Walasse TingGREEN HORSE, TWO GEISHAS Signed Lithograph, Asian Women, Parrots, Flowers1981
1981
About the Item
- Creator:Walasse Ting (1929, American, Chinese)
- Creation Year:1981
- Dimensions:Height: 17.75 in (45.09 cm)Width: 23.25 in (59.06 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Excellent condition, never been framed, pencil signed dedicated Printers Proof aside from edition of 200, printers chop mark on lower left corner, from the master printers private collection, COA provided.
- Gallery Location:Union City, NJ
- Reference Number:1stDibs: LU832310639072
Walasse Ting
Walasse Ting was a Chinese-American visual artist and poet. His colorful paintings have attracted critical admiration and a popular following. Common subjects include nude women and cats, birds and other animals.
Ting was born in Shanghai in 1929. He left China in 1946 and lived for a while in Hong Kong, then settled in Paris in 1952. There, he associated with artists such as Karel Appel, Asger Jorn, and Pierre Alechinsky, members of the avant-garde group, CoBrA.
In 1957, Ting moved to the United States, and settled in New York, where his work was influenced by Pop art and Abstract Expressionism. He began primarily as an abstract artist, but the bulk of his work since the mid-1970s has been described as popular "figuratism," with broad areas of color painted with a Chinese brush and acrylic paint. He lived in Amsterdam in the 1990s, but regularly moved between there and New York.
Ting is the author of 13 books, including All in My Head (Walasse Ting & Roland Topor, 1974) and One Cent Life (E.W Kornfeld, 1964), a portfolio of 62 original lithographs by 28 artists, including Andy Warhol, Roy Lichtenstein, Tom Wesselmann, James Rosenquist, Asger Jorn, Pierre Alechinsky, Karel Appel, Kiki Kogelnik, Joan Mitchell and Sam Francis.
Ting won the Guggenheim Fellowship Award for drawing in 1970. His works can be found in the permanent collections of many museums worldwide, including the Guggenheim Museum, New York; Museum of Modern Art, New York; Art Institute of Chicago; Tate Modern, London; Centre Pompidou, Paris; and the Hong Kong Museum of Art, among others. He was sometimes referred to by his Chinese name "丁雄泉" or its various romanizations: Ding Xiongquan or Ting Hsiung-ch'uan.
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(Biography provided by Graves International Art)
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