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Henri de Toulouse-LautrecLa Passagère du 54 - Promenade en Yacht (The Passenger of 54 – Yacht Ride)1896
1896
About the Item
Henri de Toulouse-Lautrec La Passagère du 54 - Promenade en Yacht (The Passenger of 54 – Yacht Ride), 1896 is captivating work featuring a woman lounging unaffectedly in a striped chair on the deck of a yacht. She contemplates the sea and passing ships before her in a dreamy composition which captures the essence of luxurious living. In this work, Toulouse-Lautrec departs from his typical use of bold color and exciting displays of luxury, and instead opts to create a more intimate depiction of human life. Text overlaid over the image read “Salon des Cent; 31 rue Bonaparte; Exposition Internationale d’affiches.” The yellowish hues of the deck and chair and the woman’s hair perfectly complement the rich blues of the sea and text, exemplifying the artist’s expert knowledge and use of color. The viewer is drawn into the private life of the young woman, experiencing first-hand the warmth and comfort of the moment depicted.
A fine impression of Wittrock and Adriani’s third and final state printed after the addition of the text to the stone. Commissioned by La Plume (Léon Deschamps) for an international exhibition of posters at the Salon des Cent; printed by Bourgerie & Cie., with their credit line added to the stone at the lower portion of the right edge.
Created in 1893, Henri de Toulouse-Lautrec La Passagère du 54 - Promenade en Yacht (The Passenger of 54 – Yacht Ride), 1896 is an original lithograph printed in seven colors 9olive-green, beige, red, yellow, blue, black, dark grey-blue) on wove poster paper. Signed and dated on the stone with the artist’s monogram device in the lower right. From an edition of an unknown size.
Catalogue Raisonné & COA:
Henri de Toulouse-Lautrec La Passagère du 54 - Promenade en Yacht (The Passenger of 54 – Yacht Ride), 1896 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work).
1. Delteil Loys. H. de Toulouse-Lautrec, seconde partie, Paris, 1920. Listed and illustrated as catalogue raisonné no. 366.
2. Wittrock, Wolfgang. Toulouse-Lautrec: The Complete Prints. London: Sotheby’s Publications, 1985. Listed and illustrated as catalogue raisonné no. P20.
About the Framing:
Framed to museum-grade, conservation standards, Henri de Toulouse-Lautrec La Passagère du 54 - Promenade en Yacht (The Passenger of 54 – Yacht Ride), 1896 is presented in a complementary moulding and optical grade Plexiglas.
- Creator:Henri de Toulouse-Lautrec (1864 - 1901, French)
- Creation Year:1896
- Dimensions:Height: 23.94 in (60.81 cm)Width: 16.07 in (40.82 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Palo Alto, CA
- Reference Number:
Henri de Toulouse-Lautrec
During his brief artistic career, Henri de Toulouse-Lautrec captured the lively and often sordid atmosphere of Montmartre’s late 19th-century dance halls, cabarets, and theaters. Recording the performances he viewed and the establishments he visited on a nightly basis, he functioned as artist and narrator: original Lautrec paintings, drawings, prints, and posters expose the complexities of the quickly changing age in which he lived.
Between 1890 and 1900, Paris saw tremendous growth in its nightlife scene, with nearly 300 café-concerts serving women and men who drank, smoked, and fraternized in ways previously unpermitted to them in public. In such prominent clubs as the Moulin Rouge and less reputable institutions like the Moulin de la Galette, aristocrats often rubbed shoulders with the working class. It was within these establishments that Lautrec found the subjects he would voraciously document over the next decade.
Lautrec chronicled his era largely through printmaking — something few other artists had attempted to do in this medium. From 1891 until his death in 1901, he produced nearly 350 lithographic posters, editioned portfolios, and illustrations for journals and theater programs recounting life in Belle Époque Paris. The rise of color lithography in 1891 ushered in a new form of printmaking, and Lautrec found great success in this medium. This process allowed him to print large posters in color.
Find original Henri de Toulouse-Lautrec posters and prints for sale on 1stDibs.
(Biography provided by Allinson Gallery, Inc.)
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