Woodcut Figurative Prints
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Medium: Woodcut
Nihon Embankment in Yoshiwara Japanese Woodblock Print
Located in Houston, TX
Woodblock print from the Edo period. The print was apart of a series that Hiroshige did titled, "One Hundred Famous Views of Edo". The woodblock print is printed on rice paper.
The p...
Category
1850s Edo Woodcut Figurative Prints
Materials
Woodcut
Deutzia Flowers: The Wife of Kasamori - Original Woodblock Print
Located in Soquel, CA
Deutzia Flowers: The Wife of Kasamori - Original Woodblock Print
Deutzia Flowers: The Wife of Kasamori, from the Series "Beauties of the Floating World Associated with Flowers" by S...
Category
1760s Edo Woodcut Figurative Prints
Materials
Woodcut, Ink, Rice Paper
Kabuki Actor with Pine-Patterned Robe - Japanese Woodblock Print
Located in Soquel, CA
Kabuki Actor with Pine-Patterned Robe - Japanese Woodblock Print
Finely detailed woodblock by Utagawa Toyokuni (Japanese, 1769-1825). A kabuki actor is standing on a wooden deck, we...
Category
Early 19th Century Edo Woodcut Figurative Prints
Materials
Ink, Rice Paper, Woodcut
Heaven Canto 4 (The Divine Comedy)
Located in Greenwich, CT
Heaven Canto 4 is a wood engraving on BFK Rives with an image size of 10 x 7" from the popular French edition of the portfolio. Framed in a classic, gold-tone frame.
Cataloging:
Mi...
Category
20th Century Surrealist Woodcut Figurative Prints
Materials
Paper, Woodcut
Salvador Dalí, The Opposition, Paradise: Canto 11 (Field 189-200)
Located in Auburn Hills, MI
Wood Engraving in Colors on Rives BFK paper. Edition: 4765, French; 3188, Italian. Paper Size: 13 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue Raiso...
Category
1960s Surrealist Woodcut Figurative Prints
Materials
Woodcut
Kabuki Actor in Blue Kimono - Original Woodblock Print
Located in Soquel, CA
Kabuki Actor in Blue Kimono - Original Woodblock Print
Original woodblock print depicting a Kabuki actor in a blue kimono by Suzuki Harunobu (Japanese, 1725-1770). The actor holds u...
Category
1760s Edo Woodcut Figurative Prints
Materials
Ink, Rice Paper, Woodcut
The Ayase River and Kanegafuchi, Summer, One Hundred Famous Views of Edo
Located in Soquel, CA
The Ayase River and Kanegafuchi, Summer, One Hundred Famous Views of Edo
Summer on the Ayase River by Hiroshige (Ando) Utagawa (Japan, 1797 - 1858 ). Woodcut circa 1856.
Ima...
Category
1850s Realist Woodcut Figurative Prints
Materials
Woodcut, Ink
Untitled, Two Horsemen
Located in San Francisco, CA
This artwork "Two Horsemen" c.1960 is an original woodcut by noted Japanese artist, Tomikichiro Tokuriki, 1902-1999. It is hand signed and numbered 38/100 in pencil by the artist. The image (Block mark) size is 15.25 x 20.5 inches, sheet size is 16.5 x 21.15 inches. It is in very good condition, hanging tape remaining on the back.
About the artist:
Print artist. Tokuriki was born in Kyoto, where he has always worked. The last of a long line of traditional-style painters, he turned early to woodblock prints and became a leader of the Kyoto 'Sosaku Hanga'. He graduated from the Kyoto City School of Fine Arts and Crafts and then from the Kyoto City Specialist School of Painting in 1924. In 1928 he studied 'Nihonga' painting under Tsuchida Bakusen (1887-1936) and Yamamoto Shunkyo (1871-1933) and exhibited with Kokuga Sosaku Kyokai, but about the same time in 1929 he changed to woodblock printing under the influence of Hiratsuka Un'ichi and began to contribute to the early print magazine 'Han'. He was a member of Nihon Hanga Kyokai from 1932, and active in promoting 'Sosaku Hanga' in Kyoto. He was a co-founder of the Kyoto magazine 'Taishu hanga' in 1932, which helped create the sense of a local school of the Creative Print Movement much encouraged by Hiratsuka. He produced many sets of prints before and during the Pacific War based on traditional subjects, such as 'Shin Kyoto fukei' ('New View of Kyoto', 1933-4), which also included designs by Asada Benji (q.v.) and Asano Takeji (b.1900), and 'Tokyo hakkei' ('Eight Views of Tokyo', 1942). Most of these were published by Uchida of Kyoto, but after the war Tokuriki set up his own publishing company called Matsukyu, which also began to teach block-carving to artisans and artists, in later years many of them foreigners. In 1948 he also set up a sub-company called Koryokusha consisting of artists who would produce their prints under the financial umbrella of Matsukyu. Later sets include 'Hanga Kyoto hyakkei' ('One Hundred Print Views of Kyoto', 1975). Tokuriki has continued to be active in teaching and writing, producing a long series of articles on print techniques in 'Hanga geijutsu' magazine during the 1970s.
