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Late 18th Century Figurative Prints

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Period: Late 18th Century
El Vergonzoso (Plate 54) (Los Caprichos Series)
Located in London, GB
Francisco Jose Goya Y Lucientes El Vergonzoso (Plate 54) (Los Caprichos Series) 1799 Etching with aquatint 31.5 x 20.5 cms (12.4 x 8.1 ins)
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Late 18th Century Figurative Prints

Materials

Etching

Nobil'Edifizio a diporto in Luogo di Delizia - Etching by Giuseppe Vasi - 1776
Located in Roma, IT
English Title: "Noble Pleasant Building" Beautiful Proof, showing the apparatus for firework designed and built in occasion of the Feast of S. Peter and Paolo (1776) by Giuseppe Pal...
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Old Masters Late 18th Century Figurative Prints

Materials

Etching

Vasi Antichi - Etching by G.B. Piranesi - 1778
Located in Roma, IT
Antique Vases Artist proof, printed on contemporary laid paper, wide margins, representing two antique vases, whom details are in the captures. Etching with good contrasts and sharp ...
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Late 18th Century Figurative Prints

Materials

Etching

Vaso antico di marmo che è ornato di quattro Maschere - Etching 1778
Located in Roma, IT
Antique marble vase decorated with four masks Artist proof, printed on contemporary laid paper, wide margins, representing an “antique marble vase ...
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Late 18th Century Figurative Prints

Materials

Etching

Vari Candelabri, un Vaso e Due Urne Cinerarie - Etching - 1778
Located in Roma, IT
Three candelabra, a vase and two cinerary urns. Artist proof, printed on contemporary laid paper, wide margins, from the serie “Vases and Candelabras...
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Late 18th Century Figurative Prints

Materials

Etching

La Devineresse - Original Etching by J-L Vauzelle - End of 18th Century
Located in Roma, IT
La Devineresse is an original artwork realized by Jean-Lubin Vauzelle in the second half of the XVIII century. Original etching on paper. Passepartout included (39 x 28.5 cm). Sign...
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Modern Late 18th Century Figurative Prints

Materials

Etching

Le Grand prêtre Coresus - Etching by J- Danzel - Late 18th Century
By Jérôme Danzel
Located in Roma, IT
Le Grand prêtre Coresus is an artwork realized by Jérôme Danzel in the second half of the XVIII Century. Burin after Fragonard's artwork "Coresus et ...
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Modern Late 18th Century Figurative Prints

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Etching

Elizabeth Duchess of Hamilton - Etching by W. Hamilton - Late 1700
Located in Roma, IT
Beautiful portrait of Elizabeth Duchess of Hamilton, in very good conditions. Prov. Ederheimer Gallery N.Y. Private Collection, Italy
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Late 18th Century Figurative Prints

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Etching

The Passengers - Original Etching by A. M. de Ghuy - 1775
Located in Roma, IT
The Passenger is an original artwork realized by Antoine de Marcenay de Ghuy in 1775. Original etching on paper. Titled on the lower margin at the center. The artwork is glued on ca...
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Old Masters Late 18th Century Figurative Prints

Materials

Etching

Edificio con Loggiato per l'estrazione del Lotto - by Giuseppe Vasi - 1776
Located in Roma, IT
Image dimensions: 51x38.4 cm. Beautiful Artist's Proof, representing the apparatus for firework built in occasion of the Feast of S. Peter and Paolo (29th June 1776) by Paolo Posi. ...
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Old Masters Late 18th Century Figurative Prints

Materials

Etching

La Veduta interna dell’Atrio del Portico d’Ottavia - Etching After G.B. Piranesi
By Johann-Christian-Jacob Friedrich
Located in Roma, IT
La Veduta interna dell’Atrio del Portico d’Ottavia is a splendid engraving made by the German artist Johann-Christian-Jacob Friedrich (Friedricchstadt, Dresda, 1746 – 1813) after Giovan Battista Piranesi...
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Late 18th Century Figurative Prints

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Etching

Prospetto della medesima Sedia Curale, Veduta della parte... - Etching 1778
Located in Roma, IT
Another front view of the same chair / Rear view of the same chair. Artist proof, printed on contemporary watermarkedpaper, wide margins, representing the same chair in front and re...
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Late 18th Century Figurative Prints

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Etching

La celebre impresa di Ercole negl'Esperidi - Etching by Giuseppe Vasi - 1774
Located in Roma, IT
English Title: "The Famous Ercole’s undertaking in “Esperidi” Beautiful Artist's Proof, representing the first complex apparatus for firework built in occasion of the Feast of S. Pe...
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Old Masters Late 18th Century Figurative Prints

