. It is printed on Ingres D'arches off-white laid paper. The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998. Rembrandt van Rijn was one of the masters of the landscape genre in his prints and drawings. In his etching, "Landscape with a Cow...

The Wasp is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, u...

The Mother Hen is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inc...

" Migration " is an etching realized by  Georges Braque  in 1962. The print is hand signed and numbered. This is an edition of 90 prints. Bibliography: D. Vallier,  Braque : l'oeuvre gravé: catalogue raisonné , Flammarion, Paris 1982, p.241, n.72. Georges Braque  (1882-1963) was a French Fauve painter who began to rethink his own painting style after admiring Picasso’s  Les Demoiselles...

Jose Bedia (Cuban, 1959) 'Tumba y Raja', 2019 Sugarlift on iron plate Limited edition of 30 Image size: 89.5 x 151.5 cm. (35.2 x 59.6 in.) Overall size: 109 x 172 cm. (42.9 x 67.7 in...

"Les Chevres (The Goats)" is an original etching by Claude Lorrain. It depicts two pairs of goats and a shepherd watching over them. This etching is also in the collections of the Me...

This piece titled "Nevermore" is an original print by Samantha Mendoza and is made from copper etching with aquatint and copper leaf. This piece measu...

Duke of Wellington by Vladislav Khristenko Size of the image - 25 x 15 cm Size of the list - 34 x 22.5 cm Size in frame - 42 x 32 cm Etching and aquatint on paper #15 from edition ...

ARTIST: Salvador Dali TITLE: Chevalier Royal de L'Apocalypse MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 32/100 MEASUREMENTS: 20" x 25.75" YEAR: 1972 FRAMED: No COND...

WILL TAYLOR Archimedes’ Hare Original limited edition of 30 – printed by the artist on Somerset 300gsm Cotton paper Copper-plate etching Image size W 30 cm x H 40 cm Sheet size W 47 ...

Salvador Dali (Spain, 1904-1989) 'La Cerf se voyant dans l’eau', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.6 x 22.7 in. (77.5 x 57.5 cm.) Editi...

Salvador Dali (Spain, 1904-1989) 'Jinete apocalíptico', 1974 dry point, etching on paper 22.3 x 30.4 in. (56.5 x 77 cm.) Edition of 175 Unframed ID: DAL2001-016 Hand-signed by author ______________________________________________________ Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist. He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc. Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde. His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist. In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality. In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture. Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot. In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts. In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello. However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...

Salvador Dali (Spain, 1904-1989) 'Le Cheval et le Loup', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 22.9 x 30.8 in. (58 x 78 cm.) Edition of 250 Unframed ID: DAL2001-013 Hand-signed by author It appears reviewed in the catalog raisonné: The official catalog of the graphic works of Salvador Dalí. Albert Field. Page: 2/93. Nr. 74-1 L. ______________________________________________________ Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist. He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc. Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde. His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist. In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality. In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture. Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot. In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts. In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello. However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...

Salvador Dali (Spain, 1904-1989) 'Le Coche et le Mouche', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 22.9 x 30.4 in. (58 x 77 cm.) Edition of 250 U...

Salvador Dali (Spain, 1904-1989) 'La Cerf Malade', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.6 x 22.9 in. (77.5 x 58 cm.) Edition of 250 Unfram...

Salvador Dali (Spain, 1904-1989) 'Les Animaux Malades de la Peste', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 22.9 x 30.4 in. (58 x 77 cm.) Editio...

Salvador Dali (Spain, 1904-1989) 'La Cour du Lion', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.6 x 22.7 in. (77.5 x 57.5 cm.) Edition of 250 Unframed ID: DAL2001-007 Hand-signed by author It appears reviewed in the catalog raisonné: The official catalog of the graphic works of Salvador Dalí. Albert Field. Page: 2/93. Nr. 74-1 J. ______________________________________________________ Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist. He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc. Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde. His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist. In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality. In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture. Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot. In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts. In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello. However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...

Salvador Dali (Spain, 1904-1989) 'La Cour du Lion', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.8 x 22.9 in. (78 x 58 cm.) Edition of 250 Unframed ID: DAL2001-008 Hand-signed by author It appears reviewed in the catalog raisonné: The official catalog of the graphic works of Salvador Dalí. Albert Field. Page: 2/93. Nr. 74-1 C. ______________________________________________________ Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist. He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc. Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde. His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist. In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality. In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture. Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot. In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts. In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello. However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...

Salvador Dali (Spain, 1904-1989) 'Le Singe et le Léopard', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.8 x 22.7 in. (78 x 57.5 cm.) Edition of 25...

Salvador Dali (Spain, 1904-1989) 'L’Elephant et le singe de Jupiter', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 22.9 x 30.8 in. (58 x 78 cm.) Edition of 250 Unframed ID: DAL2001-006 Hand-signed by author It appears reviewed in the catalog raisonné: The official catalog of the graphic works of Salvador Dalí. Albert Field. Page: 2/93. Nr. 74-1 B. ______________________________________________________ Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist. He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc. Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde. His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist. In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality. In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture. Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot. In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts. In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello. However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...

Three Cocker Spaniels is an original color etching by well known French sports artist Leon Danchin. The three Spaniels are in waiting mode with two lying down and one sitting ...

The etching "The Game of Transformation. Butterflies" is an artist's play with meanings and associations. In this work, modern girls are presented in the form of glamorous fluttering...

SOLD UNFRAMED Mare and Foal by Orovida Pissarro (1893 - 1968) Etching 15.6 x 20.7 cm (6 ¹/₈ x 8 ¹/₈ inches) Artist's Biography Orovida Camille Pissarro, Lucien and Esther Pissarr...

Salvador Dali (Spain, 1904-1989) 'La Chêne et le Roseau', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.9 x 22.7 in. (78.4 x 57.5 cm.) Edition of 2...

How To Eat An Elephant is an original etching by Will Taylor. It explores animal images and mathematics, including the integral of volumes. Each impression is marked on the reverse w...

Heaviside Sheep is an original etching by Will Taylor. It explores animal images and mathematics, including the works of Oliver Heaviside. Each impression is marked on the reverse wi...

Image Size: 9" x 6" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando

Image Size: 6" x 4" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2016

Image Size: 6.5" x 4.5" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2013

Image Size: 6" x 4" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2016

Image Size: 6" x 4" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2016

Image Size: 6" x 3.5" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2015

Image Size: 7.5" x 5" Unframed Limited Edition Etching of 15 Hand Signed by Mariko Ando 2012

Image Size: 4" x 4" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2016

Image Size: 7" x 7" Unframed Limited Edition Etching of 30 Hand Signed by Mariko Ando 2003

Image Size: 7" x 4" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2013

Image Size: 4" x 4" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando