Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 14

Georges Braque
Le Signe (The Sign), 1954

1954

About the Item

Braque Le Signe (The Sign), 1954 is an intricate and mysterious piece. This work comes from a period in Braque’s life in which he became considerably more involved with printmaking and with illustrating poetry. In many ways, Braque was creating his personal artistic language. Furthermore, this image manifests from Braque’s continual exploration of space and movement. He breaks down visual imagery into its most basic form and questions their impact even in this fundamental form. In this way, the delicate lines which compose this figure become the focal point of this piece. It is possible to derive multiple interpretations of this image. Some viewers may identify a curious character, others merely see interactive forms. It is this ambiguity which makes this a beguiling image. In the center of the gold colored background is a curious figure composed of circles and triangles. Cross shaped symbols are dotted along the figure creating a symmetrical visual field. The coloring is spectacular, as alternating shades of gold and yellow interlace to resemble the coloring of an ancient scroll. The gold background appears to have a brushed effect which enhances its textural quality. Overall the colors contrast wonderfully, creating a balanced composition. Created in 1954, this color lithograph with an Arches watermark is hand-signed by Georges Braque (Argenteuil-sur-Seine, 1882 - Paris, 1963) in pencil in the lower right margin, numbered from the edition 30 in pencil in the lower left margin; published by Maeght, Paris, printed by Mourlot, Paris. Catalogue Raisonné: Braque The Sign (Le Signe), 1954 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work). 1. Vallier, Dora, Braque: The Complete Graphics, 1982. Listed and illustrated as catalogue raisonné no. 129 About the Framing: Framed to museum-grade, conservation standards, Braque The Sign (Le Signe), 1954 is presented in a complementary moulding and optical grade Plexiglas.
  • Creator:
    Georges Braque (1882 - 1963, French)
  • Creation Year:
    1954
  • Dimensions:
    Height: 19.75 in (50.17 cm)Width: 15.13 in (38.44 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Palo Alto, CA
  • Reference Number:
    Seller: 57361stDibs: LU156729187272
More From This SellerView All
  • Homme barbu couronné feuilles de vigne
    By Pablo Picasso
    Located in Palo Alto, CA
    Created in 1962, this linocut on Arches wove paper is hand-signed by Pablo Picasso (Malaga, 1881 - Mougins, 1973) in pencil in the lower right margin and is numbered from the edition of 50 in the lower left margin. Catalogue Raisonné: Pablo Picasso Homme barbu couronné feuilles de vigne...
    Category

    1960s Modern Figurative Prints

    Materials

    Lithograph

  • Le clown et l’Harlequin (Clown & the Harlequin)
    By Pablo Picasso
    Located in Palo Alto, CA
    In the wonderful Picasso Le clown et l'Harlequin (The Clown and the Harlequin), 1971, a clown and harlequin walk side by side as if in deep conversation. The vibrant red, blue and ye...
    Category

    1970s Modern Figurative Prints

    Materials

    Lithograph

  • Le Cirque (The Circus), from Cirque, 1967
    By Marc Chagall
    Located in Palo Alto, CA
    Created in 1967, Marc Chagall’s Le Cirque (The Circus), from Cirque, 1967 is a color lithograph on Arches paper. This work is hand-signed by Marc Cha...
    Category

    1960s Modern Figurative Prints

    Materials

    Lithograph

  • Le Cirque (The Circus) from the Circus
    By Marc Chagall
    Located in Palo Alto, CA
    Marc Chagall Le Cirque (The Circus), from the Circus, 1967 is a dream-like scene of ordinary characters such as animal, acrobats, and clowns. Chagall...
    Category

    1960s Modern Figurative Prints

    Materials

    Lithograph

  • Plate 15 from Album 19
    By Joan Miró
    Located in Palo Alto, CA
    Rhythmic serenity emanates from this delightful work. Miro creates a quirky yet sophisticated pattern of decorative and playful spots, irregular yet rep...
    Category

    1960s Modern Figurative Prints

    Materials

    Lithograph

  • Torero
    By Georges Braque
    Located in Palo Alto, CA
    Toreros seek to elicit inspiration and art from their work. Their intentions are not to deliberately cause harm the bull, but create an emotional connection with the crowd through th...
    Category

    1950s Modern Figurative Prints

    Materials

    Lithograph

You May Also Like
  • Old Ruins In Rome - Lithograph by Anonymous 19th Century Italian Artist
    Located in Roma, IT
    Old Ruins In Rome is an original lithograph realized by Anonymous artist in 1849. The print is taken from the daguerreotype of that period and shows the ruins caused by the disaster of the war in Rome. The artwork shows some of the most important buildings and monument of that period, such as Palazzo del Vascello and Palazzo dei Quattro Venti...
    Category