Materials

Etching

Prospetto della medesima sedia Curule... - Etching 1778
Located in Roma, IT
Another front view of the same chair + Cinerary urn in marble Artist proof, printed on contemporary laid paper, wide margins. Two Piranesi’s Etching on the same sheet, with good cont...
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Late 18th Century Figurative Prints

Materials

Etching

Campidoglio Festivamente Ornato - Etching by Giuseppe Vasi - 1775
Located in Roma, IT
English Title: "Capitol Festively Decorated" Beautiful Proof, showing the apparatus for firework built by the “Cav. e Arch.” Paolo Posi, drown by “Giuse. Palazzi”, engraved by “Cava. Giusep. Vasi”. This wonderful Etching represents the Capitol festively decorated in occasion of the Feast of S. Peter and Paolo (29th June 1775). Signed on plate lower margin. Original Title with a detailed capture under the picture. In Very Good condition. Ref: G. Sassoli, Apparati architettonici per fuochi d'artificio, 1994, p.155, n. 97. Master of Giovan Battista Piranesi...
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Old Masters Late 18th Century Figurative Prints

Materials

Etching

18th century etching figurative royalty wedding scene print black and white
Located in Milwaukee, WI
"The Marriage of Saint Margaret and King Malcolm" is an etching by Scottish artist Alexander Runciman. There is an engraved signature with the artist's monogram followed by "pinxit et fecit," indicating that Runciman both designed the original drawing and likely executed the etching on the metal plate. On the left, a young woman with a halo in fine dress stoops slightly and gathers her skirts as she leans over to accept the ring that the man on the right is reaching to place upon her finger. He is also young, dressed finely, and wearing a crown. Between them, a church official with a pointed hat and a long flowing beard recites the appropriate prayers for the occasion, while onlookers crowd in the background. The tiled floor demonstrates the use of one-point perspective, and the church appears to be in the Gothic style. Art size: 8 3/4" x 7 1/4" Frame size: 26 1/2" x 22 3/8" Alexander Runciman (Edinburgh 15 August 1736 – 4 October 1785 Edinburgh) was a Scottish painter of historical and mythological subjects. He was the elder brother of John Runciman, also a painter. He was born in Edinburgh, and studied at the Foulis Academy, Glasgow, and from 1750 to 1762 he was apprenticed to the landscape painter Robert Norie, later becoming a partner in the Norie family firm. He also worked as a stage painter for the Theatre Royal in Edinburgh. In 1767, he went to Rome, where he spent five years. His brother John accompanied him, but died in Naples in the winter of 1768–69. During Runciman's stay in Italy he became acquainted with other artists such as Henry Fuseli and the sculptor Johan Tobias Sergel...
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Academic Late 18th Century Figurative Prints

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Etching

Egyptian Figure - Etching Hand Colored by L. Pizzi After A. Tofanelli
Located in Roma, IT
“Idolo Egizio” - Image Dim: cm 48 x 33, Dim: cm 59 x 44. Precious Etching on copper: Hand-colored subject on black ink bottom. Designed by Agostino Tofanelli and engraved by Luigi ...
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Old Masters Late 18th Century Figurative Prints

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Etching

Villa antica con scena di Giostra - Etching by Giuseppe Vasi - 1774
Located in Roma, IT
English Title: "Antique Villa with a Scene of Joust " Beautiful Proof, showing the second complex apparatus for firework built in occasion of the Feast of S. Peter and Paolo (29th J...
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Old Masters Late 18th Century Figurative Prints

Materials

Etching

Due Urne Cinerarie - Etching - 1778
Located in Roma, IT
Two cinerary Urns Artist proof, printed on contemporary laid paper, wide margins, representing “two cinerary urns”. Etching with good contrasts and sharp details, with a dedication to “Signor Giovanni Corbet, Cavaliere inglese”. Signed on plate “Cavalier Piranesi F..” in lower left margin. Very good conditions, with normal fold, left margin lightly damaged, and little holes in higher margin due to the binding of the volume “Vases and Candelabras...
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Late 18th Century Figurative Prints

Materials

Etching

Veduta per Angolo dello stesso Candelabro - Etching - 1778
Located in Roma, IT
Another view of the same Candelabrum Artist proof, printed on contemporary laid paper, wide margins, showing a precious candelabrum. Etching with good contrasts and sharp details. In...
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Late 18th Century Figurative Prints

