Eric GillThe Harem1925
1925
About the Item
- Creator:Eric Gill (1882 - 1940, British)
- Creation Year:1925
- Dimensions:Height: 12.68 in (32.2 cm)Width: 10.01 in (25.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:
Eric Gill
Arthur Eric Rowton Gill ARA was an English sculptor, typeface designer and printmaker. Following Chichester Technical and Art School, Gill moved to London in 1900 to train with the ecclesiastical architect W.D. Caröe. Finding architecture somewhat pedestrian, he took stonemasonry lessons at Westminster Technical Institute and calligraphy lessons at the Central School of Arts and Crafts, coming under the influence of Edward Johnson, the designer of the London Underground's typeface. In 1903, he ceased his attempts to become an architect, instead of becoming a monumental mason, letter-cutter and calligrapher.
Based in Ditchling, Gill began direct carving of stone figures, the semi-abstract figures taking their influence from medieval statuary, mixed with influences from Classical statuary from the Greeks and Romans, with a little Post-Impressionism added in. Gill was offered major commissions from Westminster Cathedral for its Stations of the Cross (1914); a series of war memorials including the Grade II* memorial in Trumpington; three of the sculptures for Charles Holden's 1928 headquarters of London Underground at 55 Broadway, St James's; and a series of sculptures for the new 1932 Broadcasting House — the list continues. Never one to rest on his laurels, he was at the same time engaged in typographical adventures.
Gill had collaborated with Edward Johnson on the latter's initial thoughts on his London Transport typeface, but in 1925, Gill designed Perpetua on his own, and Gill Sans between 1927–30. For the Golden Cockerel Press, he created, in 1929, a bolder typeface to complement wood engravings. And of course, Gill was publishing decorated books. His 1929 Canterbury Tales was an epic work, with a whole series of beautiful wood engravings.
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Dilecti Mei PulsantisBy Eric GillLocated in London, GBOriginal wood engraving, 1930-31, 14.6 x 6.7 cm. (5.7 x 2.6 in.)Category
1920s Modern Figurative Prints
MaterialsWoodcut
- Fumeur à la Cigarette BlancheBy Pablo PicassoLocated in London, GBEtching and aquatint in colours, 1964, on Richard de Bas wove paper, signed in pencil and numbered 41/50 from the edition of 50, printed by Pennequin for Atelier Crommelynck, publish...Category
1960s Modern Figurative Prints
MaterialsEtching
- Les Portraits Imaginaires: One PlateBy Pablo PicassoLocated in London, GBLithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the French edition of 250 and inscribed with an ‘F’(there was also an America...Category
1960s Modern Figurative Prints
MaterialsLithograph
- Les Portraits Imaginaires: One PlateBy Pablo PicassoLocated in London, GBLithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the French edition of 250 and inscribed with an ‘F’(there was also an America...Category
1960s Modern Figurative Prints
MaterialsLithograph
- Henry's Arrival on the Art World Causes Gravity, from The Geldzahler PortfolioBy James RosenquistLocated in London, GBLithograph in colours, 1997, on Arches Cover paper, signed and dated in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Universal Limited Art...Category
1990s American Modern Figurative Prints
MaterialsLithograph
- Paris sans finBy Alberto GiacomettiLocated in London, GBFirst edition, from the edition of 250 copies on Vélin d’Arches from a total edition of 270; large 4to (42.2 x 32 cm); artist’s signature stamp to limitation page, 150 lithographs after Giacometti, loose as issued in publisher's printed wrappers, glassine wrappers, cloth chemise and slipcase. Giacometti’s testament to art and modern life in his beloved Paris. For Tériade it would be a milestone, the last great publication he would see through the press. The two men [Tériade and Giacometti] had maintained a close friendship ever since the Surrealist Years. The one hundred and fifty lithographs are a profoundly interpenetrating view of Giacometti's experience of Paris. He selected the plates to be printed and determined the order of their relationship, numbering each one. The frontispiece shows a nude figure of a woman plunging forward, as though diving into space, and is immediately followed by a quantity of views of city streets, then of interiors familiar to the artist. We come upon views of his studio, of the cafes he frequented, of Annette's apartment in the rue Mazarine and Caroline's in the Avenue du Maine, strangers at cafe tables, passers by, parked automobiles, the towers of Saint-Suplice, bridges across the Seine, The Eiffel Tower. To accompany the hundred and fifty plates, a text of twenty pages was planned, but the artist never got further than a few rough drafts. True, he was a devotee of words, Paris sans fin, however, said too much to the eye to be in need of other symbols (James Lord...Category
1960s Art Nouveau Figurative Prints
MaterialsLithograph
- The Torture to Confess - Woodcut Print by Paul Baudier - 1930sLocated in Roma, ITThe Torture to Confess is a woodcut print on ivory-colored paper realized by Paul Baudier (1881-1962) in the 1930s. Good conditions. Paul Baudier, (born October 18, 1881 in Paris a...Category
1930s Modern Figurative Prints
MaterialsWoodcut
- Portrait - Woodcut print - early 20th centuryLocated in Roma, ITPortrait is a woodcut print realized by an unknown artist in the early 20th Century. Very Good conditions. the artwork is depicted through confident strokes.Category
Early 20th Century Modern Figurative Prints
MaterialsWoodcut
- Portrait - Woodcut print - early 20th centuryLocated in Roma, ITPortrait is a woodcut print realized by an unknown artist in the early 20th Century. Very Good conditions. the artwork is depicted through confident strokes.Category
Early 20th Century Modern Figurative Prints
MaterialsWoodcut
- The Camp of General - Woodcut print by Paul Baudier - 1930sLocated in Roma, ITThe Camp of General is a woodcut print on ivory-colored paper realized by Paul Baudier (1881-1962) in the 1930s. Good conditions. Paul Baudier, (born October 18, 1881 in Paris and ...Category
1930s Modern Figurative Prints
MaterialsWoodcut
- The Salutation - Woodcut print by Paul Baudier - 1930sLocated in Roma, ITThe Salutation is a woodcut print on ivory-colored paper realized by Paul Baudier (1881-1962) in the 1930s. Good conditions except for diffused yellowish...Category
1930s Modern Figurative Prints
MaterialsWoodcut
- Mexican Modernist Kite Painting, Stencil, Woodcut Print Hand SignedBy Francisco ToledoLocated in Surfside, FLFrancisco Benjamín López Toledo (born July 17, 1940, Juchitán, Oaxaca) is a Mexican painter, sculptor, and graphic artist. He studied at the Escuela de Bellas Artes de Oaxaca and the Centro Superior de Artes Aplicadas del Instituto Nacional de Bellas Artes, Mexico, where he studied graphic arts with Guillermo Silva Santamaria...Category
21st Century and Contemporary Modern Mixed Media
MaterialsPaint, Woodcut, Stencil