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Style: Fauvist
A Cat's Eyes - Transfer Monotype in Water Based Ink on Paper
Located in Soquel, CA
A Cat's Eyes - Transfer Monotype in Water Based Ink on Paper
Original transfer monotype painting by California artist Heather Speck (American, 20th C). Boldly colored close up of a ...
Category
1990s Fauvist Animal Prints
Materials
Ink, Paper, Monotype
Bernard Buffet - Homage to Dufy - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Bernard Buffet
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Dimension...
Category
1940s Fauvist Animal Prints
Materials
Lithograph
"L'oiseau de sables (Bird of the Sands)" contemporary animal bright signed
Located in Milwaukee, WI
"L'oiseau de sables" ("Bird of the Sands") is an original signed lithograph by Georges Braque executed in 1962. It is 37 of an edition of 125. The work is one of five lithographs cre...
Category
1960s Fauvist Animal Prints
Materials
Lithograph, Printer's Ink
Modernity - Lithograph - After Raoul Dufy
Located in Collonge Bellerive, Geneve, CH
(after) Raoul Dufy
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Dimensions: ...
Category
1940s Fauvist Animal Prints
Materials
Lithograph
L'Aquarium
Located in New York, NY
A very good impression of this color aquatint. Signed and numbered 2/100 in red crayon, lower margin. Published by Maeght, Paris.
Category
1950s Fauvist Animal Prints
Materials
Color, Aquatint
Still Life - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Raoul Dufy
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Di...
Category
1940s Fauvist Animal Prints
Materials
Lithograph
Raoul Dufy (after) - Autoportrait - Lithograph
By Raoul Dufy
Located in Collonge Bellerive, Geneve, CH
(after) Raoul Dufy
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Dimensions: ...
Category
1940s Fauvist Animal Prints
Materials
Lithograph
Composition - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Raoul Dufy
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Di...
Category
1940s Fauvist Animal Prints
Materials
Lithograph
Raoul Dufy (after) - Landscape - Lithograph
By Raoul Dufy
Located in Collonge Bellerive, Geneve, CH
(after) Raoul Dufy
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Dimensions: ...
Category
1940s Fauvist Animal Prints
Materials
Lithograph
Raoul Dufy (after) - Autoportrait - Lithograph
By Raoul Dufy
Located in Collonge Bellerive, Geneve, CH
(after) Raoul Dufy
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Dimensions: ...
Category
1940s Fauvist Animal Prints
Materials
Lithograph
Marcel Gromaire (after) - Homage to Dufy - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Marcel Gromaire
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signatur...
Category
1940s Fauvist Animal Prints
Materials
Lithograph
André Marchand (after) - Homage to Dufy - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) André Marchand
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique P...
Category
1940s Fauvist Animal Prints
Materials
Lithograph
After Raoul Dufy - Birds - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Raoul Dufy
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Di...
Category
1940s Fauvist Animal Prints
Materials
Lithograph
Homage to Renoir - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Raoul Dufy
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Dimensions: ...
Category
1940s Fauvist Animal Prints
Materials
Lithograph
Concert - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Raoul Dufy
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Di...
Category
1940s Fauvist Animal Prints
Materials
Lithograph
Charles Lapicque (after) - Homage to Dufy - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Charles Lapicque
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signatu...
Category
1940s Fauvist Animal Prints
Materials
Lithograph
Jacques Villon (after) - Homage to Dufy - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Jacques Villon
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature...
Category
1940s Fauvist Animal Prints
Materials
Lithograph
Jean Lurçat (after) - Homage to Dufy - Lithograph
By Jean Lurçat
Located in Collonge Bellerive, Geneve, CH
(after) Jean Lurçat
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Dimensions: ...
Category
1940s Fauvist Animal Prints
Materials
Lithograph
Raoul Dufy (after) - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Raoul Dufy
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Di...
Category
1940s Fauvist Animal Prints
Materials
Lithograph
Autoportrait - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Raoul Dufy
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Di...
Category
1940s Fauvist Animal Prints
Materials
Lithograph
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Located in Surfside, FL
This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928.
