Wood Animal Prints

Red Grooms New York City Newsstand, "Extra, Extra Read All About It", 2003 Mixed Media 3-D Construction in Custom Fitted Lucite Box 20 × 26 1/2 × 10 1/2 inches Frame included Edition of 50 Hand signed and numbered from the limited edition of 50 In this Mixed Media 3-D Construction in custom fitted lucite box, Pop Art star Red...

Yayoi Kusama Love Forever, 2016 Ceramic (Porcelain) Dish and Cover Stamped Yayoi Kusama on bottom 4 1/2 × 4 1/2 × 1 1/2 inches Unframed Limited edition (exact number created is unkno...

Artist: Billy Al Bengston – American (1934-2022) Title: Untitled Year: 1990 Medium: Lithograph, silkscreen on Arches paper Sight size: 19.5 x 25.5 inches. Sheet size: 24 x 30 inches. Signature: Signed lower right Publisher: Cirrus Editions, Ltd., Los Angeles, CA Edition: 250 This one: 120/250 Condition: Excellent This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches. Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene." Early life and education Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956. Career Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang". After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface." Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...

This Blue Dog work consists of the dog in a red race car on an asphalt racetrack, blue sky and checkered wall strips. The blue dog has blissful yellow eyes. This pop art animal original silkscreen print on paper is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Thunder Road...

God Save the Green by Artist Harry Bunce is a limited edition print. An expressionistic piece, depicting a rabbit with the caption above 'God Save the Green'. Harry Bunce artist wit...

Artist Mark Knoerzer is best known for his abstract paintings, light installations and hand painted wooden sculptures. Using color and extensive layering to create geometric images a...

See How My Garden Grows, (1996) by George Rodrigue An original hand pulled silkscreen by George Rodrigue, signed in paint pen "Rodrigue," and numbered in paint pen 57/90. This pie...

Artist: George Rodrigue Title: Truly Rudy Year: 2000 Dimensions: 20in. by 16in. Edition: from the rare limited edition of 350 Medium: Original serigraph on ...

This is a one of a kind original pop art wall sculpture piece by southern California artist Optimus Volts. It is 11.2" x 9.25" x 2.5". A certificate of authenticity will follow deliv...

Artist: Hunt Slonem, American (1951 - ) Title: Three Deer Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP 30 Image Size: 24 x 32 inches Size: 26 in. ...

Artist Mark Knoerzer is best known for his abstract paintings, light installations and hand painted wooden sculptures. Using color and extensive layering to create geometric images and emergent symbols, Knoerzer has developed a unique visual language that, while often highly formal and even symmetrical, nevertheless reflects an intense commitment to beauty and the sheer pleasure of seeing. Knoerzer’s 2019 solo show Half-Life was reviewed by Cate McQuaid in The Boston Globe. His work has also appeared in documentaries as diverse as Evocateur: The Morton Downey Jr. Movie, which was selected for the Tribeca Film...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...