Paul GavarniLes Partageuses - Lithograph by Paul Gavarni - 1850s 1850s
1850s
About the Item
- Creator:Paul Gavarni (1804 - 1899, French)
- Creation Year:1850s
- Dimensions:Height: 15.36 in (39 cm)Width: 10.63 in (27 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1333351stDibs: LU650310796492
Paul Gavarni
Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator who was born in Paris. The story is told that he took his name from Gavarnie in Luz-Saint-Sauveur, where he had taken a journey into the Pyrenees. His first published drawings were for the magazine Le Journal des Dames et des Modes. At the time, Gavarni was barely 30-years old. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of Journal Des Gens du Monde. Gavarni followed his interests and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first, he confined himself to the study of Parisian manners, more especially those of the Parisian youth. Most of his best work appeared in Le Charivari. Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels and Eugène Sue's Wandering Jew. Among his illustrated works were Les Lorettes, Les Actrices, Les Coulisses, Les Fasizionables, Les Gentilshommes bourgeois, Les Artistes, Les Débardeurs, Clichy, Les Étudiants de Paris, Les Baliverneries Parisiennes, Les Plaisirs champêtres, Les Bals masqués, Le Carnaval, Les Souvenirs du Carnaval, Les Souvenirs du bal Chicard, La Vie des Jeunes Hommes and Les Patois de Paris. He had now ceased to be the director of Des Gens du monde but he was engaged as an ordinary caricaturist of Le Charivari and, while making the fortune of the paper, he made his own. His name was exceedingly popular and his illustrations for books were eagerly sought for by publishers. A single frontispiece or vignette was sometimes enough to secure the sale of a new book. Always desiring to enlarge the field of his observations, Gavarni soon abandoned his once-favorite topics. He no longer limited himself to such types as the Lorette and the Parisian student or to the description of the noisy and popular pleasures of the capital but turned his mirror to the grotesque sides of family life and of humanity at large. But while showing the same power of irony as his former works, enhanced by a deeper insight into human nature, they generally bear the stamp of a bitter and even sometimes gloomy philosophy. At one point Gavarni was imprisoned for debt in the debtors' prison of Clichy. After his release, he published his experiences in a work called L'Argent (Money). Gavarni visited England in 1849. On his return, his impressions were published in the book Londres et Les Anglais, illustrés par Gavarni (1862) by Émile de la Bédollière. Most of these last compositions appeared in the weekly paper L'Illustration. In 1857, he published in one volume the series entitled Masques et visages and in 1869, about two years after his death, his last artistic work, Les Douze Mois, was given to the world. Gavarni was much engaged, during the last period of his life, in scientific pursuits and this fact must perhaps be connected with the great change which then took place in his manner as an artist. He sent several communications to the Académie des Sciences, and until he died on 23 November 1866, he was eagerly interested in the question of aerial navigation. It is said that he made experiments on a large scale to find the means of directing balloons, but it seems that he was not so successful in this line as his fellow artist, the caricaturist and photographer, Nadar.
- ShippingRetrieving quote...Ships From: Monaco, Monaco
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Femme de Jalapa - Lithograph by Auguste Wahlen - 1844Located in Roma, ITFemme de Jalapa is a hand colored lithographs realized by Auguste Wahlen in 1844. Good conditions. The artwork belongs to the Suite Moeurs, usages et costumes de tous les peuples ...Category
1840s Modern Figurative Prints
MaterialsLithograph
- Naturel de Vanikoro - Lithograph by Auguste Wahlen - 1844Located in Roma, ITNaturel de Vanikoro is a hand colored lithographs realized by Auguste Wahlen in 1844. good conditions. the artwork belongs to the Suite Moeurs, usages et costumes de tous les peupl...Category
1840s Modern Figurative Prints
MaterialsLithograph
- The Posing Woman - Original Lithograph by Louis Touchagues - Mid-20th centuryBy Louis TouchaguesLocated in Roma, ITThe Posing Woman is an Original lithograph realized by Louis Touchagues in the mid 20th Century. Hand-signed on the lower by the artist and signed on the plate. Included a Passepar...Category
Mid-20th Century Modern Portrait Prints
MaterialsLithograph
- Le Comte De N - Lithograph By Paul Gavarni - mid 19th centuryBy Paul GavarniLocated in Roma, ITLe Comte De N is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. S...Category
Mid-19th Century Modern Figurative Prints
MaterialsLithograph