This is from the rare first edition, No. VII of 20 unbound sets, specially printed for Hans P. Kraus, with Henry de Montherlant inscription to him signed and dated March 3, 1960
These are not individually hand signed or numbered.
On BFK Rives French velin art paper
Pierre Bonnard (1867 – 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, (the Naive artists) his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject.
Pierre Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. His mother, Élisabeth Metzdorff, was from Alsace. His father, Eugène Bonnard, was from the Dauphiné, and was a senior official in the French Ministry of War. He had a brother, Charles, and a sister, Andrée, who in 1890 married the composer Claude Terrasse.
He received his education in the Lycée Louis-le-Grand and Lycée Charlemagne in Vanves. He showed a talent for drawing and water colors, as well as caricatures. He painted frequently in the gardens of his parent's country home at Grand-Lemps near the Cote Saint-André in the Dauphiné. He also showed a strong interest in literature. He received his baccalaureate in the classics, and, to satisfy his father, between 1886 and 1887 earned his license in law, and began practicing as a lawyer beginning in 1888. While he was studying law, he also attended art classes at the Académie Julian in Paris. At the Académie Julien he met his future friends and fellow artists, Paul Sérusier, Maurice Denis, Gabriel Ibels and Paul Ranson. In 1888 Bonnard was accepted by the École des Beaux-Arts, where he met Édouard Vuillard and Ker Xavier Roussel. He also sold his first commercial work of art, a design for poster for France-Champagne, which helped him convince his family that he could make a living as an artist. He set up his first studio at on rue Lechapelais and began his career as an artist.
From 1893 until her death, Bonnard lived with Marthe de Méligny (1869–1942), and she was the model for many of his paintings, including many nude works. Her birth name was Maria Boursin, but she had changed it before she met Bonnard. They married in 1925. In the years before their marriage, Bonnard had love affairs with two other women, who also served as models for some of his paintings, Renée Monchaty (the partner of the American painter Harry Lachmann) and Lucienne Dupuy de Frenelle, the wife of a doctor; it has been suggested that Bonnard may have been the father of Lucienne's second son. Renée Monchaty committed suicide shortly after Bonnard and de Méligny married.
In 1891 he met Toulouse-Lautrec and in December 1891 showed his work at the annual exhibition of the Société des Artistes Indépendants. In the same year Bonnard also began an association with La Revue Blanche, for which he and Edouard Vuillard designed frontispiece In March 1891, his work was displayed with the work of the other Nabis at the Le Barc de Boutteville. The style of Japanese graphic arts became an important influence on Bonnard. In 1893 a major exposition of works of Utamaro and Hiroshige was held at the Durand-Rouel Gallery, and the Japanese influence, particularly the use of multiple points of view, and the use of bold geometric patterns in clothing, such as checkered blouses, began to appear in his work. Because of his passion for Japanese art, his nickname among the Nabis became Le Nabi le trés japonard. He devoted an increasing amount of attention to decorative art, designing furniture, fabrics, fans and other objects. He continued to design posters for France-Champagne, which gained him an audience outside the art world. In 1892 he began to produce lithographs, and painted two of his early notable works, Le Corsage a carreaux and La Partie de croquet. He also made a series of illustrations for the music books of his brother-in-law, Claude Terrasse. In 1895 he became an early participant of the movement of Art Nouveau, designing a stained glass window, called Maternity, for Tiffany. In 1895 he had his first individual exposition of paintings, posters and lithographs at the Durand-Ruel Gallery. He also illustrated a novel, Marie, by Peter Nansen, published in series by in La Revue Blanche. The following year he participated in a group exposition of Nabis at the Ambroise Vollard Gallery. In 1899, he took part in another major exposition of works of the Nabis.