Materials

Etching

Le Revolution Française - Etching by I.S. Helman
By Isidor Stanislas Helman
Located in Roma, IT
La Révolution française is a superb etching realized by Isidor Stanislas Helman, after an original drawing by Monnet. This original print represents a public event of the third year of the French Revolution, with a very spectacular and theatrical perspective. Dealing with the Journée du 21 Janvier 1793, our plate represents the death of Louis Capet sur Place de la Révolution, designed by Monnet. In excellent conditions, including a passepartout, cm 37 x 52.7. Isidore Stanislas Helman (Lille, 1743 - Paris, 1806 or 1809) Isidore Stanislas Helman was a French engraver, pupil of the Lille Academy of Fine Arts, under the guidance of Louis-Jean Guéret and Louis-Joseph Watteau. He moved to Paris, where he completed his training under Jacques-Philippe Lebas. He etched plates whose images were taken from paintings by many artists, including Nicolas Lavreince, Pierre Antoine Baudouin, Jean Duplessis-Bertaux, Jean-Baptiste Le Prince, and Hubert Robert. Isidore Stanislas Helman has made engravings for Les Conquêtes de l'empereur de la Chine (1783-1785) and for the Principal journées de la Révolution, by paintings by Charles...
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Modern Late 18th Century Figurative Prints

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Etching

The Patriarch - Original Lithograph on Paper - Late 18th Century
By Charles-Dominique-Joseph Eisen
Located in Roma, IT
The Patriarch is an original artwork realized by Charles Eisen in the second half of the XVIII Century. Original lithograph on paper. Signed on plate o...
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Modern Late 18th Century Figurative Prints

Materials

Lithograph

"King of the Friendly Islands" (Tonga); Engraving from Captain Cook's 3rd Voyage
Located in Alamo, CA
"Poulaho, King of the Friendly Islands, Drinking Kava" is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It was published in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell. Captain Cook visited Tonga on his 3rd voyage, which he named The Friendly Islands because of the warm welcome he and his crew received, unlike some of the other more hostile Pacific islands. The engraving depicts Cook and his men observed a kava ceremony at the village of Mu’a on Tongatapu. King Paulaho sits in the centre foreground, his back to the spectator with a man kneeling before him. The ceremonial mat depicted behind Paulaho indicates that nobody was allowed to sit behind him. The figure in the centre holds a single cup, referring to the Tongan custom of offering the cup to the king first. Kava is native to the islands of the South Pacific and was first described for English readers in 1768 by Captain James Cook. The kava root has been used for centuries as a central feature of ceremonies and celebrations because it was able to bring about a calming and pleasant social atmosphere. The root was crushed and processed into coconut milk to become the focal ceremonial beverage, simply referred to as kava. This engraving is presented in a Koa wood frame and a white mat. Koa wood is legendary in Hawaii. There are occasional faint spots, but the print is otherwise in very good condition. This amazing Koa wood is native to Hawaii and it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mats (LU117324682422, LU117324684052, LU117324684032). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included. Captain Cook is remembered as one of the greatest explorers and navigators in history. His explorations included Australia, New Zealand and islands of the South Pacific and the northwest coast of North America. Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
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Realist Late 18th Century Figurative Prints

Materials

Engraving

A Sue Eccellenza il Signor Henry Hope - Gruppo di Cariatidi - 1778
Located in Roma, IT
Group of Caryatids with the dedication to Henry Hope Artist proof, printed on contemporary laid paper, wide margins, representing a “group of caryatids” found in Vigna Strozzi", Rome...
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Late 18th Century Figurative Prints

Materials

Etching

Altra veduta del medesimo in prospettiva - Etching by G.B. Piranesi - 1778
Located in Roma, IT
Complete name : Altra veduta del medesimo in prospettiva, fra una lampada e un piccolo vaso in bronzo Artist proof, with a good contrast and sharp details, printed on contemporary la...
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Late 18th Century Figurative Prints

Materials

Etching

Vaso Antico di marmo di gran mole... - Etching - 1778
Located in Roma, IT
Large antique marble vase in S. Cecilia in Trastevere Artist proof, printed on contemporary laid paper, wide margins, representing an antique marbl...
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Late 18th Century Figurative Prints