Bibliography
Smith, Lawrence, 'Modern Japanese Prints 1912-1989: Woodblocks and Stencils', BMP, London, 1994, p. 36 and no. 50.Statler, Oliver, 'Modern Japanese Prints: An Art Reborn', Turtle, Rutland, Vermont, and Tokyo, 1956, pp. 118-22.Tokuriki, Tomikichiro (trans. Arimatsu, Teruko), 'Woodblock Printing', Arimatsu Color Book Series no. 14, 8th English edn, Hoikusha, Osaka, 1977.Kanagawa Prefectural Museum of Modern Art, 'Kindai Nihon no mokuhanga-ten', exh. cat., 1990.Merritt, Helen, 'Modern Japanese Woodblock...
Category
Mid-20th Century Other Art Style Woodcut Figurative Prints
Materials
Woodcut
FOR SABINE : Hell 5 / 27 / 33 - 3 woodcuts Divine Comedy [Field #page 189]
Located in Paris, FR
Salvador Dali (1904-1989)
Hell 5 & 27 & 33
Set of 3 Wood engraving from "Divine Comedy"
with the printed signature
1960/63
Printed on paper Vélin BFK Rives
Size 32,8 x 26,4 cm (c. 1...
Category
1960s Surrealist Woodcut Figurative Prints
Materials
Woodcut
Ex Libris OOle - Woodcut Print - 1940s
Located in Roma, IT
Ex Libris OOle is an Modern Artwork realized in the first half of the 20th Century .
Original B/W woodcut print on ivory-colored paper.
The work is glued on cardboard.
Total ...
Category
1940s Modern Woodcut Figurative Prints
Materials
Woodcut
Stonechat - Woodcut Print by Alexander Francis Lydon - 1870
Located in Roma, IT
Stonechat is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) .
Woodcut print, hand colored, published by London, Bell & Sons, 1870. Nam...
Category
1870s Modern Woodcut Figurative Prints
Materials
Woodcut
Hell 11 : At the Edge of the Seventh Circle - Woodcut - 1963 (Field #p. 189)
Located in Paris, FR
Salvador Dali (1904-1989)
Hell 11 - At the Edge of the Seventh Circle
From the Divine Comedy (Dante)
Original woodcut
Signature printed in the plate
1960/63
Printed on paper Vélin B...
Category
1960s Surrealist Woodcut Figurative Prints
Materials
Woodcut
Ex-Libris - D. Logeman-Van Der Willigen - Woodcut Print - Mid-20th Century
Located in Roma, IT
Ex-Libris - D.Logeman-Van Der Willigen is an artwork realized in Mid 20th Century.
Woodcut B./W. print on paper. The work is glued on cardboard.
Total dimensions: 21 x 15 cm.
Ex...
Category
Mid-20th Century Modern Woodcut Figurative Prints
Materials
Woodcut
Rascals in Paradise - Figurative Print - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Various surfing gestures and rad moves are the subject matter here, in which the negative space becomes the subject. Printed on buff paper.
Rascals in Paradise - Figurative Print -...
Category
2010s Color-Field Woodcut Figurative Prints
Materials
Woodcut
Purgatory 13 - The Second Terrace - Color woodcut - 1963
Located in Paris, FR
Salvador Dali (1904-1989)
Purgatory 13 - The Second Terrace
Color woodcut on paper
Printed signature
1960/63
Printed on paper Vélin BFK Rives
Size 32,8 x 26,4 cm (c. 13 x 10")
REFE...