Throughout the early 20th century, as artistic styles appeared and disappeared with almost dizzying speed, Bonnard kept refining and revising his personal style, and exploring new subjects and media, but keeping the distinct characteristics of his work. Working in his studio at 65 rue de Douai in Paris, he presented paintings at the Salon des Independents in 1900, and also made 109 lithographs for Parallèment, a book of poems by Verlaine. He also took part in an exhibition with the other Nabis at the Bernheim Jeune gallery. He presented nine paintings at the Salon des Independents in 1901. In 1905 he produced a series of nudes and of portraits, and in 1906 had a personal exposition at the Bernheim-Jeune Gallery. In 1908 he illustrated a book of poetry by Octave Mirbeau, and made his first long stay in the South of France, at the home of the painter Manguin in Saint-Tropez. in 1909, and in 1911 began a series of decorative panels, called Méditerranée, for the Russian art patron Ivan Morozov.
During the years of the First World War, Bonnard concentrated on nudes and portraits, and in 1916 completed a series of large compositions, including La Pastorale, Méditterranée, La Paradis Terreste and Paysage de Ville. His reputation in the French art establishment was secure; in 1918 he was selected, along with Renoir, as an honorary President of the Association of Young French Artists. In the 1920s, he produced illustrations for a book by Andre Gide (1924) and another by Claude Anet (1923). He showed works at the Autumn Salon in 1923, and in 1924 was honored with a retrospective of sixty-eight of his works at the Galerie Druet. In 1925 he purchased a villa in Cannes.
In 1938 his works and Vuillard were featured at an exposition at the Art Institute of Chicago. The outbreak of World War II in September 1939, forced Bonnard to depart Paris for the south of France, where he remained until the end of the war. Under the German occupation, he refused to paint an official portrait of the French collaborationist leader, Marechal Petain, but accepted a commission to paint a religious painting of Saint Francis de Sales, with the face of his friend Vuillard, who had died two years earlier. He finished his last painting, The Almond Tree in Blossom, a week before his death in his cottage on La Route de Serra Capoue near Le Cannet, on the French Riviera, in 1947. The Museum of Modern Art in New York City organized a posthumous retrospective of Bonnard's work in 1948, although originally it was meant to be a celebration of the artist's 80th birthday.
Bonnard particularly used the model of Japanese art in a series...
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HOMAGE TO SIGMUND FREUD Signed Lithograph, Surreal Portrait, Psychoanalysis
By Chaim Gross
Located in Union City, NJ
HOMAGE TO SIGMUND FREUD, is an original hand drawn, stone lithograph by the American artist/sculptor Chaim Gross. HOMAGE TO SIGMUND FREUD was hand proofed and printed from hand drawn lithographic stones on archival Arches paper in shades of warm yellow for the background texture and red brown for the master drawing. HOMAGE TO SIGMUND FREUD is a surrealistic portrait composition depicting Sigmund Freud's face(one portraying him with spectacles) surrounded by symbolic imagery including swirling birds, a child opening a heart-shaped lock, an embracing couple, fingers and bare leg. HOMAGE TO SIGMUND FREUD expresses an intriguing variety of visualized psychological references.
This original, hand printed lithograph measures 18.5" x 22", registration marks are visible in print margins as evidence of the master printer's use of age-old printing methods first utilized in fine art lithography printmaking.
HOMAGE TO SIGMUND FREUD is unframed, in excellent condition, pencil signed, dated and inscribed B.A.T., Trial Proof aside from the edition by Chaim Gross. Edition was published in 1976 as a fundraiser for the Hebrew University in Israel.
Print size - 18.5 x 22 in., unframed, very fine condition, from the master printer's private collection
Printer - Joseph Kleineman, J K Fine Art Editions Co. NYC
Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921.
In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976).
In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture.
In the 1950s Gross began to make more bronze...
Category
1970s Fauvist Animal Prints
Materials
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Etching and aquatint with dog and airplane, signed/n by California Pop Art star
Located in New York, NY
BILLY AL BENGSTON
Untitled, from the In Barcelona Portfolio, 1988
Etching with aquatint on Rives BFK paper
22 × 30 inches
Signed, dated and numbered 29/75 in graphite pencil on the front
Published by: Poligrafia Obra Grafica SL, Barcelona, Spain
Abstract etching with aquatint containing the silhouette of a dog and an airplane contrasted with a highly textured background, by renowned West Coast based American artist Billy Al Bengston. Published by Poligrafia Obra Grafica, SL in Barcelona, Spain
Billy Al Bengston was memorialized in the New York Times as the artist who epitomized California Cool. Billy Al Bengston was born in 1934 in Dodge City, Kansas and moved to Los Angeles with his family in 1948. He studied painting under Richard Diebenkorn at California College of Arts and Crafts in Oakland. In 1957, Bengston began showing with the Ferus Gallery (founded and run by Walter Hopps...
