Robert Bechtle

Albany Monte Carlo

1990

Created in 1990, this color Woodcut on Echizen-Kozo paper is hand-signed by Alex Katz (Brooklyn, 1927 - ) in pencil in the lower right margin and is numbered from the edition of 100 ...

Created in 2008, this woodcut is hand-signed by Jim Dine (Cincinnati, Ohio, 1935 –) on verso and is numbered from the edition of 118 on verso. Published by Lincoln Center List Poster & Print Program, New York. About the Framing: Framed to museum-grade, conservation standards, Jim Dine Pinocchio...

Created to accompany poetry in the book Si je mourais la-bas by Guillaume Apolliaire, this lovely woman detailed in a soft delicate profile we can only a...

One of Jim Dine’s most iconic motifs, the romantic Rancho Woodcut Heart work illustrates the story of hope and love through a symbolic image of a large red heart. With the contrast o...

Roy Lichtenstein Reflections on Brushstrokes, from the Reflections Series, 1990 incorporates his iconic multimedia imagery, flowing with eclectic and imaginative sequence of shapes. Bright colors of neon yellow, blue, gray, and green intertwine against each other creating a strong contrasting effect. Shapes and forms are irregularly placed within a rectangular frame allowing the composition to stand out. Lichtenstein’s famous dots are dispersed along the cream colored block running through mainly the center of the image. This creates a comic-like effect that is a common theme throughout his entire oeuvre. Because Reflections is an important series where Lichtenstein uses multimedia and relates to his Mirrors paintings of the early seventies. Dots, stripes, mirrors, prominent brushstrokes presents themselves in a dashing manner throughout this series. Created in 1990, Roy Lichtenstein Reflections on Brushstrokes, from the Reflections Series, 1990 is a color lithograph, screenprint, woodcut, and metalized PVC collage with embossing on Somerset paper. This work is hand signed and dated by Roy Lichtenstein (New York, 1923 – New York, 1997) in pencil in the lower right margin. Numbered from the edition of 68 in pencil in the lower right margin, there were also 16 artist proofs. Catalogue Raisonné: Roy Lichtenstein Reflections on Hair...

Roy Lichtenstein Apple and Lemon, 1983 is an excellent example of the artist’s later work. Lichtenstein largely abandoned his famous comic strip pan...

A woodblock print in color, of a girl looking up at a giant flower bouquet by Irving Amen ( American, 1918-2011) . The lithograph entitled "The Heart is a Garden " is signed Amen and...

Ohio-born Walter DuBois Richards (1907-2006) was educated at the Cleveland School of Art. He re-located to New York around 1933 where he had a successful career as a commercial artis...

This is among the very few prints known by Spanner. It's the epitome of joie de vivre. It is signed, numbered, and annotated 'Hand print,' in pencil. The numbering indicates an edit...

An American painter, printmaker, and illustrator. His work was featured in "The Masses" and at the Metropolitan Museum of Art and Pennsylvania Academy of the Fine Arts. This wood en...

'Flower Piece' shows the artist, John Billmyer, to be a highly accomplished wood engraver. There are endless patterns and created details -- all executed flawlessly. Mostly made up o...

In 1991 Harry Sternberg published a book with Brighton Press, San Diego. It was My Life in Woodcuts. At the time it was the only known woodcut autobiography. The deluxe editions of...