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Maurice de VlaminckYoung girl Combing her Hair - Signed Woodcut - Fauve Art1957
1957
About the Item
MAURICE DE VLAMINCK 1876-1958
Paris 1876-1958 Rueil-la-Gadelière, Eure-et-Loir (French)
Title: Young girl Combing her Hair Jeune fille se coiffant, 1906/1957
Technique: Original Hand Signed and Numbered Woodcut on Simili-Japan Paper
Size: 61 x 48 cm. / 24 x 18.9 in.
Additional Inofrmation: This original woodcut is hand signed in blue pencil by the artist “Vlaminck” at the lower right margin.
It is also hand numbered in blue pencil from the edition of 100, at the lower left margin.
It was printed by Erkerpresse, St. Gallen and published by Bodensee-verlag, Amriswil, in 1957.
The artist created the woodcut block in 1906 and printed it in the edition of 100 in 1957.
The paper bears the blindstamp of the publisher in the lower left corner.
Literature: von Walterskirchen, K. (1974. Maurice de Vlaminck: Catalogue raisonné. Paris: Flammarion
Reference: v. Walterskirchen 3 B
- Creator:Maurice de Vlaminck (1876-1958, French)
- Creation Year:1957
- Dimensions:Height: 24.02 in (61 cm)Width: 18.9 in (48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good condition. Soft creasing along the right sheet edge. Remnants of hinging tape at the four corners.
- Gallery Location:London, GB
- Reference Number:1stDibs: LU18010945402
Maurice de Vlaminck
Maurice de Vlaminck was a French painter, best known as one of the spearheads of the Fauvism movement at the start of the 20th century. His reputation rests predominantly on his landscapes, though he also produced still lifes and portraits. Born in Paris in 1876, Vlaminck had relatively little artistic training and, as a young man, dreamt of becoming a professional cyclist. A chance encounter in 1900, however, when he was nearing the end of his national service in the army, proved fateful. It was with the budding artist, André Derain, whom he met when a train they were aboard derailed. The pair lived in the small town of Chatou, a few miles along the River Seine from Paris, and they chose to complete their homeward journey from the French capital that day on foot. They struck up a friendship, and before long were sharing a studio. Derain and Vlaminck would become, alongside Henri Matisse, the driving forces behind Fauvism, the first avant-garde art movement of the 20th century. Partly inspired by the recent innovations of Paul Gauguin and Vincent van Gogh, it was characterised by aggressive brushwork, simplified forms and intense non-naturalistic colours. Its name came from the reaction of a critic in 1905 who compared the artists to fauves (‘wild beasts’). Vlaminck enjoyed painting in primary colours, and is particularly associated with scenes set in and around Chatou. Standout examples include Restaurant de la Machine à Bougival (1905) (today found in the Musée d'Orsay) and The Seine at Chatou (1906) (found in the Metropolitan Museum of Art in New York). The poet Guillaume Apollinaire hailed Vlaminck as ‘the wildest of the Fauves’. In the years immediately before the outbreak of World War I, the artist’s style shifted. His palette grew slightly more sombre, and there was a greater emphasis on solidity and a landscape's underlying structure. This revealed the influence of Paul Cezanne — the subject of a ground-breaking, posthumous retrospective in Paris in 1907. Vlaminck worked in a munitions factory during the war. His paintings after it were much darker and more realistic than those with which he had made his name. He died in 1958, aged 82.
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