Francesco Nonni

Original Vintage Fonte Meo Italian Poster by Francesco Nonni c1910

c1910

A beautiful woman holds a victory wreath above the names of brave soldiers fighting overseas in this patriotic American WWI poster. The litany of last names displayed is meant to evo...

This is one of Jules Cheret's most attractive posters from his early period in the late 1880's. It is a large size image that is promoting the new fashions for Men...

This delightful image iencourages the viewer to visit the lakeside community of Evian les Bains. In addition to it being the source of Evian Water, it ...

"This is a decorative panel . . . with an interesting view of the cancan from the rear. From this vantage all we get is a hint of the swirl of white petticoats, yet it is enough to c...

This original vintage poster was created in 1920 by renowned poster artist, Leonetto Cappiello. It is printed in an oversize format with English text using stone lithography. The fin...

This beautiful poster by Marcello Nizzoli features a black background, with a bright red Campari bottle and glass in the center of the poster. The desig...

Alphonse Mucha "Lorenzaccio, a play in five acts and an epilogue by Alfred de Museet" Plate #114 Image Size: 15" x 11" 1896 Alphonse Mucha was born in Southern Moravia on July 24, 1860. At the age of seventeen the artist left his home, to work as a painter of stage decorations...

First edition, from the edition of 250 copies on Vélin d’Arches from a total edition of 270; large 4to (42.2 x 32 cm); artist’s signature stamp to limitation page, 150 lithographs after Giacometti, loose as issued in publisher's printed wrappers, glassine wrappers, cloth chemise and slipcase. Giacometti’s testament to art and modern life in his beloved Paris. For Tériade it would be a milestone, the last great publication he would see through the press. The two men [Tériade and Giacometti] had maintained a close friendship ever since the Surrealist Years. The one hundred and fifty lithographs are a profoundly interpenetrating view of Giacometti's experience of Paris. He selected the plates to be printed and determined the order of their relationship, numbering each one. The frontispiece shows a nude figure of a woman plunging forward, as though diving into space, and is immediately followed by a quantity of views of city streets, then of interiors familiar to the artist. We come upon views of his studio, of the cafes he frequented, of Annette's apartment in the rue Mazarine and Caroline's in the Avenue du Maine, strangers at cafe tables, passers by, parked automobiles, the towers of Saint-Suplice, bridges across the Seine, The Eiffel Tower. To accompany the hundred and fifty plates, a text of twenty pages was planned, but the artist never got further than a few rough drafts. True, he was a devotee of words, Paris sans fin, however, said too much to the eye to be in need of other symbols (James Lord...

Original French poster: Cycles Clement Motocycles, La Plus Vaste Usine de Monde; artist: PAL, (Jean de Paléologue) 1860-1942, c. 1895 original stone lithograph; archival linen backe...

Paper Size: 8.25 x 11.5 inches ( 20.955 x 29.21 cm ) Image Size: 6 x 7 inches ( 15.24 x 17.78 cm ) Framed: No Condition: A: Mint Additional Details: First printing Lithograph ...

Paper Size: 8.25 x 11.5 inches ( 20.955 x 29.21 cm ) Image Size: 6 x 8.5 inches ( 15.24 x 21.59 cm ) Framed: No Condition: A: Mint Additional Details: First printing Lithograp...

Paper Size: 14.5 x 10.5 inches ( 36.83 x 26.67 cm ) Image Size: 12.25 x 7.75 inches ( 31.115 x 19.685 cm ) Framed: No Condition: A: Mint Additional Details: Lithograph from the...