Alberto Martini

Banchetto d’Amore - Original Etching by A. Martini - 1917

1917

Construction d’un temple – Plate n.6 is a b/w original etching and dypoint realized in 1972 (as it is reported on plate on the lower-right margin) by Paul Delvaux. From the collection “Construction d’un temple en ruine à la déesse Vanadé” came into being from the collaboration of four years between the French author and a memeber of the Nouveau-Roman, Alain Robbe-Grillet (1922-2008), and the Belgian artist Paul Delvaux (1897-1994). Firstly Robbe-Grillet wrote a text, to which Delvaux then replied witha wonderful engraving, Robbe-Grillet then responded with a second text. This is how the building blocks for this beautiful artist's book came together, upon which it was then constructed like a temple. The book was printed in an edition of 187 copies, of which only 40 contain the illustrations by Paul Delvaux. Our copy is unnumbered and printed on “Arches” ivory colored paper with the Bateau Lavoir watermark (on the lower right corner), and “Richard Bas” watermark (on the lower left margin). Image dimensions: 31.3 x 44.3 cm This beautiful artwork representing a woman looking at another woman pictured like ancient Greek marble statue...

French Village is an original artwork realized by Eugène Corneau between the end of the 1920s and the beginning of the 1930s. The monogram of the artist is present on the lower left...

Image dimensions: 18 x 24.8 cm. The Scrap Yard is a splendid etching realized by the Italian artist Riccardo Tommasi Ferroni (1934-2000). Hand-signed in pencil on the lower right m...

The dancer is an original artwork realized by Ilse Voigt in the first years of the 1950s. Etching and drypoint on Japan paper. Good conditions except for wide stains on the lower corners. Ilse Voigt (Chemnitz, 1905 – Magdeburg, 1990) was an artist, pastellist, illustrator, and drawer. She attended the Fine Arts Academy of Berlin where she took Emil Orlik's classes. From 1964, she participated in international collective exhibitions. At the Salon des Indépendants, she became one of the company members. She exhibited in many art galleries in Paris and Switzerland. She painted and illustrated flowers, portraits...

Untitled is an original artwork realized by Eugène Corneau in the first years of the 1930s. Etching and drypoint on paper. Monogram of the artist on the lower left. Excellent conditi...

Image dimensions: 10 x 14.8 cm. Two Lake Landscapes are the subjects on these two original black and white etchings and drypoint on paper,l realized by a German artist whose signatu...

Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...

About In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition #41 of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and aquatint...

- Plate 55 from the Suite 156 - with stamp signature - dated in the plate 2.3.70 - edition 26/50 - cat. raisonné Bloch 1910

MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...

MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...

MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...