- Duval Pere - Lithograph By Paul Gavarni - mid 19th centuryBy Paul GavarniLocated in Roma, ITDuval Pere is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Signed on the plate" Par Gavarni". From series of "Masques et Visages". Titled on the lower. Very Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying...Category
Mid-19th Century Modern Figurative Prints
MaterialsLithograph
- Gaston De R - Lithograph By Paul Gavarni - mid 19th centuryBy Paul GavarniLocated in Roma, ITGaston De R is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Sig...Category
Mid-19th Century Modern Figurative Prints
MaterialsLithograph
- La Capeline de Paille d'Italie (The Italian Straw Hat).By Henri MatisseLocated in Storrs, CTLa Capeline de Paille d'Italie (The Italian Straw Hat). 1923. Lithograph. Duthuit 430. 17 3/4 x 15 3/4 (sheet 23 1/8 x 17 7/8). Trial proof, apart fr...Category
Early 20th Century Modern Portrait Prints
MaterialsLithograph
- Pablo Picasso - Painter and His Model - Original LithographBy Pablo PicassoLocated in Collonge Bellerive, Geneve, CHPablo Picasso - Original Lithograph Title: Painter and his Model Edition of 180 From the book "Regards sur Paris" (Paris: Andre Sauret, 1962) Unsigned, as issued Dimensions: 39 x 30 cm References: Mourlot 354, Bloch 1035 Pablo Picasso Picasso is not just a man and his work. Picasso is always a legend, indeed almost a myth. In the public view he has long since been the personification of genius in modern art. Picasso is an idol, one of those rare creatures who act as crucibles in which the diverse and often chaotic phenomena of culture are focussed, who seem to body forth the artistic life of their age in one person. The same thing happens in politics, science, sport. And it happens in art. Early life Born in Malaga, Spain, in October of 1881, he was the first child born in the family. His father worked as an artist, and was also a professor at the school of fine arts; he also worked as a curator for the museum in Malaga. Pablo Picasso studied under his father for one year, then went to the Academy of Arts for one year, prior to moving to Paris. In 1901 he went to Paris, which he found as the ideal place to practice new styles, and experiment with a variety of art forms. It was during these initial visits, which he began his work in surrealism and cubism style, which he was the founder of, and created many distinct pieces which were influenced by these art forms. Updates in style During his stay in Paris, Pablo Picasso was constantly updating his style; he did work from the blue period, the rose period, African influenced style, to cubism, surrealism, and realism. Not only did he master these styles, he was a pioneer in each of these movements, and influenced the styles to follow throughout the 20th century, from the initial works he created. In addition to the styles he introduced to the art world, he also worked through the many different styles which appeared, while working in Paris. Not only did he continually improve his style, and the works he created, he is well known because of the fact that he had the ability to create in any style which was prominent during the time. Russian ballet In 1917, Pablo Picasso joined the Russian Ballet, which toured in Rome; during this time he met Olga Khoklova, who was a ballerina; the couple eventually wed in 1918, upon returning to Paris. The couple eventually separated in 1935; Olga came from nobility, and an upper class lifestyle, while Pablo Picasso led a bohemian lifestyle, which conflicted. Although the couple separated, they remained officially married, until Olga's death, in 1954. In addition to works he created of Olga, many of his later pieces also took a centralized focus on his two other love interests, Marie Theresa...Category
1960s Modern Portrait Prints
MaterialsLithograph
- Jean Dubuffet - original lithograph from XXe Siecle magazineBy Jean DubuffetLocated in Collonge Bellerive, Geneve, CHJean Dubuffet - Original Lithograph from XXe Siecle magazine 1958 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. Unsigned and unumbered as issuedCategory
1960s Modern Figurative Prints
MaterialsLithograph
- Alexander Calder - Original Lithograph - Behind the MirrorBy Alexander CalderLocated in Collonge Bellerive, Geneve, CHAlexander Calder - Original Lithograph - Behind the Mirror Original lithographs produced in 1976 Dimensions: 38 x 56 cm Source: Derrière le miroir (...Category
1970s Modern Portrait Prints
MaterialsLithograph
- Marc Chagall - The Bible - Ahasuerus Sends Vasthi Away - Original LithographBy Marc ChagallLocated in Collonge Bellerive, Geneve, CHMarc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...Category
1960s Modern Figurative Prints
MaterialsLithograph
- Marc Chagall - The Bible - Rachel - Original LithographBy Marc ChagallLocated in Collonge Bellerive, Geneve, CHMarc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...Category
1960s Modern Figurative Prints
MaterialsLithograph