Category
1960s Surrealist Woodcut Figurative Prints
Materials
Woodcut
Steinhardt Woodcut Marian Anderson Signed African American, Israeli Bezalel Art
Located in Surfside, FL
Portrait in black and white, woodblock print. Pencil signed by both Jacob Steinhardt 1887-1968 and Marian Anderson. Very rare thus. (Commissioned by Dr. Leon Kolb, San Francisco)
3...
Category
1950s Expressionist Woodcut Figurative Prints
Materials
Woodcut
Dance Hall - Woodcut by Gaspard Maillol - Early 20th Century
Located in Roma, IT
Dance hall is a woodcut print realized by Gaspard Maillol (1880-1946).
Hand signed by the artist on the lower margin. Edition 19/160.
Gaspard Maillol , born on July 10 , 1880 in Ba...
Category
Early 20th Century Modern Woodcut Figurative Prints
Materials
Woodcut
Fire - Original Woodcut on Paper by Erika Lawson Frimke - 1937
Located in Roma, IT
Fire is an original woodcut artwork on paper realized in 1937 ca. by Russian artist Erika Lawson Frimke( 1878-1956), Hand-signed on the lower right in pencil.
The state of preservat...
Category
1930s Modern Woodcut Figurative Prints
Materials
Woodcut
Giant - Woodcut by Peter Blake - 1978
By Peter Blake
Located in Roma, IT
Giant is a contemporary artwork realied by Peter Blake in 1978
Woodcut on Japan paper, drystamped Waddington Graphics, London.
Plate dimensions: 15,5 x 13 cm
Mounted in a passepar...
Category
1970s Modern Woodcut Figurative Prints
Materials
Woodcut
Annunciation - Woodcut after Albrecht Durer - Early 20th Century
Located in Roma, IT
Annunciation is a woodcut print realized after Albrecht Durer in the early 20th century.
Good conditions with slight foxing.
The artwork is created through deft strokes by mastery.
Category
Early 20th Century Modern Woodcut Figurative Prints
Materials
Woodcut
Easter : Crucifixion - Woodcut on Arches vellum - Printed signature
Located in Paris, FR
Georges Rouault
Crucifixion
Woodcut and embossing (Raymond Jacquet workshop)
Printed signature in the plate
On Arches vellum
15 x 11" (38 x 28 cm)
INFORMATION : Woodcut published i...
Category
Mid-20th Century Modern Woodcut Figurative Prints
Materials
Woodcut
Kumasaka Chōhan to Ushiwakamaru - One of a Diptych Original Woodcut Print
Located in Soquel, CA
Kumasaka Chōhan to Ushiwakamaru is a Japanese Ukiyo-e print created between 1848 and 1854 by artist Utagawa Kunisada (Japanese, 1786-1864). The print is a Diptych, and is part of the...
Category
1850s Realist Woodcut Figurative Prints
Materials
Printer's Ink, Rice Paper, Woodcut
Father Stefan Fridolin, "Schatzbehalter" (Treasury of the True Riches
Located in Fairlawn, OH
Father Stefan Fridolin, "Schatzbehalter" (Treasury of the True Riches of Salvation): The 30th Figure - Astrological Diagram with Scene of the Nativity
Woodcut, 1491
Unsigned, as issued
Published by Anton Koberger
Diagram has Zodiac signs on outer ring, planets in the lower registers, and Nativity in the center.
Condition: Very good for a 15h century woodcut, with the usual slight age stains
Sheet size: 11 1/2 x 8 1/4 inches
Wogelmut was the teacher of Albrecht Durer and employed young Durer in many project of the last decade of the 15th century.
Michel Wolgemut Biography
Wolgemut trained with his father Valentin Wolgemut (who died in 1469 or 1470) and is thought to have been an assistant to Hans Pleydenwurff in Nuremberg. He worked with Gabriel Malesskircher in Munich early in 1471, leaving the city after unsuccessfully suing Malesskircher's daughter for breach of contract, claiming she had broken off their engagement. He then returned to his late father's workshop in Nuremberg, which his mother had maintained since Valentin's death.
In 1472 he married Pleydenwurff's widow and took over his workshop;[3] her son Wilhelm Pleydenwurff worked as an assistant, and from 1491 a partner, to Wolgemut. Some consider Wilhelm a finer artist than Wolgemut, however he died in January 1494, when he was probably still in his thirties. Wilhelm's oeuvre remains unclear, though works in various media have been attributed to him.