Materials

Etching

Tripode antico di marmo che si conserva nel Museo Capitolino - Etching 1778
Located in Roma, IT
English Title: Ancient Tripod Store in the Capitoline Museums... Artist proof, printed on contemporary laid paper, wide margins, representing a “tripod from Villa lanti, Gianicolo (Rome)”. Etching with strong contrasts and sharp details. with a dedication to “Cavaliere Edward Walter”. Signed on plate "Cavalier Piranesi del. e inc.". Good condition, lightly worn paper, normal folds and little holes on higher margin due to the binding of the volume “Vases and Candelabras...
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Late 18th Century Figurative Prints

Materials

Etching

Altra veduta del medesimo in prospettiva...
Located in Roma, IT
Title : Altra veduta del medesimo in prospettiva, fra una lampada e un piccolo vaso in bronzo Artist proof, with a good contrast and sharp details, printed on antique laid paper, lar...
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Old Masters Late 18th Century Figurative Prints

Materials

Drypoint

Vaso antico che si vede nella Villa di Sua Eminenza Card. Alessandro Albani
Located in Roma, IT
Artist's proof, printed on antique watermarked paper, wide margins, representing an “antique vase in the Villa Albani” as pointed out in the higher note. ...
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Old Masters Late 18th Century Figurative Prints

Materials

Etching

"Perseus and Andromeda, " an Etching by Alexander Runciman
Located in Milwaukee, WI
"Perseus and Andromeda" is an original etching by Scottish artist Alexander Runciman, signed in the lower left area of the plate. It depicts Perseus on the left swinging his shield and a young woman, Andromeda, on the right shielding her gaze. Andromeda is to be sacrificed to a sea-monster to save her city, but Perseus rescues her from this fate by slaying the beast. 5 3/4" x 9 1/2" art 16 1/4" x 20 1/4" frame Alexander Runciman (1736-1785) was a Scottish painter of historical and mythological subjects. He was born in Edinburgh, and studied at the Foulis Academy, Glasgow, and from 1750 to 1762 he was apprenticed to the landscape painter Robert Norie, later becoming a partner in the Norie family firm. He also worked as a stage painter for the Theatre Royal in Edinburgh. In 1767, he went to Rome, where he spent five years. During Runciman's stay in Italy he became acquainted with other artists such as Henry Fuseli and the sculptor Johan Tobias Sergel...
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Old Masters Late 18th Century Figurative Prints

Materials

Etching

Tre Vasi - Etching by G.B. Piranesi - 1778
Located in Roma, IT
Artist's proof, printed on antique watermarked paper, with wide margins, representing three antique vases. Etching with good contrasts and sharp details, dedicated to “Miledi Maria Fox”. Previous edition than the one shown by Ficacci’s catalogue, without signature and with some notes. Good conditions, lightly worn paper, normal folds, right side damaged and little holes on higher margin due to the binding of the volume “Vases and Candelabras...
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Old Masters Late 18th Century Figurative Prints

Materials

Etching

Veduta in Prospettiva d'un Antico Vaso Cinerario di Marmo
Located in Roma, IT
The same urn, in perspective Beautiful artist proof, printed on antique laid paper, large margins, showing a precious urn. Etching with good contrasts and sharp details, signed on pl...
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Old Masters Late 18th Century Figurative Prints

Materials

Etching

Antiche urne cinerarie e lampade
Located in Roma, IT
From the Piranesi's series “Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal cav. Gio. Batt. Piranesi pubblicati l’anno MDCCLXXIIX” (1778). Antiche urne cinerarie e lampade" is an artist proof, printed on contemporary laid paper, large margins, representing antique marble cinerary urns - “found into antique graves...
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Old Masters Late 18th Century Figurative Prints

Materials

Etching

Vaso antico di marmo, che si conosceva nella Galleria del Palazzo
Located in Roma, IT
Artist's proof, printed on antique laid paper, large margins, representing an “antique marble vase in the gallery of the palazzo Barberini” as he r...
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Old Masters Late 18th Century Figurative Prints

Materials

Etching

Profilo d'una Sedia Curule di Marmo
Located in Roma, IT
Etching of the serie “Vases, candelabras, gravestones, sarcophagi, tripods, lamps, and ornaments”, made and etched by Piranesi, published in the year 1778 by his son Francesco. Very fine etching, “Profile of the curial chair...
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Old Masters Late 18th Century Figurative Prints

Materials

Etching

Vaso Cinerario di Gran Mole
Located in Roma, IT
Artist's proof, printed on antique laid paper, large margins, representing an antique marble vase, whose details are described in the ending note....
Category

Old Masters Late 18th Century Figurative Prints

Materials

Etching

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