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1980s Fauvist Animal Prints
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Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), mixed media Framed
Located in New York, NY
Stanley Boxer
Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), 1979
Etching, aquatint, engraving and drypoint on hand colored TGL handmade paper
Edition 16/20
Pencil sign...
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1970s Fauvist Animal Prints
Materials
Engraving, Drypoint, Etching, Aquatint, Mixed Media, Pencil, Graphite
PLAY Signed Lithograph, Young Woman In Tree Playing with Cats, Rainbow Sunset
By Will Barnet
Located in Union City, NJ
PLAY by the American painter and printmaker Will Barnet (born May 25, 1911 - died Nov. 13, 2012) is an original hand drawn lithograph printed using hand lithography techniques on arc...
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1970s Fauvist Animal Prints
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Previously Available Items
Sacrifices Made to the Nymphs, from Daphnis and Chloe
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Medium: Color lithograph
Title: Sacrifices Made to the Nymphs, from Daphnis and Chloe
Portfolio: Daphnis and Chloe
Year: 1961
Edition: 32/60 from deluxe edition ...
Category
1960s Fauvist Animal Prints
Materials
Lithograph
Free Shipping
H 21.25 in W 15 in
Creation
By Marc Chagall
Located in Washington, DC
Marc Chagall Creation
Artist: Marc Chagall
Medium: Original lithograph
Title: Creation
Portfolio: Drawings for the Bible
From VERVE, Vol. X, Nos. 37 a...
Category
1960s Fauvist Animal Prints
Materials
Lithograph
Birds - Vintage Offset Print after Georges Braque - 1970s
Located in Roma, IT
Birds is a vintage offset poster realized in 1970s after a work by Georges Braque.
Not signed, limited edition of 1.000.
Good condition except for some folding on margins.
Category
1970s Fauvist Animal Prints
Materials
Offset
Raoul Dufy (after) - Autoportrait - Lithograph
By Raoul Dufy
Located in Collonge Bellerive, Geneve, CH
(after) Raoul Dufy
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Dimensions: ...
Category
1940s Fauvist Animal Prints
Materials
Lithograph
Boats - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Raoul Dufy
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Di...
Category
1940s Fauvist Animal Prints
Materials
Lithograph
Modernity - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Raoul Dufy
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Dimensions: ...
Category
1940s Fauvist Animal Prints
Materials
Lithograph
Bernard Buffet (after) - Homage to Dufy - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Bernard Buffet
Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965.
Printed signature
Dimension...
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1940s Fauvist Animal Prints
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H 11.82 in W 9.45 in D 0.04 in
Circus Equestrienne Harlequin
Located in Surfside, FL
This is an original hand signed (I believe it is also hand colored but i am not positive) Artists Proof Lithograph of a Circus scene. This depicts a circus equestrienne Harlequin
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1940s Fauvist Animal Prints
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Located in Surfside, FL
This is an original hand signed (I believe it is also hand colored but i am not positive) Artists Proof Lithograph of a Circus scene. This depicts a trapeze artist an acrobat on the ...
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1940s Fauvist Animal Prints
Fauvist animal prints for sale on 1stDibs.
Find a wide variety of authentic Fauvist animal prints available for sale on 1stDibs. Works in this style were very popular during the 20th Century, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add animal prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, pink, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including (after) Raoul Dufy, André Marchand, (after) Georges Braque, and Georges Braque. Frequently made by artists working with Lithograph, and Aquatint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Fauvist animal prints, so small editions measuring 9.45 inches across are also available. Prices for animal prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $756 and tops out at $26,100, while the average work sells for $1,297.