Pierre Emile Berthelemy

Rescue at Sea during the Storm - Original etching

Fernandez ARMAN Violin profile, 1979 Original Drypoint etching On Arches vellum 23 x 15" (56 x 38 cm) References : Arman catalog raisonne of prints - Otmezguine / Moreau #248h This...

Mily POSSOZ (1888-1967) Portugal : The Market, 1930 Original etching Handsigned in pencil by the artist Numbered / 60 copies Blind stamp of the editor Marcel Guiot (Paris) On vellum...

Mily POSSOZ (1888-1967) Little Girl With Her Toy, 1930 Original etching Handsigned in pencil by the artist Numbered / 30 copies Blind stamp of the editor Marcel Guiot (Paris) On vel...

Mily POSSOZ The violets MEDIUM : Etching SIGNATURE : Handsigned LIMITED : 60 copies PAPER : Rives vellum SIZE : 22 x 15" INFORMATIONS : Bears the blind stamp of the editor "Marcel ...

Mily POSSOZ Young girl with basil Original etching Handsigned in pencil Numbered / 50 copies On vellum 15 x 11" INFORMATIONS : Bears the blind stamp of the editor "Marcel Guiot" E...

Mily POSSOZ (1888-1967) Serenity, 1930 Original etching Handsigned in pencil by the artist Numbered / 25 copies Blind stamp of the editor Marcel Guiot (Paris) On vellum 28 x 19 cm (...

EDMUND BLAMPIED (1886-1966) Below Stairs Signed in pencil and numbered 57/100, signed and dated in the plate: Jan 1931 Drypoint Unframed Plate size 26 by 19.5 cm.; 10 ¼ by 7 ¾ in....

Zermatt Street Scene D.W., 2021 — Peter Doig, Contemporary, 21st Century, Etching with aquatint, spitbite, drypoint, softground, Magic Realism Edition of 20 Signed recto in graphite, accompanied by Certificate of Authenticity In mint condition PLEASE NOTE: Images of edition number are example references only. The seller can only provide the specific edition number to buyers at the actual point of sale. Please message the seller to request this information at the point of purchase. The pictures are only for illustrative reasons, the work is offered unframed. An avid winter sportsman, Peter Doig lived in Zermatt for six weeks in 2020 and for four months in 2021, working out of a studio on the mountain. With his inventive, painterly approach, the artist uses alpine imagery and traditional printmaking techniques to investigate landscape, material, and form. These diverse series of etchings reflects a self-referential process of experiment and innovation in which works continuously evolve into their final form. Together, this body of work pays homage to Doig’s passion for skiing and connection to Zermatt, while also referencing a rich tradition of alpine paintings...

Gerald Brockhurst, L’Eventail (The Fan), etching, 1926, signed in pencil, from the edition of 76. Reference: Fletcher 22, Wright 22. In good condition, on cream laid paper with margins (a thin spot inherent in paper lower margin near edge), the matrix pristine, archival matting. A fine impression of this small but impressive demonstration of Brockhurst’s mastery of etching. The woman carrying the fan is of course Brockhurst’s favorite model, at least at this time, his wife Anais. She wears an embroidered coat which allows Brockhurst to display his capacity to capture complex textures with the etching needle – much as his predecessor Wenzel Hollar used women’s furs...

Anton Schutz, 'Venice, Maria della Salute', etching, c. 1930. Signed and titled in pencil. A superb, richly-inked impression, with skillfully wiped plate tone, on cream wove paper, ...

Anton Schutz, 'Delaware Bridge' (Delaware, New Jersey), etching, c. 1927. Signed in pencil. A superb, richly-inked impression, with skillfully wiped plate tone, on BFK Rives, cream wove paper, the full sheet with margins (1 1/2 to 2 1/8 inches), in excellent condition. Archivally matted to museum standards, unframed. Image size 11 7/8 x 8 7/8 inches (302 x 225 mm); sheet size 15 7/8 x 12 1/4 inches (403 x 311 mm). ABOUT THIS IMAGE The Benjamin Franklin Bridge, originally named the Delaware River...

Gerald Leslie Brockhurst (1891-1978), The Dancer (Anais), 1925, etching, signed lower right and dedicated by the artist (to F.L. Berry, Esq.) lower left [also signed and dated in reverse in the plate lower left]. Reference: Fletcher 52, seventh state (of 7). From the edition of 107. In good condition, with slightest toning, with full margins and as issued and (not archivally) matted, 9 1/4 x 5 1/2, the sheet 15 3/8 x 9 3/8 inches. Provenance: F. L. Berry (not in Lugt, see note below) Roddy Willis has graciously provided an extensive background note on this provenance, which I quote from with permission: “Francis Berry...