Woodcuts
Michael Wolgemut, Danse Macabre, 1493
Two large and copiously illustrated books have woodcuts supplied by Wolgemut and his stepson Wilhelm Pleydenwurff; both were printed and published by Germany's largest publisher, the Nuremberger Anton Koberger, who was also Dürer's godfather. The first is the Schatzbehalter der wahren Reichthumer des Heils (1491); the other is the Historia mundi, by Schedel (1493), usually known as the Nuremberg Chronicle...
Category
15th Century and Earlier Old Masters Woodcut Figurative Prints
Materials
Woodcut
Kambara - 53 Stations of the Tokaido - Woodcut by Utagawa Hiroshige - 1842
Located in Roma, IT
Kambara is a polychrome woodblock print (ink and colour on paper) by Utagawa Hiroshige (Japanese, 1797-1858). The plate n. 16, from the print suite Fifty-three Stations Along the Tok...
Category
1840s Modern Woodcut Figurative Prints
Materials
Woodcut
Cheers! - Woodcut by Hermann Paul - 1910s
Located in Roma, IT
Cheers! is a woodcut print on creamy-colored paper realized by Hermann Paul, in the 1910s.
Good condition with slight folding and repaired cutting.
René Georges Hermann-Paul (27 De...
Category
Early 1900s Modern Woodcut Figurative Prints
Materials
Woodcut
The Cathedral - Woodcut By Charles Dubin - Early 20th Century
Located in Roma, IT
The Cathedral is a watercolored woodcut print, realized by Charles Dubin in the 20th Century.
The state of preservation is Good.
The artwork is depicted skillfully through confiden...
Category
20th Century Modern Woodcut Figurative Prints
Materials
Woodcut
Boy Mounted on a Frog - Woodcut Print - 1830s
Located in Roma, IT
Boy Mounted on a Frog is a woodcut print on paper realized by an unknown artist in the 1830s
Good conditions.
The artwork is created through smooth delicate strokes by mastery.
Category
1830s Modern Woodcut Figurative Prints
Materials
Woodcut
"Le centaure" original woodcut
Located in Henderson, NV
Medium: original woodcut. This impression on thin wove paper was printed in 1902 and published by Gazette des Beaux Arts. Image size: 8 1/8 x 5 1/2 inches (207 x 140 mm). Signed in t...
Category
Early 1900s Expressionist Woodcut Figurative Prints
Materials
Woodcut
HELL CANTO 19
Located in Aventura, FL
Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German.
...
Category
1960s Surrealist Woodcut Figurative Prints
Materials
Woodcut, Paper
Conked
By Alison Saar
Located in New York, NY
Alison Saar was born in 1956 to Betye Saar, a well-known African American artist, and Richard Saar, an art conservationist. Her parents inspired her to be...
Category
1990s Contemporary Woodcut Figurative Prints
Materials
Woodcut
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Woodcut Figurative Prints
Materials
Woodcut
Hell 33 - The Betrayers of their Hosts - woodcut - 1963 (Field p. 189)
Located in Paris, FR
Salvador Dali (1904-1989)
Hell 33 - The Betrayers of their Hosts
woodcut
Printed signature in the plate
1960/63
Printed on paper Vélin BFK Rives
Size 32,8 x 26,4 cm (c. 13 x 10")
R...
Category
1960s Surrealist Woodcut Figurative Prints
Materials
Woodcut
1945 Brazilian Master, Art Deco Serigraph Woodcut Colonial Architecture Mission
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Woodcut Figurative Prints
Materials
Woodcut
"Motif aus Improvisation 25: The Garden of Love" original woodcut
Located in Henderson, NV
Medium: original woodcut. Catalogue reference Roethel 105. Printed in Paris in 1938 for the art revue XXe Siecle (issue number 3). Image size: 8 1/2 x 8 3/4 inches (217 x 220 mm). Sh...
Category
1930s Expressionist Woodcut Figurative Prints
Materials
Woodcut
HELL CANTO 1
Located in Aventura, FL
Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German.
...
Category
1960s Surrealist Woodcut Figurative Prints
Materials
Woodcut, Paper
1945 Brazilian Master, Art Deco Clown Serigraph Woodcut
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: harlequin clown
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Woodcut Figurative Prints
Materials
Woodcut
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Woodcut Figurative Prints
Materials
Woodcut
Purgatory Canto 29 (The Divine Comedy)
Located in Greenwich, CT
Purgatory Canto 29 is a wood engraving on BFK Rives with an image size of 10 x 7" from the popular French edition of the portfolio. Framed in a classic, gold-tone frame.
