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Claude Weisbuch'Il bouge sans arrêt' original signed lithograph poster after drypoint, 1960s1969
1969
About the Item
This poster is a lithographic enlargement of the dry point print 'Il bouge sans arrêt' by the French artist Claude Weisbuch. The image is an early example of his explorations into the nature of movement: in the image, the same model is seen from different vantage points - from behind, at a three-quarter view, etc. This shows Wesibuch grappling with how to portray the living model. Each iteration of the body and the face shows how the model changes in relation to the artist over the course of a single sitting, how each movement renders the subject of art impermanent. All the while, this adds a sense of dynamism and vitality to the sitter, showing them as alive and in the world.
29.88 x 20.75 inches, poster
32.13 x 23.38 inches, frame
Signed and inscribed to David Barnett, lower right
Inscribed "Agrandissement, pointe seche, il bouge sans arrêt" by the artist, en verso
Framed to conservation standards using archival materials including 100 percent rag mounting materials, UV5 Plexiglas to inhibit fading, and housed in a high-gloss black aluminium moulding.
Claude Weisbuch was born in Thionville, France in 1927 and was a pupil at L' École des Beaux-Arts de Nancy, France. As a painter, engraver, and exceptional lithographer, Claude Weisbuch has painted active motifs, such as musicians, horses, characters. Dominating in his work, by the relief and the velvety line which characterizes drypoint, his etchings are the strongest representations of his figures, intensely lively after 1960s.
Using dark tones which express his sharp sense, Claude Weisbuch ceaselessly captures life's dynamics, as the pictorial, musical and literary expressions that are essentially human. Whether it is the impassioned violinist, the mercurial actor, or the sitter shrouded with silent intensity, they have all been rendered with Weisbuch's love for drama. The brushstrokes are sweeping and bold while the paint is fluid. His pictures, full of movement, give one the impression of time-lapsed motion, and display an expression of passionate humanity tinged with a unique energy.
- Creator:Claude Weisbuch (1927, French)
- Creation Year:1969
- Dimensions:Height: 32.13 in (81.62 cm)Width: 23.38 in (59.39 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:Poster in good condition; some toning to paper; frame in good condition.
- Gallery Location:Milwaukee, WI
- Reference Number:
Claude Weisbuch
Claude Weisbuch was born in Thionville, France in 1927 and was a pupil at L' École des Beaux-Arts de Nancy, France. As a painter, engraver, and exceptional lithographer, Claude Weisbuch has painted active motifs, such as musicians, horses, and characters. Dominating in his work, by the relief and the velvety line which characterizes drypoint, his etchings are the strongest representations of his figures, intensely lively after the 1960s. Using dark tones which express his sharp sense, Claude Weisbuch ceaselessly captures life's dynamics, as the pictorial, musical and literary expressions that are essentially human. Whether it is the impassioned violinist, the mercurial actor, or the sitter shrouded with silent intensity, they have all been rendered with Weisbuch's love for drama. The brushstrokes are sweeping and bold while the paint is fluid. His pictures, full of movement, give one the impression of time-lapsed motion and display an expression of passionate humanity tinged with a unique energy. Weisbuch has been quoted as saying “I like the sketch, the uncompleted, the painting filled with mystery,”. "Some important things to look for in evaluating an artist for such a position of honour are: an inventiveness of style, a prolific output, and a consistency of quality--Claude Weisbuch has all three. His style is unique with a color range that is rich and warm in tone, certainly equal to that of Rembrandt. The fluidity of line and creation of motion is even more vigorous than in the work of Daumier or Toulouse Lautrec. His creativeness in composition is awesome and seems to have infinite possibilities of variation and vision." - David Barnett
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