    1870s Modern Figurative Prints

    Materials

    Lithograph

  • Onorevole Romano Detto "Il Tribuno" - Lithograph by A. Maganaro - 1872
    By Antonio Manganaro
    Located in Roma, IT
    Onorevole Romano detto il Tribuno is an original artwork realized by Antonio Manganaro, in 1872. Original lithograph, watercolored by hand. Good conditions, except for a slightly yellowed paper due to the passing of time and some light foxings. This satirical print is plate n. XX (as written on the higher part of the artwork) from "The album of the 500" (Album dei 500), Tipografia De Angelis, Naples, and represents a satirical scene of an italian politician (l'Onorevole Romano) of the end of the XIX century. On the back, his biography. Signed on plate on the lower right A. Manganaro. Antonio Manganaro (Manfredonia, 1842 - Naples, 1920) was a painter, caricaturist, and drawing professor. Early designer, at the age of 14, he was sent to Naples at the Royal Institute of Art. The expenses were borne by two local patrons, Baron Cessa and Diego Badarò, who awarded him six ducats a month. He soon passed to painting classes, winning prizes and receiving the praises of his masters, including Maldarelli and Postiglione. Arrested for political conspiracy (his family belonged to the Young Italy), he was ordered to leave Naples. In 1859, he was part of the secret or action committee and, in 1860, he participated in the revolutionary movements that favored the entry of Garibaldi into Naples. Following the General, he participated in numerous feats of arms and was also wounded, obtaining a medal. Taking leave of the Mobile National Guards, he directed a newspaper, The Last Judgment...
    Category

    1870s Modern Figurative Prints

    Materials

    Lithograph

  • Parody of the Orestes - Lithograph by A. Maganaro - 1872
    By Antonio Manganaro
    Located in Roma, IT
    Parody of the Orestes is an original artwork realized by Antonio Manganaro, in 1872. Original lithograph, watercolored by hand. Good conditions, except for a slightly yellowed paper due to the passing of time and some light foxings. This satirical print is plate n. XIV (as printed on the higher part of the artwork) from "The album of the 500" (Album dei 500), Tipografia De Angelis, Naples, and represents a satirical scene of Italian journalitsts of the end of the XIX century. On the back, their biographies. Signed on plate on the lower right A. Manganaro. Antonio Manganaro (Manfredonia, 1842 - Naples, 1920) was a painter, caricaturist, and drawing professor. Early designer, at the age of 14, he was sent to Naples at the Royal Institute of Art. The expenses were borne by two local patrons, Baron Cessa and Diego Badarò, who awarded him six ducats a month. He soon passed to painting classes, winning prizes and receiving the praises of his masters, including Maldarelli and Postiglione. Arrested for political conspiracy (his family belonged to the Young Italy), he was ordered to leave Naples. In 1859, he was part of the secret or action committee and, in 1860, he participated in the revolutionary movements that favored the entry of Garibaldi into Naples. Following the General, he participated in numerous feats of arms and was also wounded, obtaining a medal. Taking leave of the Mobile National Guards, he directed a newspaper, The Last Judgment...
    Category

    1870s Modern Figurative Prints

    Materials

    Lithograph

  • La Tentation de Saint Antoine, Gustave Flaubert's illustrated book by O. Redon
    By Odilon Redon
    Located in Roma, IT
    Vol. In-Folio 45,2x34,2 cm., 205 pp. Edition of 220 copies including a xylographic vignette, 14 xylographic illustrations (on heads and footers of chapters) and 22 original lithograp...
    Category

    1930s Modern Figurative Prints

    Materials

    Lithograph, Woodcut

  • La Source dans les Bois - Lithograph by Henri Fantin-Latour - 1898
    By Henri Fantin-Latour
    Located in Roma, IT
    Autographie (Calcography on paper transfer and Lithograph). Beautiful Proof in sanguine on China paper. In Excellent conditions and full margins. Ref. Cat. Hédiart-Mason n.139; Jo...
    Category

    1890s Modern Figurative Prints

    Materials

    Lithograph

  • Le Caricature - Hand-Colored Lithograph by Jean-Jacques Grandville - 1831
    Located in Roma, IT
    Le Caricature is an original Hand-colored lithograph realized by Jean-Jacques Grandville in 1831. with a sentence on the lower center "On s'abonne chez Aubert Galerie Vero-Dodat", Ha...
    Category

    19th Century Modern Figurative Prints

    Materials

    Mixed Media, Lithograph

Recently Viewed

View All