Cataloging:
Micheler, R., & Löpsinger, L. (Eds.). (1995). Salvador Dalí Catalogue Raisonné of Prints II Lithographs and Wood Engravings 1956 – 1980. Prestel. pgs 102 -114.
Field, A. (1996). The Official Catalog of the Graphic Works of Salvador Dalí. The Salvdor Dalí Archives. pgs. 189 – 200.
Dante Alighieri’s The Divine Comedy...
Category
20th Century Surrealist Woodcut Figurative Prints
Materials
Paper, Woodcut
Salvador Dalí, The Creation of Angels, Paradise: Canto 29 (Field 189-200)
Located in Auburn Hills, MI
Original Limited Edition Wood Engraving in Colors on Rives BFK paper. Edition: 4765, French; 3188, Italian. Paper Size: 13 x 10.25 inches. Inscription: Unsigned and unnumbered, as...
Category
1960s Surrealist Woodcut Figurative Prints
Materials
Woodcut
Salvador Dali, In the Hands of Antaeus (M. & L. 1039-1138; F. 189-200)
Located in Auburn Hills, MI
Original Limited Edition Wood Engraving in Colors on Rives BFK paper. Edition: 4765, French; 3188, Italian. Paper Size: 13 x 10.25 inches. Inscription: Unsigned and unnumbered, as...
Category
1960s Surrealist Woodcut Figurative Prints
Materials
Woodcut
3 Turns - Surfing Art - Figurative Print - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Three surfers carving up the Hawaiian waves, having a blast in the tropical surf.
3 Turns - Surfing Art - Figurative Print - Woodcut Print By Marc Zimmerman
Limited Edition 01/05
...
Category
2010s American Modern Woodcut Figurative Prints
Materials
Woodcut
Salvador Dali, News of the Limbos (M. & L. 1039-1138; F. 189-200)
Located in Auburn Hills, MI
Original Limited Edition Wood Engraving in Colors on Rives BFK paper. Edition: 4765, French; 3188, Italian. Paper Size: 13 x 10.25 inches. Inscription: Unsigned and unnumbered, as...
Category
1960s Surrealist Woodcut Figurative Prints
Materials
Woodcut
The Worker Woodblock Print c.1930's WPA Woodcut Print Hand Signed
Located in Surfside, FL
Some of his prints were published by the WPA some were done in Soviet moscow in Russia.. it is a wood engraving signed in pencil. From a small edition.
Albert Abramovitz (1879-1963...
Category
1930s American Impressionist Woodcut Figurative Prints
Materials
Woodcut
Coming Home Woodblock Print c.1930's WPA Woodcut Print Hand Signed
Located in Surfside, FL
Some of his prints were published by the WPA some were done in Soviet Moscow in Russia.. it is a wood engraving signed in pencil. From a small edition.
Albert Abramovitz (1879-1963...
Category
1930s American Impressionist Woodcut Figurative Prints
Materials
Woodcut
Rare Sighting - Figurative Print - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Finding a pussy cat in the deep jungle was truly a rare sighting for this naturalist. Black ink on buff rice paper.
Rare Sighting - Figurative Print - Woodcut Print By Marc Zimmerma...
Category
2010s Conceptual Woodcut Figurative Prints
Materials
Woodcut
Salvador Dali, The Irascible (M. & L. 1039-1138; F. 189-200)
Located in Auburn Hills, MI
Original Limited Edition Wood Engraving in Colors on Rives BFK paper. Edition: 4765, French; 3188, Italian. Paper Size: 13 x 10.25 inches. Inscription: Unsigned and unnumbered, as...
Category
1960s Surrealist Woodcut Figurative Prints
Materials
Woodcut
Salvador Dali, Fraud (M. & L. 1039-1138; F. 189-200)
Located in Auburn Hills, MI
Original Limited Edition Wood Engraving in Colors on Rives BFK paper. Edition: 4765, French; 3188, Italian. Paper Size: 13 x 10.25 inches. Inscription: Unsigned and unnumbered, as...
Category
1960s Surrealist Woodcut Figurative Prints
Materials
Woodcut
Salvador Dali, In Dark Limbo (M. & L. 1039-1138; F. 189-200)
Located in Auburn Hills, MI
Original Limited Edition Wood Engraving in Colors on Rives BFK paper. Edition: 4765, French; 3188, Italian. Paper Size: 13 x 10.25 inches. Inscription: Unsigned and unnumbered, as...
