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Tracey Emin
Blue Madonna - Emin, Contemporary, YBAs, Lithograph, Portrait, Black

2020

About the Item

Blue Madonna - Emin, Contemporary, YBAs, Lithograph, Portrait, Black 3 colour lithograph on Somerset Velvet Warm White 400gsm Edition of 50 65,5 x 55,5 cm (25.8 x 21.9 in) Signed, numbered, and dated by the artist In mint condition With certificate of authenticity PLEASE NOTE: Edition numbers could vary from the one shown in the images. Viewed almost as an intimate tiny sketchbook of herself, a visual diary. This edition is a great example of Emin's radical painting style which has been influenced by Expressionism. It showcases a universal feeling; raw and bittersweet emotions, which are Emin’s constant subject surrounded around the idea of love, loss, intimacy, and longing. In making herself the subject of her work, and concentrating intensely on figuration, Emin creates bridges with the rich art-historical tradition of the female figure and female nudes. She shows strong emotive force in these pictures, as seen for example in the work of male painters Munch and Schiele, which Emin admires and studied throughout her artistic oeuvre. Emin has said that “when I saw that these portraits did not look like me, I then realized I was actually drawing how I felt inside my head. An expression of myself in different moments, and this idea doing a few of them would be very honest and will be really free… the idea is how I am feeling.” "When I was younger I was completely obsessed by Picasso’s Madonna and Child, I did a lot of versions of it, especially when I was at the Royal College of Art. What is so strange, is I did this drawing and I didn’t like and then I put these crazy bat ears on it and it was really funny, but when I removed the bat ears and printed in blue added the breast underneath, this made it very mothering and soft." —Tracey Emin TRACEY EMIN A prominent member of the Young British Artists (YBAs), Tracey Emin´s production encompasses different mediums including film, painting, neon, embroidery, drawing, writing, installation and sculpture. Her work is intensely personal, revealing intimate details of her life with honesty and humour. "There should be something revelatory about art. It should be totally creative and open doors for new thoughts and experiences."—Tracey Emin Tracey Emin uses all aspects of her life in her art, turning her autobiography into broader statements about sex, love, death, freedom, and everyday life. This audacious and confessional approach earned her a nomination for the Turner Prize in 1999. The artist received notable acclaim, among others, for her installation My Bed, featuring her unmade bed surrounded by personal items, which explored the allegorical qualities of a bed as a place of birth, sex, and death.
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