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Kiki SmithToxicology2009
2009
About the Item
Kiki Smith
Toxicology, 2009
Linotype and engraving in black, gray, and yellow on white wove paper. Printed from a magnesium engraving on Vandercook cylinder presses.
Hand signed by both Henri Cole and Kiki Smith; unnumbered from the limited edition of 200
Frame Included: Elegantly matted and framed in a hand made yellow wood frame with UV plexiglass
Hand signed by both Kiki Smith and the poet Henry Cole
Kiki Smith (American, born Germany, 1954)
written by Henri Cole
published by the Davis Museum and Cultural Center, Wellesley College
printed by Annis Press, Wellesley College
Printed by Annis Press; published by Davis Museum and Cultural Center
Other editions of this work are in the collection of the Whitney Museum, the Art Institute of Chicago and other cultural institutions. This was created at a university press and was not widely distributed in the general marketplace
Broadside with the poem "Toxicology" by Henri Cole, printed in handset type, and hand drawn image by Kiki Smith, printed from a magnesium engraving; all printing was done on Vandercook cylinder presses. The broadside was printed "in honor of the poet's reading at the Davis Museum Literary Series on April 22, 2009."--From front
Measurements:
Frame:
16 x 15 x 1.25 inches
Print:
10.5 x 9.5 inches
- Creator:Kiki Smith (1954, American)
- Creation Year:2009
- Dimensions:Height: 16 in (40.64 cm)Width: 15 in (38.1 cm)Depth: 1.25 in (3.18 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Examined in frame and appear to be in an excellent condition.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745212677612
Kiki Smith
Born in Germany in 1954, the daughter of minimalist sculptor Tony Smith, Kiki Smith was raised in the United States and has earned international status as one of the most significant artists of her time. She was chiefly influenced by Louise Bourgeois, Eva Hesse and Lee Bontecou. While she is best known for her often dissected, anatomical sculptures, she has also produced a body of innovative printed art. Some of the major themes that Smith explores in her printed works include physiology, self-portraiture, nature, and female iconography. While her work in both mediums share a common psychological quality, she advances beyond the strict biological emphasis in her sculpture by including images such as snowflakes and butterflies in her prints. Smith’s work has been featured at five Venice Biennales and she has had several major solo museum shows.Smith’s work is in several major museum collections, including the Museum of Modern Art, New York; Whitney Museum of American Art, New York; the Walker Art Center, Minneapolis; Solomon R. Guggenheim Museum, New York; The Metropolitan Museum of Art, New York; and the Museum of Contemporary Art, Los Angeles. She is a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences. In 2017, she was made an Honorary Royal Academician by the Royal Academy of Arts, London. In 2000 she was awarded the Skowhegan Medal for Sculpture and in 2009 the Edward MacDowell Medal. She also received the 2010 Nelson A. Rockefeller Award, Purchase College School of the Arts; the 2013 U.S. Department of State Medal of Arts, conferred by Hillary Clinton; and the 2016 Lifetime Achievement Award from the International Sculpture Center, to name just a few. Smith is an adjunct professor at NYU and Columbia University and lives and works in New York.
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