Category
1960s Surrealist Woodcut Figurative Prints
Materials
Woodcut
Divine Comedy Purgatory Canto 24
Located in Hollywood, FL
ARTIST: Salvador Dali
TITLE: Divine Comedy Purgatory Canto 24
MEDIUM: Woodblock
SIGNED: Hand Signed
EDITION NUMBER: 139/150
MEASUREMENTS: 9" x 13.5"
FRAME: No
CONDITION: Exce...
Category
Mid-20th Century Surrealist Woodcut Figurative Prints
Materials
Woodcut
Ex-Libris - Music., Alfons Van Quelle - Woodcut Print - Mid-20th Century
Located in Roma, IT
Ex-Libris - Music., Alfons Van Quelle i is an Artwork realized in The 20th Century.
Woodcut on paper.
Good conditions.
Category
Mid-20th Century Modern Woodcut Figurative Prints
Materials
Woodcut
Ex-Libris - Sylvio Moreaux - Woodcut Print - Mid-20th Century
Located in Roma, IT
Ex-Libris - Sylvio Moreaux i is an Artwork realized in The 20th Century.
Woodcut on paper.
Good conditions.
Category
Mid-20th Century Woodcut Figurative Prints
Materials
Woodcut
Ex-Libris - Dr. Stefan Csanyi - Woodcut Print - Mid-20th Century
Located in Roma, IT
Ex-Libris - Dr. Stefan Csanyi is an Artwork realized in The 20th Century.
Woodcut on paper.
Good conditions.
Category
Mid-20th Century Modern Woodcut Figurative Prints
Materials
Woodcut
Ex-Libris - Sireho Schmidta - Woodcut Print - Mid-20th Century
Located in Roma, IT
Ex-Libris - Sireho Schmidta is an Artwork realized in The 20th Century.
Woodcut on paper.
Hand-signed in pencil.
Good conditions.
Category
Mid-20th Century Woodcut Figurative Prints
Materials
Woodcut
Ex-Libris - Music, Kislinger - Woodcut Print - Mid-20th Century
Located in Roma, IT
Ex-Libris - Music, Kislinger is an Artwork realized in The 20th Century.
Woodcut on paper.
Good conditions.
Category
Mid-20th Century Woodcut Figurative Prints
Materials
Woodcut
Ex-Libris - Don Chisciotte - Woodcut Print - Mid-20th Century
Located in Roma, IT
Ex-Libris - Don Chisciotte is an Artwork realized in The 20th Century.
Woodcut on paper.
Hand-signed in pencil.
Good conditions.
Category
Mid-20th Century Woodcut Figurative Prints
Materials
Woodcut
Blue Face from the Brushstroke Figures Series
Located in Miami, FL
Lithograph, waxtype woodcut and screenprint on 638-g/m cold-pressed Saunders Waterford Paper. From the "Brushstroke Figures" series, 1989. Hand signed rf Lichtenstein, dated ('89) a...
Category
1980s Contemporary Woodcut Figurative Prints
Materials
Lithograph, Screen, Woodcut
Divine Comedy Heaven Canto 7
Located in Hollywood, FL
ARTIST: Salvador Dali
TITLE: Divine Comedy Heaven Canto 7
MEDIUM: Woodblock
SIGNED: Hand Signed
EDITION NUMBER: 52/150
MEASUREMENTS: 9" x 13.5"
FRAME: Yes
CONDITION: Excellen...
Category
Late 20th Century Surrealist Woodcut Figurative Prints
Materials
Woodcut
Divine Comedy Purgatory Canto 6
Located in Hollywood, FL
ARTIST: Salvador Dali
TITLE: Divine Comedy Purgatory Canto 6
MEDIUM: Woodblock
SIGNED: Hand Signed
EDITION NUMBER: 50/150
MEASUREMENTS: 9" x 13.5"
FRAME: No
CONDITION: Excell...
Category
Mid-20th Century Surrealist Woodcut Figurative Prints
Materials
Woodcut
Woodcut figurative prints for sale on 1stDibs.
Find a wide variety of authentic Woodcut figurative prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, blue, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Salvador Dalí, Mino Maccari, Michel Fingesten, and Utagawa Kunisada (Toyokuni III). Frequently made by artists working in the Modern, Surrealist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Woodcut figurative prints, so small editions measuring 0.04 inches across are also available
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